From music to sound: the emergence of sound in 20th- and 21st-century music
"From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music. Both well-known and lesser-known works and composers are anaylsed in detail, from Debussy to contemporary music in the early 2...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2020
|
| Schriftenreihe: | Routledge research in music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music. Both well-known and lesser-known works and composers are anaylsed in detail, from Debussy to contemporary music in the early 21st century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, this book will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts"-- |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | XI, 282 Seiten Illustrationen, Diagramme, Notenbeispiele |
| ISBN: | 9780367192136 9781032087160 |
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| 520 | 3 | |a "From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music. Both well-known and lesser-known works and composers are anaylsed in detail, from Debussy to contemporary music in the early 21st century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, this book will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts"-- | |
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Datensatz im Suchindex
| _version_ | 1804180848559259648 |
|---|---|
| adam_text | Contents Foreword Introduction Sound, the audio culture and artistic practices focussing on sound 1 The emergence ofsound in music 3 A plural history: from timbre to sound-space 6 Points 10 Acknowledgements 12 Notes 13 1 On timbre ‘Timbre’ 14 Defining timbre 14 From the origins ofthe word to Rousseau 14 Romantic musicians, orchestration treatises andpositivists 16 Timbre as phenomenon ofperception: a ‘map oftimbres ’ 18 Towards the dissolution of the concept oftimbre 20 Substituting timbrefor pitch 21 Towards the emancipation oftimbre 21 Klangfarbenmelodien 24 Timbre as central category 28 The utopia of a language of timbres 30 Extending harmony in timbre 32 Harmony and timbre 32 Chord-timbres 33 Composing timbre 35 Thresholds ofperception 37 Timbre and sound 40 Chapter 1 online examples 43 Notes 44
vi Contents 2 On noise On noise 46 Noise as nuisance 46 Musical noises 47 Two histories ofmusic 48 Dissonance 53 Bruitisms 55 The bruitisi dilemma 55 ‘Organisedsound’ 57 Musiques concrètes 60 Making noise musical 60 The musical potential ofnoise 64 Revolt, protest and social criticism 65 Freejazz 66 Rock 67 ‘Touching a sound’ 69 Noise and sound 72 Industrial music, metal, rap, New York Noise, radical improvisation... 72 Noise and construction 74 Electronic noises ¿/«¿/ Noise 77 Noise and sound 80 Chapter 2 online examples 81 Notes 82 3 Listening (sounds) Liberating listening 83 Happy new ears 83 Refocussing on listening 84 Free listening 87 Phenomenology of listening 89 A treatise oflistening 89 For a phenomenology oflistening 90 The four ways of listening 91 Reduced listening and the sound object 92 A multiplicity ofways to listen 93 Acousmatic 93 Composingfrom what one perceives 96 Listening and time 101 Authentic listening 103
Contents vii Amplified listening 107 Equipped listening 110 Chapter 3 online examples 112 Notes 113 4 Immersion in sound The ‘inner’ life ofsound 114 About ‘immersion’ 120 Immersive sound-space 120 Immersion and ‘oceanicfeeling’ 122 Dionysian immersion 124 The ‘depth ’ ofsound 126 The ‘abyss’ ofsound 129 Chapter 4 online examples 134 Notes 135 114 5 Composing sound The question of material 136 The historicity of material and the notion ofmaterial 136 Refocussing on material 137 Composing the material 138 Composed resonances 139 Change in listening 139 Éclats 148 Electroacoustic resonances 154 From rock to disco: the studio as site for the composition ofsound 156 Electronic auras 160 Composed sonorities 163 ‘Sonority’ 163 Organised sound (2) 163 Continua 170 Textures, surfaces, masses 172 Process 176 Micro-composition 181 Sound syntheses 181 The granular paradigm 190 Chapter 5 online examples 197 Notes 199 136
viii 6 Contents Sound-space Representational space as operatory category 201 Composing the physical space 203 Towards the composability ofspace 203 Varese and the pioneers ofthe 1950s and 1960s 204 The 1970s and 1980s 209 The 1990s-2000s 212 The composed sound-space: a typology test 217 Music, sound, place 219 Music and architecture 219 Sound installations and ‘audible ecosystems ’ 224 Towards the ecology ofsound 230 Chapter 6 online examples 235 Notes 236 Conclusion References Index
|
| any_adam_object | 1 |
| author | Solōmos, Makēs 1962- |
| author_GND | (DE-588)139186972 |
| author_facet | Solōmos, Makēs 1962- |
| author_role | aut |
| author_sort | Solōmos, Makēs 1962- |
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| building | Verbundindex |
| bvnumber | BV046346021 |
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| contents | On timbre -- On noise -- Listenting (sounds) -- Immersion in sound -- Composing sound -- Sound-space |
| ctrlnum | (OCoLC)1141125227 (DE-599)BVBBV046346021 |
| discipline | Musikwissenschaft |
| era | Geschichte 1900-2013 gnd |
| era_facet | Geschichte 1900-2013 |
| format | Book |
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| indexdate | 2024-07-10T08:42:17Z |
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| language | English |
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| publisher | Routledge, Taylor & Francis Group |
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| spelling | Solōmos, Makēs 1962- Verfasser (DE-588)139186972 aut From music to sound the emergence of sound in 20th- and 21st-century music Makis Solomos London ; New York Routledge, Taylor & Francis Group 2020 XI, 282 Seiten Illustrationen, Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Routledge research in music series Hier auch später erschienene, unveränderte Nachdrucke On timbre -- On noise -- Listenting (sounds) -- Immersion in sound -- Composing sound -- Sound-space "From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music. Both well-known and lesser-known works and composers are anaylsed in detail, from Debussy to contemporary music in the early 21st century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, this book will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts"-- Geschichte 1900-2013 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf Klang (DE-588)4030933-2 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Music / 20th century / Philosophy and aesthetics Music / 21st century / Philosophy and aesthetics Sound (Philosophy) Noise (Philosophy) Listening (Philosophy) Tone color (Music) Music / Philosophy and aesthetics 1900-2099 Musik (DE-588)4040802-4 s Klang (DE-588)4030933-2 s Experimentelle Musik (DE-588)4153365-3 s Geschichte 1900-2013 z DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-429-20111-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031722604&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Solōmos, Makēs 1962- From music to sound the emergence of sound in 20th- and 21st-century music On timbre -- On noise -- Listenting (sounds) -- Immersion in sound -- Composing sound -- Sound-space Experimentelle Musik (DE-588)4153365-3 gnd Klang (DE-588)4030933-2 gnd Musik (DE-588)4040802-4 gnd |
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| title | From music to sound the emergence of sound in 20th- and 21st-century music |
| title_auth | From music to sound the emergence of sound in 20th- and 21st-century music |
| title_exact_search | From music to sound the emergence of sound in 20th- and 21st-century music |
| title_full | From music to sound the emergence of sound in 20th- and 21st-century music Makis Solomos |
| title_fullStr | From music to sound the emergence of sound in 20th- and 21st-century music Makis Solomos |
| title_full_unstemmed | From music to sound the emergence of sound in 20th- and 21st-century music Makis Solomos |
| title_short | From music to sound |
| title_sort | from music to sound the emergence of sound in 20th and 21st century music |
| title_sub | the emergence of sound in 20th- and 21st-century music |
| topic | Experimentelle Musik (DE-588)4153365-3 gnd Klang (DE-588)4030933-2 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Experimentelle Musik Klang Musik |
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