Greek tragedy and the contemporary actor:
This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, inter...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski’s (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises |
| Beschreibung: | IX, 237 Seiten |
| ISBN: | 9783030403874 |
Internformat
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| 520 | |a This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski’s (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises | ||
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Datensatz im Suchindex
| _version_ | 1804180874822942720 |
|---|---|
| adam_text | Contents 1 Introduction 1 2 The Aristotle Legacy 27 3 The Stanislavski Legacy 53 4 Acting Sound 79 5 Acting Myth 115 6 Acting Space 149 7 Acting Chorus 185 8 Conclusions 219 Index 231 ix
|
| any_adam_object | 1 |
| author | Dunbar, Zachary Harrop, Stephe |
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| format | Book |
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| spelling | Dunbar, Zachary Verfasser (DE-588)1233745573 aut Greek tragedy and the contemporary actor Zachary Dunbar, Stephe Harrop Cham, Switzerland Palgrave Macmillan [2018] © 2018 IX, 237 Seiten txt rdacontent n rdamedia nc rdacarrier This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski’s (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises Geschichte 1900-2000 gnd rswk-swf Performing arts Philology Theater—History Culture-Study and teaching Schauspieler (DE-588)4052154-0 gnd rswk-swf Griechisch (DE-588)4113791-7 gnd rswk-swf Schauspielkunst (DE-588)4129090-2 gnd rswk-swf Tragödie (DE-588)4060591-7 gnd rswk-swf Hardcover, Softcover / Kunst/Theater, Ballett Rezeption & Wirkungsgeschichte (DE-2581)TH000005250 gbd Griechisch (DE-588)4113791-7 s Tragödie (DE-588)4060591-7 s Schauspielkunst (DE-588)4129090-2 s DE-604 Schauspieler (DE-588)4052154-0 s Geschichte 1900-2000 z 1\p DE-604 Harrop, Stephe Verfasser (DE-588)1233745913 aut Erscheint auch als Online-Ausgabe 978-3-319-95471-4 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031737482&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Dunbar, Zachary Harrop, Stephe Greek tragedy and the contemporary actor Performing arts Philology Theater—History Culture-Study and teaching Schauspieler (DE-588)4052154-0 gnd Griechisch (DE-588)4113791-7 gnd Schauspielkunst (DE-588)4129090-2 gnd Tragödie (DE-588)4060591-7 gnd |
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| title | Greek tragedy and the contemporary actor |
| title_auth | Greek tragedy and the contemporary actor |
| title_exact_search | Greek tragedy and the contemporary actor |
| title_full | Greek tragedy and the contemporary actor Zachary Dunbar, Stephe Harrop |
| title_fullStr | Greek tragedy and the contemporary actor Zachary Dunbar, Stephe Harrop |
| title_full_unstemmed | Greek tragedy and the contemporary actor Zachary Dunbar, Stephe Harrop |
| title_short | Greek tragedy and the contemporary actor |
| title_sort | greek tragedy and the contemporary actor |
| topic | Performing arts Philology Theater—History Culture-Study and teaching Schauspieler (DE-588)4052154-0 gnd Griechisch (DE-588)4113791-7 gnd Schauspielkunst (DE-588)4129090-2 gnd Tragödie (DE-588)4060591-7 gnd |
| topic_facet | Performing arts Philology Theater—History Culture-Study and teaching Schauspieler Griechisch Schauspielkunst Tragödie |
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