The contemporary Russian cinema reader 2005-2016:
The early years of the twenty-first century have been an exciting transitional period in Russian cinema, as the industry recovered from the crises of the late 1990s and again stepped onto the global stage. During these years four generations, from the late Soviet directors through post-Soviet and Ne...
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Boston
Academic Studies Press
2019
|
Schriftenreihe: | Film and media studies
|
Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBW01 UPA01 URL des Erstveröffentlichers |
Zusammenfassung: | The early years of the twenty-first century have been an exciting transitional period in Russian cinema, as the industry recovered from the crises of the late 1990s and again stepped onto the global stage. During these years four generations, from the late Soviet directors through post-Soviet and New Russian filmmakers to the Russian millennials, have worked in varying visual styles and with diverse narrative strategies, while searching for a new cinematic language. Financing and distribution models have evolved, along with conservative politics driving Ministry of Culture regulation. This reader is intended both for contemporary Russian cinema courses and for modern Russian culture courses that emphasize film. It does not attempt to establish a canon for the period but seeks to provide undergraduate students with an introduction to significant Russian films released between 2005 and 2016 that are also available with English subtitles. The twenty-one essays on individual films provide background information on directors’ careers, detailed analyses of selected films, along with suggested further readings both in English and Russian |
Beschreibung: | 1 Online-Ressource (401 Seiten) Illustrationen |
ISBN: | 9781618119650 |
DOI: | 10.1515/9781618119650 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV046342107 | ||
003 | DE-604 | ||
005 | 20230301 | ||
007 | cr|uuu---uuuuu | ||
008 | 200120s2019 |||| o||u| ||||||eng d | ||
020 | |a 9781618119650 |9 978-1-61811-965-0 | ||
024 | 7 | |a 10.1515/9781618119650 |2 doi | |
035 | |a (ZDB-23-DGG)9781618119650 | ||
035 | |a (OCoLC)1137845696 | ||
035 | |a (DE-599)BVBBV046342107 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 |a DE-20 | ||
084 | |a AP 59457 |0 (DE-625)7791:717 |2 rvk | ||
084 | |a KH 1060 |0 (DE-625)76225: |2 rvk | ||
245 | 1 | 0 | |a The contemporary Russian cinema reader 2005-2016 |c edited by Rimgaila Salys |
264 | 1 | |a Boston |b Academic Studies Press |c 2019 | |
264 | 4 | |c © 2019 | |
300 | |a 1 Online-Ressource (401 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Film and media studies | |
520 | |a The early years of the twenty-first century have been an exciting transitional period in Russian cinema, as the industry recovered from the crises of the late 1990s and again stepped onto the global stage. During these years four generations, from the late Soviet directors through post-Soviet and New Russian filmmakers to the Russian millennials, have worked in varying visual styles and with diverse narrative strategies, while searching for a new cinematic language. Financing and distribution models have evolved, along with conservative politics driving Ministry of Culture regulation. This reader is intended both for contemporary Russian cinema courses and for modern Russian culture courses that emphasize film. It does not attempt to establish a canon for the period but seeks to provide undergraduate students with an introduction to significant Russian films released between 2005 and 2016 that are also available with English subtitles. The twenty-one essays on individual films provide background information on directors’ careers, detailed analyses of selected films, along with suggested further readings both in English and Russian | ||
648 | 7 | |a Geschichte 2005-2016 |2 gnd |9 rswk-swf | |
650 | 4 | |a Aleksandr Mindadze | |
650 | 4 | |a Aleksandr Sokurov | |
650 | 4 | |a Aleksandr Zel′dovich | |
650 | 4 | |a Aleksei Balabanov | |
650 | 4 | |a Aleksei Fedorchenko | |
650 | 4 | |a Aleksei German | |
650 | 4 | |a Andrei Konchalovsky | |
650 | 4 | |a Andrei Proshkin | |
650 | 4 | |a Andrei Zviagintsev | |
650 | 4 | |a Anna Melikian | |
650 | 4 | |a Elena | |
650 | 4 | |a Hard to be a God | |
650 | 4 | |a Hipsters | |
650 | 4 | |a Legend Number 17 | |
650 | 4 | |a Leviathan | |
650 | 4 | |a Mermaid | |
650 | 4 | |a Mikhail Segal | |
650 | 4 | |a My Good Hans | |
650 | 4 | |a My Joy | |
650 | 4 | |a Nikolai Lebedev | |
650 | 4 | |a Paradise | |
650 | 4 | |a Russian cinema;Contemporary Russian film;Post-Soviet film;Contemporary Russian Culture;film;cinema;Dead Man’s Bluff;The Sun;Cargo 200 | |
650 | 4 | |a Sergei Loznitsa | |
650 | 4 | |a Short Stories | |
650 | 4 | |a Silent Souls | |
