Music behind the Iron Curtain: Weinberg and his Polish contemporaries
Mieczysław Weinberg left his family behind and fled his native Poland in September 1939. He reached the Soviet Union, where he become one of the most celebrated composers. He counted Shostakovich among his close friends and produced a prolific output of works. Yet he remained mindful of the nation t...
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
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Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2020
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| Schriftenreihe: | Music in context
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| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Zusammenfassung: | Mieczysław Weinberg left his family behind and fled his native Poland in September 1939. He reached the Soviet Union, where he become one of the most celebrated composers. He counted Shostakovich among his close friends and produced a prolific output of works. Yet he remained mindful of the nation that he had left. This book examines how Weinberg's works written in Soviet Russia compare with those of his Polish contemporaries; how one composer split from his national tradition and how he created a style that embraced the music of a new homeland, while those composers in his native land surged ahead in a more experimental vein. The points of contact between them are enlightening for both sides. This study provides an overview of Weinberg's music through his string quartets, analysing them alongside Polish composers. Composers featured include Bacewicz, Meyer, Lutosławski, Panufnik, Penderecki, Górecki, and a younger generation, including Szymański and Knapik. |
| Beschreibung: | xvii, 298 Seiten Illustrationen, Musikbeispiele |
| ISBN: | 9781108493673 |
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| 520 | |a Mieczysław Weinberg left his family behind and fled his native Poland in September 1939. He reached the Soviet Union, where he become one of the most celebrated composers. He counted Shostakovich among his close friends and produced a prolific output of works. Yet he remained mindful of the nation that he had left. This book examines how Weinberg's works written in Soviet Russia compare with those of his Polish contemporaries; how one composer split from his national tradition and how he created a style that embraced the music of a new homeland, while those composers in his native land surged ahead in a more experimental vein. The points of contact between them are enlightening for both sides. This study provides an overview of Weinberg's music through his string quartets, analysing them alongside Polish composers. Composers featured include Bacewicz, Meyer, Lutosławski, Panufnik, Penderecki, Górecki, and a younger generation, including Szymański and Knapik. | ||
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| adam_text | Contents List ofFigures [page viii] List of Tables [ix] List ofMusical Examples [x] Acknowledgements [xv] Note on the Text [xvii] Introduction [1] 1 Weinberg in Warsaw 2 The War [15] [43] 3 Socialist Realism and Socrealizm 4 Avant-Garde(s) [131] 5 Return and Retreat 6 Late Style(s) Conclusion [88] [176] [207] [261] Appendix 1: ‘Prikaz 17’ [266] Appendix 2: Programme of the 1966 Warsaw Autumn Festival Appendix 3: ‘My Word to Polish Friends’ [271] Bibliography [274] Index [293] [268]
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2017/2,9-10. Aristotle, Poetics, trans. James Hutton (London: Norton, 1982). Asafiev, Boris, Muzikal naya forma как protsess [Musical Form as Process] (Leningrad: Muzgiz, 1963). Assay, Michelle, ‘Hamlet in the Stalin Era and Beyond: Stage and Score; Les mises en scène et mises en musique d’Hamlet à l’ère stalinienne et après’, unpublished dissertation, Université Paris-Sorbonne and University of Sheffield (2017). Bacewicz, Grażyna, ‘From Notes and Letters by Grażyna Bacewicz’, ed. Wanda Bacewicz, trans. Wanda Wiik, Polish Music Journal, 1/2 (Winter 1998), avail able at http://pmc.usc.edU/PMJ/issue/l.2.98/bacewicz_let.html#l (accessed 10 March 2018).
