Berlin:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German |
| Veröffentlicht: |
Ditzingen
Reclam
2019
|
| Schriftenreihe: | Reclams Universal-Bibliothek
Nr. 19627 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | Literaturverzeichnis: Seite 188-189 |
| Beschreibung: | 200 Seiten Illustrationen, Karten, Pläne 14.8 cm x 9.6 cm |
| ISBN: | 9783150196274 3150196272 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1815053712865886208 |
|---|---|
| adam_text |
INDICE
INTRODUCCION.9
1. PRINCIPIOS GENERALES SOBRE TECNOLOGIA Y MIMESIS.
APROXIMACION A UNA DEFINICION DEL GENERO
.
23
1.1. EL ORIGEN DE LA NOVELA Y DEL LARGOMETRAJE DE FICCION.
LO EXPERIENCIAL
.23
1.2. LAS ETAPAS FORMATIVAS. EL FRAUDE (HOAX)
.
27
1.3. MODOS DE ORIENTACION A LA FACTUALIDAD
.
36
1.4.
CRONOTOPO.
48
1.5. DEFINICION DE GENEROS
.
56
2. PRODUCCION Y REPRODUCCION. INSTITUCIONALIZACION
DE LAS FORMAS POPULARES
.
77
2.1. LA
REPRODUCCION.77
2.2. TECNICAS DE PRODUCCION Y REPRODUCCION
.
83
2.3. INSTITUCIONALIZACION CULTURAL: MOMENTOS CLASICOS
Y OBRAS EPIGENERICAS
.
95
2.4. ULTIMA INSTITUCIONALIZACION: INCORPORACION
AL AMBITO ACADEM
ICO. 103
2.5.
CONCLUSION.
104
3. EXPERIMENTACION, TRASLACION, FICCION. HISTORIA BREVE
DEL CINE M UDO
.
107
3.1. EPOCA FORMATIVA Y EXPERIMENTACION. TECNICAS
.
107
3.2. FORMAS
PREGENERICAS.
113
3.3. EL PRIMER MAPA GENERICO
.
123
3.4. TRASLACION
.
127
3.5. FICCION HEGEM
ONICA. 140
3.6.
CONCLUSION.
147
4. CULTURA POPULAR Y SUBVERSION POLITICA
.
151
4.1. DEFINICION DE LA CULTURA POPULAR. MOMENTOS
EN SU ESPECIALIZACION PRODUCTIVA
.
151
4.2. DEBATES Y USOS
.
156
4.3. DE LA CULTURA ORAL A LA CULTURA POPULAR IM PRESA
.
162
4.4. LA NOVELA DEL XVIII COMO SUBCULTURA
JUVENIL Y FEMENINA
. 167
4.5. BOHEMIA, FOLLETIN, EDUCACION
POPULAR. 175
4.6. EL CINE DE GANGSTERS Y EL CINE N E G RO
. 180
4.7. GENEROS POPULARES RECIENTES Y GUERRA CULTURAL
.
190
5. EL PROGRESO DE LA M IM
ESIS. 195
5.1. REALISMO DOCUMENTAL, LENGUAJES CLASICOS E IDEOLOGIA
.
195
5.2. EVOLUCION GENERICA
. 199
5.3. EL
ESPECTACULO.
205
5.4. TIPOS DE REALISMO: IDEOLOGICO,
ANTI-IDEOLOGICO Y
EXPERIENCIAL.210
5.5. CONCLUSION: PROGRESO Y PRIMACIA DE LO EXPERIENCIAL
.
219 |
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| building | Verbundindex |
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| ctrlnum | (OCoLC)1140128493 (DE-599)DNB1185593640 |
| discipline | Kunstgeschichte |
| format | Book |
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| language | German |
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