Marija Magdalena: od Isusove učenice do filmske bludnice : teološko-kulturalna analiza
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| Format: | Buch |
| Sprache: | Croatian |
| Veröffentlicht: |
Zagreb
Institut Društvenih Znanosti Ivo Pilar
2018.
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| Schriftenreihe: | Biblioteka Studije
knjiga 38 |
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| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Abstract Abstract |
| Beschreibung: | Literaturverzeichnis Seite 467-474 |
| Beschreibung: | 478 Seiten Illustrationen 24 cm |
| ISBN: | 9789537964511 |
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Datensatz im Suchindex
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| adam_text | Sadržaj Predgovor .................................................................................................9 Pregled rasprava i uvod..................................................................... 17 Jadranka Rebeka Anic MARUA IZ MAGDALÉ OD NOVOGA ZAVJETA DO LEGENDI 1. Pitanje identiteta Marije iz Magdalé.......................................... 45 u. Sheme stapanja različitih likova u jedan lik Marije iz Magdalé......................................................46 1.2. Rješenje pitanja................................................................................ 51 2. Marija iz Magdalé u Novom zavjetu ....................................... 61 2.1. Ime — Marija iz Magdalé ........................................................... 61 2.2. Marija iz Magdalé u Evanđelju po Marku .............................. 69 2.2.1. Svjedokinje smrti na križu i pitanje učeništva žena .................70 2.2.2. Svjedokinje polaganja u grob ................................................ 81 2.2.3. Svjedokinje radosne vijesti uskrsnuća ....................................... 82 2.3. Marija iz Magdalé u Evanđelju po Mateju ............................... 89 2.4. Marija iz Magdalé u Evanđelju po Luki..................................... 96 2.5. Marija iz Magdalé u Evanđelju po Ivanu .............................. 119 2.6. Marija iz Magdalé u Djelima apostolskim ............................... 137 2.7. Marija iz Magdalé u 1 Kor 15,3-8 ........................................ 138 2.8. Apostolica
...................................................................................... 145 3. Marija iz Magdalé u antičkim spisima i spisima koji su postali apokrifi ................................................... 151 3.1. Marija iz Magdalé u Epistuli Apostolorum, Evanđelju po Petru, Protiv Celza ................................................ 154 5
Marija Magdalena: od Isusove učenice do filmske bludnice 3.2. Marija iz Magdalé u Sofiji Isusa Krista................................... 160 3.3. Marija iz Magdalé u Dijalogu Spasitelja ............................... 162 3.4. Marija iz Magdalé u Evanđelju po Mariji ............................. 165 3.5. Marija iz Magdalé u Evanđelju po Filipu ............................... 178 3.6. Marija iz Magdalé u Pistis Sofiji ............................................... 189 3.7. Marija iz Magdalé u Evanđelju po Tomi ............................... 199 4. Od apostolice do grešnice: strategije umanjivanja važnosti ..................................................... 207 4.1. Marija iz Magdalé i Petar — veza suprotnosti i zamjena uloga ..........................................208 4.1.1. Marija iz Magdalé i Petar — veza suprotnosti ..................... 208 4.1.2. Zamjena Marije Magdalene drugim likovima: strategija uklanjanja konkurencije ............................................ 215 4.2. Apostolica apostola sučelice zabrani propovijedanja i naučavanja ženama......................................... 221 4.2.1. Zapadni crkveni oci i ranokršćanski pisci ............................... 221 4.2.1.1. Priznanje apostolskog autoriteta unatoč tipološkom tumačenju i rodnim stereotipima ................................... 222 4.2.1.2. Rodni stereotipi i tipološko tumačenje u službi zabrane govora i propovijedanja žena u Crkvi ............................. 230 4.2.1.3. Papa Grgur Veliki ............................................................... 237 4.2.2. Istočni crkveni oci
