The empathic screen: cinema and neuroscience
Why do people go to the movies? What does it mean to watch a movie? To what extent is the perceived fictional nature of movies different from our daily perception of the real world?0We live in a time where the power of images has strongly invaded our everyday life, and we need new instruments and me...
Gespeichert in:
Hauptverfasser: | , |
---|---|
Weitere Verfasser: | |
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Oxford
Oxford University Press
2020
|
Ausgabe: | First Edition |
Schlagworte: | |
Online-Zugang: | FUBA1 Volltext |
Zusammenfassung: | Why do people go to the movies? What does it mean to watch a movie? To what extent is the perceived fictional nature of movies different from our daily perception of the real world?0We live in a time where the power of images has strongly invaded our everyday life, and we need new instruments and methods to better understand our relationship with the virtual worlds we inhabit every day. Taking cinema as the beginning of our relationship with the world of moving images, and cognitive neuroscience as a paradigm to understand how the images engage us, The Empathic Screen develops a new theory of film experience, exploring our brain-body interaction when engaging with and0watching a film. In this book, film theory and neuroscience meet to shed new light on cinema masterpieces, such as The Shining, The Silence of the Lambs, and Toy Story, and explore the great directors from the classical period to the present. 0Taking a radical new approach to understanding the cinema, the book will be fascinating reading for cognitive scientists, neuroscientists, psychologists, philosophers, and film and media scholars |
Beschreibung: | 1 Online-Ressource (xxiii, 238 Seiten) |
ISBN: | 9780191835308 |
DOI: | 10.1093/oso/9780198793533.001.0001 |
Internformat
MARC
LEADER | 00000nmm a2200000 c 4500 | ||
---|---|---|---|
001 | BV046328887 | ||
003 | DE-604 | ||
005 | 20200117 | ||
007 | cr|uuu---uuuuu | ||
008 | 200110s2020 |||| o||u| ||||||eng d | ||
020 | |a 9780191835308 |9 978-0-19-183530-8 | ||
035 | |a (OCoLC)1137807471 | ||
035 | |a (DE-599)BVBBV046328887 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-188 | ||
100 | 1 | |a Gallese, Vittorio |d 1959- |e Verfasser |0 (DE-588)1066584915 |4 aut | |
240 | 1 | 0 | |a Lo Schermo Empatico : cinema e neuroscienze (2015) |
245 | 1 | 0 | |a The empathic screen |b cinema and neuroscience |c by Vittorio Gallese and Michele Guerra ; translated by Frances Anderson |
250 | |a First Edition | ||
264 | 1 | |a Oxford |b Oxford University Press |c 2020 | |
300 | |a 1 Online-Ressource (xxiii, 238 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
520 | |a Why do people go to the movies? What does it mean to watch a movie? To what extent is the perceived fictional nature of movies different from our daily perception of the real world?0We live in a time where the power of images has strongly invaded our everyday life, and we need new instruments and methods to better understand our relationship with the virtual worlds we inhabit every day. Taking cinema as the beginning of our relationship with the world of moving images, and cognitive neuroscience as a paradigm to understand how the images engage us, The Empathic Screen develops a new theory of film experience, exploring our brain-body interaction when engaging with and0watching a film. In this book, film theory and neuroscience meet to shed new light on cinema masterpieces, such as The Shining, The Silence of the Lambs, and Toy Story, and explore the great directors from the classical period to the present. 0Taking a radical new approach to understanding the cinema, the book will be fascinating reading for cognitive scientists, neuroscientists, psychologists, philosophers, and film and media scholars | ||
650 | 4 | |a Neurosciences and motion pictures | |
650 | 4 | |a Empathy | |
700 | 1 | |a Guerra, Michele |d 1982- |e Verfasser |0 (DE-588)134079353 |4 aut | |
700 | 1 | |a Anderson, Frances |4 trl | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-19879353-3 |a Gallese, Vittorio |t Empathic Screen : Cinema and Neuroscience |d Oxford : Oxford University Press USA - OSO, ©2019 |
856 | 4 | 0 | |u https://doi.org/10.1093/oso/9780198793533.001.0001 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-28-OHO |a ZDB-28-OHO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-031705788 | ||
966 | e | |u https://doi.org/10.1093/oso/9780198793533.001.0001 |l FUBA1 |p ZDB-28-OHO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804180818070863872 |
---|---|
any_adam_object | |
author | Gallese, Vittorio 1959- Guerra, Michele 1982- |
author2 | Anderson, Frances |
author2_role | trl |
author2_variant | f a fa |
author_GND | (DE-588)1066584915 (DE-588)134079353 |
author_facet | Gallese, Vittorio 1959- Guerra, Michele 1982- Anderson, Frances |
author_role | aut aut |
author_sort | Gallese, Vittorio 1959- |
author_variant | v g vg m g mg |
building | Verbundindex |
bvnumber | BV046328887 |
collection | ZDB-28-OHO |
ctrlnum | (OCoLC)1137807471 (DE-599)BVBBV046328887 |
doi_str_mv | 10.1093/oso/9780198793533.001.0001 |
edition | First Edition |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02713nmm a2200385 c 4500</leader><controlfield tag="001">BV046328887</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200117 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200110s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780191835308</subfield><subfield code="9">978-0-19-183530-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1137807471</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046328887</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gallese, Vittorio</subfield><subfield code="d">1959-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1066584915</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Lo Schermo Empatico : cinema e neuroscienze (2015)</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The empathic screen</subfield><subfield code="b">cinema and neuroscience</subfield><subfield code="c">by Vittorio Gallese and Michele Guerra ; translated by Frances