God save the queens: the essential history of women in hip-hop
"For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated "First Lady" thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
William Morrow
[2019]
|
Ausgabe: | First edtion |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated "First Lady" thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop--from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved."--Amazon |
Beschreibung: | vii, 337 Seiten Illustrationen |
ISBN: | 9780062878502 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV046318753 | ||
003 | DE-604 | ||
005 | 20200131 | ||
007 | t | ||
008 | 200102s2019 a||| b||| 00||| eng d | ||
020 | |a 9780062878502 |c hbk. |9 978-0-06-287850-2 | ||
035 | |a (OCoLC)1140156843 | ||
035 | |a (DE-599)BVBBV046318753 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
084 | |a MUS |q DE-12 |2 fid | ||
100 | 1 | |a Iandoli, Kathy |e Verfasser |0 (DE-588)1203728441 |4 aut | |
245 | 1 | 0 | |a God save the queens |b the essential history of women in hip-hop |c Kathy Iandoli |
250 | |a First edtion | ||
264 | 1 | |a New York |b William Morrow |c [2019] | |
264 | 4 | |c © 2019 | |
300 | |a vii, 337 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a Intro: Ladies first – Prologue: A morning in Paris – I. Girls to the front. The Bronx is burning ; Us girls ; There's a war goin' on outside ; Will the real Roxanne please stand up? ; The Class of '88 photo – II. Class acts. A new day ; Riot Grrrls ; Revenge on Roxanne ; Time for some action ; Who you callin' a bitch? ; Are we there yet? -- III. Only female in my crew. Divide and conquer ; Let your freak flag fly ; The legend of Thelma and Louise ; Southern hospitality ; Murders and misdemeanors ; Saved by the bell ; Absentee ballads ; The come up ; The tipping point – IV. So much for the afterglow. Sex (still) sells ; Chasing pavements ; Remy's shot at luck ; Where my girls at? ; Inside, out ; From Barbie to Bardi ; Giddy up ; Seasons change, mad things rearrange | |
520 | 3 | |a "For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated "First Lady" thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop--from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved."--Amazon | |
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Hip-Hop |0 (DE-588)4303517-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Rapmusikerin |0 (DE-588)107257439X |2 gnd |9 rswk-swf |
653 | 0 | |a Rap (Music) / History and criticism | |
653 | 0 | |a Women rap musicians / Biography | |
653 | 0 | |a Hip-hop / History and criticism | |
653 | 0 | |a Rap (Music) | |
653 | 0 | |a Women rap musicians | |
653 | 6 | |a Biographies | |
653 | 6 | |a Biographies | |
653 | 6 | |a Biography | |
653 | 6 | |a Criticism, interpretation, etc | |
689 | 0 | 0 | |a Rapmusikerin |0 (DE-588)107257439X |D s |
689 | 0 | 1 | |a Hip-Hop |0 (DE-588)4303517-6 |D s |
689 | 0 | 2 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031695808&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
940 | 1 | |q BSB_NED_20200131 | |
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0904 |
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0904 |g 73 |
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |
942 | 1 | 1 | |c 305.309 |e 22/bsb |f 0904 |
942 | 1 | 1 | |c 305.309 |e 22/bsb |f 0905 |
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |g 73 |
942 | 1 | 1 | |c 305.309 |e 22/bsb |f 0904 |g 73 |
942 | 1 | 1 | |c 305.309 |e 22/bsb |f 0905 |g 73 |
Datensatz im Suchindex
_version_ | 1805075659259641856 |
---|---|
adam_text |
Contents Intro: Ladies First 1 Prologue: A Morning in Paris 5 I Qňátctáefficnt Chapter One: The Bronx Is Burning 19 Chapter Two: Us Girls 29 Chapter Three: There’s a War Goin’ On Outside 35 Chapter Four: Will the Real Roxanne Please Stand Up? 47 Interlude: The Class of ’88 Photo 55 II Cúmplete Chapter Five: A New Day 61 Chapter Six: Riot Grrrls 71 Interlude: Revenge on Roxanne 82 Chapter Seven: Time for Some Action 85 Intertude: Who You Callin’ a Bitch? 96 Chapter Eight: Are We There Yet? 99
