Performing knowledge: twentieth-century music in analysis and performance
How do musical analysis and performance relate? In a unique collaborative approach to this question, theorist-pianist Daphne Leong partners with internationally renowned performers to interpret twentieth-century repertoire. Imaginative explorations of music by Ravel, Schoenberg, Bart'ok, Schnit...
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| Format: | Buch |
| Sprache: | English |
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New York, NY
Oxford University Press
[2019]
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| Schriftenreihe: | Oxford studies in music theory
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | How do musical analysis and performance relate? In a unique collaborative approach to this question, theorist-pianist Daphne Leong partners with internationally renowned performers to interpret twentieth-century repertoire. Imaginative explorations of music by Ravel, Schoenberg, Bart'ok, Schnittke, Milhaud, Messiaen, Babbitt, Carter, and Morris illuminate focal issues such as the role of embodiment, the affordances of a score, the cultural understanding of notation, the use of metaphor, and - to round out the viewpoints of theorist and performers with those of composer and listeners - the role of structure in audience reception. Each exploration engages deeply with musical structure, redefined to encompass the creative activity of composers, performers, analysts, and listeners. Performances, demonstrations, and interviews online complement the books written text; practical application and pedagogical guidance round out theoretical and analytical content. The collaborations themselves demonstrate different dimensions of knowledge at the intersection of analysis and performance, and illustrate Leongs theory of the things and people that facilitate cross-disciplinary collaboration in music. They also exemplify the antagonisms and synergies that emerge when theorists and performers meet. Both flexibly and rigorously conceived, Performing Knowledge is a brave crossing of disciplinary divides between scholarship and practice, a work of analysis shaped by the voices of performers. -- |
| Beschreibung: | xviii, 412 Seiten Illustrationen, Porträts, Notenbeispiele |
| ISBN: | 9780190653545 |
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| 505 | 8 | |a Theme : Performers, structure, and ways of knowing -- Counterpoint : Cross-disciplinary collaboration -- Variations. Performance [to] analysis. Determination of structure : Performers' voices on Ravel's Concerto pour la main gauche / with David Korevaar, pianist. Creation of structure : Interpreting Schoenberg's Klavierstück, op. 19, no. 4 / with Hunter Ewen, composer. Understanding of structure : Performed rhythm at the center of Bartók's Fifth string quartet / with the Takács Quartet ; Analysis [to] performance. Story in structure : Schnittke's Piano quartet and "the attempt to remember" / with Judith Glyde, cellist. Poetry in structure : Counterpointing motion in Milhaud's "Aurore" / with Adam Ewing, baritone. Drama in structure : Enacting ritual and drama : the two pianos of Messiaen's Visions de l'Amen / with Alejandro Cremaschi, pianist ; Performance & analysis. Script versus structure : Virtuosity in Babbitt's Lonely flute, with reflections on process / with Elizabeth McNutt, flute. Performing with structure : Local frictions and long-range connections in Carter's Changes for guitar / Jonathan Leathwood, guitarist ; with Leong. Reception and structure : Morris's Clear sounds, audiences, and new music / with Robert Morris, composer -- Counterpoint : Cross-disciplinary collaboration -- Theme : Performers, structure, and ways of knowing | |
| 520 | 3 | |a How do musical analysis and performance relate? In a unique collaborative approach to this question, theorist-pianist Daphne Leong partners with internationally renowned performers to interpret twentieth-century repertoire. Imaginative explorations of music by Ravel, Schoenberg, Bart'ok, Schnittke, Milhaud, Messiaen, Babbitt, Carter, and Morris illuminate focal issues such as the role of embodiment, the affordances of a score, the cultural understanding of notation, the use of metaphor, and - to round out the viewpoints of theorist and performers with those of composer and listeners - the role of structure in audience reception. Each exploration engages deeply with musical structure, redefined to encompass the creative activity of composers, performers, analysts, and listeners. Performances, demonstrations, and interviews online complement the books written text; practical application and pedagogical guidance round out theoretical and analytical content. The collaborations themselves demonstrate different dimensions of knowledge at the intersection of analysis and performance, and illustrate Leongs theory of the things and people that facilitate cross-disciplinary collaboration in music. They also exemplify the antagonisms and synergies that emerge when theorists and performers meet. Both flexibly and rigorously conceived, Performing Knowledge