650 | 4 | |a The Horde | |
650 | 4 | |a The Land of Oz | |
650 | 4 | |a The Target | |
650 | 4 | |a Valery Todorovsky | |
650 | 4 | |a Vasily Sigarev | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
651 | 7 | |a Russland |0 (DE-588)4076899-5 |2 gnd |9 rswk-swf | |
655 | 7 | |8 1\p |0 (DE-588)1071861980 |a Filmografie |2 gnd-content | |
689 | 0 | 0 | |a Russland |0 (DE-588)4076899-5 |D g |
689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 0 | 2 | |a Geschichte 2005-2016 |A z |
689 | 0 | |8 2\p |5 DE-604 | |
700 | 1 | |a Salys, Rimgaila |d 1948- |0 (DE-588)1149775645 |4 edt | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-618-11963-6 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-618-11964-3 |
856 | 4 | 0 | |u https://doi.org/10.1515/9781618119650 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-031718744 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u https://doi.org/10.1515/9781618119650 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781618119650 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781618119650 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781618119650 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781618119650 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781618119650 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781618119650 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781618119650 |l UBW01 |p ZDB-23-DGG |q UBW_Einzelkauf |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781618119650 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG_Kauf2020-21 |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804180841399582720 |
---|---|
any_adam_object | |
author2 | Salys, Rimgaila 1948- |
author2_role | edt |
author2_variant | r s rs |
author_GND | (DE-588)1149775645 |
author_facet | Salys, Rimgaila 1948- |
building | Verbundindex |
bvnumber | BV046342107 |
classification_rvk | AP 59457 KH 1060 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9781618119650 (OCoLC)1137845696 (DE-599)BVBBV046342107 |
discipline | Allgemeines Slavistik |
doi_str_mv | 10.1515/9781618119650 |
era | Geschichte 2005-2016 gnd |
era_facet | Geschichte 2005-2016 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05176nmm a2200985zc 4500</leader><controlfield tag="001">BV046342107</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230301 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200120s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781618119650</subfield><subfield code="9">978-1-61811-965-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781618119650</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781618119650</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1137845696</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046342107</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 59457</subfield><subfield code="0">(DE-625)7791:717</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KH 1060</subfield><subfield code="0">(DE-625)76225:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The contemporary Russian cinema reader 2005-2016</subfield><subfield code="c">edited by Rimgaila Salys</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Boston</subfield><subfield code="b">Academic Studies Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (401 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Film and media studies</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The early years of the twenty-first century have been an exciting transitional period in Russian cinema, as the industry recovered from the crises of the late 1990s and again stepped onto the global stage. During these years four generations, from the late Soviet directors through post-Soviet and New Russian filmmakers to the Russian millennials, have worked in varying visual styles and with diverse narrative strategies, while searching for a new cinematic language. Financing and distribution models have evolved, along with conservative politics driving Ministry of Culture regulation. This reader is intended both for contemporary Russian cinema courses and for modern Russian culture courses that emphasize film. It does not attempt to establish a canon for the period but seeks to provide undergraduate students with an introduction to significant Russian films released between 2005 and 2016 that are also available with English subtitles. The twenty-one essays on individual films provide background information on directors’ careers, detailed analyses of selected films, along with suggested further readings both in English and Russian</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2005-2016</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aleksandr Mindadze</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aleksandr