Indogermanische Kompositionslehre:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | German |
| Veröffentlicht: |
Salzburg ; Wien
Edition Tandem
[2019]
|
| Schriftenreihe: | Historische Metalinguistik
Band 1 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | VII, 272 Seiten 28 cm |
| ISBN: | 9783902932983 3902932988 |
Internformat
MARC
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| 016 | 7 | |a 1192030931 |2 DE-101 | |
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| 245 | 1 | 0 | |a Indogermanische Kompositionslehre |c Thomas Lindner |
| 264 | 1 | |a Salzburg ; Wien |b Edition Tandem |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a VII, 272 Seiten |c 28 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Historische Metalinguistik |v Band 1 | |
| 650 | 0 | 7 | |a Indogermanisch |0 (DE-588)4120204-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Komposition |g Wortbildung |0 (DE-588)4394616-1 |2 gnd |9 rswk-swf |
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| 689 | 0 | 1 | |a Komposition |g Wortbildung |0 (DE-588)4394616-1 |D s |
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| 830 | 0 | |a Historische Metalinguistik |v Band 1 |w (DE-604)BV046337891 |9 1 | |
| 856 | 4 | 2 | |m B:DE-101 |q application/pdf |u https://d-nb.info/1192030931/04 |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031714404&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031714404 | ||
Datensatz im Suchindex
| _version_ | 1804180833348616192 |
|---|---|
| adam_text | INHALTSVERZEICHNIS
1.
FUNKTIONALE
(SYNTAKTISCHE
BZW.
LOGISCH-SEMANTISCHE)
KLASSIFIKATION
DER
NOMINALKOMPOSITA
UND
IHRE
FORSCHUNGSGESCHICHTE
........................................................
1
1.1.
DEFINI
TORISCHES
......................................................................................................................
1
1.2.
KLASSIFIKATION.........................................................................................................................
2
(A)
KOPULATIVKOMPOSITA
........................................................................................................
2
(A
*
)
VERSTAERKUNGSKOMPOSITA
.................................................................................................
11
(A
*
)
TAUTOLOGISCHE
KOMPOSITA.............................................................................................
11
(A
*
*
)
ITERATIVKOMPOSITA
........................................................................................................
12
(B)
DETERMINATIVKOMPOSITA
................................................................................................
15
(C)
POSSESSIVKOMPOSITA........................................................................................................
20
(C.1.)
DEUTUNGSGESCHICHTE
..................................................................................................
26
(C.2.)
SONDERFORMEN
...........................................................................................................
110
(C
*
)
DVANDVA-BAHUVRIHIS
....................................................................................................
117
(C.3.)
................................................................................................................................................
118
(C
*
)
..................................................................................................................................................
119
(C
*
*
)
VERBALE
REKTIONSKOMPOSITA
......................................................................................
121
(D)
ABLEITUNGSKOMPOSITA
....................................................................................................
131
(E)
ADVERBIALE
KOMPOSITA
.................................................................................................
136
(F)
TYPOLOGISCHE
PERSPEKTIVE............................................................................................
138
(G)
VERBALE
KOMPOSITA
......................................................................................................
138
1.3.
SEMANTISCHE
RELATIONEN
...................................................................................................
139
1.4.
NEOKLASSISCHE
WORTBILDUNG
(KONFIGIERUNG)
....................................................................
146
2.
S
CHINDLERS
KOMPOSITIONSTHEORIEN
...................................................................................149
3.
STAMMKOMPOSITION
I:
STAMMHAFTIGKEIT
DER
VORDERGLIEDCR
.......................................
151
4.
STAMMKOMPOSITION
II:
ERGATIVITAET
IM
VORURINDOGERMANISCHEN
............................
157
4.0.
NAMENGEBUNG
/
DICHTERSPRACHE
......................................................................................
157
4.1.
STAMM,
INDEFINITIV
............................................................................................................
157
4.2.
ABSOLUTIV
/
ERGATIV
...........................................................................................................
159
4.3.
ERGATIVHYPOTHESE
...............................................................................................................
161
4.4.
INDIVIDUALISIERUNGSMARKER
................................................................................................
163
4.5.
STAMMKOMPOSITION
III:
20.
JAHRHUNDERT,
GEGENWART,
LITERATUR
............................
165
5.
KASUSKOMPOSITA
.......................................................................................................................
174
6.
NUMERALIA
ALS
VORDERGLIEDER
................................................................................................
180
7.
PARTIKELHAFTES
VORDERGLIED
...................................................................................................
183
7.1.