is a brave crossing of disciplinary divides between scholarship and practice, a work of analysis shaped by the voices of performers. -- | |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgments Acknowledgments: Individual Chapters Permissions Note to Readers About the Companion Website List of Contributors vii ix xi xiii xv xvii Theme: Performers, Structure, and Ways of Knowing 1 Counterpoint: Cross-Disciplinary Collaboration 19 Variations 33 Performance - Analysis 1. determination of structure 35 Performers’ Voices on Ravels Concerto pour la main gauche (with David Korevaar, pianist) 2. creation of structure Interpreting Schoenbergs Klavierstück, Op. 19, No. 4 59 (with Hunter Ewen, composer) 3. understanding of structure Performed Rhythm at the Center of Bartok s Fifth String Quartet 97 (with the Takács Quartet) Analysis ֊ Performance 4. story in structure Schnittkes Piano Quartet and “the attempt to remember” 133 (with Judith Glyde, cellist) 5. poetry in structure 168 Counterpointing Motion in Milhaud’s “Aurore” (with Adam Ewing baritone) 6. drama in structure 201 Enacting Ritual and Drama: The Two Pianos of Messiaen’s Visions de l’Amen (with Alejandro Cremaschi, pianist)
vi CONTENTS Performance Analysis 7. script versus structure Virtuosity in Babbitt’s Lonely Flute, with Reflections on Process (with Elizabeth McNutt, flutist) 263 8. performing with structure Local Frictions and Long-Range Connections in Carter’s Changes for Guitar (Jonathan Leathwood, guitarist; with Leong) 287 9. reception and structure Morris’s Clear Sounds, Audiences, and New Music (with Robert Morris, composer) 332 Counterpoint: Cross-Disciplinary Collaboration 363 Theme: Performers, Structure, and Ways of Knowing 379 Bibliography Index 387 407
|
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| author | Leong, Daphne 1966- |
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| contents | Theme : Performers, structure, and ways of knowing -- Counterpoint : Cross-disciplinary collaboration -- Variations. Performance [to] analysis. Determination of structure : Performers' voices on Ravel's Concerto pour la main gauche / with David Korevaar, pianist. Creation of structure : Interpreting Schoenberg's Klavierstück, op. 19, no. 4 / with Hunter Ewen, composer. Understanding of structure : Performed rhythm at the center of Bartók's Fifth string quartet / with the Takács Quartet ; Analysis [to] performance. Story in structure : Schnittke's Piano quartet and "the attempt to remember" / with Judith Glyde, cellist. Poetry in structure : Counterpointing motion in Milhaud's "Aurore" / with Adam Ewing, baritone. Drama in structure : Enacting ritual and drama : the two pianos of Messiaen's Visions de l'Amen / with Alejandro Cremaschi, pianist ; Performance & analysis. Script versus structure : Virtuosity in Babbitt's Lonely flute, with reflections on process / with Elizabeth McNutt, flute. Performing with structure : Local frictions and long-range connections in Carter's Changes for guitar / Jonathan Leathwood, guitarist ; with Leong. Reception and structure : Morris's Clear sounds, audiences, and new music / with Robert Morris, composer -- Counterpoint : Cross-disciplinary collaboration -- Theme : Performers, structure, and ways of knowing |
| ctrlnum | (OCoLC)1140175916 (DE-599)BVBBV046336034 |
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| series2 | Oxford studies in music theory |
| spelling | Leong, Daphne 1966- Verfasser (DE-588)1043523715 aut Performing knowledge twentieth-century music in analysis and performance Daphne Leong ; with Alejandro Cremaschi [and others] New York, NY Oxford University Press [2019] © 2019 xviii, 412 Seiten Illustrationen, Porträts, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Oxford studies in music theory Theme : Performers, structure, and ways of knowing -- Counterpoint : Cross-disciplinary collaboration -- Variations. Performance [to] analysis. Determination of structure : Performers' voices on Ravel's Concerto pour la main gauche / with David Korevaar, pianist. Creation of structure : Interpreting Schoenberg's Klavierstück, op. 19, no. 4 / with Hunter Ewen, composer. Understanding of structure : Performed rhythm at the center of Bartók's Fifth string quartet / with the Takács Quartet ; Analysis [to] performance. Story in structure : Schnittke's Piano quartet and "the attempt to remember" / with Judith Glyde, cellist. Poetry in structure : Counterpointing motion in Milhaud's "Aurore" / with Adam Ewing, baritone. Drama in structure : Enacting ritual and drama : the two pianos of Messiaen's Visions de l'Amen / with Alejandro Cremaschi, pianist ; Performance & analysis. Script versus structure : Virtuosity in Babbitt's Lonely flute, with reflections on process / with Elizabeth McNutt, flute. Performing with structure : Local frictions and long-range connections in Carter's Changes for guitar / Jonathan Leathwood, guitarist ; with Leong. Reception and structure : Morris's Clear sounds, audiences, and new music / with Robert Morris, composer -- Counterpoint : Cross-disciplinary collaboration -- Theme : Performers, structure, and ways