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276 Bibliography Bolesławska, Beata, ‘Andrzej Panufnik and the Pressures of Stalinism in Post-War Poland’, Tempo, 220 (2002), 14-19. The Life and Works of Andrzej Panufnik (1914-1991), trans. Richard J. Reisner (Farnham: Ashgate, 2015). Borodziej, Włodzimierz, The Warsaw Uprising of 1944, trans. Barbara Harshaw (Madison: University of Wisconsin Press). Boym, Svetlana, The Future ofNostalgia (London: Basic, 2001). Braun, Kazimierz, A History of Polish Theatre 1939-1989: Spheres of Captivity and Freedom (London: Greenwood Press, 1996). Brent, Jonathan and Vladimir P. Naumov, Stalins Last Crime: The Plot against the Jewish Doctors, 1948-1953 (New York: HarperCollins, 2003). Brodsky, Seth, From 1989; or, European Music and the Modernist Unconscious (Oakland: University of California Press, 2017). Brown, Edward James, Russian Literature since the Revolution (Cambridge, MA and London: Harvard University Press, 1982). Brown, Stephen C., ‘Twelve-Tone Rows and Aggregate Melodies in the Music of Shostakovich’, Journal ofMusic Theory, 59/2 (2015), 191-234. Broydo, Yuliya, ‘Yevreyskaya tema v tvorchestve M. S. Vaynberga’ [‘The Jewish Topic in the Works of Weinberg’], unpublished diploma dissertation, St Petersburg Rimsky-Korsakov Conservatoire (2001). Bruce, George, The Warsaw Uprising: 1 August-2 October 1944 (London and Sydney: Pan, 1974). Brussilovsky, Alexandre, ‘Irina Chostakovitch: Dmitri face à son oeuvre’, ResMusic, available at www.resmusica.com/2007/01/08/deuxieme-partie-dimitri-face-ason-uvre/ (accessed 10 March 2018). Buch, Estaban, Igor Contreras Zubilliga, and Manuel
Deniz Silva (eds.), Composingfor the State: Music in Twentieth-Century Dictatorships (Abingdon: Ashgate, 2016). Bucholc, Marta, ‘Commemorative Lawmaking: Memory Frames of the Democratic Backsliding in Poland after 2015’, Hague Journal on the Rule of Law, 11/1 (2019), 85-110. Bullock, Philip Ross, ‘Intimacy and Distance: Valentin Sil vestrov’s Tikhie pesnie’, Slavonic and East European Review, 92/3 (2014), 401-29. Bush, Alan, ‘The Second International Congress of Composers and Music Critics’, Musical Times, 89/1267 (1948), 280-1. Bylander, Cindy, ‘Responses to Adversity: The Polish Composers’ Union and Musical Life in the 1970s and 1980s’, Musical Quarterly, 95/4 (2012), 459-509. ‘Clichés Revisited: Poland’s 1949 Łagów Composers’ Conference’, Polski rocznik muzykologiczny, 13 (2015), 15-34. Carr, Graham, “‘No Political Significance of Any Kind”: Glenn Gould’s Tour of the Soviet Union and the Culture of the Cold War’, Canadian Historical Review, 95/1 (2014), 1-29.
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278 Bibliography Dvuzhil naya, Inessa, ‘Mechislav Vaynberg і Belorusskaya konservatoriya [‘Mieczysław Weinberg and the Belarusian Conservatoire’], Vests։: Beloruskay dzyazhaynay akademii muziki [News of the Belarusian State Music Academy], 16 (2010), 62-7. ‘Vasiliy Andreevich Zolotarev і Mechislav Vaynberg’, Mishpokha, available at www.mishpoha.org/arkhivarius/452-vasilij-andreevich-zolotarev-i-mechislavvajnberg (accessed 15 June 2018). Ehrenburg, Ilya and Vasily Grossman, The Complete Black Book of Soviet Jewry, trans. David Patterson (London: Transaction, 2003). Elphick, Daniel, ‘Weinberg, Shostakovich, and the Influence of Anxiety’, Musical Times, 155/1929 (2014), 49-62. ‘The String Quartets of Mieczysław Weinberg: A Critical Study’, unpublished Ph.D. dissertation, University of Manchester (2016). Engel, David, On Reconciling the Histories of Two Chosen Peoples’, American Historical Review, 114/4 (2009), 914-29. Engelking, Barbara and Jacek Leociak, The Warsaw Ghetto: A Guide to the Perished City, trans. Emma Harris (New Haven and London: Yale University Press, 2009). Erhardt, Ludwig, ‘Moskiewskie rozmowy kompozytorów’ [‘The Composers’ Talks in Moscow’], Ruch muzyczny, 1967/12, 3-5. Music in Poland (Warsaw: Interpress, 1975). Fairclough, Pauline (ed.), Shostakovich Studies 2 (Cambridge: Cambridge University Press, 2010). Fanning, David, The Breath of the Symphonist: Shostakovich’s Tenth (London: Royal Musical Association, 1988). (ed.), Shostakovich Studies (Cambridge: Cambridge University Press, 1995). Shostakovich: String Quartet No. 8 (Burlington, VT and Aldershot:
