Muzykalʹnaja kulʹtura Belarusi: istoričeskaja sudʹba i tvorčeskie svjazi
Музыкальная культура Беларуси историческая судьба и творческие связи
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Russian |
| Veröffentlicht: |
Minsk
"IVC Minfina"
2019
|
| Ausgabe: | Vtoroe izdanie, dopolnennoe |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | 175 Seiten Porträts, Illustrationen 24 cm |
| ISBN: | 9789857224159 9857224156 |
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(ОДЕРЖАНИЕ Часть I Общие вопросы изучения отечественной МУЗЫКАЛЬНОЙ КУЛЬТУРЫ ДО XX в. 7 Музыкально-историческое наследие Беларуси: проблемы и перспективы исследования. 9 «Разлом эпох» в истории отечественной музыкальной культуры: мифы и
реальность. 22 На художественных перекрестках: Беларусь в центре музыкальной Европы. 26 Музыкальная культура Беларуси как процесс: диалектика разрывов и связей историко-стилевых
эпох. 63 Часть || Выдающиеся личности в диалоге с музыкальным миром Беларуси 74 Жизнь и творчество М.И. Глинки: взгляд из Беларуси. 77 П.И. Чайковский и музыкальное искусство Беларуси.89 Художественный мир Ф. Шопена: белорусские
реалии. 96 Белорусско-украинские встречи: к биографии А. Веделя. . . . 110 Николай Набоков: «.до конца дней своих останусь белорусом». 114 Вместо послесловия. Ноябрьские
воспоминания. 120 Избранные публикации \4\ Summary. 166 Список иллюстраций.171
Contents Рабті (jEMEKAL Issues of Studying Belarusian Musical Culture until the 20™ Century 7 The musical and historical heritage of Belarus. Problems and prospects for researches. 9 Break of epochs in the history of the national musical culture. The myths and reality. 22 At artistic crossroads. Belarus in the centre of musical Europe . 26 Musical culture of Belarus as a process. Dialectics of gaps and connections of historical and style epochs. 63 PAKT II Outstanding Persons in Dialogue with the Musical World of Belakus 75 Life and creative work of Mikhail Glinka. View from Belarus.77 Pyotr Tchaikovsky and musical art of Belarus.89 Artistic world of Frederic Chopin. Belarusian realities. 96 Belarusian-Ukrainian meetings. To biography of Artemy Vedel. 110 Nikolai Nabokov, ".I’ll remain a Belarusian until the end of my days”. 114 Instead of the afterword. November memories.120 Selected publications 151 Summary.166 The list of illustrations. 171 В
Ţhe book Musical Culture of Belarus: Historical Destiny and Creative Connections by Olga Dadiomova presents a series of scientific and popular articles on the history of academic musical art and culture of Belarus during the period of up to the 20th century. The book like all other 300+ publications by Olga Dadiomova uses a pretty large number of sources that the author managed to discover in repositories of many countries. Based there on, the author drafted a concept for the formation and development of musical culture in the territory of Belarus. It takes into account that historically the country had been a part of different states (the Grand Duchy of Lithuania, the Rzeczpospolita, and the Russian Empire) and existed at the intersection of many confessional, ethnic and linguistic traditions. This culture has become a unique phenomenon notable for the adaptation and transmission of artistic flows but it was unable to form its national creative environment. Most of the composers who worked in Belarus and originated from Belarusian lands represented the culture not only of Belarus but also of Poland, Lithuania, Russia and Ukraine. Музыкальная культура Беларуси
During the Renaissance when the musical culture of Belarus found itself at the easternmost area of Renaissance arts, it was characterized by the main features of the then musical art, from increasing role of the secular component, the strengthening of the author's principle, intensive development of choral polyphony and instrumental music, spread of scores printing. By combining different confessional traditions this culture became a vivid and unique embodiment of pluralism in the Renaissance world and attracted musicians from different countries. The Baroque era in Belarus evidenced the outflow of musical and professional staff away from Belarusian lands and relocation of composers [including Nikolai Diletsky) to Russia for whom the Russian culture became a donor and translator in the dialogue of the European West and East. However, in the times of Classicism, a majestic and multi-sounded musical and cultural system emerges in the domestic artistic world that centered in the private-owned opera and ballet theatre with local (Matei Radziwiłł, Osip Kozlovsky, Michal Kazimir Oginsky) and foreign (Johann Holland, Jan Dusik, Ernst Vanjura) composers, performers with an active artistically productive creative process unfolding in the style paradigm of Classicism. But due to a drastic change in the socio political climate this musical civilization had been rapidly dissolved. It was replaced by the epoch of Romanticism concentrated in small local centres of musical art. There was no own musical theatre, large orchestras and professional centres of musical education because they