....................................................................... 244 5. Legende о Mariji iz Magdalé........................................................ 257 5.1. Zapadna predaja ...............................................................................258 5.2. Istočna predaja ................................................................................... 273 Zaključak .............................................................................................. 281 Literatura................................................................................................ 285 Irena Sever Globan BLUDNICA, OBRAĆENICA, UČENICA: 120 GODINA MARUE MAGDALENE NA FILMU l. Marija Magdalena u popularnoj kulturi .................................... 297 1.1. Moć slika i medij filma..................................................................... 307 1.2. Feministička filmska teorija ............................................................ 311 6
Sadržaj 1.3. Kada Biblija postaje filmski scenarij ........................................317 2. Marija Magdalena na filmskome platnu................................ 327 2.1. Marija Magdalena u eri nijemoga filma ............................... 331 2.2. Preteča holivudskih biblijskih spektakala: Kralj kraljeva spašava slavnu kurtizanu....................................345 2.3. Marija Magdalena prema evanđelju biblijskih epova sa sredine stoljeća .......................................................................353 2.4. Tri Magdalene u tri talijanska kristološka klasika .................. 364 2.5. Uloga Magdalene u teološkim filmskim kontroverzama postkoncilskog razdoblja: od hipi djevojke do posljednjeg Kristovog iskušenja .......................................... 380 2.6. Ususret Magdaleninoj emancipaciji: povratak mainstream novozavjetnih epova u trećem tisućljeću ............395 2.6.1. Povratak seksi Magdalene u holivudskom blockbusteru Mela Gibsona .......................... 405 2.6.2. Apostolica Magdalena: promjena paradigme u Sinu Božjem.....................................409 2.7. Filmske hagiografije о prostitutki zlatna srca ............................414 2.7.1. Grešnica iz Magdalé odlazi u Meksiko................................. 415 2.7.2. Isusova prijateljica imena Marija Magdalena ....................... 422 2.7.3. Žena za žene: Magdalena oslobođena srama ..................... 426 2.7.4. Gnostická Magdalena Abela Ferrare ...................................431 2.7.5. Iz pera ženskih ruku: apostolica apostola u konačnom obračunu s
tradicijom............................................. 436 2.8. Magdalenine filmske dvojnice — pale žene zlatna srca ......442 Zaključak ......................................................................................... 455 Literatura ...........................................................................................467 Sažetak ............................................................................................475 Summary ......................................................................................... 477 7
LITERATURA AMOS Tori, Piece by Piece. How Mary Magdalene, the Patriarchy, and Sinsuality Have Influenced My Life and Career, u: Dan BURSTEIN — Arne J. DE KEIJZER (ur.), Secrets of Mary Magdalene. The Untold Story of History s Most Misunderstood Woman, New York, 2006., 268-277. APOSTOLES-CAPPADONA Diane, The Saint as Vamp. Mary Magdalene on the Silver Screen, u: Dan BURSTEIN — Ame J. DE KEIJZER (ur.), Secrets of Mary Magdale ne. The Untold Story of History s Most Misunderstood Woman, New York, 2006., 252-259. APOSTOLOS-CAPPADONA Diane, »The Scarlet Lily*. Mary Magdalene in Western Art and Culture, u: Dan BURSTEIN — Arne J. DE KEIJZER (ur.), Secrets of Mary Mag dalene. The Untold Story of History s Most Misunderstood Woman, New York, 2006., 200-211. APOSTOLOS-CAPPADONA Diane, From Eve to Virgin and Back Again. The Image of Woman in Contemporary (Religious) Film, u: John R. MAY (ur.), New Images of Religious Film, Kansas, 1997., 111-127. APOSTOLOS-CAPPADONA Diane, In Search of Mary Magdalen. Images and Tradition, New York, 2002. BABINGTON Bruce — Peter W. EVANS, Biblical Epics. Sacred Narrative in the Holly wood Cinema, Manchester, 1993. BARCLAY William, Jesus of Nazareth, Glasgow, 1977. BAUGH L!oyd, Cinematographic Variations on the Christ-event. Three Films by Krzysz tof Kielowski. Part One: a Short Film About Love, u: Gregorianum, 84 (2003.) 3, 551-583. BAUGH Lloyd, Imaging Jesus in Film. Sources and Inñuences, Limits and Possibilities, Regina, 2007. BAUGH Lloyd, Imaging the Divine. Jesus and Christ-figures in Film, Kansas City, 1997. BAUGH Lloyd, L’invenzione filmica