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290 Bibliography Thomas, Adrian, Grażyna Bacewicz: Chamber and Orchestral Music, Polish Music History Series (Los Angeles: University of Southern California School of Music, Friends of Polish Music, 1985). Górecki (Oxford: Clarendon Press, 1997). ‘Turski, Zbigniew’ (2001), Grove Music Online, https://doi.org/10.1093/gmo/ 9781561592630.article.28639 (accessed 28 April 2019). ‘File 750: Composers, Politics, and the Festival of Polish Music (1951)’, Polish Music Journal, 5/1 (2002), available at http://pmc.usc.edU/PMJ/issue/5.l.02/ thomasfile.html (accessed 11 March 2018). Polish Music since Szymanowski (Cambridge: Cambridge University Press, 2005). Liner note to Grażyna Bacewicz, Complete String Quartets, played by the Silesian Quartet, audio CD, Chandos 10904 (2016). Tishchenko, Boris, Letters ofDmitri Dmitreyevich Shostakovich to Boris Tishchenko, with the Addressee’s Commentaries and Reminiscences, trans. Asya Ardova (St Petersburg: Kompozitor, 2001). Titkow, Anna, ‘Polish Women in Politics: An Introduction to the Status of Women in Poland’, in Women in the Politics of Postcommunist Eastern Europe, ed. Marilyn Rueschemeyer, rev. edn (Abingdon: Routledge, 2015), 24-32. TomoíF, Kiril, Creative Union: The Professional Organization of Soviet Composers, 1939-1953 (Ithaca, NY and London: Cornell University Press, 2006). Virtuosi Abroad: Soviet Music and Imperial Competition during the Early Cold War, 1945-1958 (Ithaca, NY and London: Cornell University Press, 2015). Tompkins, David. G, Composing the Party Line: Music and Politics in Cold War Poland and East Germany (Lafayette,
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292 Bibliography Zamoyski, Adam, Paderewski (London: Collins, 1982). Zipperstein, Stephen ƒ., Pogrom: Kishinev and the Tilt of History (New York and London: Liveright, 2018). Žižek, Slavoj, The Fragile Absolute; or, Why Is the Christian Legacy Worth Fighting For? (London: Verso, 2000). Enjoy Your Symptom! Jacques Lacan in Hollywood and Out (New York: Routledge, 2008). Absolute Recoil: Towards a New Foundation of Dialectical Materialism (London: Verso, 2014). Event: Philosophy in Transit (London: Penguin, 2014). Like a Thief in Broad Daylight: Power in the Era ofPost-Humanity (London: Allen Lane, 2018). Zolotaryov, Vasily, Vospominaniya [Memoirs] (Moscow: State Music Publishers, 1957). ‘Chertï poiska’ [‘Features of Research’], Sovetskaya kul tura, 57 (16 May 1967), 3. Zolotov, Andrey (ed.), Kniga о Sviridov: Razmtshleniya, vïskazïvaniya, stat i, zametki [A Book about Sviridov: Reflections, Speeches, Articles, Observations] (Moscow: Sovětsky kompozitor, 1983). Zuk, Patrick and Marina Frolova-Walker (eds.), Russian Music since 1917: Reappraisal and Rediscovery (Oxford: Oxford University Press, 2017). Zylbercweig, Zalmen (ed.), Leksikon fun yidishn teater [Encyclopedia of Yiddish Theatre], 6 vols. (Warsaw, Mexico City, and New York: [n.p.], 1931-69).
