Origin of the German Trauerspiel:
Zusammenfassung: Origin of the German Trauerspiel was Walter Benjamin's first full, historically oriented analysis of modernity. Readers of English know it as "The Origin of German Tragic Drama," but in fact the subject is something else--the play of mourning. Howard Eiland's com...
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| Format: | Buch |
| Sprache: | English German |
| Veröffentlicht: |
Cambridge, Massachusetts ; London, England
Harvard University Press
2019
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| Ausgabe: | First printing |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | Zusammenfassung: Origin of the German Trauerspiel was Walter Benjamin's first full, historically oriented analysis of modernity. Readers of English know it as "The Origin of German Tragic Drama," but in fact the subject is something else--the play of mourning. Howard Eiland's completely new English translation, the first since 1977, is closer to the German text and more consistent with Benjamin's philosophical idiom. Focusing on the extravagant seventeenth-century theatrical genre of the trauerspiel, precursor of the opera, Benjamin identifies allegory as the constitutive trope of the Baroque and of modernity itself. Allegorical perception bespeaks a world of mutability and equivocation, a melancholy sense of eternal transience without access to the transcendentals of the medieval mystery plays--though no less haunted and bedeviled. History as trauerspiel is the condition as well as subject of modern allegory in its inscription of the abyssal. Benjamin's investigation of the trauerspiel includes German texts and late Renaissance European drama such as Hamlet and Calderón's Life Is a Dream. The prologue is one of his most important and difficult pieces of writing. It lays out his method of indirection and his idea of the "constellation" as a key means of grasping the world, making dynamic unities out of the myriad bits of daily life. Thoroughly annotated with a philological and historical introduction and other explanatory and supplementary material, this rigorous and elegant new translation brings fresh understanding to a cardinal work by one of the twentieth century's greatest literary critics.--(Provided by publisher.) |
| Beschreibung: | XXIII, 308 Seiten 21 cm |
| ISBN: | 9780674744240 0674744241 |
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Datensatz im Suchindex
| _version_ | 1804180813038747648 |
|---|---|
| adam_text | CONTENTS
LIST
OF
ABBREVIATIONS
IX
TRANSLATOR
*
S
INTRODUCTION
XI
I
EPISTEMO-CRITICAL
FOREWORD
1
[I]
CONCEPT
OF
THE TRACTATUS
*
[2]
KNOWLEDGE
AND
TRUTH
*
[3]
PHILOSOPHICAL
BEAUTY
*
[4]
DIVISION
AND
DISPERSION
IN
THE
CONCEPT
*
[5]
IDEA
AS
CONFIGURATION
*
[6]
THE
WORD
AS
IDEA
*
[7]
IDEA
NOT
CLASSIFICATORY
*
[8]
BURDACH
*
S
NOMINALISM
*
[9]
VERISM,
SYNCRETISM,
INDUCTION
*
[10]
THE
GENRES
OF
ART
IN
CROCE
*
[11]
ORIGIN
*
[12]
MONADOLOGY
*
[13]
NEGLECT
AND
MISINTERPRETATION
OF
BAROQUE
TRAGEDY
*
[14]
*
APPRECIATION
*
*
[15]
BAROQUE
AND
EXPRESSIONISM
*
[16]
PRO
DOMO
II
TRAUERSPIEL
AND
TRAGEDY
40
[17]
BAROQUE
THEORY
OF
TRAUERSPIEL
*
[18]
INFLUENCE
OF
ARISTOTLE
INSIGNIFICANT
*
[19]
HISTORY
AS
CONTENT
OF
THE
TRAUERSPIEL
*
[20]
THEORY
OF
SOVEREIGNTY
*
[21]
BYZANTINE
SOURCES
*
[22]
HERODIAN
DRAMAS
*
[23]
IRRESOLUTION
*
[24]
TYRANT
AS
MARTYR,
MARTYR
AS
TYRANT
*
[25]
UNDERESTIMATION
OF
THE
MARTYR
DRAMA
*
[26]
CHRISTIAN
CHRONICLE
AND
TRAUERSPIEL
*
[27]
IMMANENCE
OF
BAROQUE
DRAMA
*
[28]
PLAY
AND
REFLECTION
*
[29]
SOVEREIGN
AS
CREATURE
*
[30]
HONOR
*
[31]
ANNIHILATION
OF
HISTORICAL
ETHOS
*
[32]
SETTING
*
[33]
THE
COURTIER
AS
SAINT
AND
INTRIGUER
*
[34]
DIDACTIC
INTENTION
OF
THE
TRAUERSPIEL
[35]
VOLKELT
*
S
AESTHETIC
OF
THE
TRAGIC
*
[36]
NIETZSCHE
*
S
BIRTH
OF
TRAGEDY
*
[37]
THEORY
OF
TRAGEDY
IN
GERMAN
IDEALISM
*
[38]
TRAGEDY
AND