di Gesù: tra і Vangeli canonici, gli apocrifi ed altre fonti, u: Giuseppe ANGELINI — Lloyd BAUGH (ur.), Fede, ragione, narrazione. La figura di Gesù e la forma del racconto, Milano, 2006., 95-128. BAUGH Lloyd, La rappresentazione di Gesù nel cinema: problemi teologici, problemi estetici, u: Gregorianum, 82 (2001.) 2, 199-240. BEAVIS Marry Ann, Who is Mary Magdalene, u: Robert В. KRUSCHWITZ (ur.), Christi an Reflection. A Series in Faith and Ethics: Women in the Bible, Waco, 2013-, 23-29. BEAVIS Mary Ann, The Cathar Mary Magdalene and the Sacred Feminine. Pop Culture Legend vs. Medieval Doctrine, u: The Journal of Religion and Popular Culture, 24 (2012.) 3, 419-431. BELLEVIE Lesa, The Saint as Pop Star. The Mary Magdalene Effect in Popular Culture, u: Dan BURSTEIN — Arne J. DE KEIJZER (ur.), Secrets of Mary Magdalene. The Untold Story of History s Most Misunderstood Woman, New York, 2006., 259-268. BERGER John, Ways of Seeing, London, 1972. 467
Marija Magdalena: od Isusove učenice do filmske bludnice BERNARDINI Aldo, U cinema muto italiano. I film dei primi anni: 1905—1909, Roma, 1996. BIZIO Silvia, Il mio film non è antisemita. Mei Gibson difende La Passione, u: La Re pubblica, 25.1. 2004. BONGIOANNI Marco (ur.), La figura di Cristo nel cinema dalle origini ad oggi, Torino, Cinema Alfieri 4-13 settembre 1978. Catalogo a cura di Provincia di Torino. Asses sorato per la cultura. BOURLOT Alberto, Il cinema cristologico, u: Dario E. VIGANÒ (ur.), Dizionario della comunicazione, Roma, 2009., 924. BRINKMAN Martien E., Jesus Incognito. The Hidden Christ in Western Art since I960, Amsterdam — New York, 2013· BROVERMAN Inge К. — VOGEL RAYMOND Susan — BROVERMAN Donald M. — CLARKSON Frank E. — ROSENKRANTZ Paul S., Sex-Role Stereotypes. A Current Appraisal, u: Journal of Social Issues, 28 (1972.) 2, 59-78. BROWN Kevin, Tis Pity She s a Whore. The Revision of Mary Magdalene in Contem porary Fiction, u: Papers on Language Literature, 42 (2006.), 291-316. BRUNSTAD Paul Otto, Jesus in Hollywood — the Cinematic Jesus in a Christological and Contemporary Perspective, u: Studia Theologica, 55 (2001.), 145-156. BUONANNO Milly, Leggere la fiction. »Narrami о diva rivisitata-, Napoli, 1996. CACUCCI Francesco, -Visione della Parola«: prolusione al convegno, u: Visioni della Pa rola. Il rapporto tra Bibbia e Cinema, Roma, 2001., 5-9· CAMPANI Ermelinda M., Cinema e sacro. Divinità, magia e mistero sul grande scher mo, Roma, 2003. CARTER Susan, The Digby Mary Magdalen. Constructing the Apostola Apostolorum, u: Studies in Philology,
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Marija Magdalena: od Isusove učenice do filmske bludnice KOZLOVIC Anton Karl, Sacred Subtext and Popular Film. A Brief Survey of Four Cate gories of Hidden Religious Figurations, u: Journal of Contemporary Religion, 18 (2003.) 3, 317-334. LAHR Jane (ur.), Searching for Mary Magdalene. A Journey Through Art and Literature, New York, 2006. LERNER Gerda, The Creation of Patriarchy, New York, 1986. LIS Marek, Traduzione e comunicazione della Bibia — 2 ... nel passaggio da medium a medium, u: Visioni della Parola. Il rapporto tra Bibbia e Cinema, Roma, 2001., 55-75. LORETAN Matthias, Sperriger Klassiker der Christus-Filme. »Das erste Evangelium — Matthaus« von Pier Paolo Pasolini, u: Peter HASENBERG — Wolfgang LULEY — Charles MARTIG (ur.), Spuren des Religiösen im Film. Meilensteine aus 100 Jahren Kinogeschichte, Mainz, 1995-, 65-68. MAISCH Ingrid, Mary Magdalena. The Image of a Woman Through Centurìes, College ville, 1998. MAKARUSHKA Irena, Women Spoken For. Images of Displaced Desire, u: Joel W. MARTIN — Conrad E. OSTWALT (ur.), Screening the Sacred: Religion, Myth and Ideology in Popular American Film, Boulder, 1995-, 142-151. MALONE Peter, Jesus on Our Screens, u: John R. MAY (ur.), New Image of Religious Film, Wisconsin, 1997., 57-72. MALONE Peter, Screen Jesus. Portayals of Christ in Television and Film, Maryland, 2012. MARSH Clive, Film and Theologies of Culture, u: Clive MARSH — Gay ORTIZ (ur.), Ex plorations in Theology and Film, Oxford, 1997., 21-35. MARTINELLI Vittorio, II cinema muto italiano. I film della Grande Guena, Torino, 1991—1992. McEVER Mathew, The
