Flaming Creatures:
Banned soon after its first midnight screenings, the prints seized and the organizers arrested, Jack Smith’s incendiary Flaming Creatures (1963) quickly became a cause célèbre of the New York underground. Championed and defended by Jonas Mekas and Susan Sontag, among others, the film wildly and glee...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2019]
|
| Schriftenreihe: | Cultographies
|
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-898 DE-859 DE-860 DE-91 DE-473 DE-739 Volltext |
| Zusammenfassung: | Banned soon after its first midnight screenings, the prints seized and the organizers arrested, Jack Smith’s incendiary Flaming Creatures (1963) quickly became a cause célèbre of the New York underground. Championed and defended by Jonas Mekas and Susan Sontag, among others, the film wildly and gleefully transgresses nearly every norm of Hollywood morality and aesthetics. In a surreal and visually dense series of episodes, the titular "creatures" reenact scenes drawn from the collective cinematic unconscious, playing on mainstream film culture’s moral code in a way that is at once a love letter to classical Hollywood and a searing send-up of its absurdities.Tracing the film’s production and reception history, Constantine Verevis argues that it embodies a unique type of cinematic rewriting, one that combines Smith’s multifaceted artistic work with exotic fragments drawn from the cinematic past. This study of Smith’s magnum opus explores its status as a cult film that appropriates the visual texture, erotic nuance, and overt fabrication of old Hollywood exoticism |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019) |
| Beschreibung: | 1 online resource 16 film stills |
| ISBN: | 9780231851305 |
| DOI: | 10.7312/vere19147 |
Internformat
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| 520 | |a Banned soon after its first midnight screenings, the prints seized and the organizers arrested, Jack Smith’s incendiary Flaming Creatures (1963) quickly became a cause célèbre of the New York underground. Championed and defended by Jonas Mekas and Susan Sontag, among others, the film wildly and gleefully transgresses nearly every norm of Hollywood morality and aesthetics. In a surreal and visually dense series of episodes, the titular "creatures" reenact scenes drawn from the collective cinematic unconscious, playing on mainstream film culture’s moral code in a way that is at once a love letter to classical Hollywood and a searing send-up of its absurdities.Tracing the film’s production and reception history, Constantine Verevis argues that it embodies a unique type of cinematic rewriting, one that combines Smith’s multifaceted artistic work with exotic fragments drawn from the cinematic past. This study of Smith’s magnum opus explores its status as a cult film that appropriates the visual texture, erotic nuance, and overt fabrication of old Hollywood exoticism | ||
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Datensatz im Suchindex
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| illustrated | Not Illustrated |
| indexdate | 2024-07-20T09:02:06Z |
| institution | BVB |
| isbn | 9780231851305 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031718954 |
| oclc_num | 1137822080 |
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| publisher | Columbia University Press |
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| spelling | Verevis, Constantine 1956- Verfasser (DE-588)1037699491 aut Flaming Creatures Constantine Verevis New York, NY Columbia University Press [2019] © 2019 1 online resource 16 film stills txt rdacontent c rdamedia cr rdacarrier Cultographies Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019) Banned soon after its first midnight screenings, the prints seized and the organizers arrested, Jack Smith’s incendiary Flaming Creatures (1963) quickly became a cause célèbre of the New York underground. Championed and defended by Jonas Mekas and Susan Sontag, among others, the film wildly and gleefully transgresses nearly every norm of Hollywood morality and aesthetics. In a surreal and visually dense series of episodes, the titular "creatures" reenact scenes drawn from the collective cinematic unconscious, playing on mainstream film culture’s moral code in a way that is at once a love letter to classical Hollywood and a searing send-up of its absurdities.Tracing the film’s production and reception history, Constantine Verevis argues that it embodies a unique type of cinematic rewriting, one that combines Smith’s multifaceted artistic work with exotic fragments drawn from the cinematic past. This study of Smith’s magnum opus explores its status as a cult film that appropriates the visual texture, erotic nuance, and overt fabrication of old Hollywood exoticism In English Smith, Jack 1932-1989 (DE-588)138699739 gnd rswk-swf ART / Art & Politics bisacsh Smith, Jack 1932-1989 (DE-588)138699739 p DE-604 https://doi.org/10.7312/vere19147 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Verevis, Constantine 1956- Flaming Creatures Smith, Jack 1932-1989 (DE-588)138699739 gnd ART / Art & Politics bisacsh |
| subject_GND | (DE-588)138699739 |
| title | Flaming Creatures |
| title_auth | Flaming Creatures |
| title_exact_search | Flaming Creatures |
| title_full | Flaming Creatures Constantine Verevis |
| title_fullStr | Flaming Creatures Constantine Verevis |
| title_full_unstemmed | Flaming Creatures Constantine Verevis |
| title_short | Flaming Creatures |
| title_sort | flaming creatures |
| topic | Smith, Jack 1932-1989 (DE-588)138699739 gnd ART / Art & Politics bisacsh |
| topic_facet | Smith, Jack 1932-1989 ART / Art & Politics |
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