Sidney Nolan:
"The first comprehensive study of Sidney Nolan's methods and techniques and the sixth book in the Artist's Materials series, which explores the unique and unconventional materials used by contemporary artists and the challenges encountered by professionals tasked with conserving their...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Los Angeles
The Getty Conservation Institute
[2020]
|
| Schriftenreihe: | The artist's materials
|
| Schlagworte: | |
| Zusammenfassung: | "The first comprehensive study of Sidney Nolan's methods and techniques and the sixth book in the Artist's Materials series, which explores the unique and unconventional materials used by contemporary artists and the challenges encountered by professionals tasked with conserving their works"--Provided by publisher |
| Beschreibung: | vii, 136 Seiten |
| ISBN: | 9781606065945 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046404838 | ||
| 003 | DE-604 | ||
| 005 | 20211021 | ||
| 007 | t | ||
| 008 | 200204s2020 b||| 00||| eng d | ||
| 020 | |a 9781606065945 |c pbk. |9 978-1-60606-594-5 | ||
| 035 | |a (OCoLC)1143808660 | ||
| 035 | |a (DE-599)BVBBV046404838 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-255 |a DE-83 |a DE-19 |a DE-11 | ||
| 084 | |a LI 99999 |0 (DE-625)97471: |2 rvk | ||
| 100 | 1 | |a Dredge, Paula |e Verfasser |0 (DE-588)120325637X |4 aut | |
| 245 | 1 | 0 | |a Sidney Nolan |c Paula Dredge ; with contributions by Anne Carter and Gillian Osmond |
| 264 | 1 | |a Los Angeles |b The Getty Conservation Institute |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a vii, 136 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a The artist's materials | |
| 505 | 8 | |a St. Kilda Reflections: 1938-1941 -- Artist's oil, boot polish, and blotting paper -- Set design -- Gloss paint -- Nitrocellulose lacquer -- Wartime Wimmera: 1942-1944 -- Drafted -- Diaries and letters -- Dulux -- Wartime supports -- Nolan's Ripolin -- Sheffield exhibitions -- Postwar Kelly: 1945-1947 -- Ripolin -- An anomaly -- Queensland journeys: 1947 (with Anne Carter and Gillian Osmond) -- Painting on Fraser Island -- Nolan's salvaged masonite on Fraser Island -- Mrs. Fraser, 1947 -- Sydney -- Sydney and London success: 1948-1982 -- The Wahroonga Studio -- Driers -- London -- Polyvinyl acetate (PVA) -- Helizarin dyes -- Artist's oil paints and alkyd gel medium -- The last studio: 1983-1992 -- Remnants of Australia -- Ripolin -- Spray cans -- A return to oil -- Observations on condition and conservation -- Appendix 1. Analysis of Nolan's paints in works from 1939 to 1964, with methods of analysis -- Appendix 2. Analysis of a selection of Nolan's materials from the Wahroonga and Rodd studios, with methods of sampling and analysis -- Analysis of a selection of Nolan's Wahroonga studio materials -- Analysis of drying oils and resins in a selection of Nolan's Ripolin paints from the Wahroonga studio -- Analysis of a selection of paints from the Rodd studio -- Appendix 3. Works of art sampled | |
| 520 | 3 | |a "The first comprehensive study of Sidney Nolan's methods and techniques and the sixth book in the Artist's Materials series, which explores the unique and unconventional materials used by contemporary artists and the challenges encountered by professionals tasked with conserving their works"--Provided by publisher | |
| 600 | 1 | 7 | |a Nolan, Sidney Robert |d 1917-1992 |0 (DE-588)118786369 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Maltechnik |0 (DE-588)4125812-5 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Nolan, Sidney / 1917-1992 | |
| 653 | 0 | |a Painting, Modern / 20th century / Technique | |
| 653 | 0 | |a Paint materials / Analysis | |
| 653 | 0 | |a Artists' materials / Analysis | |
| 653 | 1 | |a Nolan, Sidney / 1917-1992 | |
| 653 | 0 | |a Painting, Modern / Technique | |
| 653 | 4 | |a 1900-1999 | |