Index Abeliovich, Lev, 41, 207 Adorno, Theodor, 96,173, 209, 262 Akhmatova, Anna, 98 Alacheim, Sholom, 22, 58 anti-Semitism, 15, 19 after 1968,211 in Poland, 261 in postwar USSR, 124 in prewar Warsaw, 27 Artyomov, Vyacheslav, 224 Asafiev, Boris, 82,104,109 Auschwitz, 204 avant-garde, 132, 174 end of the avant-garde’ in USSR (1982), 225 Polish composers move away from (1970s), 212 Soviet attitudes to, 143, 144,150,214 Bacewicz, Grażyna, 26, 46,67, 99, 112,120, 209,222 and harmonic sidestepping, 68, 100 String Quartet No. 2, 67 String Quartet No. 3, 100-2 String Quartet No. 4, 120-2 String Quartet No. 7, 185-8 Baculewski, Krzysztof, 150 Badiou, Alain, 11 Baird, Tadeusz, 122, 133, 197, 246 String Quartet, 135 Bakman, Józef, 47 Barshai, Rudolf, 226 Bartók, Bela, 32, 84,134, 139, 146, 185, 198, 209, 263 Beethoven, Ludwig van, 96, 209,218 String Quartet No. 14, Op. 131, 238 Berg, Alban, 183 Berinsky, Sergey, 227 Berlínsky, Valentin, 6, 259 Bierut, Bolesław, 130 Bishops, Victoria, see Weinberg, Victoria Borodin Quartet, 5 Boulanger, Nadia, 133 Boulez, Pierre, 192 Brezhnev, Leonid, 149, 215 Carter, Elliott, 180 Chaykovsky, Aleksander, 225 Chaykovsky, Boris, 5, 124, 180, 181-3, 259 String Quartet No. 3, 182 String Quartet No. 5, 182 Chomiński, Józef, 136 Chopin, Fryderyk, 17, 63, 111, 149,197, 202,258 Churchill, Winston, 88 Composers’ Union of the USSR, 91, 97, 146 1946 crackdown, 98 Dante, Alighieri, 173 Debussy, Claude, 150 Dekada festival (1940), 48 Denisov, Edison, 5,145, 180,192,210,224 Concerto for Flute, Oboe, Piano, and Percussion, 180 History ofLife and Death of Our Lord
lesus Christus, 215 Sun of the Incas, 145 Derrida, Jacques, 171, 186 ‘Doctor’s Plot’ (1953), 125 Dovgan, Vladimir, 227 Duda, Andrzej, 261 Ehrenburg, Ilya, 132 Eliot, T. S., 174 extraterritorial (Adorno), 96 Eynigkeit (publication), 46 Fay, Laurel, 3 Firsova, Yelena, 227 Fleishman, Veniamin, 4 formalism, 97 Fredek uszczęśliwia świat (1936 film), 35 Freud, Sigmund, 85 Frid, Grigori, 25 293
294 Index Golovin, Andrey, 227 Gomułka, Władysław, 130, 210 Gorbachev, Mikhail, 246 Górecki, Henryk, 135, 217 Ad matrem, 214 Epitaph, 135 Refrain, 214 Scontri, 136 Symphony No, 1, 136 Symphony No. 3, Symphony ofSorrowful Songs, 213 Gould, Glenn, 144 Gradstein, Alfred, 118 grafting (Derrida), 172,186 Greenwood, Jonny, 137 Gubaidulina, Sofia, 5, 210, 215, 224 encounter with Weinberg, 226 Hakobian, Levon, 93, 264 Hepokoski, James, 173 Hindemith, Paul, 166 Hofmann, Josef, 42 holocaust Soviet attitudes to, 4, 105, 205-6 Hungarian Uprising (1956), 130 identity politics, 1, 262 imagined homeland, 2 International Congress of Composers and Music Critics (1948), 111 International Society for Contemporary Music, 133 intonatsia (Asafiev), 104 Ivashkin, Alexander, 264 Jewish Anti-Fascist Committee (JAFC), 59, 105 disbandment of, 105 Jewish identity, 263 Katyn massacre, 89 Khachaturian, Aram, 109, 117,196 Kholopov, Yuri, 147 Khrennikov, Tikhon, 109, 110,146, 152,180, 183, 195,196, 222, 224 ‘Khrennikov’s Seven’ (group of composers), 224, 227 Khrushchev, Nikita, 130, 131, 149,215 Kishinev pogrom, 15 Klumov, Aleksey, 48, 57,58 Knaifel, Alexander, 224 Knapik, Eugeniusz, 216 Flûte de jade, La, 217 Partita for Violin and Piano, 217 String Quartet, 217-21 Kondrashin, Kiril, 69, 176,180 Kotoński, Włodzimierz, 246 Kremer, Gidon, 6 Krenz, Jan, 122 Krupiński, Wiktor, 37 Krupowicz, Stanisław, 246 Krzanowski, Andrzej, 216 Lacan, Jacques, 83,155, 172, 263 Łagów conference, 112 Lande, Vladimir, 6 Lasoń, Aleksander, 216-7 Levitin, Yuri, 69, 259 linear counterpoint, 166 Lissa, Zofia, 89, 111, 117,
129,179 Lobanov, Vasily, 227 Łódź, 18,63 Lubyanka prison, 124 Lutosławski, Witold, 45, 64, 78, 112,125, 129,131,163, 186, 201, 203, 212, 217, 222, 263 Chain III, 64 Concerto for Orchestra, 120, 134 Epitaph, 214 Livre pour orchestre, 214 piano duet with Andrzej Panufnik, 64 on socrealizm, 120 String Quartet, 159-62 Ten Popular Polish Songs on Soldiers’ Themes, 120 Towarzysz, 120 Tryptyk śląski, 120 Variations on a Theme ofPaganini, 64-6 visit to the USSR, 116 Warszawie-Slawal, 120 Mahler, Gustav, 218 Małcużyński, Witold, 26 Martinů, Bohuslav, 150 Medvedev, Alexander, 205, 227, 259 Messiaen, Olivier, 217 Meyer, Krzysztof, 162, 209, 263 Fireballs, 222 friendship with Weinberg, 226, 235-6 meeting with Weinberg at 1966 Warsaw Autumn festival, 183-5 String Quartet No. 1,162-3 String Quartet No. 12,236-7 visits to the USSR, 221-2 Mickiewicz, Adam, 2,17,203, 210, 242 Mikhoels, Solomon, 58, 105, 124