CONTENTS III Qnty ffemafe m Җ Сшо Chapter Nine: Divide and Conquer 115 Chapter Ten: Let Your Freak Flag Fly 127 Interlude: The Legend of Thelma and Louise 141 Chapter Eleven: Southern Hospitality 149 Chapter Twelve: Murders and Misdemeanors 163 Chapter Thirteen: Saved by the Bell 173 Interlude: Absentee Ballads 185 Chapter Fourteen: The Come Up 193 Chapter Fifteen: The Tipping Point 201 IV įcb tåe jĮįtetofoio Chapter Sixteen: Sex (Still) Sells 213 Chapter Seventeen: Chasing Pavements 227 Interlude: Remy's Shot at Luck 240 Chapter Eighteen: Where My Girls At? 243 Chapter Nineteen: Inside, Out 259 Chapter Twenty: From Barbie to Bardi 271 Outro: Giddy Up 285 Epilogue: Seasons Change, Mad Things Rearrange 291 Acknowledgments 299 Bibliography 307 Index 319 Vil |
any_adam_object | 1 |
author | Iandoli, Kathy |
author_GND | (DE-588)1203728441 |
author_facet | Iandoli, Kathy |
author_role | aut |
author_sort | Iandoli, Kathy |
author_variant | k i ki |
building | Verbundindex |
bvnumber | BV046318753 |
contents | Intro: Ladies first – Prologue: A morning in Paris – I. Girls to the front. The Bronx is burning ; Us girls ; There's a war goin' on outside ; Will the real Roxanne please stand up? ; The Class of '88 photo – II. Class acts. A new day ; Riot Grrrls ; Revenge on Roxanne ; Time for some action ; Who you callin' a bitch? ; Are we there yet? -- III. Only female in my crew. Divide and conquer ; Let your freak flag fly ; The legend of Thelma and Louise ; Southern hospitality ; Murders and misdemeanors ; Saved by the bell ; Absentee ballads ; The come up ; The tipping point – IV. So much for the afterglow. Sex (still) sells ; Chasing pavements ; Remy's shot at luck ; Where my girls at? ; Inside, out ; From Barbie to Bardi ; Giddy up ; Seasons change, mad things rearrange |
ctrlnum | (OCoLC)1140156843 (DE-599)BVBBV046318753 |
edition | First edtion |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV046318753</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200131</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200102s2019 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780062878502</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-0-06-287850-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1140156843</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046318753</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Iandoli, Kathy</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1203728441</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">God save the queens</subfield><subfield code="b">the essential history of women in hip-hop</subfield><subfield code="c">Kathy Iandoli</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edtion</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">William Morrow</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">vii, 337 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Intro: Ladies first – Prologue: A morning in Paris – I. Girls to the front. The Bronx is burning ; Us girls ; There's a war goin' on outside ; Will the real Roxanne please stand up? ; The Class of '88 photo – II. Class acts. A new day ; Riot Grrrls ; Revenge on Roxanne ; Time for some action ; Who you callin' a bitch? ; Are we there yet? -- III. Only female in my crew. Divide and conquer ; Let your freak flag fly ; The legend of Thelma and Louise ; Southern hospitality ; Murders and misdemeanors ; Saved by the bell ; Absentee ballads ; The come up ; The tipping point – IV. So much for the afterglow. Sex (still) sells ; Chasing pavements ; Remy's shot at luck ; Where my girls at? ; Inside, out ; From Barbie to Bardi ; Giddy up ; Seasons change, mad things rearrange</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated "First Lady" thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop--from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved."--Amazon</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Hip-Hop</subfield><subfield code="0">(DE-588)4303517-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rapmusikerin</subfield><subfield code="0">(DE-588)107257439X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Rap (Music) / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women rap musicians / Biography</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Hip-hop / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Rap (Music)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women rap musicians</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Biographies</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Biographies</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Biography</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Rapmusikerin</subfield><subfield code="0">(DE-588)107257439X</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Hip-Hop</subfield><subfield code="0">(DE-588)4303517-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031695808&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200131</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">73</subfield></datafield></record></collection> |