| 689 | 0 | 0 | |a Nolan, Sidney Robert |d 1917-1992 |0 (DE-588)118786369 |D p |
| 689 | 0 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 0 | 2 | |a Maltechnik |0 (DE-588)4125812-5 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Carter, Anne |4 ctb | |
| 700 | 1 | |a Osmond, Gillian |4 ctb | |
| 710 | 2 | |a The Getty Conservation Institute |0 (DE-588)236121-8 |4 isb | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-031817545 | |
Datensatz im Suchindex
| _version_ | 1811019687854604288 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Dredge, Paula |
| author2 | Carter, Anne Osmond, Gillian |
| author2_role | ctb ctb |
| author2_variant | a c ac g o go |
| author_GND | (DE-588)120325637X |
| author_facet | Dredge, Paula Carter, Anne Osmond, Gillian |
| author_role | aut |
| author_sort | Dredge, Paula |
| author_variant | p d pd |
| building | Verbundindex |
| bvnumber | BV046404838 |
| classification_rvk | LI 99999 |
| contents | St. Kilda Reflections: 1938-1941 -- Artist's oil, boot polish, and blotting paper -- Set design -- Gloss paint -- Nitrocellulose lacquer -- Wartime Wimmera: 1942-1944 -- Drafted -- Diaries and letters -- Dulux -- Wartime supports -- Nolan's Ripolin -- Sheffield exhibitions -- Postwar Kelly: 1945-1947 -- Ripolin -- An anomaly -- Queensland journeys: 1947 (with Anne Carter and Gillian Osmond) -- Painting on Fraser Island -- Nolan's salvaged masonite on Fraser Island -- Mrs. Fraser, 1947 -- Sydney -- Sydney and London success: 1948-1982 -- The Wahroonga Studio -- Driers -- London -- Polyvinyl acetate (PVA) -- Helizarin dyes -- Artist's oil paints and alkyd gel medium -- The last studio: 1983-1992 -- Remnants of Australia -- Ripolin -- Spray cans -- A return to oil -- Observations on condition and conservation -- Appendix 1. Analysis of Nolan's paints in works from 1939 to 1964, with methods of analysis -- Appendix 2. Analysis of a selection of Nolan's materials from the Wahroonga and Rodd studios, with methods of sampling and analysis -- Analysis of a selection of Nolan's Wahroonga studio materials -- Analysis of drying oils and resins in a selection of Nolan's Ripolin paints from the Wahroonga studio -- Analysis of a selection of paints from the Rodd studio -- Appendix 3. Works of art sampled |
| ctrlnum | (OCoLC)1143808660 (DE-599)BVBBV046404838 |
| discipline | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV046404838 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-23T20:22:42Z |
| institution | BVB |
| institution_GND | (DE-588)236121-8 |
| isbn | 9781606065945 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031817545 |
| oclc_num | 1143808660 |
| open_access_boolean | |
| owner | DE-12 DE-255 DE-83 DE-19 DE-BY-UBM DE-11 |
| owner_facet | DE-12 DE-255 DE-83 DE-19 DE-BY-UBM DE-11 |
| physical | vii, 136 Seiten |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | The Getty Conservation Institute |
| record_format | marc |
| series2 | The artist's materials |
| spelling | Dredge, Paula Verfasser (DE-588)120325637X aut Sidney Nolan Paula Dredge ; with contributions by Anne Carter and Gillian Osmond Los Angeles The Getty Conservation Institute [2020] © 2020 vii, 136 Seiten txt rdacontent sti rdacontent n rdamedia nc rdacarrier The artist's materials St. Kilda Reflections: 1938-1941 -- Artist's oil, boot polish, and blotting paper -- Set design -- Gloss paint -- Nitrocellulose lacquer -- Wartime Wimmera: 1942-1944 -- Drafted -- Diaries and letters -- Dulux -- Wartime supports -- Nolan's Ripolin -- Sheffield exhibitions -- Postwar Kelly: 1945-1947 -- Ripolin -- An anomaly -- Queensland journeys: 1947 (with Anne Carter and Gillian Osmond) -- Painting on Fraser Island -- Nolan's salvaged masonite on Fraser Island -- Mrs. Fraser, 1947 -- Sydney -- Sydney and London success: 1948-1982 -- The Wahroonga Studio -- Driers -- London -- Polyvinyl acetate (PVA) -- Helizarin