PRIVATIVKOMPOSITA
.............................................................................................................
185
7.2.
PEJORATIVKOMPOSITA
...........................................................................................................
190
7.3.
MELIORATIVKOMPOSITA
.........................................................................................................
191
7.4.
DAS
URIDG.
REFLEXIVUM
*SWE-
ALS
KOMPOSITIONSVORDERGLIED
..........................................
196
7-5.
DAS
URIDG.
PRAEFIX
*
IN.
.
.BEFINDLICH,
ZUSAMMEN
MIT
*
...............................................
197
7.6.
EINZELSPRACHLICHES
UND
SONDERENTWICKLUNGEN
..................................................................
197
8.
VRK
T
(LIT./MAT.)
..............................................................................................................
199
REGIUM
PRAECEPTUM
..............................................................................................................
200
9.
WORTBILDUNG
DES
HINTERGLIEDS
(KOMPOSITIONSWORTBILDUNG)
.......................................
200
10.
MORPHOPHONOLOGIE:
LAUTLICHE
UND
FLEXIVISCHE
BESONDERHEITEN
IN
KOMPOSITA;
LITERATUR
(*ZETTELKASTEN
*
)
.......................................................................................................
213
10.1.
KOMPOSITALAKZENT
/
ABLAUTKLASSEN
(LIT./MAT.)
.................................................................
213
10.2.
LARYNGALSCHWUND
IN
KOMPOSITA
(*KOMPOSITIONSKUERZUNG
*
)
............................................
214
10.3.
SANDHIPHAENOMENE
............................................................................................................
214
10.4.
BESONDERHEITEN
IN
DER
FLEXION,
ZWEIENDIGKEIT
................................................................
214
10.5.
SONDERTHEMEN
...................................................................................................................
215
11.
VERTIEFUNGEN
(EN)
.....................................................................................................................
217
11.1.
DIE
TRADITION
DER
INDISCHEN
GRAMMATIK
..........................................................................
217
11.2.
INDISCHE
KOMPOSITALKLASSEN:
DEFINITIONEN
UND
KOMMENTARE
IN
DEN
PETERSBURGER
W
OERTERBUECHERN
..................................................................................................................
218
11.3.
H
ALHED
1778
....................................................................................................................
219
11.4.
WLLKINS
1785
...................................................................................................................
219
11.5.
C
OLEBROOKE
1797-1798
(1801A)
...................................................................................
220
11.6.
C
OLEBROOKE
1804A/
1805
...............................................................................................
220
11.7.
KOMPOSITION
BEI
DEN
ENGLAENDERN;
VAHUVRIHI/BAHUBRIHI
..................................................
220
11.8.
KOMPOSITION
BEI
DEN
ENGLAENDERN:
BAHUVRIHI
..................................................................
221
11.9.
KOMPOSITION
BEI
F
RANK
.............................................................................................................
221
11.10.
KOMPOSITIONSFREUDIGKEIT
DES
INDISCHEN
...........................................................................
221
11.11.
KOMPOSITAWISSEN
UM
1825
...............................................................................................
221
11.12.
KOMPOSITION
BEI
B
OPP
:
*VORGESCHICHTE
*
........................................................................
221
11.13.
KOMPOSITION
BEI
BOPP
.....................................................................................................
222
11.14.
KOMPOSITION
BEI
B
OPP
(FORTS.)
........................................................................................
222
11.15.
KOMPOSITION
BEI
B
OPP
(FORTS.)
........................................................................................
223
11.16.
SECHSKLASSENLEHRE
..............................................................................................................
223
11.17.
DETERMINATION,
ABHAENGIGKEIT,
REKTION
...........................................................................
224
11.18.
OBJEKTIVE
VS.
ATTRIBUTIVE
KOMPOSITA
......................................................................................
224
11.19.
COMPOSITA
RELATIVA:
L
ASSEN
...........................................................................................................
225
11.20.
KOMPOSITION
BEI
L
ASSEN
............................................................................................................
226
11.21.1.
1.
DVANDVAS
................................................................................................................................
226
11.21.2.
2.
TATPURUSAS
..................................................................................................................
226
11.21.3.
3.
KARMADHAERAYAS
..............................................................................................................................................
226
11.21.4.
4.
BALIUVRLHIS
...................................................................................................................
227
11.21.5.
6.
AVYAYIBHAEVAS
.........................................................................................................................
227
11.21.6.
SPEZIELLE
KLASSEN
............................................................................................................
227
11.22.
C
URTIUS
/
L
ANGE
..............................................................................................................................................
227
11.23.