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I. Sever Globan: Bludnica, obraćenica, učenica: 120 godina Marije Magdalene na filmu O’BRIAN Catherine, Women in the Cinematic Gospels, u: Rhonda BURNETTE-BLETSCH (ur.), The Bible in Motion. A Handbook of The Bible And its Recep tion in Film, Hawthorne, 2016., 449-462. PANOFSKY Erwin, Meaning in the Visual Arts, Chicago, 1955PASOLINI Pier Paolo, Sette poesie e due lettere, Vicenza, 1985. PETERLIĆ Ante, Filmska čitanka Ante Peterlića — žanrovi, auton, glumci, Zagreb, 2010. PETERSEN Silke, María aus Magdala. Die Jüngerin, die Jesus liebte, Leipzig, 2011. PLUMER Eric, The Catholic Church and American Culture. Why the Claims of Dan Brown Strike a Chord, Scranton, 2009. POUPARD Paul, Saluto, u: Paola DELLA TORRE — Claudio SINISCALCHI (ur.), Cristo nel cinema. Un canone cinematografico, Roma, 2004., 7-11. RADFORD RÜTHER Rosemary, The Future of Feminist Theology in the Academy, u: Journal of the American Academy of Religion, 4 (1985.), 703-713. REINHARTZ Adele, Jesus of Hollywood, Oxford, 2007. REINHARTZ Adele, Judaism and Antisemitism in Bible Movies, u: Rhonda BURNETTEBLETSCH (ur.), The Bible in Motion. A Handbook of the Bible and its Reception in Film, Hawthorne, 2016., 779-794. REINHHARTZ Adele, Bible and Cinema. An Introduction, London, 2013. RICCI Nino, Testament, Boston, 2003. RYAN-SHEUTZ Colleen, Sex, the Self, and the Sacred. Women in the Cinema of Pier Paolo Pasolini, Toronto, 2007. SARTORI Giovanni, Homo videns. Televisione e post-pensiero, Bari, 2007. SCHABERG Jane, Fast Forwarding to the Magdalene, u: Semeia, 74 (1996.), 33-45. SCHABERG Jane, The Resurrection of Mary
Magdalene. Legends, Apocp pha, and the Christian Testament, Sidney, 2002. SCHNEIDERS Sandra Marie, Women in the Fourth Gospel and the Role of Women in the Contemporary Church, u: Biblical Theology Bulletin, 12 (1982.), 35-45. SCHROEDER Jonathan, Consuming Representation. A Visual Approach to Consumer Research, u: Barbara B. STERN (ur.), Representing Consumers. Voices, Views and Visions, London, 1998., 193-230. SCHÜSSLER FIORENZA Elizabeth, In Memory of Her, New York, 1994. SICILIANO Enzo, Pasolini, New York, 1982., 269. SILVERSTONE Roger, Television, Myth and Culture, u: John CAREY (ur.), Media, Myths and Narratives. Television and the Press, London, 1988., 20-47. STAM Robert — Robert BURGOYNE — Sandy FLITTERMAN-LEWIS, New Vocabularies in Films and Semiotics. Structuralism, Post-structuralism and Beyond, London, 1992. STRUMIA Alberto, Raccontare Cristo al cinema: tre considerazioni, u: Paola DELLA TORRE — Claudio SINISCALCHI (ur.), Cristo nel cinema. Un canone cinemato grafico, Roma, 2004., 47-50. TAGLIABUE Carlo, Codice della Bibbia e generi cinematografici, u: Visioni della Paro la. Il rapporto tra Bibbia e Cinema, Roma, 2001., 32-40. TATUM Barnes W., Jesus at the Movies. A Guide to the First Hundred Years, Santa Ro sa, 1997. 471
Marija Magdalena: od Isusove učenice do filmske bludnice TELFORD William R., Jesus Christ Movie Star. The Depiction of Jesus in Cinema, u: Cli ve MARSH — Gay ORTIZ (ur.), Explorations in Theology and Film, Oxford, 1997., 115-139. THIMMES Pamela, Memory and Re-Vision. Mary Magdalene Research since 1975, u: Currents in Research, 6 (1998.),193-226. THISTLETHWAITE Susan, Mel Makes a War Movie, u: Paula FREDRIKSEN (ur.), On the Passion of the Christ. Exploring the Issues Raised by the Controversial Movie, Ber keley — Los Angeles, 2006., 127-145. TURAN Kenneth, Not to be Missed. Fifty-four Favorites from а Шейте of Film, New York, 2014. VIANO Maurizio, A Certain Realism. Making Use of Pasolini s Theory and Practice, Ber keley, 1993VIGANÒ Dario E., Cinema e Chiesa. Una storia che dura 100 anni, Milano, 1994. VI GANÓ Dario E., Gesù e la macchma da presa. Dizionario ragionato del cinema cris tologico, Roma, 2005. WALKER John (ur.), Halliwell s Film Guide, Walker, 1995. WALSH Moira, Christ or Credit Card? A Review of King of Kings, u: America, 21. X. 1961. WALSH Richard, Reading the Gospels in the Dark. Portrayals ofJesus in Film, Harris burg, 2003. WILLIAMS John E. — Deborah L. BEST, Measuring Sex Stereotypes. A Multination Study, Beverly Hills, 1990. WINKETT Lucy, Go Tell! Thinking about Mary Magdalene, u: Feminist Theology. The Journal of the Britain and Ireland School of Feminist Theology, 29 (2002.), 19-31. WOLF Naomi, Mit о ljepoti, Zagreb, 2008. ZANZOTTERA Luisa, Iconografia cristologica nel cinema muto, u: Ruggero EUGENI — Dario E. VIGANÒ (ur.), Attraverso lo schermo.
