The Segovia manuscript: a European musical repertory in Spain, c.1500
"The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular, s.s.) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge, Suffolk, UK ; Rochester, NY
The Boydell Press
2019
|
| Schriftenreihe: | Studies in medieval and Renaissance music
20 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular, s.s.) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function"--Back cover |
| Beschreibung: | xxviii, 349 Seiten Illustrationen, Faksimiles, Notenbeispiele |
| ISBN: | 9781783274635 |
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| 505 | 8 | |a Preambulum : a source in Segovia / Cristina Urchueguía and Wolfgang Fuhrmann -- In search of origins : the afterlife of a Renaissance manuscript / Cristina Urchueguía -- New light on the Segovia manuscript : watermarks, foliation, and ownership / EAmilio Ros-Fábregas -- Segovia's repertoire : attributions and datings (with special reference to Jacob Obrecht) / Wolfgang Fuhrmann -- What was Segovia for? / Kenneth Kreitner -- The Latin texts of the Segovia manuscript / Leofranc Holford-Strevens -- The Segovia manuscript as Chansonnier / Honey Meconi -- The Segovia manuscript : another look at the 'Flemish hypothesis' / Rob C. Wegman -- The Segovia manuscript : speculative notes on the Flemish connection / Bonnie J. Blackburn -- The written transmission of polyphonic song in Spain c.1500 : the case of the Segovia manuscript / Tess Knighton -- Inventory of Segovia, Archivo Capitular de la Catedral, MS s.s. / Wolfgang Fuhrmann | |
| 520 | 3 | |a "The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular, s.s.) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function"--Back cover | |
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Contents List of Illustrations Notes on Contributors Abbreviations Preambulum: A Source in Segovia Cristina Urchueguia and Wolfgang Fuhrmann vii xi xiii 1 1 In Search of Origins: The Afterlife of a Renaissance Manuscript Cristina Urchueguia 2 New Light on the Segovia Manuscript: Watermarks, Foliation, and Ownership Emilio Ros-Fabregas 37 Segovia’s Repertoire: Attributions and Datings (with Special Reference to Jacob Obrecht) Wolfgang Fuhrmann 91 3 7 4 What Was Segovia For? Kenneth Kreitner 129 5 The Latin Texts of the Segovia Manuscript Leofranc Holford-Strevens 145 6 The Segovia Manuscript as Chansonnier Honey Meconi 167 7 The Segovia Manuscript: Another Look at the ‘Flemish Hypothesis’ Rob C. Wegman 193
CONTENTS Vi 8 9 10 The Segovia Manuscript: Speculative Notes on the Flemish Connection Bonnie J. Blackburn 215 The Written Transmission of Polyphonic Song in Spain c. 1500: The Case of the Segovia Manuscript Tess Knighton 231 Inventory of Segovia, Archivo Capitular de la Catedral, MS s.s. Wolfgang Fuhrmann 271 Bibliography Index of Compositions General Index 307 323 335 |
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| contents | Preambulum : a source in Segovia / Cristina Urchueguía and Wolfgang Fuhrmann -- In search of origins : the afterlife of a Renaissance manuscript / Cristina Urchueguía -- New light on the Segovia manuscript : watermarks, foliation, and ownership / EAmilio Ros-Fábregas -- Segovia's repertoire : attributions and datings (with special reference to Jacob Obrecht) / Wolfgang Fuhrmann -- What was Segovia for? / Kenneth Kreitner -- The Latin texts of the Segovia manuscript / Leofranc Holford-Strevens -- The Segovia manuscript as Chansonnier / Honey Meconi -- The Segovia manuscript : another look at the 'Flemish hypothesis' / Rob C. Wegman -- The Segovia manuscript : speculative notes on the Flemish connection / Bonnie J. Blackburn -- The written transmission of polyphonic song in Spain c.1500 : the case of the Segovia manuscript / Tess Knighton -- Inventory of Segovia, Archivo Capitular de la Catedral, MS s.s. / Wolfgang Fuhrmann |
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| series2 | Studies in medieval and Renaissance music |