could not survive in the then very complicated historical situation. However, that era gave the world many outstanding figures as Stanislav Moniuszko, Mieczysław Karlovich, Konstantin Gorsky, Mikhail Elsky, Michał Kleofas Oginsky, Anthony Radziwiłł, Napoleon Orda, etc. At the end of the 19th century they leave their homeland, and then, in the early 20th century, were replaced, by figures of the Russian culture arrived to Belarus. There were followers of the New Russian Music School (so-called Mighty Knot) whose traditions were brilliantly embodied in the Belarusian national musical art. It is noteworthy that, throughout the entire development period of the Belarusian musical world, it retained its specific effect of the Earth историческая судьба 6; и творческие связи
attraction when all the musicians born and worked for a long time in Belarus imprinted the memory of this land. Even in the 20th century, musicians who arrived in Belarus (from Nikolai Churkin and Nikolai Aladov to Heinrich Wagner and Andrei Mdivani) remain forever in their new homeland. The second part of the book deals with the diverse connections of famous musicians with the musical art and culture of Belarus. The historical materials presented in the book convincingly evidence the belonging of Mikhail Glinka's family to the Belarusian culture and his acquaintance with the Belarusian language and folklore. Of particular interest is the fact of the Belarusian origin of the famous Kamarinskaya song, known in Belarus as Lyavonikha Pa-daunejshamu (Old-style Lyavonikha). Mikhail Glinka's direct and indirect contacts with figures of Belarusian culture are also noted. The life of Pyotr Tchaikovsky has also many links with natives of Belarus. Thus Nikolai Zaremba (born in the Vitebsk region), an outstanding musician, composer, teacher and theorist, rector of the Saint Petersburg Conservatory, was the great composer’s mentor and significantly influenced on his creative development. Konstantin Gorsky, a composer and a virtuoso violinist, was Tchaikovsky's close friend and a brilliant performer of his music. The works by Michal Kleofas Oginsky and Osip Kozlovsky were well known to Pyotr Tchaikovsky. The influence of the great master’s creativity on the Belarusian musical art turned out to be very significant and is still felt in works of modern Belarusian composers. The life of
Frederic Chopin is also notable for his ties with the Belarusian culture. They manifested especially brightly in his creative contacts with Adam Mickiewicz, a native of the Novogrudok region. His Svityazyanka poem being full of Belarusian realities indelibly impressed Chopin and became the basis for his famous ballad. Frederic Chopin, the Polish genius also had warm and friendly relations with Napoleon Orda, a musician and a painter born in the Brest region. It is known that Orda was Chopin's pupil and embodied many characteristic genre and style features of Chopin's music in his works. Other composers of Belarus including Stanislav Moniuszko and Mieczysław Karlovich as Музыкальная культура |||ļļļ Беларуси
well as contemporary Belarusian authors including Dmitry Smolsky did not avoid the influence of the great master. While the music of Russian and Polish classics is constantly heard in Belarus, creativity of the Ukrainian composer Artemy Vedel, a major musician of late 18th - early 19th centuries, is still little known in our country. According to the Kiev musicologist Evgeny Makhnovets, Vedel was born and got his musical education in Mogilev. A further study of the initial period of his life may bring interesting results. The study of materials about the composer Nikolai Nabokov, a cousin of the famous writer Vladimir Nabokov, proved to be very promising. This musician is famous first of all as the author of music to the ballets staged in the 1920s by Sergey Diaghilev in Europe, and in the 1930s by George Balanchine in America; he is also the author of the monograph about Igor Stravinsky (who also has his genealogical roots in Belarus) published in Boston in 1967. Nikolai Nabokov’s childhood passed in the Belarusian city of Lyubcha where he received his first musical impressions, filled, according to Nabokov himself, with Belarusian folk music. In his memoirs, the composer claimed, "Until the end of my days I will remain a Belarusian. For me, this is the only way to keep in touch with the distant and unreachable land." The book ends with an autobiographical essay where Ms. Dadiomova tells about her family and about the creative personalities (well-known writers and musicians) whom she was lucky to meet in her life. историческая судьба и творческие связи