dyes -- Artist's oil paints and alkyd gel medium -- The last studio: 1983-1992 -- Remnants of Australia -- Ripolin -- Spray cans -- A return to oil -- Observations on condition and conservation -- Appendix 1. Analysis of Nolan's paints in works from 1939 to 1964, with methods of analysis -- Appendix 2. Analysis of a selection of Nolan's materials from the Wahroonga and Rodd studios, with methods of sampling and analysis -- Analysis of a selection of Nolan's Wahroonga studio materials -- Analysis of drying oils and resins in a selection of Nolan's Ripolin paints from the Wahroonga studio -- Analysis of a selection of paints from the Rodd studio -- Appendix 3. Works of art sampled "The first comprehensive study of Sidney Nolan's methods and techniques and the sixth book in the Artist's Materials series, which explores the unique and unconventional materials used by contemporary artists and the challenges encountered by professionals tasked with conserving their works"--Provided by publisher Nolan, Sidney Robert 1917-1992 (DE-588)118786369 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Maltechnik (DE-588)4125812-5 gnd rswk-swf Nolan, Sidney / 1917-1992 Painting, Modern / 20th century / Technique Paint materials / Analysis Artists' materials / Analysis Painting, Modern / Technique 1900-1999 Nolan, Sidney Robert 1917-1992 (DE-588)118786369 p Malerei (DE-588)4037220-0 s Maltechnik (DE-588)4125812-5 s DE-604 Carter, Anne ctb Osmond, Gillian ctb The Getty Conservation Institute (DE-588)236121-8 isb |
| spellingShingle | Dredge, Paula Sidney Nolan St. Kilda Reflections: 1938-1941 -- Artist's oil, boot polish, and blotting paper -- Set design -- Gloss paint -- Nitrocellulose lacquer -- Wartime Wimmera: 1942-1944 -- Drafted -- Diaries and letters -- Dulux -- Wartime supports -- Nolan's Ripolin -- Sheffield exhibitions -- Postwar Kelly: 1945-1947 -- Ripolin -- An anomaly -- Queensland journeys: 1947 (with Anne Carter and Gillian Osmond) -- Painting on Fraser Island -- Nolan's salvaged masonite on Fraser Island -- Mrs. Fraser, 1947 -- Sydney -- Sydney and London success: 1948-1982 -- The Wahroonga Studio -- Driers -- London -- Polyvinyl acetate (PVA) -- Helizarin dyes -- Artist's oil paints and alkyd gel medium -- The last studio: 1983-1992 -- Remnants of Australia -- Ripolin -- Spray cans -- A return to oil -- Observations on condition and conservation -- Appendix 1. Analysis of Nolan's paints in works from 1939 to 1964, with methods of analysis -- Appendix 2. Analysis of a selection of Nolan's materials from the Wahroonga and Rodd studios, with methods of sampling and analysis -- Analysis of a selection of Nolan's Wahroonga studio materials -- Analysis of drying oils and resins in a selection of Nolan's Ripolin paints from the Wahroonga studio -- Analysis of a selection of paints from the Rodd studio -- Appendix 3. Works of art sampled Nolan, Sidney Robert 1917-1992 (DE-588)118786369 gnd Malerei (DE-588)4037220-0 gnd Maltechnik (DE-588)4125812-5 gnd |
| subject_GND | (DE-588)118786369 (DE-588)4037220-0 (DE-588)4125812-5 |
| title | Sidney Nolan |
| title_auth | Sidney Nolan |
| title_exact_search | Sidney Nolan |
| title_full | Sidney Nolan Paula Dredge ; with contributions by Anne Carter and Gillian Osmond |
| title_fullStr | Sidney Nolan Paula Dredge ; with contributions by Anne Carter and Gillian Osmond |
| title_full_unstemmed | Sidney Nolan Paula Dredge ; with contributions by Anne Carter and Gillian Osmond |
| title_short | Sidney Nolan |
| title_sort | sidney nolan |
| topic | Nolan, Sidney Robert 1917-1992 (DE-588)118786369 gnd Malerei (DE-588)4037220-0 gnd Maltechnik (DE-588)4125812-5 gnd |
| topic_facet | Nolan, Sidney Robert 1917-1992 Malerei Maltechnik |
| work_keys_str_mv | AT dredgepaula sidneynolan AT carteranne sidneynolan AT osmondgillian sidneynolan AT thegettyconservationinstitute sidneynolan |