Cinema e cultura cattolica in Ita lia. Volume I: Dalle origini agli anni Venti, Roma, 2006., 251-267. ZIÓŁKOWSKI Theodore, Fictional Transfigurations ofJesus, Princeton — New Jersey, 1972. ZOONEN Liesbet van, Feminist Media Studies, London, 2000. Materijali u elektroničkom obliku: ARENDS, Carolyn, JESUS for Women (3. VI. 2008.), na: http://www.christianitytoday. com/ct/2008/juneweb-only/jesusforwomen.html (13. VII. 2017.). FUMAROLA Silvia, Maria Maddalena coraggiosa per amore (12. IV. 2000.), na: http://ricerca. repubblica. it/repubblica/archivio/repubblica/2000/04/12/maria֊maddalenacoraggiosa-per-amore.html?refresh_ce (3. VIL 2017.). GREYDANUS Steven D., Spotlight. The Gospel of John (21. XII. 2003.), na: http://www. ncregister.com/site/article/spotlight_the_gospel_of_john (8. VIL 2017.). HAWKER Philippa, Redemption of ‘13th’ Apostle (17. III. 2018.), na: https://www.theaustralian.com.au/arts/review/mary-magdalene-garth-davis-film-shows-spiritualwoman-in-mans-world/news-story/el6c6f8671 Icaa6a0e27d87298dc8bb0 (17. III. 2018.). 472
I. Sever Gbbarv. Bludnica, obraćenica, učenica: i20 godina Alarije Magdalene na filmu JOLIN Dan, Garth Davis on How the «Mary Magdalene* Team Dealt with the Weinstein Fall-out (5. III. 2018.), na: https://www.screendaily.com/features/garth-davis-onhow-the-mary-magdalene-team-dealt-with-the-weinstein-fall-out/5127139.article (17. III. 2017.). MAGISTER Sandro, Imbrogli vaticani. »The Passion«, il papa e la recensione fantasma (6. II. 2004.), na: http://chiesa.espresso.repubblica.it/articolo/7018 (14. XI. 2016.). POTTON Ed, Film review: Mary Magdalene (16. III. 2018.), na: https://www.thetimes.co.uk/article/film-review-mary-magdalene-q95j68mfr (17. III. 2018.). SCHMIDT Cathrine, There is Something About Mary Magdalene. Part I, (11. IV. 2012.), na: http://religionnerd.com/2012/04/ll/there-is-something-about-mary-magdalene-part-i/ (1. III. 2016.). SCHMIDT Catherine, There is Something About Mary Magdalene. Part III (3. V. 2012.), na: http://religionnerd.com/2012/05/03/there-is-something-about-mary-magdalene-part֊iii/ (1. III. 2016.). TOOMEY Matthew, Interview — Australian Director Garth Davis on »Mary Magdalene« (15. III. 2018.), na: https://www.thefilmpie.com/index.php/blog-2/4365-interview-australian-director-garth-davis-on-mary-magdalene (17. III. 2018.). The Billboard (24. I. 1914.), na: http://fultonhistory.com/Newspaper%2015/Billboard/ Billboard%201914/Billboard%201914%20-%200277.pdf (21. VII. 2016.); The Au burn Citizen (26. II. 1914.) http://fultonhistory.com/newspaper%202/Auburn%
20NY%20Citizen/Auburn%20NY%20Citizen%2019l4.pdf/Newspaper%20Auburn%20NY%20Citizen%2019l4%20-%203011.PDF (21. VII. 2016.). The Passion of the Christ. A Chronology, na: http://www.filmreform.org/p-chrono.htm (5. II. 2017.). http://www.ncregister.com/site/article/spotlight_the_gospel_of_john (8. VII. 2017.). http ://deadline .com/2016/01/universal-boards-mary-magdalene-project-from-the-kingsspeech-producers-see-saw-films-jesus-christ-bible-120l686765/ (17. VII. 2016.). http://deadline.eom/20l6/02/rooney-mara-in-talks-to-play-mary-magdalene-jesuschrist-bible-1201694747/ (17. VII. 2016.). http://fultonhistory.com/Newspaper%20i5/Billboard/Billboard%20i9i4/Bill֊ board%201914%20-%200219.pdf (21. VII. 2016.). http://lifewayresearch.com/?s=bible (9. VII. 2016.). http://www.movieplayer.it/film/l46l/la-passione-di-cristo/statistiche/ (5. II. 2017.). Izvor filmskih fotografija Slika 3., str. 345. https://upload.wikimedia.Org/wikipedia/commons/c/cb/constance_crawely_ -_Mary_Magdalene.jpg Slika 10., str. 387. https://www.youtube.com/watch?v=E6Hd58crU7g Slika 11., str. 395. https://www.rappler.com/life-and-style/3494- lsquo;the-last-temptation rsquo; -remains-relevant 473
Marija Magdalena: od Isusove učenice do filmske bludnice Slika 13., str. 403. https://www.cineplex.com/Movie/the-gospel-of-john/Photos Slika 14., str. 409. http ://tvoymalysh. com.ua/news/stars/5861-monika-beluchchi-snyalas֊v -blagotvoritelnoy-fotosessii-v-obraze-devy-marii.html Slika 15., str. 413. http://ravepad. com/page/magdalene/images/view/18801104/Mary-Magdalene-in -the-Bible Slika 16., տէր. 421. http://www.movpins.com/dHQwMDQyOTcx/mar/still-589433856 Slika 17., տէր. 425. http://www.luxvide.it/en/mary-magdalene-97.html Slika 18., տէր. 429. http://txapela.ru/blogs/nejron2008/magdalina-osvobozhdenie-ot-pozora -magdalena-released-from-shame-2011 -dvdrip/ Slika 19., str. 435. http://www.movie-roulette.com/movie/mary Slika 20., str., 441. https://variety.coin/2018/film/reviews/mary-magdalene-review-1202710195/ Slika 21., str. 449. https://www.todocoleccion.net/cine-fotos-postales/laura-hidalgo-maria -magdalena-foto-b-n-original-ricardo-hugo-christensen-argentina-sono -film~x47377596 Slika 22., str. 453. https://fdb.pl/film/13180-krotki-film-o-milosci 474
