Home/Fronts: contemporary war in British literature, drama, and film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Bielefeld
transcript
[2020]
|
| Schriftenreihe: | Culture & theory
Volume 226 |
| Schlagworte: | |
| Online-Zugang: | http://www.transcript-verlag.de/978-3-8376-5187-4 Inhaltsverzeichnis Klappentext |
| Beschreibung: | 284 Seiten 23 cm x 15 cm, 498 g |
| ISBN: | 9783837651874 3837651878 |
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Datensatz im Suchindex
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|---|---|
| adam_text |
Contents 1. Introduction. 9 2. Contexts and State of Research.19 2.1. War. 22 2.2. Home. 30 2.3. Home/Front. 38 3. Theoretical Framework. 41 3.1. Yuri Lotman's Semiosphere. 42 3.2. Cultural Notions of Trauma. 48 3.3. Michel Foucault's Heterotopia.51 4. Novel. 53 4.1. Exploration: New Home/Fronts In British ProseFiction. 53 4.1.1. 4.1.2. 4.1.3. 4.1.4. 4.1.5. State of Research. 55 Urban Protest: The Run-Up to War. 57 The City at War In Ian McEwan's
Saturday. 58 Rural Frontlines: The Country at War. 64 Invading the Pastoral In Pat Barker's Double Vision. 65 In the War Zone: Soldiers and War Correspondents. 70 Young and Female Perspectives In David Massey's Torn. 73 Histories of War: Memory and the Past. 74 Old and New Conflicts In Andrew O'Hagan's The Illuminations. 75 Private Wars: Embattled Families. 79 Home Unguarded In All Smith's The Accidental. 79 4.2. Close-Up: Home/Fronts In Graham Swift'sWishYou Were Here. 85 Origins: The Family Home. 89 Rites of Belonging: The CommunalHome. 92 Alternative Homes: Holiday Spaces. 94 A Place of Refuge: Belonging and theMilitary. 98 The Journey: Rethinking Home. 99
The Revenant Brother: Confronting War. 103 Returning Home: New Perspectives. 105 The Home/Front in Wish You Were Here. 107 4.3. Findings: Narrating the Home/Front. 111 5. Stage Plays. 115 5.1. Exploration: New Home/Fronts on the British Stage. 115 State of Research. 118 5.1.1. Homecoming Soldiers: The Return of War. 122 War Games in Jonathan Lichtenstein's The Pull of Negative Gravity. 122 Departure and Return in Roy Williams's Gays of Significance. 126 5.1.2. Border Spaces: Between War and Home. 132 Blurring the Boundary in Morgan Lloyd Malcolm's Belongings. 134 Inclusion and Exclusion in Cat Jones's Glory Dazed. 135 5.1.3. Fact-Based Drama: The Reality of War. 136 Performing War in Gregory Burke's Black Watch. 137 Theatre as Therapy in Owen Sheers's The Two Worlds of Charlie F.144 5.1.4. Civilian Perspectives: Private Lives at
War. 151 Special Relationships in David Hare's The Vertical Hour. 151 Home Politics in Sarah Helm's Loyalty. 152 The Broken Promise of Home in Mike Bartlett's Artefacts. 154 5.2. Close-Up: HomefFronts in Simon Stephens’s Notortown. 156 Space and Movement: Structures of Return. 152 The Point of Departure: The Unhomely Home. 158 Ghosts of Home and War: Traumatic Patterns.159 A Day's Journey: From Home to Home/Front.161 Access and Excess: Performing War at Home.163 Homecoming: A Sense of Defamiliarisation. 165 The Family: Community as Complicity.162 The Home/Front in Motortown. 5.3. Findings: Performing the Home/Front. 169 6. Film and Television. 125 6.1. Exploration: New Home/Fronts on British Screens. 125 State of Research. 180 6.1.1. War Films: At the
Frontline. 181 Exploring Battlefields in The Patrol and Kajaki: The True Story. 183 6.1.2. Docudrama: Records of War.186 Public Affairs and Private Matters in 10 Days to War.186 Running against Blair in Reg.189 Alternative Hypotheses in WND and The Trial of Tony Blair.189 16
6.1.3. Domestic Film Drama: At the Home Front.191 Hidden Truths in Verity's Summer. 192 6.1.4. Soldier Films: Traumatic Returns. 194 Justice and Trauma in The Mark of Cain. 195 Female Fighters in Our Girl and In Our Name. 200 6.1.5. Genre Films: War Action, War Crime. 202 Home Invasions in Route Irish. 203 Serialising War in Silent Witness. 204 6.2. Close-Up: Home/Fronts in Peter Bowker's Occupation. 208 Starting Points: Critique and Title. 209 Exposition: Invading the War Zone.211 Homecoming: Embattled Returns. 212 Spoils of War: Deceptive Fantasies. 217 Ends of War: Conflating the Spheres. 221 Home/Fronts in Occupation. 222 6.3. Findings: Screening the Home/Front. 224 7. 7.1.