Anderson</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First Edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xxiii, 238 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Why do people go to the movies? What does it mean to watch a movie? To what extent is the perceived fictional nature of movies different from our daily perception of the real world?0We live in a time where the power of images has strongly invaded our everyday life, and we need new instruments and methods to better understand our relationship with the virtual worlds we inhabit every day. Taking cinema as the beginning of our relationship with the world of moving images, and cognitive neuroscience as a paradigm to understand how the images engage us, The Empathic Screen develops a new theory of film experience, exploring our brain-body interaction when engaging with and0watching a film. In this book, film theory and neuroscience meet to shed new light on cinema masterpieces, such as The Shining, The Silence of the Lambs, and Toy Story, and explore the great directors from the classical period to the present. 0Taking a radical new approach to understanding the cinema, the book will be fascinating reading for cognitive scientists, neuroscientists, psychologists, philosophers, and film and media scholars</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Neurosciences and motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Empathy</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Guerra, Michele</subfield><subfield code="d">1982-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)134079353</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Anderson, Frances</subfield><subfield code="4">trl</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-19879353-3</subfield><subfield code="a">Gallese, Vittorio</subfield><subfield code="t">Empathic Screen : Cinema and Neuroscience</subfield><subfield code="d">Oxford : Oxford University Press USA - OSO, ©2019</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1093/oso/9780198793533.001.0001</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OHO</subfield><subfield code="a">ZDB-28-OHO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031705788</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1093/oso/9780198793533.001.0001</subfield><subfield code="l">FUBA1</subfield><subfield code="p">ZDB-28-OHO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV046328887 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T08:41:48Z |
institution | BVB |
isbn | 9780191835308 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031705788 |
oclc_num | 1137807471 |
open_access_boolean | |
owner | DE-188 |
owner_facet | DE-188 |
physical | 1 Online-Ressource (xxiii, 238 Seiten) |
psigel | ZDB-28-OHO |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Oxford University Press |
record_format | marc |
spelling | Gallese, Vittorio 1959- Verfasser (DE-588)1066584915 aut Lo Schermo Empatico : cinema e neuroscienze (2015) The empathic screen cinema and neuroscience by Vittorio Gallese and Michele Guerra ; translated by Frances Anderson First Edition Oxford Oxford University Press 2020 1 Online-Ressource (xxiii, 238 Seiten) txt rdacontent c rdamedia cr rdacarrier Why do people go to the movies? What does it mean to watch a movie? To what extent is the perceived fictional nature of movies different from our daily perception of the real world?0We live in a time where the power of images has strongly invaded our everyday life, and we need new instruments and methods to better understand our relationship with the virtual worlds we inhabit every day. Taking cinema as the beginning of our relationship with the world of moving images, and cognitive neuroscience as a paradigm to understand how the images engage us, The Empathic Screen develops a new theory of film experience, exploring our brain-body interaction when engaging with and0watching a film. In this book, film theory and neuroscience meet to shed new light on cinema masterpieces, such as The Shining, The Silence of the Lambs, and Toy Story, and explore the great directors from the classical period to the present. 0Taking a radical new approach to understanding the cinema, the book will be fascinating reading for cognitive scientists, neuroscientists, psychologists, philosophers, and film and media scholars Neurosciences and motion pictures Empathy Guerra, Michele 1982- Verfasser (DE-588)134079353 aut Anderson, Frances trl Erscheint auch als Druck-Ausgabe, Hardcover 978-0-19879353-3 Gallese, Vittorio Empathic Screen : Cinema and Neuroscience Oxford : Oxford University Press USA - OSO, ©2019 https://doi.org/10.1093/oso/9780198793533.001.0001 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Gallese, Vittorio 1959- Guerra, Michele 1982- The empathic screen cinema and neuroscience Neurosciences and motion pictures Empathy |
title | The empathic screen cinema and neuroscience |
title_alt | Lo Schermo Empatico : cinema e neuroscienze (2015) |
title_auth | The empathic screen cinema and neuroscience |
title_exact_search | The empathic screen cinema and neuroscience |
title_full | The empathic screen cinema and neuroscience by Vittorio Gallese and Michele Guerra ; translated by Frances Anderson |
title_fullStr | The empathic screen cinema and neuroscience by Vittorio Gallese and Michele Guerra ; translated by Frances Anderson |
title_full_unstemmed | The empathic screen cinema and neuroscience by Vittorio Gallese and Michele Guerra ; translated by Frances Anderson |
title_short | The empathic screen |
title_sort | the empathic screen cinema and neuroscience |
title_sub | cinema and neuroscience |
topic | Neurosciences and motion pictures Empathy |
topic_facet | Neurosciences and motion pictures Empathy |
url | https://doi.org/10.1093/oso/9780198793533.001.0001 |
work_keys_str_mv | AT gallesevittorio loschermoempaticocinemaeneuroscienze2015 AT guerramichele loschermoempaticocinemaeneuroscienze2015 AT andersonfrances loschermoempaticocinemaeneuroscienze2015 AT gallesevittorio theempathicscreencinemaandneuroscience AT guerramichele theempathicscreencinemaandneuroscience AT andersonfrances theempathicscreencinemaandneuroscience |