LEGEND
*
[39]
VIII
CONTENTS
KINGSHIP
AND
TRAGEDY
*
[40]
*
TRAGEDY
*
OLD
AND
NEW
*
[41]
TRAGIC
DEATH
AS
FRAMEWORK
*
[42]
DIALOGUE:
TRAGIC,
JURIDICAL,
AND
PLATONIC
*
[43]
MOURNING
AND
TRAGEDY
*
[44]
STURM
UND
DRANG,
CLASSICISM
*
[45]
HAUPT-
UND
STAATSAKTION,
PUPPET
PLAY
*
[46]
INTRIGUER
AS
COMIC
CHARACTER
*
[47]
CONCEPT
OF
FATE
IN
THE
DRAMA
OF
FATE
*
[48]
NATURAL
AND
TRAGIC
GUILT
*
[49]
THE
PROP
*
[50]
THE
WITCHING
HOUR
AND
THE
SPIRIT
WORLD
[51]
DOCTRINE
OF
JUSTIFICATION,
APATHEIA,
MELANCHOLY
*
[52]
DEJECTION
OF
THE
PRINCE
*
[53]
MELANCHOLY
OF
THE
BODY
AND
OF
THE
SOUL
*
[54]
THEORY
OF
SATURN
*
[55]
EMBLEMS:
DOG,
GLOBE,
STONE
*
[56]
ACEDIA
AND
INCONSTANCY
*
[57]
HAMLET
III
ALLEGORY
AND
TRAUERSPIEL
765
[58]
SYMBOL
AND
ALLEGORY
IN
CLASSICISM
*
[59]
SYMBOL
AND
ALLEGORY
IN
ROMANTICISM
*
[60]
ORIGIN
OF
MODERN
ALLEGORY
*
[61]
EXAMPLES
AND
ILLUSTRATIONS
*
[62]
ANTINOMIES
OF
ALLEGORESIS
*
[63]
THE
RUIN
*
[64]
ALLEGORICAL
DISENCHANTMENT
*
[65]
ALLEGORICAL
FRAGMENTATION
[66]
THE
ALLEGORICAL
CHARACTER
*
[67]
THE
ALLEGORICAL
INTERLUDE
*
[68]
TITLES
AND
MAXIMS
*
[69]
METAPHORICS
*
[70]
ELEMENTS
OF
THE
BAROQUE
THEORY
OF
LANGUAGE
*
[71]
THE
ALEXANDRINE
*
[72]
DISMEMBERMENT
OF
LANGUAGE
*
[73]
THE
OPERA
*
[74]
RITTER
ON
SCRIPT
[75]
THE
CORPSE
AS
EMBLEM
*
[76]
BODIES
OF
THE
GODS
IN
CHRISTIANITY
*
[77]
MOURNING
IN
THE
ORIGIN
OF
ALLEGORY
*
[78]
THE
TERRORS
AND
PROMISES
OF
SATAN
*
[79]
LIMIT
OF
PROFUNDITY
*
[80]
*
PONDERACION
MISTERIOSA
*
APPENDIX
A:
*
TRAUERSPIEL
AND
TRAGEDY
*
(1916)
261
APPENDIX
B:
*
THE
ROLE
OF
LANGUAGE
IN
TRAUERSPIEL
AND
TRAGEDY
*
(1916)
267
GUIDE
TO
NAMES
271
ACKNOWLEDGMENTS
293
INDEX
295
|
| any_adam_object | 1 |
| author | Benjamin, Walter 1892-1940 |
| author2 | Eiland, Howard |
| author2_role | trl |
| author2_variant | h e he |
| author_GND | (DE-588)118509039 (DE-588)1051806755 |
| author_facet | Benjamin, Walter 1892-1940 Eiland, Howard |
| author_role | aut |
| author_sort | Benjamin, Walter 1892-1940 |
| author_variant | w b wb |
| building | Verbundindex |
| bvnumber | BV046326049 |
| ctrlnum | (OCoLC)1136403570 (DE-599)DNB1185194665 |
| dewey-full | 832.05120905 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 832 - German drama |
| dewey-raw | 832.05120905 |
| dewey-search | 832.05120905 |
| dewey-sort | 3832.05120905 |
| dewey-tens | 830 - Literatures of Germanic languages |
| discipline | Germanistik / Niederlandistik / Skandinavistik |
| edition | First printing |
| era | Geschichte 1620-1800 gnd Geschichte 1620-1690 gnd |
| era_facet | Geschichte 1620-1800 Geschichte 1620-1690 |
| format | Book |
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| genre | 1\p (DE-588)4135952-5 Quelle 1928 gnd-content |
| genre_facet | Quelle 1928 |
| id | DE-604.BV046326049 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:41:43Z |
| institution | BVB |
| isbn | 9780674744240 0674744241 |
| language | English German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031702991 |
| oclc_num | 1136403570 |
| open_access_boolean | |
| owner | DE-B486 |
| owner_facet | DE-B486 |
| physical | XXIII, 308 Seiten 21 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Harvard University Press |
| record_format | marc |
| spelling | Benjamin, Walter 1892-1940 Verfasser (DE-588)118509039 aut (DE-588)4299332-5 Ursprung des deutschen Trauerspiels Origin of the German Trauerspiel Walter Benjamin ; translated by Howard Eiland First printing Cambridge, Massachusetts ; London, England Harvard University Press 2019 XXIII, 308 Seiten 21 cm txt rdacontent n rdamedia nc rdacarrier Zusammenfassung: Origin of the German Trauerspiel was Walter Benjamin's first full, historically oriented analysis of modernity. Readers of English know it as "The Origin of German Tragic Drama," but in fact the subject is something else--the play of mourning. Howard Eiland's completely new English translation, the