Index murder of, 105-7 on Shostakovich, 69 Minsk, 47,105 Weinberg’s experiences in, 49 Moniuszko, Stanisław, 118,197 Morawski, Eugeniusz, 29, 79 Moscow Autumn festival, 224 Muradeli, Vano, 108 Musin, Iľya, 56,57 Myaskovsky, Nikolay, 48, 70,91, 108 Mycielski, Zygmunt, 114 Mykietyn, Pawel, 250 neo-Riemannian analysis, 53, 253 Nestyev, Izrael critique of Polish avant-garde, 150 report of 1962 Warsaw Autumn Festival, 150 objet petit a (Lacan), 156 Oistrakh, David, 5,124, 207 O’Mooney, ‘Scarlett’ Marie Elizabeth, 128 Orbán, Viktor, 262 Ordzhonikidze, Grigori, 108 Paderewski, Ignacy, 18, 42 Panufnik, Andrzej, 2, 37,46, 78, 79, 112 flight from Poland, 127 Heroic Overture, 128 Invocation for Peace, 119 piano duet with Witold Lutosławski, 64 Piano Trio, 37 Sinfonia Elegiaca, 119 Symphony of Peace, 119, 128 trip to the USSR, 115 ‘Warszawskie dzieci’ (‘Warsaw Children’), 118 Panufnik, Camilla, 119,129 Panufnik, Scarlett, see O’Mooney, ‘Scarlett’ Marie Elizabeth parenthetical (William Kinderman), 96 Part, Arvo, 5,180, 210 Credo, 214 Peiko, Nikolay, 124 Penderecki, Krzysztof, 136, 163,183, 185, 201, 212, 263 on the avant-garde, 212 friendship with Weinberg, 227 Polish Requiem, 245 St Luke Passion, 188, 197, 214 String Quartet No. 1, 137 Threnody to the Victims ofHiroshima, 136, 188 Violin Concerto No. 1,213 Persson, Tommy, 6, 257, 259 Piłsudski, Josef, 19 Poland 1968 protests and unrest, 210 1970 protests and unrest (Gydania), 211 anti-Semitism in, 19 independence of, 18 Jewish life in, 18 link between Polish nationalism and the Catholic Church, 215 Polish and Russian Composers’
Conference, 1967, 195-8 Polish Composers’ Union (ZKP), 89, 111, 130,211 Polish-Soviet musical exchange, 222 postwar rebuilding of Polish musical life, 90 presenting Weinberg with Polish Distinguished Cultural Service Award, 257 Popov, Gavriil, 108 Posmysz, Zofia, 2, 204 Poznań, 63, 130 ‘Prikaz 17’, 108, 266 Prokofiev, Sergei, 55, 80,104,108, 150, 225 ‘Juliet as a Young Girl’, from Romeo and Juliet, 53 Putin, Vladimir, 262 Quatuor Danei, 6 Raaben, Lev, 81, 86 Rachmaninov, Sergei, 2, 26,29 Rakhalskaya, Olga, 168,183,207,258 Raskatov, Aleksander, 227, 259-60 Dog’s Heart, A, 259 Monk’s Music, 259 reactive modernism, 10, 265 Real, the (Lacan), 172 Riemann, Hugo, 53 Rimsky-Korsakov, Nikolay, 2,49 Rosner, Eddie (Ady), 59 Rostropovich, Mstislav, 5,176,180, 207 Roth, Linus, 6 roving harmony (Schoenberg), 51 Ruch muzyczny (journal), 115 Russo-Polish relations, 17, 175 Ryabov, Vladimir, 227 Said, Edward, 209 Sanderling, Thomas, 6 Schenkerian analysis, 56, 72 295
296 Index Schnittke, Alfred, 5, 180, 192, 210, 226 Dialogue, 214 Violin Concerto No. 2, 214 Schoenberg, Arnold, 10, 151, 209 Second World War 4,12, 21 Sergeya, Tatyana, 227 serialism, 148 Serocki, Kazimierz, 122, 133,149 Shaporin, Yuri, 110 Shchedrin, Rodion, 5 Shebalin, Vissarion, 99 String Quartet No. 5 (‘the Slavonic’), 104 Shneyerson, Grigori, 146 Shostakovich, Dmitri, 26, 57, 75, 80, 82, 83, 106, 108,134,150, 152,179,180,181, 183, 201,205,208,221,225 in comparison to Weinberg, 97 death of, 208 defence of Weinberg, 125 first meeting with Weinberg, 70 friendship with Weinberg, 69, 264 hyper-minor, 94 mutual influence with Weinberg, 70,143 Weinberg’s first encounter with the music of, 48 Weinberg’s Jewish identity as influence, 3, 70 works From Jewish Folk Poetry, Op. 79, 122 Lady Macbeth of the Mtsensk District, Op. 29, 103 Nose, The, Op. 15,149 Song of the Forests, Op. 81,118 String Quartet No. 2, Op. 68, 70 String Quartet No. 3, Op. 73,139 String Quartet No. 6, Op. 101, 172 String Quartet No. 8, Op. 110, 253 String Quartet No. 10, Op. 118, 84 String Quartet No. 12, Op. 133, 201 String Quartet No. 13, Op. 138, 147,155 String Quartet No. 14, Op. 142, 159 String Quartet No. 15, Op. 144, 155 Symphony No. 4, Op. 43,103 Symphony No. 5, Op. 47, 103, 155 Symphony No. 7, Op. 60,104 Symphony No. 10, Op. 93, 143, 171 Symphony No. 15, Op. 141,147 Violin Concerto No. 1, Op. 77, 122 Shostakovich, Nina, 126 Sikorski, Kazimierz, 63 Skans, Per, 6 Skriabin, Aleksander, 218 Smirnov, Dmitri, 224, 227 socialist realism, 102-4,155 socrealizm, 88, 112-15, 118,132 collapse of, 129 Sokorski,