Conclusion: Fictional Home/Fronts in Contemporary Media. 229 Media Perspectives on Home and Contemporary War.231 7.2. Transmedia Perspectives on British Home/Fronts.233 Opposition: The Spheres of Home and War.233 The Breakdown of the Boundary: Home as Home/Front. 237 Autocommunication: Holding Up the Mirror. 243 Home/Fronts: Addressing the Current Stateof Britain. 245 Works Cited. 247 Prose Fiction. 247 Stage Plays.247 Films and Audiovisual Material. 248 Sources. 250
In recent years, the US-led invasions of Afghanistan and Iraq have had an impact on the UK rivalled only by Brexit and the global financial crisis. For people at home, the wars were ever-present in the media yet re mained distant and difficult to apprehend. Janina Wierzoch offers an analytical survey of British contemporary war narratives in novels, drama, film, and television that seek to make sense of the experience. The study shows how the narratives, instead of reflecting on the UK's role as invader, portray war as invading the British home. Home loses its post-Cold War senseof "permanent peace" and is recast asa home/ front where war enee agam becomes part of whdt it means tobe "us". |
| any_adam_object | 1 |
| author | Wierzoch, Janina ca. 20. Jh |
| author_GND | (DE-588)1148169873 |
| author_facet | Wierzoch, Janina ca. 20. Jh |
| author_role | aut |
| author_sort | Wierzoch, Janina ca. 20. Jh |
| author_variant | j w jw |
| building | Verbundindex |
| bvnumber | BV046339114 |
| classification_rvk | HN 1101 |
| ctrlnum | (OCoLC)1128103854 (DE-599)DNB1199714518 |
| discipline | Anglistik / Amerikanistik |
| format | Thesis Book |
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| series | Culture & theory |
| series2 | Culture & theory |
| spelling | Wierzoch, Janina ca. 20. Jh. Verfasser (DE-588)1148169873 aut Home/Fronts contemporary war in British literature, drama, and film Janina Wierzoch Home fronts Bielefeld transcript [2020] © 2020 284 Seiten 23 cm x 15 cm, 498 g txt rdacontent n rdamedia nc rdacarrier Culture & theory Volume 226 Dissertation Universität Hamburg 2018 Golfkrieg 2003, Motiv (DE-588)7518577-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Afghanistankrieg 2001-2021, Motiv (DE-588)7565432-5 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Media Culture War 21st Century Literature Film Theatre British Studies Theatre Studies Cultural Studies Literary Studies (DE-588)4113937-9 Hochschulschrift gnd-content Großbritannien (DE-588)4022153-2 g Film (DE-588)4017102-4 s Golfkrieg 2003, Motiv (DE-588)7518577-5 s Afghanistankrieg 2001-2021, Motiv (DE-588)7565432-5 s DE-604 Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Drama (DE-588)4012899-4 s 1\p DE-604 Transcript GbR (DE-588)1058035266 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-8394-5187-8 Culture & theory Volume 226 (DE-604)BV036953583 226 X:MVB http://www.transcript-verlag.de/978-3-8376-5187-4 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031715793&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031715793&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Wierzoch, Janina ca. 20. Jh Home/Fronts contemporary war in British literature, drama, and film Culture & theory Golfkrieg 2003, Motiv (DE-588)7518577-5 gnd Englisch (DE-588)4014777-0 gnd Film (DE-588)4017102-4 gnd Drama (DE-588)4012899-4 gnd Afghanistankrieg 2001-2021, Motiv (DE-588)7565432-5 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)7518577-5 (DE-588)4014777-0 (DE-588)4017102-4 (DE-588)4012899-4 (DE-588)7565432-5 (DE-588)4035964-5 (DE-588)4022153-2 (DE-588)4113937-9 |
| title | Home/Fronts contemporary war in British literature, drama, and film |
| title_alt | Home fronts |
| title_auth | Home/Fronts contemporary war in British literature, drama, and film |
| title_exact_search | Home/Fronts contemporary war in British literature, drama, and film |
| title_full | Home/Fronts contemporary war in British literature, drama, and film Janina Wierzoch |
| title_fullStr | Home/Fronts contemporary war in British literature, drama, and film Janina Wierzoch |
| title_full_unstemmed | Home/Fronts contemporary war in British literature, drama, and film Janina Wierzoch |
| title_short | Home/Fronts |
| title_sort | home fronts contemporary war in british literature drama and film |
| title_sub | contemporary war in British literature, drama, and film |
| topic | Golfkrieg 2003, Motiv (DE-588)7518577-5 gnd Englisch (DE-588)4014777-0 gnd Film (DE-588)4017102-4 gnd Drama (DE-588)4012899-4 gnd Afghanistankrieg 2001-2021, Motiv (DE-588)7565432-5 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Golfkrieg 2003, Motiv Englisch Film Drama Afghanistankrieg 2001-2021, Motiv Literatur Großbritannien Hochschulschrift |
| url | http://www.transcript-verlag.de/978-3-8376-5187-4 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031715793&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031715793&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV036953583 |
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