T
ODT
1855
.......................................................................................................................
233
11.24.
S
ANNEG
1865
...................................................................................................................
234
11.25.
S
CHMIDT
1872A
...............................................................................................................
235
N.26./LFEO/WLE
VS.
RELATIVE
KOMPOSITA
............................................................................................
235
11.27.
VIERKLASSENLEHRE
...............................................................................................................
236
11.28.
B
ENFEY
.........................................................................................................................................
236
11.29.
JUSTI
..................................................................................................................................................................................
237
11.30.
W
ESTERGAARD
1846........................................................................................................
243
11.31.
M
ONIER
-W
ILLIAMS
....................................................................................................................
243
11.32.
BAHUVRIHI-DEFINITIONEN
(CHRONOLOGISCHER
READER)
.........................................................
243
11.33.
TOBLER
1868A
..................................................................................................................
251
11.34.
M
IKLOSICH
1863
(1864)..................................................................................................
252
11.35.
JACOBI
1897
......................................................................................................................
253
11.36.
W
EISSENBORN
1865
........................................................................................................
259
11.37.
H
EERDEGEN
1868
............................................................................................................
259
11.38.
SCHROEDER
(SCHROEDER)
1874........................................................................................
2OE1
11.39.
HYPOSTASE,
HYPOBASE,
APOSTASE,
APOBASE,
METABASE
......................................................
263
11.40.
WEITERE
WICHTIGE
TERMINI
DER
INDOGERMANISCHEN
KOMPOSITONSLEHRE
DES
20.
JAHR
HUNDERTS
............................................................................................................................
267
11.41.
EPILOG
.................................................................................................................................
2 J0
AUSKLANG
...............................................................................................................................................
271
SIGLEN
.....................................................................................................................................................
272
|
| any_adam_object | 1 |
| building | Verbundindex |
| bvnumber | BV046337692 |
| ctrlnum | (OCoLC)1141159248 (DE-599)DNB1192030931 |
| dewey-full | 415.92 |
| dewey-hundreds | 400 - Language |
| dewey-ones | 415 - Grammar |
| dewey-raw | 415.92 |
| dewey-search | 415.92 |
| dewey-sort | 3415.92 |
| dewey-tens | 410 - Linguistics |
| discipline | Sprachwissenschaft |
| format | Book |
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| id | DE-604.BV046337692 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:42:02Z |
| institution | BVB |
| institution_GND | (DE-588)1065130910 |
| isbn | 9783902932983 3902932988 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031714404 |
| oclc_num | 1141159248 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | VII, 272 Seiten 28 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Edition Tandem |
| record_format | marc |
| series | Historische Metalinguistik |
| series2 | Historische Metalinguistik |
| spelling | Indogermanische Kompositionslehre Thomas Lindner Salzburg ; Wien Edition Tandem [2019] © 2019 VII, 272 Seiten 28 cm txt rdacontent n rdamedia nc rdacarrier Historische Metalinguistik Band 1 Indogermanisch (DE-588)4120204-1 gnd rswk-swf Komposition Wortbildung (DE-588)4394616-1 gnd rswk-swf Indogermanisch (DE-588)4120204-1 s Komposition Wortbildung (DE-588)4394616-1 s DE-604 Edition Tandem (DE-588)1065130910 pbl Historische Metalinguistik Band 1 (DE-604)BV046337891 1 B:DE-101 application/pdf https://d-nb.info/1192030931/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031714404&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Indogermanische Kompositionslehre Historische Metalinguistik Indogermanisch (DE-588)4120204-1 gnd Komposition Wortbildung (DE-588)4394616-1 gnd |
| subject_GND | (DE-588)4120204-1 (DE-588)4394616-1 |
| title | Indogermanische Kompositionslehre |
| title_auth | Indogermanische Kompositionslehre |
| title_exact_search | Indogermanische Kompositionslehre |
| title_full | Indogermanische Kompositionslehre Thomas Lindner |
| title_fullStr | Indogermanische Kompositionslehre Thomas Lindner |
| title_full_unstemmed | Indogermanische Kompositionslehre Thomas Lindner |
| title_short | Indogermanische Kompositionslehre |
| title_sort | indogermanische kompositionslehre |
| topic | Indogermanisch (DE-588)4120204-1 gnd Komposition Wortbildung (DE-588)4394616-1 gnd |
| topic_facet | Indogermanisch Komposition Wortbildung |
| url | https://d-nb.info/1192030931/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031714404&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV046337891 |
| work_keys_str_mv | AT editiontandem indogermanischekompositionslehre |
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