The Big Lebowski:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Bloomsbury Publishing
2020
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| Schriftenreihe: | BFI film classics
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 123 Seiten Illustrationen, Portraits |
| ISBN: | 9781838719609 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Foreword to the 2020 Edition 2 Acknowledgements 6 Introduction 7 1 The Mix-tape Movie 13 2 Out of the Past 40 3 What Makes a Man? 63 4 The Religion of Laughter 86 Notes 109 Credits 115 Bibliography 122
THE BIG LEBOWSKI ‘Terrific stuff, intellectually engaging, visually appealing, and shot through with wit and insight.’ Time Out London ‘Beautifully lucid.’ Little White Lies ‘Compact and deliciously readable.’ Offscreen.com Released in 1998 to general bafflement, Ethan and Joel Coen’s The Big Lebowski has become a cult classic, inspiring endless quotation, a thriving circuit of ‘Lebowski Fests’ and a growing library of goofy and chin-scratching appreciation. This book, now offered in a second edition,.was among the first to take seriously (though not too seriously) the picture’s bizarre charms, deceptive achievements and surprising poignancy. J.M. Tyree and Ben Walters attend to Jeff Bridges’ career-best performance as drop-out gumshoe Jeffrey The Dude’ Lebowski and the impossibly convoluted kidnap plot in which he becomes embroiled. They also unpack the movie’s discombobulatingly irreverent approaches to Hollywood history (particularly The Big Sleep), Los Angeles landscape and heroic masculinity. Most of all, they champion the picture’s downright hilarity and its disarmingly humane celebration of simple things: friendship, laughter and bowling. In their foreword to this edition, the authors reflect on the ever-increasing value of Lebowski s focus on gentle non-conformity and friendship across difference. This new edition also includes an exclusive interview with the Coens, revealing the origins of the name ‘Jeffrey Lebowski’. J.M. Tyree is an editor at New England Review, associate director of the cinema program at VCUarts, and the author of the BFI Film Classic on
Salesman. Ben Walters has written books about Orson Welles, the BFI TV Classic on The Office, and a PhD about queer fun and homemade mutant hope machines.
|
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| discipline | Allgemeines |
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| language | English |
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