Postdramatic tragedies:
Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century. In addition to the often-commented-upon watershed productions, however, is a significant but overlooked history involving classical tragedy in experimental and avant-garde theatre. Postdramatic...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2020
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| Schriftenreihe: | Classical presences
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century. In addition to the often-commented-upon watershed productions, however, is a significant but overlooked history involving classical tragedy in experimental and avant-garde theatre. Postdramatic Tragedies focuses upon such experimental reinventions and analyses receptions of Greek and Roman tragedy that come under the banner of 'postdramatic theatre', astyle of performance in which the traditional components of drama, such as character and narrative, are subordinate to the immediate, affective power of more abstract elements, such as image and sound. The chapters are arranged into three parts, each of which explores classical reception within a specificstrand of postdramatic theatre: text-based theatre, devised theatre, and theatre that transcends the usual boundaries of time and space, such as durational and immersive theatre. Each offers a semiotic and phenomenological analysis of a particular case study, covering both widely known and less studied productions from 1995 to 2015. Together they reveal that postdramatic theatre is related to the classics at its conceptual core, and that the study of postdramatic tragedies reveals a great dealabout both the evolution of theatre in recent decades, and the status of ancient drama in modernity |
| Beschreibung: | x, 312 Seiten 8 Illustrationen (schwarz-weiß) |
| ISBN: | 9780198817680 |
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Datensatz im Suchindex
| _version_ | 1804180818460934144 |
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| adam_text | Contents List of Illustrations xi Introduction The Development of Postdramatic Theatre Postdramatic Tragedies, 1995-2015 I 3 24 Part I. Rewriting the Classics Introduction to Part I 35 1. Sarah Kane’s Phaedra’s Love Tragedy and the Œuvre of Sarah Kane Masculinity and Sexuality in Phaedra’s Love Violence and Voyeurism in Phaedra’s Love 39 41 50 61 2. Martin Crimp’s Alles Weitere kennen Sie aus dem Kino The Postdramatic Tragic Chorus Socio-Cultural Politics in Alles Weitere kennen Sie aus dem Kino The Postdramatic Aesthetic of Repetition 71 79 86 95 3. Tom Holloway’s Love Me Tender The Role of Text in Australian Postdramatic Classical Receptions The Postdramatic Realization of Love Me Tender: Scenes One to Three Politics and the Postdramatic in Love Me Tender: Scenes Four to Eight The Classical Palimpsest in Love Me Tender: Scenes Nine to Fifteen 103 105 111 116 125 Part II. Devising the Classics Introduction to Part II 137 4. The Wooster Group’s To You, The Birdie! Devising via Euripides, Seneca, and Racine The Politics of To You, The Birdie!’s Postdramatic Form Gender, Class, and the Classics in To You, The Birdie! 143 145 152 161 5. The Hayloft Project’s Thyestes Devising and Performing Thyestes The Gender Politics of Thyestes The Postdramatic Techniques and Violent Aesthetic of Thyestes 177 179 192 199
X CONTENTS Part IIL Embodying the Classics Introduction to Part III 209 6. ZU-UK’s Hotel Medea Analysing Emancipation Intellectual Agency in Hotel Medea and the Postcolonial Tradition of Medea Receptions Felt Agency and the Domestication of Medea Navigational Agency and Multi-Perspectivalism in Hotel Medea 215 217 7. Jan Fabre’s Mount Olympus: To Glorify the Cult of Tragedy (A 24-Hour Performance) Mount Olympus as Postdramatic Classical Reception Emancipation, Immersion, and Ethics Mount Olympus as Modern Tragedy 224 233 238 245 246 261 268 Conclusion 275 Bibliography Index 279 305
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| any_adam_object | 1 |
| author | Cole, Emma ca. 20./21. Jh |
| author_GND | (DE-588)1149772255 |
| author_facet | Cole, Emma ca. 20./21. Jh |
| author_role | aut |
| author_sort | Cole, Emma ca. 20./21. Jh |
| author_variant | e c ec |
| building | Verbundindex |
| bvnumber | BV046329102 |
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| ctrlnum | (OCoLC)1140169198 (DE-599)BVBBV046329102 |
| discipline | Anglistik / Amerikanistik Philologie / Byzantinistik / Neulatein |
| era | Geschichte 1995-2015 gnd |
| era_facet | Geschichte 1995-2015 |
| format | Book |
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| spelling | Cole, Emma ca. 20./21. Jh. Verfasser (DE-588)1149772255 aut Postdramatic tragedies Emma Cole Oxford Oxford University Press 2020 x, 312 Seiten 8 Illustrationen (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Classical presences Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century. In addition to the often-commented-upon watershed productions, however, is a significant but overlooked history involving classical tragedy in experimental and avant-garde theatre. Postdramatic Tragedies focuses upon such experimental reinventions and analyses receptions of Greek and Roman tragedy that come under the banner of 'postdramatic theatre', astyle of performance in which the traditional components of drama, such as character and narrative, are subordinate to the immediate, affective power of more abstract elements, such as image and sound. The chapters are arranged into three parts, each of which explores classical reception within a specificstrand of postdramatic theatre: text-based theatre, devised theatre, and theatre that transcends the usual boundaries of time and space, such as durational and immersive theatre. Each offers a semiotic and phenomenological analysis of a particular case study, covering both widely known and less studied productions from 1995 to 2015. Together they reveal that postdramatic theatre is related to the classics at its conceptual core, and that the study of postdramatic tragedies reveals a great dealabout both the evolution of theatre in recent decades, and the status of ancient drama in modernity Geschichte 1995-2015 gnd rswk-swf Experimentelles Theater (DE-588)4124890-9 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Latein (DE-588)4114364-4 gnd rswk-swf Griechisch (DE-588)4113791-7 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Tragödie (DE-588)4060591-7 gnd rswk-swf Theaterwesen (DE-2581)TH000006363 gbd Tragödie (DE-2581)TH000005599 gbd Literaturwissenschaft, modern (DE-2581)TH000012898 gbd Griechisch (DE-588)4113791-7 s Latein (DE-588)4114364-4 s Tragödie (DE-588)4060591-7 s Rezeption (DE-588)4049716-1 s Englisch (DE-588)4014777-0 s Experimentelles Theater (DE-588)4124890-9 s Geschichte 1995-2015 z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031705995&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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