Sokurov</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aleksandr Zel′dovich</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aleksei Balabanov</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aleksei Fedorchenko</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aleksei German</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Andrei Konchalovsky</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Andrei Proshkin</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Andrei Zviagintsev</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Anna Melikian</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Elena</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Hard to be a God</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Hipsters</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Legend Number 17</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Leviathan</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mermaid</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mikhail Segal</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">My Good Hans</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">My Joy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Nikolai Lebedev</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Paradise</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Russian cinema;Contemporary Russian film;Post-Soviet film;Contemporary Russian Culture;film;cinema;Dead Man’s Bluff;The Sun;Cargo 200</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sergei Loznitsa</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Short Stories</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Silent Souls</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">The Horde</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">The Land of Oz</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">The Target</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Valery Todorovsky</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Vasily Sigarev</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Russland</subfield><subfield code="0">(DE-588)4076899-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)1071861980</subfield><subfield code="a">Filmografie</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Russland</subfield><subfield code="0">(DE-588)4076899-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 2005-2016</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Salys, Rimgaila</subfield><subfield code="d">1948-</subfield><subfield code="0">(DE-588)1149775645</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-618-11963-6</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-618-11964-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781618119650</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031718744</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781618119650</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781618119650</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781618119650</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781618119650</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781618119650</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781618119650</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781618119650</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781618119650</subfield><subfield code="l">UBW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBW_Einzelkauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781618119650</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG_Kauf2020-21</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | 1\p (DE-588)1071861980 Filmografie gnd-content |
genre_facet | Filmografie |
geographic | Russland (DE-588)4076899-5 gnd |
geographic_facet | Russland |
id | DE-604.BV046342107 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T08:42:10Z |
institution | BVB |
isbn | 9781618119650 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031718744 |
oclc_num | 1137845696 |
open_access_boolean | |
owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 DE-20 |
owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 DE-20 |
physical | 1 Online-Ressource (401 Seiten) Illustrationen |
psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UBW_Einzelkauf ZDB-23-DGG UPA_PDA_DGG_Kauf2020-21 |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Academic Studies Press |
record_format | marc |
series2 | Film and media studies |