SAŽETAK Marija Magdalena: od Isusove učenice do filmske bludnice Teološko-kulturalna analiza U knjizi Marija Magdalena: od Isusove učenice do filmske bludnice ana liziran je proces trajne i složene mijene lika Marije iz Magdalé tijekom duge povijesti njegova tumačenja kao i složenost interdisciplinarnih is traživanja koja nisu ograničena samo na njezin lik i ulogu već obuhva ćaju i analizu radova o toj svetici. Ovom se knjigom hrvatskoj javnosti prvi put predstavljaju istraživanja о Mariji iz Magdalé iz područja novozavjetne egzegeze, patristike i legenda te se ujedno donosi prva sustav na analiza uopće lika Marije iz Magdalé u filmskoj umjetnosti. Knjiga je podijeljena u dva dijela kojima prethodi uvod u kojem su predstavljena istraživanja о Mariji Magdaleni u različitim znanstvenim disciplinama i glavne prekretnice u tim istraživanjima. Prvi dio knjige naslovljen je Marija iz Magdalé — od Novoga zavje ta do legendi i sadrži pet poglavlja. U prvom se poglavlju raspravlja о tzv. the Magdalene Question, odnosno, о identitetu Marije iz Magdalé: radi li se о novozavjetnom ženskom liku koji nosi to ime ili se pod tim imenom spaja više različitih novozavjetnih ženskih likova? U drugom po glavlju analizira se lik i uloga Marije iz Magdalé na temelju kanonskih novozavjetnih tekstova: Evanđelju po Marku, Mateju, Luki, Ivanu, Djeli ma apostolskim i 1 Kor 15,3-8. Posebna pozornost posvećena je pitanju koliko se na temelju prikaza njezina lika može saznati о položaju žena u ranim kršćanskim zajednicama. Na primjeru Marije iz Magdalé prika zana je i suvremena rasprava о ženama
kao Isusovim učenicama i apostolicama. Pitanje položaja žena u ranom kršćanstvu i strategije kojima ih se postupno izmještalo iz središta Isusova pokreta i iz aktivnih uloga vodstva i naviještanja, vid su pod kojim se analizira uloga Marije iz Mag dalé u apokrifnim tekstovima te u tekstovima ranokršćanskih crkvenih otaca i pisaca (treće i četvrto poglavlje). U petom se poglavlju analizira ju legende о Mariji iz Magdalé nastale na kršćanskom Zapadu i Istoku i njihove razlike. U cijelom prvom dijelu knjige posebna pozornost pos- 475
Marija Magdalena: od Isusove učenice do filmske bludnice većena je preobrazbama njezina lika i uloga te uzročno-posljedničnim vezama tih preobrazba s promjenama uloga žena u kršc anskim zajedni cama. U drugom dijelu knjige analizira se lik Marije Magdalene u filmskoj umjetnosti od njenih početaka do danas. Analizira se tko je i kako je Ma rija Magdalena portretirana na filmu, u kojim se ulogama pojavljuje, ka ko izgleda i transformira se, u kakvom odnosu stoji s dmgim likovima (posebno s Isusom s kojim najčešće dolazi u tandemu). Također, ras pravlja se podržava li njezin prikaz patrijarhalnu stereotipnu reprezenta ciju žene u umjetnosti kao one koja se veže uz seksualnost i grešnost s obzirom na to da se Hollywood, i općenito filmska industrija, smatraju bedemom tradicionalno muških vrijednosti i patrijarhalnog svjetonazora. Cjelokupono istraživanje upućuje na važnost ne samo analize lika i uloge Marije iz Magdalé već i analize diskursa, odnosno, mehanizama i ciljeva kojima se uspostavlja i ozakonjuje neki diskurs dok se drugi po tiskuju ili zabranjuju. To vrijedi kako za (katoličku) crkvenu tradiciju ko ja time utječe na položaj žena u crkvenim zajednicama tako i za popu larnu kultum koja preko lika Marije Magdalene rješava neka intelektual na, emotivna i egzistencijalna pitanja ili izražava nezadovoljstvo službe nim učenjem Katoličke Crkve о tijelu, seksualnosti ili celibatu. Naime, Marija Magdalena koja je tijekom povijesti pretvorena u lik trajnih preo brazba privlačna je i u suvremeno doba koje više naginje trajnim pro mjenama nego stalnim, fiksiranim
identitetima. Problem je međutim što i te suvremene mijene njezinog lika uglavnom nastavijaju tradiciju koja se temelji na stapanju više novozavjetnih ženskih likova u jedan lik Ma rije Magdalene koji pogoduje rodnim steretipima i ne stavlja u pitanje pa trijarhalne strukture i odnose. Cilj ove knjige je potaknuti veće uvažava nje suvremenih teoloških istraživanja u filmskoj i dmgim granama um jetnosti. To je i razlog zašto su dva dijela knjige koja mogu funkcionira ti kao zasebne, nezavisne cjeline, namjerno stavljene u jedan, zajednič ki, dijaloški okvir. 476