| spelling | The Segovia manuscript a European musical repertory in Spain, c.1500 edited by Wolfgang Fuhrmann and Cristina Urchueguía European musical repertory in Spain, c.1500 Woodbridge, Suffolk, UK ; Rochester, NY The Boydell Press 2019 xxviii, 349 Seiten Illustrationen, Faksimiles, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Studies in medieval and Renaissance music 20 Preambulum : a source in Segovia / Cristina Urchueguía and Wolfgang Fuhrmann -- In search of origins : the afterlife of a Renaissance manuscript / Cristina Urchueguía -- New light on the Segovia manuscript : watermarks, foliation, and ownership / EAmilio Ros-Fábregas -- Segovia's repertoire : attributions and datings (with special reference to Jacob Obrecht) / Wolfgang Fuhrmann -- What was Segovia for? / Kenneth Kreitner -- The Latin texts of the Segovia manuscript / Leofranc Holford-Strevens -- The Segovia manuscript as Chansonnier / Honey Meconi -- The Segovia manuscript : another look at the 'Flemish hypothesis' / Rob C. Wegman -- The Segovia manuscript : speculative notes on the Flemish connection / Bonnie J. Blackburn -- The written transmission of polyphonic song in Spain c.1500 : the case of the Segovia manuscript / Tess Knighton -- Inventory of Segovia, Archivo Capitular de la Catedral, MS s.s. / Wolfgang Fuhrmann "The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular, s.s.) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function"--Back cover Geschichte 1480-1500 gnd rswk-swf Musikhandschrift (DE-588)4040847-4 gnd rswk-swf Kathedrale Segovia (DE-588)4295942-1 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf Cancionero musical de la Catedral de Segovia Music / Manuscripts / Europe / History Music / 15th century / History and criticism Music / Europe / 15th century / History and criticism Music 1400-1499 Criticism, interpretation, etc (DE-588)4143413-4# Aufsatzsammlung gnd-content Spanien (DE-588)4055964-6 g Kathedrale Segovia (DE-588)4295942-1 g Musikhandschrift (DE-588)4040847-4 s Geschichte 1480-1500 z DE-604 Fuhrmann, Wolfgang 1966- (DE-588)1022967835 edt Urchueguía, Cristina 1965- (DE-588)124792677 edt Studies in medieval and Renaissance music 20 (DE-604)BV019268424 20 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031722437&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Segovia manuscript a European musical repertory in Spain, c.1500 Studies in medieval and Renaissance music Preambulum : a source in Segovia / Cristina Urchueguía and Wolfgang Fuhrmann -- In search of origins : the afterlife of a Renaissance manuscript / Cristina Urchueguía -- New light on the Segovia manuscript : watermarks, foliation, and ownership / EAmilio Ros-Fábregas -- Segovia's repertoire : attributions and datings (with special reference to Jacob Obrecht) / Wolfgang Fuhrmann -- What was Segovia for? / Kenneth Kreitner -- The Latin texts of the Segovia manuscript / Leofranc Holford-Strevens -- The Segovia manuscript as Chansonnier / Honey Meconi -- The Segovia manuscript : another look at the 'Flemish hypothesis' / Rob C. Wegman -- The Segovia manuscript : speculative notes on the Flemish connection / Bonnie J. Blackburn -- The written transmission of polyphonic song in Spain c.1500 : the case of the Segovia manuscript / Tess Knighton -- Inventory of Segovia, Archivo Capitular de la Catedral, MS s.s. / Wolfgang Fuhrmann Musikhandschrift (DE-588)4040847-4 gnd |
| subject_GND | (DE-588)4040847-4 (DE-588)4295942-1 (DE-588)4055964-6 (DE-588)4143413-4# |
| title | The Segovia manuscript a European musical repertory in Spain, c.1500 |
| title_alt | European musical repertory in Spain, c.1500 |
| title_auth | The Segovia manuscript a European musical repertory in Spain, c.1500 |
| title_exact_search | The Segovia manuscript a European musical repertory in Spain, c.1500 |
| title_full | The Segovia manuscript a European musical repertory in Spain, c.1500 edited by Wolfgang Fuhrmann and Cristina Urchueguía |
| title_fullStr | The Segovia manuscript a European musical repertory in Spain, c.1500 edited by Wolfgang Fuhrmann and Cristina Urchueguía |
| title_full_unstemmed | The Segovia manuscript a European musical repertory in Spain, c.1500 edited by Wolfgang Fuhrmann and Cristina Urchueguía |
| title_short | The Segovia manuscript |
| title_sort | the segovia manuscript a european musical repertory in spain c 1500 |
| title_sub | a European musical repertory in Spain, c.1500 |
| topic | Musikhandschrift (DE-588)4040847-4 gnd |
| topic_facet | Musikhandschrift Kathedrale Segovia Spanien Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031722437&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV019268424 |
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