id | DE-604.BV046318753 |
illustrated | Illustrated |
indexdate | 2024-07-20T05:44:55Z |
institution | BVB |
isbn | 9780062878502 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031695808 |
oclc_num | 1140156843 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | vii, 337 Seiten Illustrationen |
psigel | BSB_NED_20200131 |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | William Morrow |
record_format | marc |
spelling | Iandoli, Kathy Verfasser (DE-588)1203728441 aut God save the queens the essential history of women in hip-hop Kathy Iandoli First edtion New York William Morrow [2019] © 2019 vii, 337 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Intro: Ladies first – Prologue: A morning in Paris – I. Girls to the front. The Bronx is burning ; Us girls ; There's a war goin' on outside ; Will the real Roxanne please stand up? ; The Class of '88 photo – II. Class acts. A new day ; Riot Grrrls ; Revenge on Roxanne ; Time for some action ; Who you callin' a bitch? ; Are we there yet? -- III. Only female in my crew. Divide and conquer ; Let your freak flag fly ; The legend of Thelma and Louise ; Southern hospitality ; Murders and misdemeanors ; Saved by the bell ; Absentee ballads ; The come up ; The tipping point – IV. So much for the afterglow. Sex (still) sells ; Chasing pavements ; Remy's shot at luck ; Where my girls at? ; Inside, out ; From Barbie to Bardi ; Giddy up ; Seasons change, mad things rearrange "For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated "First Lady" thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop--from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved."--Amazon Geschichte gnd rswk-swf Hip-Hop (DE-588)4303517-6 gnd rswk-swf Rapmusikerin (DE-588)107257439X gnd rswk-swf Rap (Music) / History and criticism Women rap musicians / Biography Hip-hop / History and criticism Rap (Music) Women rap musicians Biographies Biography Criticism, interpretation, etc Rapmusikerin (DE-588)107257439X s Hip-Hop (DE-588)4303517-6 s Geschichte z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031695808&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Iandoli, Kathy God save the queens the essential history of women in hip-hop Intro: Ladies first – Prologue: A morning in Paris – I. Girls to the front. The Bronx is burning ; Us girls ; There's a war goin' on outside ; Will the real Roxanne please stand up? ; The Class of '88 photo – II. Class acts. A new day ; Riot Grrrls ; Revenge on Roxanne ; Time for some action ; Who you callin' a bitch? ; Are we there yet? -- III. Only female in my crew. Divide and conquer ; Let your freak flag fly ; The legend of Thelma and Louise ; Southern hospitality ; Murders and misdemeanors ; Saved by the bell ; Absentee ballads ; The come up ; The tipping point – IV. So much for the afterglow. Sex (still) sells ; Chasing pavements ; Remy's shot at luck ; Where my girls at? ; Inside, out ; From Barbie to Bardi ; Giddy up ; Seasons change, mad things rearrange Hip-Hop (DE-588)4303517-6 gnd Rapmusikerin (DE-588)107257439X gnd |
subject_GND | (DE-588)4303517-6 (DE-588)107257439X |
title | God save the queens the essential history of women in hip-hop |
title_auth | God save the queens the essential history of women in hip-hop |
title_exact_search | God save the queens the essential history of women in hip-hop |
title_full | God save the queens the essential history of women in hip-hop Kathy Iandoli |
title_fullStr | God save the queens the essential history of women in hip-hop Kathy Iandoli |
title_full_unstemmed | God save the queens the essential history of women in hip-hop Kathy Iandoli |
title_short | God save the queens |
title_sort | god save the queens the essential history of women in hip hop |
title_sub | the essential history of women in hip-hop |
topic | Hip-Hop (DE-588)4303517-6 gnd Rapmusikerin (DE-588)107257439X gnd |
topic_facet | Hip-Hop Rapmusikerin |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031695808&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT iandolikathy godsavethequeenstheessentialhistoryofwomeninhiphop |