Włodzimierz, 111, 112, 116 Solidarność (trade union), 244-6 sonata Deformation (James Hepokoski and Warren Darcy), 91 sonorism, 213 Soviet Composers’ Union, 257 stagnation, 148 Stalin, Josef, 126,130 Stalin Prizes, 107 ‘Stalowa Wola’ group of composers, 216,217 Stravinsky, Igor, 2, 146,166,183, 235 surconventionalism, 246, 247 Susiin, Viktor, 224 Sviridov, Georgy, 90, 180 anti-Semitism of, 180 friendship with Weinberg, 180-1 Sword of Uzbekistan, The (opera), 58 Syrena Record label, 22,63 Szemplińska, Elżbieta, 202 Szpilman, Władysław, 61,118 Szymanowski, Karol, 28, 114,134, 149, 150 director of Warsaw Conservatoire, 28 influence on Weinberg, 35 String Quartet No. 1, 34 Szymański, Paweł, 246-50 Five Pieces for String Quartet, 250 Four Pieces for String Quartet, 248 on tradition, 247 Tansman, Alexandre, 2 Tashkent, 57 Tashkent Opera House, 57 Tishchenko, Boris, 176 Trawniki concentration camp, 62, 193 Turczyński, Józef, 26,42 dedication of First String Quartet, 27 Turski, Zbigniew, 38, 79,192,195, 223 ‘Olympic’ Symphony, 113 Tuwim, Julian, 22,135,177, 202, 203, 242, 263 twelve-noteness (Kholopov), 147,198 Tyrmand, Êta, 41 Union of Soviet Socialist Republics (USSR) collapse of, 6,256 religion, 215 Ustvolskaya, Galina, 215 Symphony No. 3, ‘Jesus, Messiah, save us’, 215
Index Vagner, Heinrich, 38,207 Volkonsky, Andrey, 144-5,150,179, 226 Musica strida, 144 Suite ofMirrors, 145 Vorbond, Wanda, 35 Vovsi, Miron, 124 Vovsi-Mikhoels, Nataliya, 58, 125,169 Warsaw, 16, 89, 258,263 Adria café, 28, 59 ‘Battle of Warsaw’ (1920), 24 interwar Warsaw as music centre, 41 Jewish population of, 20 Jewish theatre scene, 22 musical life in wartime Warsaw, 62 as part of the Russian empire, 16 Swiat cabaret, 28 Warsaw Autumn festival, 122, 133, 162,175, 176-206 1966 programme, 268 boycott of 1968 festival, 211 first festival (1956), 133 ‘official’ and ‘unofficial’ visitors to, 178 popularity with general public, 151 promotion to international visitors, 191 Shostakovich at 1959 festival, 149 Soviet reaction to, 150 Warsaw Conservatoire, 26, 37,202 Szymanowski as director of, 28 Warsaw Ghetto, 60 life within, 61 uprising, see Warsaw Uprising Warsaw Philharmonic Orchestra, 128 Warsaw Uprising, 77-9 Soviet reaction to, 80 wartime destruction, 79 Żelazna Street, 23,60,193 Weinberg, Anna, 193, 207, 258 Weinberg, Ester, 25, 242 Weinberg, Mieczysław at the 1966 Warsaw Autumn festival, 263 arrest and imprisonment, 124-7 and the avant-garde, 147,174 change of first name to ‘Moisey’, 47 charge of‘Jewish bourgeois nationalism’, 124 on contemporary music, 227 conversion to Orthodox Christianity, 258 cultural ‘ownership’ of Weinberg’s music, 5 date of birth, 24 death, 259 death of parents and sister, 60,62 disappointment in 1966 visit to Warsaw, 193 early life in Warsaw, 24 early musical experiences, 25 entry into the Soviet Union, 47 film scores, 123 first compositions,
30 first piano lessons, 25 flight from Warsaw, 44,46 flight to Tashkent, 57 friendship with Shostakovich, see Shostakovich, Dmitri: friendship with Weinberg groupings of string quartets, 8 Holocaust memorial works, 242-4 identity, 262 illness in later life, 257 interest in Polish culture, 202-4 Jewish identity, 3 late style, 209 musical language chromatic drift, 32 ennui, 152-9,168 hyper-minor, 93,148 rhythmic motive in Weinberg’s late style, 227-32 sidestepping, 51, 74,154 suppressed fury, 83-7, 240 twelve-noteness, 148 mutual influence with Shostakovich, 71 nervousness at 1966 the Warsaw Autumn festival, 185, 192 on The Passenger as his masterpiece, 205 and Poland, 3 Word to Polish Friends, Ķ 271 and the Polish language, 192 as reactive modernist, 10 recalling childhood in Warsaw, 258 receiving Polish Distinguished Cultural Service Award, 257 reworkings of earlier works, 250 and self-quotation, 157 speech in Polish language, 258 spelling of surname, 6 studies at Warsaw Conservatoire, 37 surveillance after Mikhoels’s death, 107 in Tashkent, 58 works Chamber Symphony No. 1, Op. 145, 50, 252 Chamber Symphony No. 2, Op. 147, 75,252 Festive Tableaux, 105 Gypsy Bible, The, Op. 57,9t. 1.1 Idiot, The, Op. 144,157 297