SUAAAAARY Mary Magdalene: From a Follower of Jesus to a Strumpet on the Silver Screen Theological-Cultural Analysis In Mary Magdalene: From a Follower ofJesus to a Strumpet on the Sil ver Screen, the complex changes in perceptions about Mary Magdalene over time, the long history of the interpretation of her persona, together with complex interdisciplinary studies on her image, role and works about her are analyzed. For the first time, studies about Mary of Magda la in New Testament exegesis, patristics, legends and a systematic analy sis of how she has been depicted in films have been made accessible to the Croatian public. The book is divided into two sections, together with an introduc tion presenting research and major breakthroughs about Mary Magda lene in various scientific disciplines. The first section of the book, entitled Maty of Magdah: From the New Testament to Legends, consists of five chapters. The first chapter provides a discussion of the so-called Magdalene question, i.e., whether Mary of Magdala is a specific New Testament woman of that name or whether the name refers to several different New Testament women. In the second chapter, there is an analysis of the persona and role of Mary of Magdala, based on canonical New Testament texts: the Gospels ac cording to Mark, Matthew, Luke and John, the Acts of the Apostles and 1 Corinthians 15.3-8. Particular attention is devoted to the question of how much can be gleaned about the position of women in early Chris tian communities from the depictions of Mary Magdalene. Using Mary of Magdala as an example,
women as Jesus’ followers and apostles are dis cussed from a contemporary viewpoint. The roles of Mary of Magdala in the apocryphal texts and the texts of the early Christian church fathers and writers were analyzed (third, and fourth chapters) from the aspects of the position of women in early Christianity and the strategies through which they were gradually displaced from the center of Jesus’ move ment, active roles of leadership and proclamation. In the fifth chapter, 477
Marija Magdalena: od Isusove učenice do filmske bludnice legends about Mary of Magdala from the Christian East and West are pre sented, compared and analyzed. Particular attention throughout the first section is devoted to the transformations of her persona and role, and to the causes and effects associated with changes in women’s roles in Christian communities. In the second section of the book, the persona of Mary Magdelene as portrayed in motion pictures from early films to the present is ana lyzed. As whom and how Mary Magdalene is portrayed in films, the roles she appears in, how she looks and is transformed, and her relationships with other figures (especially Jesus, with whom she most often appears in tandem) are analyzed. Furthermore, whether the manner in which she is depicted reinforces the patriarchal stereotypes of women in art, such as those related to sexuality and impurity, is duscussed, given the fact that Hollywood and the film industry in general are considered bastions of traditonal male values and patriarchal attitudes. Not only is it important to analyze the persona and roles of Mary of Magdala but also the discourse, i.e., the mechanisms and objectives according to which some discourse becomes established and canonized, while some are suppressed or prohibited. This is true both for the (Ca tholic) Church tradition, which thereby affects the position of women in Church communities, and also for popular culture, which resolves some intellectual, emotional and existential questions through the persona of Mary Magdalene or expresses dissatisfaction with
the official teachings of the Catholic Church about the body, sexuality or celibacy. Namely, Mary Magdalene, who was a figure of continuous transformations dur ing the course of history, is attractive in modem times, which are more disposed to constant changes than constant fixed identities. The problem is, however, that such contemporary changes in her persona generally continue a tradition based on an amalgamation of several New Testa ment female figures into the persona of Mary Magdalene, which reinfor ces gender stereotypes and does not question patriarchal structures or relationships. The objective of this book is to foster an appreciation of contemporary theological studies in film and other branches of the arts. Therefore, the two parts of this book, which can function as separate and independent entities, have been intentionally placed within in a sin gle common framework for dialogue. 478
|
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| author | Anić, Rebeka Jadranka 1960- Sever Globan, Irena |
| author_GND | (DE-588)1031180419 |
| author_facet | Anić, Rebeka Jadranka 1960- Sever Globan, Irena |
| author_role | aut aut |
| author_sort | Anić, Rebeka Jadranka 1960- |
| author_variant | r j a rj rja g i s gi gis |
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| bvnumber | BV046352302 |
| ctrlnum | (OCoLC)1145228066 (DE-599)BVBBV046352302 |
| format | Book |