of knowing How do musical analysis and performance relate? In a unique collaborative approach to this question, theorist-pianist Daphne Leong partners with internationally renowned performers to interpret twentieth-century repertoire. Imaginative explorations of music by Ravel, Schoenberg, Bart'ok, Schnittke, Milhaud, Messiaen, Babbitt, Carter, and Morris illuminate focal issues such as the role of embodiment, the affordances of a score, the cultural understanding of notation, the use of metaphor, and - to round out the viewpoints of theorist and performers with those of composer and listeners - the role of structure in audience reception. Each exploration engages deeply with musical structure, redefined to encompass the creative activity of composers, performers, analysts, and listeners. Performances, demonstrations, and interviews online complement the books written text; practical application and pedagogical guidance round out theoretical and analytical content. The collaborations themselves demonstrate different dimensions of knowledge at the intersection of analysis and performance, and illustrate Leongs theory of the things and people that facilitate cross-disciplinary collaboration in music. They also exemplify the antagonisms and synergies that emerge when theorists and performers meet. Both flexibly and rigorously conceived, Performing Knowledge is a brave crossing of disciplinary divides between scholarship and practice, a work of analysis shaped by the voices of performers. -- Geschichte 1900-2000 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Wissen (DE-588)4066559-8 gnd rswk-swf Music / 20th century / Analysis, appreciation Music / Performance 1900-1999 Musik (DE-588)4040802-4 s Wissen (DE-588)4066559-8 s Musikalische Analyse (DE-588)4040814-0 s Aufführung (DE-588)4143388-9 s Geschichte 1900-2000 z DE-604 Cremaschi, Alejandro (DE-588)1125469420 ctb Erscheint auch als Online-Ausgabe 978-0-19-065358-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031712782&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Leong, Daphne 1966- Performing knowledge twentieth-century music in analysis and performance Theme : Performers, structure, and ways of knowing -- Counterpoint : Cross-disciplinary collaboration -- Variations. Performance [to] analysis. Determination of structure : Performers' voices on Ravel's Concerto pour la main gauche / with David Korevaar, pianist. Creation of structure : Interpreting Schoenberg's Klavierstück, op. 19, no. 4 / with Hunter Ewen, composer. Understanding of structure : Performed rhythm at the center of Bartók's Fifth string quartet / with the Takács Quartet ; Analysis [to] performance. Story in structure : Schnittke's Piano quartet and "the attempt to remember" / with Judith Glyde, cellist. Poetry in structure : Counterpointing motion in Milhaud's "Aurore" / with Adam Ewing, baritone. Drama in structure : Enacting ritual and drama : the two pianos of Messiaen's Visions de l'Amen / with Alejandro Cremaschi, pianist ; Performance & analysis. Script versus structure : Virtuosity in Babbitt's Lonely flute, with reflections on process / with Elizabeth McNutt, flute. Performing with structure : Local frictions and long-range connections in Carter's Changes for guitar / Jonathan Leathwood, guitarist ; with Leong. Reception and structure : Morris's Clear sounds, audiences, and new music / with Robert Morris, composer -- Counterpoint : Cross-disciplinary collaboration -- Theme : Performers, structure, and ways of knowing Aufführung (DE-588)4143388-9 gnd Musik (DE-588)4040802-4 gnd Musikalische Analyse (DE-588)4040814-0 gnd Wissen (DE-588)4066559-8 gnd |
| subject_GND | (DE-588)4143388-9 (DE-588)4040802-4 (DE-588)4040814-0 (DE-588)4066559-8 |
| title | Performing knowledge twentieth-century music in analysis and performance |
| title_auth | Performing knowledge twentieth-century music in analysis and performance |
| title_exact_search | Performing knowledge twentieth-century music in analysis and performance |
| title_full | Performing knowledge twentieth-century music in analysis and performance Daphne Leong ; with Alejandro Cremaschi [and others] |
| title_fullStr | Performing knowledge twentieth-century music in analysis and performance Daphne Leong ; with Alejandro Cremaschi [and others] |
| title_full_unstemmed | Performing knowledge twentieth-century music in analysis and performance Daphne Leong ; with Alejandro Cremaschi [and others] |
| title_short | Performing knowledge |
| title_sort | performing knowledge twentieth century music in analysis and performance |
| title_sub | twentieth-century music in analysis and performance |
| topic | Aufführung (DE-588)4143388-9 gnd Musik (DE-588)4040802-4 gnd Musikalische Analyse (DE-588)4040814-0 gnd Wissen (DE-588)4066559-8 gnd |
| topic_facet | Aufführung Musik Musikalische Analyse Wissen |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031712782&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT leongdaphne performingknowledgetwentiethcenturymusicinanalysisandperformance AT cremaschialejandro performingknowledgetwentiethcenturymusicinanalysisandperformance |