spelling | The contemporary Russian cinema reader 2005-2016 edited by Rimgaila Salys Boston Academic Studies Press 2019 © 2019 1 Online-Ressource (401 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Film and media studies The early years of the twenty-first century have been an exciting transitional period in Russian cinema, as the industry recovered from the crises of the late 1990s and again stepped onto the global stage. During these years four generations, from the late Soviet directors through post-Soviet and New Russian filmmakers to the Russian millennials, have worked in varying visual styles and with diverse narrative strategies, while searching for a new cinematic language. Financing and distribution models have evolved, along with conservative politics driving Ministry of Culture regulation. This reader is intended both for contemporary Russian cinema courses and for modern Russian culture courses that emphasize film. It does not attempt to establish a canon for the period but seeks to provide undergraduate students with an introduction to significant Russian films released between 2005 and 2016 that are also available with English subtitles. The twenty-one essays on individual films provide background information on directors’ careers, detailed analyses of selected films, along with suggested further readings both in English and Russian Geschichte 2005-2016 gnd rswk-swf Aleksandr Mindadze Aleksandr Sokurov Aleksandr Zel′dovich Aleksei Balabanov Aleksei Fedorchenko Aleksei German Andrei Konchalovsky Andrei Proshkin Andrei Zviagintsev Anna Melikian Elena Hard to be a God Hipsters Legend Number 17 Leviathan Mermaid Mikhail Segal My Good Hans My Joy Nikolai Lebedev Paradise Russian cinema;Contemporary Russian film;Post-Soviet film;Contemporary Russian Culture;film;cinema;Dead Man’s Bluff;The Sun;Cargo 200 Sergei Loznitsa Short Stories Silent Souls The Horde The Land of Oz The Target Valery Todorovsky Vasily Sigarev PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film (DE-588)4017102-4 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf 1\p (DE-588)1071861980 Filmografie gnd-content Russland (DE-588)4076899-5 g Film (DE-588)4017102-4 s Geschichte 2005-2016 z 2\p DE-604 Salys, Rimgaila 1948- (DE-588)1149775645 edt Erscheint auch als Druck-Ausgabe 978-1-618-11963-6 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-618-11964-3 https://doi.org/10.1515/9781618119650 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | The contemporary Russian cinema reader 2005-2016 Aleksandr Mindadze Aleksandr Sokurov Aleksandr Zel′dovich Aleksei Balabanov Aleksei Fedorchenko Aleksei German Andrei Konchalovsky Andrei Proshkin Andrei Zviagintsev Anna Melikian Elena Hard to be a God Hipsters Legend Number 17 Leviathan Mermaid Mikhail Segal My Good Hans My Joy Nikolai Lebedev Paradise Russian cinema;Contemporary Russian film;Post-Soviet film;Contemporary Russian Culture;film;cinema;Dead Man’s Bluff;The Sun;Cargo 200 Sergei Loznitsa Short Stories Silent Souls The Horde The Land of Oz The Target Valery Todorovsky Vasily Sigarev PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4076899-5 (DE-588)1071861980 |
title | The contemporary Russian cinema reader 2005-2016 |
title_auth | The contemporary Russian cinema reader 2005-2016 |
title_exact_search | The contemporary Russian cinema reader 2005-2016 |
title_full | The contemporary Russian cinema reader 2005-2016 edited by Rimgaila Salys |
title_fullStr | The contemporary Russian cinema reader 2005-2016 edited by Rimgaila Salys |
title_full_unstemmed | The contemporary Russian cinema reader 2005-2016 edited by Rimgaila Salys |
title_short | The contemporary Russian cinema reader 2005-2016 |
title_sort | the contemporary russian cinema reader 2005 2016 |
topic | Aleksandr Mindadze Aleksandr Sokurov Aleksandr Zel′dovich Aleksei Balabanov Aleksei Fedorchenko Aleksei German Andrei Konchalovsky Andrei Proshkin Andrei Zviagintsev Anna Melikian Elena Hard to be a God Hipsters Legend Number 17 Leviathan Mermaid Mikhail Segal My Good Hans My Joy Nikolai Lebedev Paradise Russian cinema;Contemporary Russian film;Post-Soviet film;Contemporary Russian Culture;film;cinema;Dead Man’s Bluff;The Sun;Cargo 200 Sergei Loznitsa Short Stories Silent Souls The Horde The Land of Oz The Target Valery Todorovsky Vasily Sigarev PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film (DE-588)4017102-4 gnd |
topic_facet | Aleksandr Mindadze Aleksandr Sokurov Aleksandr Zel′dovich Aleksei Balabanov Aleksei Fedorchenko Aleksei German Andrei Konchalovsky Andrei Proshkin Andrei Zviagintsev Anna Melikian Elena Hard to be a God Hipsters Legend Number 17 Leviathan Mermaid Mikhail Segal My Good Hans My Joy Nikolai Lebedev Paradise Russian cinema;Contemporary Russian film;Post-Soviet film;Contemporary Russian Culture;film;cinema;Dead Man’s Bluff;The Sun;Cargo 200 Sergei Loznitsa Short Stories Silent Souls The Horde The Land of Oz The Target Valery Todorovsky Vasily Sigarev PERFORMING ARTS / Film & Video / History & Criticism Film Russland Filmografie |
url | https://doi.org/10.1515/9781618119650 |
work_keys_str_mv | AT salysrimgaila thecontemporaryrussiancinemareader20052016 |