From toothpick legs to dropping vaginas: gender and sexuality in Joan Rivers' stand-up comedy performance (2:2)
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2020
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| Beschreibung: | Part VI. Critical angles: essays on a Joan Rivers routine |
| ISBN: | 978-0-367-17593-1 |
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| spelling | Lockyer, Sharon 1974- (DE-588)1014551102 aut From toothpick legs to dropping vaginas gender and sexuality in Joan Rivers' stand-up comedy performance (2:2) Sharon Lockyer 2020 txt rdacontent n rdamedia nc rdacarrier Part VI. Critical angles: essays on a Joan Rivers routine pages:213-223 The Routledge comedy studies reader / edited by Ian Wilkie First published Abingdon, Oxon ; New York, NY, 2020 Seiten 213-223 (DE-604)BV046337484 978-0-367-17593-1 |
| spellingShingle | Lockyer, Sharon 1974- From toothpick legs to dropping vaginas gender and sexuality in Joan Rivers' stand-up comedy performance (2:2) |
| title | From toothpick legs to dropping vaginas gender and sexuality in Joan Rivers' stand-up comedy performance (2:2) |
| title_auth | From toothpick legs to dropping vaginas gender and sexuality in Joan Rivers' stand-up comedy performance (2:2) |
| title_exact_search | From toothpick legs to dropping vaginas gender and sexuality in Joan Rivers' stand-up comedy performance (2:2) |
| title_full | From toothpick legs to dropping vaginas gender and sexuality in Joan Rivers' stand-up comedy performance (2:2) Sharon Lockyer |
| title_fullStr | From toothpick legs to dropping vaginas gender and sexuality in Joan Rivers' stand-up comedy performance (2:2) Sharon Lockyer |
| title_full_unstemmed | From toothpick legs to dropping vaginas gender and sexuality in Joan Rivers' stand-up comedy performance (2:2) Sharon Lockyer |
| title_short | From toothpick legs to dropping vaginas |
| title_sort | from toothpick legs to dropping vaginas gender and sexuality in joan rivers stand up comedy performance 2 2 |
| title_sub | gender and sexuality in Joan Rivers' stand-up comedy performance (2:2) |
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