Screening religions in Italy: contemporary Italian cinema and television in the post-secular public sphere
Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s development as a contemporary post-secular and multi-reli...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto ; Buffalo ; London
University of Toronto Press
[2019]
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| Schriftenreihe: | Toronto Italian studies
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-1043 DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-739 DE-858 Volltext |
| Zusammenfassung: | Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s development as a contemporary post-secular and multi-religious society is fraught and fascinating. The recent return of religious discourse from the margins of Western society to a central position is a sign of what German philosopher, Jürgen Habermas, has defined as the post-secular condition. Habermas and others have questioned what most people in the West had, up to a few years ago, taken for granted: the unstoppable forward march of secularization and the subsequent marginalization of religion. Instead, one of the greatest global fault-lines in the contemporary world – the divide between absolutist extremist Islamic faith and liberal, but Christian-inflected, secular values – has religious identity at its core. The first book-length study to examine religion in contemporary Italian cinema and television fiction, Screening Religions in Italy identifies two key issues: how Italian filmmaking constructs the continuing position of religion in the public sphere and why religion persists on Italian screens. It spans genres such as horror, comedy, hagiopics, and TV fiction, and explores both commercial and art-house filmmaking. It treats films and television series that range from Moretti’s Habemus Papam to Sorrentino’s The Young Pope |
| Beschreibung: | 1 Online-Ressource (180 Seiten) |
| ISBN: | 9781487518004 |
| DOI: | 10.3138/9781487518004 |
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Datensatz im Suchindex
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| record_format | marc |
| series2 | Toronto Italian studies |
| spelling | Brook, Clodagh J. Verfasser (DE-588)1205583459 aut Screening religions in Italy contemporary Italian cinema and television in the post-secular public sphere Clodagh J. Brook Toronto ; Buffalo ; London University of Toronto Press [2019] © 2019 1 Online-Ressource (180 Seiten) txt rdacontent c rdamedia cr rdacarrier Toronto Italian studies Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s development as a contemporary post-secular and multi-religious society is fraught and fascinating. The recent return of religious discourse from the margins of Western society to a central position is a sign of what German philosopher, Jürgen Habermas, has defined as the post-secular condition. Habermas and others have questioned what most people in the West had, up to a few years ago, taken for granted: the unstoppable forward march of secularization and the subsequent marginalization of religion. Instead, one of the greatest global fault-lines in the contemporary world – the divide between absolutist extremist Islamic faith and liberal, but Christian-inflected, secular values – has religious identity at its core. The first book-length study to examine religion in contemporary Italian cinema and television fiction, Screening Religions in Italy identifies two key issues: how Italian filmmaking constructs the continuing position of religion in the public sphere and why religion persists on Italian screens. It spans genres such as horror, comedy, hagiopics, and TV fiction, and explores both commercial and art-house filmmaking. It treats films and television series that range from Moretti’s Habemus Papam to Sorrentino’s The Young Pope Catholicism Habermas Islam Italian cinema Moretti Sorrentino fiction hagiopic horror post-secular religion television PERFORMING ARTS / Film & Video / General bisacsh Postsäkularismus (DE-588)1070113859 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Fernsehen (DE-588)4016825-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Öffentlicher Raum (DE-588)4172385-5 gnd rswk-swf Religion Motiv (DE-588)4207560-9 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Filmwirtschaft (DE-588)4154384-1 s Postsäkularismus (DE-588)1070113859 s Öffentlicher Raum (DE-588)4172385-5 s DE-604 Film (DE-588)4017102-4 s Fernsehen (DE-588)4016825-6 s Religion Motiv (DE-588)4207560-9 s Erscheint auch als Druck-Ausgabe 978-1-4875-0347-5 https://doi.org/10.3138/9781487518004 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Brook, Clodagh J. Screening religions in Italy contemporary Italian cinema and television in the post-secular public sphere Catholicism Habermas Islam Italian cinema Moretti Sorrentino fiction hagiopic horror post-secular religion television PERFORMING ARTS / Film & Video / General bisacsh Postsäkularismus (DE-588)1070113859 gnd Filmwirtschaft (DE-588)4154384-1 gnd Fernsehen (DE-588)4016825-6 gnd Film (DE-588)4017102-4 gnd Öffentlicher Raum (DE-588)4172385-5 gnd Religion Motiv (DE-588)4207560-9 gnd |
| subject_GND | (DE-588)1070113859 (DE-588)4154384-1 (DE-588)4016825-6 (DE-588)4017102-4 (DE-588)4172385-5 (DE-588)4207560-9 (DE-588)4027833-5 |
| title | Screening religions in Italy contemporary Italian cinema and television in the post-secular public sphere |
| title_auth | Screening religions in Italy contemporary Italian cinema and television in the post-secular public sphere |
| title_exact_search | Screening religions in Italy contemporary Italian cinema and television in the post-secular public sphere |
| title_full | Screening religions in Italy contemporary Italian cinema and television in the post-secular public sphere Clodagh J. Brook |
| title_fullStr | Screening religions in Italy contemporary Italian cinema and television in the post-secular public sphere Clodagh J. Brook |
| title_full_unstemmed | Screening religions in Italy contemporary Italian cinema and television in the post-secular public sphere Clodagh J. Brook |
| title_short | Screening religions in Italy |
| title_sort | screening religions in italy contemporary italian cinema and television in the post secular public sphere |
| title_sub | contemporary Italian cinema and television in the post-secular public sphere |
| topic | Catholicism Habermas Islam Italian cinema Moretti Sorrentino fiction hagiopic horror post-secular religion television PERFORMING ARTS / Film & Video / General bisacsh Postsäkularismus (DE-588)1070113859 gnd Filmwirtschaft (DE-588)4154384-1 gnd Fernsehen (DE-588)4016825-6 gnd Film (DE-588)4017102-4 gnd Öffentlicher Raum (DE-588)4172385-5 gnd Religion Motiv (DE-588)4207560-9 gnd |
| topic_facet | Catholicism Habermas Islam Italian cinema Moretti Sorrentino fiction hagiopic horror post-secular religion television PERFORMING ARTS / Film & Video / General Postsäkularismus Filmwirtschaft Fernsehen Film Öffentlicher Raum Religion Motiv Italien |
| url | https://doi.org/10.3138/9781487518004 |
| work_keys_str_mv | AT brookclodaghj screeningreligionsinitalycontemporaryitaliancinemaandtelevisioninthepostsecularpublicsphere |