What is scenography?:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2019
|
| Ausgabe: | Third edition |
| Schriftenreihe: | Theatre & performance studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | XXXIX, 348 Seiten Illustrationen |
| ISBN: | 9781138503052 9781138504783 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804180826619904000 |
|---|---|
| adam_text | PAMELA HOWARD
with PAVEL DRABEK
13 Routledge
I Taylor Errands Croup
NEW YORK AND LONDON
CONTENTS
List of Illustrations
Ackno wledgements
World View
xiv
xix
xx
Preface to the Third Revised and Expanded Edition
Introduction
xxvii
xxx
PART 1 ELEMENTS OF SCENOGRAPHY
1 Space 3
Measure to Measure: Playing in the Space 3
Artistic Occupation 10
Community 10
A Game of Size and Scale 11
Instant Histoiy 13
A Perfect Piece of Theatre 13
A Neutral Machine 14
Describing Space 17
i Specifics 19
Space and Sound 19
Using Space - A Warning 20
Recycling a Space 22
Models 23
The Effect of Space 24
Assisting the Performance 24
The Histoiy of a Space 25
VIII Contents
2 Text
The Hidden Stoiy
Understanding the Play
Visualizing the Drama
Peopling the Play
Thinking Drawings - A Useful Tool
The Scenographic Script
Hidden Stories
Visual Clues
Survey the Plot
Scenographic Dramaturgy
Liberating the Text
Wordspace
Representing Histoiy
The Look ofWords
A Richness for the Audience’s Eyes
Hidden Space within Words
Collaboration
The Imagery of Art
3 Research
Asking Questions - Finding Answers
Forgotten Memories
Creative Research
The Mood of the Moment
A Living Museum
Observing Life
Expressing the Subtext
Found Images and References
Cross-referencing and Recycling
Knowing When to Stop
The Mysteiy of Things (Fernando Pessoa)
Primary Research
Patchwork Quilts of Memories
Creative Research
Eveiyday Objects
Contents ix
Visual Dramaturgy 80
A Scenographic Language 81
4 Colour and Composition 83
The Balancing Act 83
A Colour Scale 84
An Emotional Palette 85
Colour and Texture 86
A Piece of Green String 86
Composing with Colour and Form 90
The Beauty of the Ordinary 92
Critical Awareness 93
Playing with Paint and Colour 94
Less is More 95
A Carousel of Memories 95
Poetic Realism 97
Colour and Composition 98
The Dynamism of Space 99
Consistent Practice 100
The Logic of Colour 101
Directing the Spectator’s Eye 103
The Thrill of Composition 104
Flexible Surfaces 104
Focusing Attention 105
Scale and Impact 106
Made by Hand 107
5 Direction 111
Finding the Way 111
Making the Space Speak 113
Pragmatics 113
The Architect of the Dramatic Space 116
Credit Where it’s Due 117
Common Ground 118
Animating the Space - Together 118
Mise en scene 120
X Contents
Coming into the Picture
Enhancing the Text
Text and Action
Telling the Story with Costume and Text
Travelling in the Same Direction
The Art of Direction
Interchangeable Roles
The Creative Vision
A Theatre for Looking at Things
Allowing the Unexpected to Happen
6 Performers
The Scenographic Actor
The First Day of Rehearsal
Language
Do your Homework
Observations from Life
Working Interculturally
The Body
The Language of Clothes
Making the Costume
The Actor’s Imprint
Fabric
The Costumed Actor in the Empty Space
Practical and Poetic
Using the Space
The Body in Three Dimensions
The Raw Material
The Human Form
Understanding Performers
A Two-way Process
The World of the Character Made Manifest
A Performative Language
Simple Images
A Hunger for the Intimate
The Performer is the Bridge
Contents xi
7 Spectators 171
The Great Mystery 171
Studying the Audience 172
Educating the Audience 172
The Missing Ingredient 173
Creating the Conditions for Concentration 174
Taking Care to Prepare 176
A Joint Adventure 178
A Visual Narrator 179
Danger 179
Not Play Acting 182
Space as Metaphor 182
Scenic Invention 184
A Feast of Delights 187
The Active Ingredient 187
Sustainable Staging 188
Form and Content in Harmony 189
‘Real life’ Reflected? 191
The Audience’s Imagination 193
Memory and Recognition 193
Using Realism to Create Mystery 195