298 Index Weinberg, Mieczysław (cont.) Jewish Songs, Op. 13, 71 Lady Magnesia, Op. 112, 235 Lullaby, Op. 1, 30 Memorial, Op. 132,202, 242 My Native Land, Op 51, 110 Passenger, The, Op. 97, 4,85, 201, 204-6, 229 Piano Sonatina, Op. 49,110 Portrait, The, Op. 128, 85, 252 Requiem, Op. 96,4 Rhapsody on Moldavian Themes, Op. 47,110 Sinfonietta No. 1, Op. 41, 59 Sinfonietta No. 2, Op. 74,179 Sonata No. 1 for Violin and Piano, Op. 12,59 Sonata No. 4 for Solo Cello, Op. 140, 253 Sonata No. 5 for Violin and Piano, Op. 53, 110 Sonatina, Op. 49, 9t. 1.1 String Quartet No. 1, Op. 2, 31-5 String Quartet No. 1 (revised version), Op. 2/141, 31, 34, 232 String Quartet No. 2, Op. 3, 50-6, 70, 252 String Quartet No. 2 (revised version), Op. 3/145,50 String Quartet No. 3, Op. 14, 71-6, 86, 95, 252 String Quartet No. 4, Op. 20, 80-1, 252 String Quartet No. 5, Op. 27, 81-7 String Quartet No. 6, Op. 35, 90-7,108, 122, 139, 166,227 String Quartet No. 7, Op. 59,110,137-43 String Quartet No. 8, Op. 66, 152-9 String Quartet No. 9, Op. 80,163-8 String Quartet No. 10, Op. 85, 166-9 String Quartet No. 11, Op. 89, 169-74 String Quartet No. 12, Op. 103, 198-201, 227, 229 String Quartet No. 13, Op. 118, 231 String Quartet No. 14, Op. 122,232-5 Ґ Bayerische Staatsbibliothek String Quartet No. 15, Op. 124, 232,237-42 String Quartet No. 16, Op. 130,242 String Quartet No. 17, Op. 146,252-6 String Trio, Op. 48,110 Symphonic Poem, Op. 6,56 Symphony No. 1, Op. 10, 69 Symphony No. 2. Op. 30 104 Symphony No. 4, Op. 58,110 Symphony No. 7, Op. 81,226 Symphony No. 8, Op. 83,176 Symphony No. 9, Op. 93, 201 Symphony
No. 10, Op. 98, 201 Symphony No. 12, Op. 114, 9t. 1.1, 208, 229 Symphony No. 14, Op. 117, 224 Symphony No. 20, Op. 150, 242 Symphony No. 21, Op. 152, 252 Symphony No. 22, Op. 154, 257 Three Studiesfor Violin and Piano, 30 Trio for Flute, Viola, and Harp, Op. 127, 252 Two Mazurkas, Op. 10 and 10a, 30, 242 Violin Sonatina, Op. 46,110 Weinberg, Sarra (née Kotlitskaya), 23, 45 Weinberg, Shmuel, 16, 20,45 arrival in Warsaw, 22 possible flight to Belarus, 50 recordings for Syrena Record label, 22 unemployment, 27 Weinberg, Victoria, 126,169,176 Woytowicz, Bolesław, 67 Yarustovsky, Boris, 110 Yermolayev, Mikhail, 227 Yesipova, Anna, 26 Yudina, Maria, 179 Zhdanov, Andrey, 98,108,124 Zhdanovshchina, 106,107-10,225 Żiżek, Slavoj, 75,156, 161, 255 ZKP, see Polish Composers’ Union Zolotaryov, Vasily, 49,56 Zylbercweig, Zalmen, 20
|
| any_adam_object | 1 |
| author | Elphick, Daniel ca. 20./21. Jh |
| author_GND | (DE-588)1117939324 |
| author_facet | Elphick, Daniel ca. 20./21. Jh |
| author_role | aut |
| author_sort | Elphick, Daniel ca. 20./21. Jh |
| author_variant | d e de |
| building | Verbundindex |
| bvnumber | BV046323852 |
| ctrlnum | (OCoLC)1140145727 (DE-599)BVBBV046323852 |
| era | Geschichte 1939-1992 gnd |
| era_facet | Geschichte 1939-1992 |
| format | Thesis Book |