ii ƒ Jļs. Olga Vladimirovna Dadiomova is a Doctor of Arts, Professor, Head of the Belarusian Music Division [2005-2017) at the Belarusian State Academy of Music. The most important area of her interests is history of the Belarusian musical culture (until the 20th century). Based on musical and historical sources, revealed in the repositories of different countries, the researcher has carried out the scientific reconstruction of the most important development stages of this culture, defined its typological properties and dynamic characteristics as a historical-style process. Olga Dadiomova is the author of more than 300 publications (including monographs, training manuals, textbooks and articles published in Belarus, Russia, Lithuania, Poland, Germany, the USA, etc.); she is a compiler of scientific collections and audio CDs; she is a permanent participant in international scientific forums, the author of concepts and presenter of educational projects, concerts, TV and radio programmes. For the first time in the country and in the world, O. Dadiomova has created and is teaching the History of Musical Culture of Belarus until the 20th Century university course; all the country's educational establishments of culture and arts are using her publications in training. The musical monuments (from operas and symphonies to chamber instrumental and vocal works) returned by O. Dadiomova to Belarus have been included by country's many performing groups and soloists into their repertoires. They are performed in concerts, staged on the theatrical stage and recorded on the radio and TV. |
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| publisher | "IVC Minfina" |
| record_format | marc |
| spelling | 880-01 Dadziëmava, Volʹha Uladzimiraŭna 1955- Verfasser (DE-588)111643315X aut 880-03 Muzykalʹnaja kulʹtura Belarusi istoričeskaja sudʹba i tvorčeskie svjazi O.V. Dadiomova 880-02 Vtoroe izdanie, dopolnennoe 880-04 Minsk "IVC Minfina" 2019 175 Seiten Porträts, Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Text russisch, Zusammenfassung englisch Kyrillische Schrift Geschichte gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Belarus (DE-588)4079143-9 gnd rswk-swf Music / Belarus / History and criticism Music Belarus Criticism, interpretation, etc Belarus (DE-588)4079143-9 g Musik (DE-588)4040802-4 s Musikleben (DE-588)4075128-4 s Geschichte z DE-604 Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031736790&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031736790&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract 100-01/(N Дадзіёмава, Вольга Уладзіміраўна ut 250-02/(N Второе издание, дополненное 245-03/(N Музыкальная культура Беларуси историческая судьба и творческие связи О.В. Дадиомова 264-04/(N Минск "ИВЦ Минфина" 2019 |
| spellingShingle | Dadziëmava, Volʹha Uladzimiraŭna 1955- Muzykalʹnaja kulʹtura Belarusi istoričeskaja sudʹba i tvorčeskie svjazi Musikleben (DE-588)4075128-4 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4040802-4 (DE-588)4079143-9 |
| title | Muzykalʹnaja kulʹtura Belarusi istoričeskaja sudʹba i tvorčeskie svjazi |
| title_auth | Muzykalʹnaja kulʹtura Belarusi istoričeskaja sudʹba i tvorčeskie svjazi |
| title_exact_search | Muzykalʹnaja kulʹtura Belarusi istoričeskaja sudʹba i tvorčeskie svjazi |
| title_full | Muzykalʹnaja kulʹtura Belarusi istoričeskaja sudʹba i tvorčeskie svjazi O.V. Dadiomova |
| title_fullStr | Muzykalʹnaja kulʹtura Belarusi istoričeskaja sudʹba i tvorčeskie svjazi O.V. Dadiomova |
| title_full_unstemmed | Muzykalʹnaja kulʹtura Belarusi istoričeskaja sudʹba i tvorčeskie svjazi O.V. Dadiomova |
| title_short | Muzykalʹnaja kulʹtura Belarusi |
| title_sort | muzykalʹnaja kulʹtura belarusi istoriceskaja sudʹba i tvorceskie svjazi |
| title_sub | istoričeskaja sudʹba i tvorčeskie svjazi |
| topic | Musikleben (DE-588)4075128-4 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Musikleben Musik Belarus |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031736790&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031736790&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT dadziemavavolʹhauladzimirauna muzykalʹnajakulʹturabelarusiistoriceskajasudʹbaitvorceskiesvjazi |