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| id | DE-604.BV046352302 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:42:28Z |
| institution | BVB |
| isbn | 9789537964511 |
| language | Croatian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031728760 |
| oclc_num | 1145228066 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 478 Seiten Illustrationen 24 cm |
| psigel | BSB_NED_20200310 gbd_0 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Institut Društvenih Znanosti Ivo Pilar |
| record_format | marc |
| series | Biblioteka Studije |
| series2 | Biblioteka Studije |
| spelling | Anić, Rebeka Jadranka 1960- Verfasser (DE-588)1031180419 aut Marija Magdalena od Isusove učenice do filmske bludnice : teološko-kulturalna analiza Jadranka Rebeka Anić, Irena Sever Globan Mary Magdalene, from a follower of Jesus to an stumpet on the silver screen Zagreb Institut Društvenih Znanosti Ivo Pilar 2018. 478 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Biblioteka Studije knjiga 38 Literaturverzeichnis Seite 467-474 Englische Zusammenfassung: Mary Magdalene, from a follower of Jesus to an stumpet on the silver screen Mary Magdalene / Saint Mary Magdalene / Saint / Art Mary Magdalene / Saint fast Maria Magdalena Heilige, Biblische Person (DE-588)118577840 gnd rswk-swf Christian saints Christian saints in art Women in the Bible Christian saints fast Christian saints in art fast Women in the Bible fast Frauenbild (DE-588)4125057-6 gnd rswk-swf Maria Magdalena Heilige, Biblische Person (DE-588)118577840 p Frauenbild (DE-588)4125057-6 s DE-604 Sever Globan, Irena Verfasser aut Biblioteka Studije knjiga 38 (DE-604)BV017001014 38 Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031728760&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031728760&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031728760&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031728760&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Anić, Rebeka Jadranka 1960- Sever Globan, Irena Marija Magdalena od Isusove učenice do filmske bludnice : teološko-kulturalna analiza Biblioteka Studije Mary Magdalene / Saint Mary Magdalene / Saint / Art Mary Magdalene / Saint fast Maria Magdalena Heilige, Biblische Person (DE-588)118577840 gnd Christian saints Christian saints in art Women in the Bible Christian saints fast Christian saints in art fast Women in the Bible fast Frauenbild (DE-588)4125057-6 gnd |
| subject_GND | (DE-588)118577840 (DE-588)4125057-6 |
| title | Marija Magdalena od Isusove učenice do filmske bludnice : teološko-kulturalna analiza |
| title_alt | Mary Magdalene, from a follower of Jesus to an stumpet on the silver screen |
| title_auth | Marija Magdalena od Isusove učenice do filmske bludnice : teološko-kulturalna analiza |
| title_exact_search | Marija Magdalena od Isusove učenice do filmske bludnice : teološko-kulturalna analiza |
| title_full | Marija Magdalena od Isusove učenice do filmske bludnice : teološko-kulturalna analiza Jadranka Rebeka Anić, Irena Sever Globan |
| title_fullStr | Marija Magdalena od Isusove učenice do filmske bludnice : teološko-kulturalna analiza Jadranka Rebeka Anić, Irena Sever Globan |
| title_full_unstemmed | Marija Magdalena od Isusove učenice do filmske bludnice : teološko-kulturalna analiza Jadranka Rebeka Anić, Irena Sever Globan |
| title_short | Marija Magdalena |
| title_sort | marija magdalena od isusove ucenice do filmske bludnice teolosko kulturalna analiza |
| title_sub | od Isusove učenice do filmske bludnice : teološko-kulturalna analiza |
| topic | Mary Magdalene / Saint Mary Magdalene / Saint / Art Mary Magdalene / Saint fast Maria Magdalena Heilige, Biblische Person (DE-588)118577840 gnd Christian saints Christian saints in art Women in the Bible Christian saints fast Christian saints in art fast Women in the Bible fast Frauenbild (DE-588)4125057-6 gnd |
| topic_facet | Mary Magdalene / Saint Mary Magdalene / Saint / Art Maria Magdalena Heilige, Biblische Person Christian saints Christian saints in art Women in the Bible Frauenbild |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031728760&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031728760&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031728760&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031728760&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV017001014 |
| work_keys_str_mv | AT anicrebekajadranka marijamagdalenaodisusoveucenicedofilmskebludniceteoloskokulturalnaanaliza AT severglobanirena marijamagdalenaodisusoveucenicedofilmskebludniceteoloskokulturalnaanaliza AT anicrebekajadranka marymagdalenefromafollowerofjesustoanstumpetonthesilverscreen AT severglobanirena marymagdalenefromafollowerofjesustoanstumpetonthesilverscreen |