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| spelling | Elphick, Daniel ca. 20./21. Jh. Verfasser (DE-588)1117939324 aut Music behind the Iron Curtain Weinberg and his Polish contemporaries Daniel Elphick Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2020 xvii, 298 Seiten Illustrationen, Musikbeispiele txt rdacontent n rdamedia nc rdacarrier Music in context Dissertation Mieczysław Weinberg left his family behind and fled his native Poland in September 1939. He reached the Soviet Union, where he become one of the most celebrated composers. He counted Shostakovich among his close friends and produced a prolific output of works. Yet he remained mindful of the nation that he had left. This book examines how Weinberg's works written in Soviet Russia compare with those of his Polish contemporaries; how one composer split from his national tradition and how he created a style that embraced the music of a new homeland, while those composers in his native land surged ahead in a more experimental vein. The points of contact between them are enlightening for both sides. This study provides an overview of Weinberg's music through his string quartets, analysing them alongside Polish composers. Composers featured include Bacewicz, Meyer, Lutosławski, Panufnik, Penderecki, Górecki, and a younger generation, including Szymański and Knapik. Weinberg, Mieczysław Weinberg, Mieczysław 1919-1996 (DE-588)124416225 gnd rswk-swf Geschichte 1939-1992 gnd rswk-swf Composers / Soviet Union Composers / Russia (Federation) Composers / Poland Music / Soviet Union / History / 20th century Music / Russia (Federation) / History / 20th century Music / Poland / History / 20th century Komponist (DE-588)4032009-1 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Polen (DE-588)4046496-9 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Weinberg, Mieczysław 1919-1996 (DE-588)124416225 p Polen (DE-588)4046496-9 g Sowjetunion (DE-588)4077548-3 g Komponist (DE-588)4032009-1 s Geschichte 1939-1992 z DE-604 Erscheint auch als Online-Ausgabe 978-1-108-64277-4 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031700820&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031700820&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031700820&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Elphick, Daniel ca. 20./21. Jh Music behind the Iron Curtain Weinberg and his Polish contemporaries Weinberg, Mieczysław Weinberg, Mieczysław 1919-1996 (DE-588)124416225 gnd Composers / Soviet Union Composers / Russia (Federation) Composers / Poland Music / Soviet Union / History / 20th century Music / Russia (Federation) / History / 20th century Music / Poland / History / 20th century Komponist (DE-588)4032009-1 gnd |
| subject_GND | (DE-588)124416225 (DE-588)4032009-1 (DE-588)4077548-3 (DE-588)4046496-9 (DE-588)4113937-9 |
| title | Music behind the Iron Curtain Weinberg and his Polish contemporaries |
| title_auth | Music behind the Iron Curtain Weinberg and his Polish contemporaries |
| title_exact_search | Music behind the Iron Curtain Weinberg and his Polish contemporaries |
| title_full | Music behind the Iron Curtain Weinberg and his Polish contemporaries Daniel Elphick |
| title_fullStr | Music behind the Iron Curtain Weinberg and his Polish contemporaries Daniel Elphick |
| title_full_unstemmed | Music behind the Iron Curtain Weinberg and his Polish contemporaries Daniel Elphick |
| title_short | Music behind the Iron Curtain |
| title_sort | music behind the iron curtain weinberg and his polish contemporaries |
| title_sub | Weinberg and his Polish contemporaries |
| topic | Weinberg, Mieczysław Weinberg, Mieczysław 1919-1996 (DE-588)124416225 gnd Composers / Soviet Union Composers / Russia (Federation) Composers / Poland Music / Soviet Union / History / 20th century Music / Russia (Federation) / History / 20th century Music / Poland / History / 20th century Komponist (DE-588)4032009-1 gnd |
| topic_facet | Weinberg, Mieczysław Weinberg, Mieczysław 1919-1996 Composers / Soviet Union Composers / Russia (Federation) Composers / Poland Music / Soviet Union / History / 20th century Music / Russia (Federation) / History / 20th century Music / Poland / History / 20th century Komponist Sowjetunion Polen Hochschulschrift |
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