Leaving Room for the Spectator 196
Spectator as Participant 196
PART 2 INVESTIGATIONS
8 Charlotte: A Tri-Coloured Play with Music 201
Introduction: When Life and Art Meet 202
Space: Behind the Tracing Paper 203
Text: Memory? or Truth? 207
Research: The Living Museum for Charlotte: A Tri- Coloured
Play with Music 209
Performers and Direction 214
Colour and Composition: The Tri-Coloured World of
Charlotte Salomon 224
SCENO-MANI-FESTO 228
Spectators: On Entering the House of Theatre 228
XII Contents
9 Carmen 231
Ljubljana 2015 231
Text: Text-Sound-Colour 234
Research 237
SCENO-MANI-FESTO 241
Colour and Composition: Making the Mark 242
Responding to the Material 243
Direction: Cooking and Dreaming 244
Performers 246
SCENO-MANI-FESTO 249
Staging D elacroix’s La Liberte 249
Spectators: Expectations 251
SCENO-MANI-FESTO 254
10 The Excursions of Mr Broucek 255
Stagingi?rouceX::The World Premiere of VyletpanaBroucka
do Mesice by Leos Janacek 255
Space 256
Text and Music 256
Research: Cycles, Cars and Barrows - and Pork Sausages! 259
SCENO-MANI-FESTO 267
Colour and Composition 267
Performers 269
Spectators: The Progressive Experience 272
Conclusion 274
Direction 277
SCENO-MANI-FESTO 279
11 Sarlatan 281
Staging Pavel Haas’s opera Sarlatan (1938) 281
Overture 281
Exposition 282
Performers 288
The Big Problem 290
Development: Nettles and Potatoes 292
Space: Leading the Audience’s Eye 294
SCENO-MANI-FESTO 299
Contents xiii
The Scenographic Spectator 300
SCENO-MANI-FESTO 304
Finale: To our Maestro Israel Yinon 304
And to our Poet Sandy Hutchison 305
SCENO-MANI-FESTO 306
12 The New Jerusalem 307
Traversing the Space 307
Connecting Word and Vision 310
Research: Finding the Way 317
SCENO-MANI-FESTO 321
Colour and Composition: The Joy of Pen and Ink 321
SCENO-MANI-FESTO 324
Direction: Parallel Paths 324
SCENO-MANI-FESTO 326
Performers 326
Spectators: The Scenic Spectator 328
SCENO-MANI-FESTO 330
Afterword 332
Postscript 339
Index 341
|
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| author | Howard, Pamela 1939- Drábek, Pavel 1974- |
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| discipline | Allgemeines |
| edition | Third edition |
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| isbn | 9781138503052 9781138504783 |
| language | English |
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| spelling | Howard, Pamela 1939- Verfasser (DE-588)142566519 aut What is scenography? Pamela Howard with Pavek Drábek Third edition New York ; London Routledge, Taylor & Francis Group 2019 XXXIX, 348 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Theatre & performance studies Bühnenbild (DE-588)4008738-4 gnd rswk-swf Szenografie (DE-588)4433627-5 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Szenografie (DE-588)4433627-5 s DE-604 Bühnenbild (DE-588)4008738-4 s 1\p DE-604 Drábek, Pavel 1974- Verfasser (DE-588)1202832660 aut Erscheint auch als Online-Ausgabe, ebk 978-1-315-14623-2 V:DE-603;B:DE-30 application/pdf http://scans.hebis.de/HEBCGI/show.pl?44839113_toc.pdf Inhaltsverzeichnis HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031710572&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Howard, Pamela 1939- Drábek, Pavel 1974- What is scenography? Bühnenbild (DE-588)4008738-4 gnd Szenografie (DE-588)4433627-5 gnd |
| subject_GND | (DE-588)4008738-4 (DE-588)4433627-5 (DE-588)4151278-9 |
| title | What is scenography? |
| title_auth | What is scenography? |
| title_exact_search | What is scenography? |
| title_full | What is scenography? Pamela Howard with Pavek Drábek |
| title_fullStr | What is scenography? Pamela Howard with Pavek Drábek |
| title_full_unstemmed | What is scenography? Pamela Howard with Pavek Drábek |
| title_short | What is scenography? |
| title_sort | what is scenography |
| topic | Bühnenbild (DE-588)4008738-4 gnd Szenografie (DE-588)4433627-5 gnd |
| topic_facet | Bühnenbild Szenografie Einführung |
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