Screen adaptations: Shakespeare's Hamlet: the relationship between text and film
"Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Ham...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Bloomsbury
2014
|
| Schriftenreihe: | The Arden Shakespeare
|
| Schlagworte: | |
| Online-Zugang: | UBW01 Volltext |
| Zusammenfassung: | "Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined. Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words" into film's particular grammar and rhetoric"-- "A study of how Hamlet has been adapted for film and TV, with a focus on the classic film by Olivier and Branagh"-- |
| Beschreibung: | Includes bibliographical references, filmography and index Machine generated contents note: -- Acknowledgements Preface 1 Literary contexts 2 Laurence Olivier's Hamlet: from text to screen 3 Kenneth Branagh's Hamlet: from text to screen 4 Critical response and the afterlife of text and film Bibliography Index |
| Beschreibung: | 1 Online-Ressource (XVIII, 154 S.) |
| ISBN: | 9781472539069 9781472538932 |
| DOI: | 10.5040/9781472539069 |
Internformat
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| 520 | |a "Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined. Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words" into film's particular grammar and rhetoric"-- "A study of how Hamlet has been adapted for film and TV, with a focus on the classic film by Olivier and Branagh"-- | ||
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Datensatz im Suchindex
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| author | Crowl, Samuel 1940- |
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| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.5040/9781472539069 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| id | DE-604.BV046329287 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:41:48Z |
| institution | BVB |
| isbn | 9781472539069 9781472538932 |
| language | English |
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| physical | 1 Online-Ressource (XVIII, 154 S.) |
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| publishDate | 2014 |
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| series2 | The Arden Shakespeare |
| spelling | Crowl, Samuel 1940- Verfasser (DE-588)133985997 aut Screen adaptations: Shakespeare's Hamlet the relationship between text and film Samuel Crowl London [u.a.] Bloomsbury 2014 1 Online-Ressource (XVIII, 154 S.) txt rdacontent c rdamedia cr rdacarrier The Arden Shakespeare Includes bibliographical references, filmography and index Machine generated contents note: -- Acknowledgements Preface 1 Literary contexts 2 Laurence Olivier's Hamlet: from text to screen 3 Kenneth Branagh's Hamlet: from text to screen 4 Critical response and the afterlife of text and film Bibliography Index "Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined. Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words" into film's particular grammar and rhetoric"-- "A study of how Hamlet has been adapted for film and TV, with a focus on the classic film by Olivier and Branagh"-- Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William / 1564-1616 / Hamlet Shakespeare, William 1564-1616 Hamlet (DE-588)4099350-4 gnd rswk-swf Geschichte gnd rswk-swf PERFORMING ARTS / Film & Video / Reference bisacsh Film (DE-588)4017102-4 gnd rswk-swf Shakespeare, William 1564-1616 Hamlet (DE-588)4099350-4 u Film (DE-588)4017102-4 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4081-2955-5 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4725-3891-8 https://doi.org/10.5040/9781472539069?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Crowl, Samuel 1940- Screen adaptations: Shakespeare's Hamlet the relationship between text and film Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William / 1564-1616 / Hamlet Shakespeare, William 1564-1616 Hamlet (DE-588)4099350-4 gnd PERFORMING ARTS / Film & Video / Reference bisacsh Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4099350-4 (DE-588)4017102-4 |
| title | Screen adaptations: Shakespeare's Hamlet the relationship between text and film |
| title_auth | Screen adaptations: Shakespeare's Hamlet the relationship between text and film |
| title_exact_search | Screen adaptations: Shakespeare's Hamlet the relationship between text and film |
| title_full | Screen adaptations: Shakespeare's Hamlet the relationship between text and film Samuel Crowl |
| title_fullStr | Screen adaptations: Shakespeare's Hamlet the relationship between text and film Samuel Crowl |
| title_full_unstemmed | Screen adaptations: Shakespeare's Hamlet the relationship between text and film Samuel Crowl |
| title_short | Screen adaptations: Shakespeare's Hamlet |
| title_sort | screen adaptations shakespeare s hamlet the relationship between text and film |
| title_sub | the relationship between text and film |
| topic | Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William / 1564-1616 / Hamlet Shakespeare, William 1564-1616 Hamlet (DE-588)4099350-4 gnd PERFORMING ARTS / Film & Video / Reference bisacsh Film (DE-588)4017102-4 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William / 1564-1616 / Hamlet Shakespeare, William 1564-1616 Hamlet PERFORMING ARTS / Film & Video / Reference Film |
| url | https://doi.org/10.5040/9781472539069?locatt=label:secondary_bloomsburyCollections |
| work_keys_str_mv | AT crowlsamuel screenadaptationsshakespeareshamlettherelationshipbetweentextandfilm |