Bergson and the art of immanence: painting, photography, film
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2015
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| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XII, 276 Seiten Illustrationen |
| ISBN: | 9781474404730 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of Illustrations Notes on Contributors Introduction: Art’s Philosophy - Bergson and Immanence Charlotte de Mille and John Ó Maoilearca vii ix i Part I: Bergson, Art, History 1. Bergson, History and Ontology Craig Lundy 2. Art History, Immanently Charlotte de Mille 3. Art History, Less Its Conditions of Possibility: Following Bergson’s ‘Le Possible et le réel’ Adi Efal 4. Matisse, Bergson, Oiticica, etc. Eric Alliez 5. Bergson Before Deleuze: How to Read Informel Painting Sarah Wilson 6. Revolutionary Immanence: Bergson Among the Anarchists Mark Antliff 17 32 47 63 80 94 Part П: Unconditional Practice 7. The Matter of the Image: Notes on Practice-Philosophy Felicity Colman 8. Pasearse·. Duration and the Act of Photographing Stella Baraklianou 9. Duration and Rhetorical Movement James Day 115 131 148
Contents VI 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity Simon O’Sullivan 165 Part III: Immanence of the Visible 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry Brendan Prendeville 12. ‘For We Will Have Shown it Nothing’: Bergson as NonPhilosopher (of) Art John Ó Maoilearca 13. The Untimeliness of Bergson’s Metaphysics: Reading Diffractively Iris van der Tuin 14. Hyperaesthesia and the Virtual Howard Caygill Afterword: An Art HistoricalReturn to Bergson Jae Emerling Index 189 206 232 247 260 272·
This collection Is focussed on a central problem: the necessity and the difficulty of thinking immanence, of getting within phenomena and reflecting on them as such. Among several concerns, the contributors attempt to bring art history to its true vocation, which is not only preservation but the provoking of new insights. Towards this goal the clarity of these essays is equalled by their vitality.’ Pete A. Y Gunter, University of North Texas An immanent turn in art history Bergson and the Art of Immanence brings Henri Bergson’s philosophy of immanence together with the latest ideas in arttheory and the practice of immanent art as found in painting, photography and film. This collection of fourteen new essays from world renowned art theorists, philosophers and Bergson-scholars provides both a wide historical context and a rigorous conceptual framework for contemporary art-theory and practice. It involves the concepts of rhythmic duration, perception, affectivity, the body, memory and intuition -all of which were given their first systematic theorisation in the twentieth century as immanent objects through the work of Bergson. The variety of perspectives and methodological approaches present new levels of exchange between art and theory and bring philosophy closer to the history of art. John Ó Maoilearca is Professor of Film and Television at Kingston University. Charlotte de Mille is freelance at the Courtauld Gallery.
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| spelling | Bergson and the art of immanence painting, photography, film edited by John Mullarkey and Charlotte de Mille Paperback edition Edinburgh Edinburgh University Press 2015 XII, 276 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Bergson, Henri 1859-1941 (DE-588)118509578 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Immanenzphilosophie (DE-588)4747839-1 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Bergson, Henri 1859-1941 (DE-588)118509578 p Immanenzphilosophie (DE-588)4747839-1 s Kunst (DE-588)4114333-4 s DE-604 Mullarkey, John 1965- (DE-588)1033921262 edt De Mille, Charlotte (DE-588)143999133 edt Äquivalent Druck-Ausgabe, Hardcover 978-0-7486-7022-2 Erscheint auch als Online-Ausgabe, PDF 978-0-7486-7023-9 Erscheint auch als Online-Ausgabe, EPUB 978-0-7486-7024-6 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031702772&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031702772&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Bergson and the art of immanence painting, photography, film Bergson, Henri 1859-1941 (DE-588)118509578 gnd Kunst (DE-588)4114333-4 gnd Immanenzphilosophie (DE-588)4747839-1 gnd |
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| title | Bergson and the art of immanence painting, photography, film |
| title_auth | Bergson and the art of immanence painting, photography, film |
| title_exact_search | Bergson and the art of immanence painting, photography, film |
| title_full | Bergson and the art of immanence painting, photography, film edited by John Mullarkey and Charlotte de Mille |
| title_fullStr | Bergson and the art of immanence painting, photography, film edited by John Mullarkey and Charlotte de Mille |
| title_full_unstemmed | Bergson and the art of immanence painting, photography, film edited by John Mullarkey and Charlotte de Mille |
| title_short | Bergson and the art of immanence |
| title_sort | bergson and the art of immanence painting photography film |
| title_sub | painting, photography, film |
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| topic_facet | Bergson, Henri 1859-1941 Kunst Immanenzphilosophie Aufsatzsammlung |
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