first since 1977, is closer to the German text and more consistent with Benjamin's philosophical idiom. Focusing on the extravagant seventeenth-century theatrical genre of the trauerspiel, precursor of the opera, Benjamin identifies allegory as the constitutive trope of the Baroque and of modernity itself. Allegorical perception bespeaks a world of mutability and equivocation, a melancholy sense of eternal transience without access to the transcendentals of the medieval mystery plays--though no less haunted and bedeviled. History as trauerspiel is the condition as well as subject of modern allegory in its inscription of the abyssal. Benjamin's investigation of the trauerspiel includes German texts and late Renaissance European drama such as Hamlet and Calderón's Life Is a Dream. The prologue is one of his most important and difficult pieces of writing. It lays out his method of indirection and his idea of the "constellation" as a key means of grasping the world, making dynamic unities out of the myriad bits of daily life. Thoroughly annotated with a philological and historical introduction and other explanatory and supplementary material, this rigorous and elegant new translation brings fresh understanding to a cardinal work by one of the twentieth century's greatest literary critics.--(Provided by publisher.) Benjamin, Walter 1892-1940 (DE-588)118509039 gnd rswk-swf Geschichte 1620-1800 gnd rswk-swf Geschichte 1620-1690 gnd rswk-swf Tragödie (DE-588)4060591-7 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Barock (DE-588)4004541-9 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf German drama (Tragedy)--History and criticism. Tragedy. German drama (Tragedy) Criticism, interpretation, etc. 1\p (DE-588)4135952-5 Quelle 1928 gnd-content Deutsch (DE-588)4113292-0 s Tragödie (DE-588)4060591-7 s Barock (DE-588)4004541-9 s Geschichte 1620-1800 z DE-604 Geschichte 1620-1690 z 2\p DE-604 Darstellende Kunst (DE-588)4129566-3 s Ästhetik (DE-588)4000626-8 s 3\p DE-604 Benjamin, Walter 1892-1940 (DE-588)118509039 p 4\p DE-604 Eiland, Howard (DE-588)1051806755 trl B:DE-101 application/pdf http://d-nb.info/1185194665/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031702991&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Benjamin, Walter 1892-1940 Origin of the German Trauerspiel Benjamin, Walter 1892-1940 (DE-588)118509039 gnd Tragödie (DE-588)4060591-7 gnd Darstellende Kunst (DE-588)4129566-3 gnd Barock (DE-588)4004541-9 gnd Deutsch (DE-588)4113292-0 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)118509039 (DE-588)4060591-7 (DE-588)4129566-3 (DE-588)4004541-9 (DE-588)4113292-0 (DE-588)4000626-8 (DE-588)4135952-5 |
| title | Origin of the German Trauerspiel |
| title_GND | (DE-588)4299332-5 |
| title_alt | Ursprung des deutschen Trauerspiels |
| title_auth | Origin of the German Trauerspiel |
| title_exact_search | Origin of the German Trauerspiel |
| title_full | Origin of the German Trauerspiel Walter Benjamin ; translated by Howard Eiland |
| title_fullStr | Origin of the German Trauerspiel Walter Benjamin ; translated by Howard Eiland |
| title_full_unstemmed | Origin of the German Trauerspiel Walter Benjamin ; translated by Howard Eiland |
| title_short | Origin of the German Trauerspiel |
| title_sort | origin of the german trauerspiel |
| topic | Benjamin, Walter 1892-1940 (DE-588)118509039 gnd Tragödie (DE-588)4060591-7 gnd Darstellende Kunst (DE-588)4129566-3 gnd Barock (DE-588)4004541-9 gnd Deutsch (DE-588)4113292-0 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Benjamin, Walter 1892-1940 Tragödie Darstellende Kunst Barock Deutsch Ästhetik Quelle 1928 |
| url | http://d-nb.info/1185194665/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031702991&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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