Rethinking J.S. Bach's Musical offering:
'J.S. Bach's Musical Offering' is a broadly known and extensively studied collection of musical pieces, written in 1747 shortly after his visit to the Potsdam court of Frederick the Great. The composition, however, survived in separated sheets of different formats, and finding the log...
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Format: | Buch |
Sprache: | English |
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Newcastle upon Tyne, UK
Cambridge Scholars Publishing
2019
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Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | 'J.S. Bach's Musical Offering' is a broadly known and extensively studied collection of musical pieces, written in 1747 shortly after his visit to the Potsdam court of Frederick the Great. The composition, however, survived in separated sheets of different formats, and finding the logic of its organization into a cycle became a great challenge for scholars of the following centuries. Based on ground-breaking findings by Christoph Wolff, who revealed the main principles of the Musical Offering's structure, as well as those promulgated by Hans Theodor David, and more recently by G. Butler, W. Wiemer, R. Tatlow, and many other scholars, this book develops and revises their ideas, arriving at a unique conception of the possible original structure of the 'Musical Offering' |
Beschreibung: | xvi, 222 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9781527537064 |
Internformat
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520 | 3 | |a 'J.S. Bach's Musical Offering' is a broadly known and extensively studied collection of musical pieces, written in 1747 shortly after his visit to the Potsdam court of Frederick the Great. The composition, however, survived in separated sheets of different formats, and finding the logic of its organization into a cycle became a great challenge for scholars of the following centuries. Based on ground-breaking findings by Christoph Wolff, who revealed the main principles of the Musical Offering's structure, as well as those promulgated by Hans Theodor David, and more recently by G. Butler, W. Wiemer, R. Tatlow, and many other scholars, this book develops and revises their ideas, arriving at a unique conception of the possible original structure of the 'Musical Offering' | |
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Datensatz im Suchindex
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adam_text |
Table of Contents List of Figures.vii List of Schemes. viii List of Music Examples.x List of Tables.xii List of Abbreviations. xiii Preface. xv Introduction. 1 Part I: Tracing the Potsdam Improvisation 1 Sources. 4 2 The Credibility of the Witness Wilhelm Friedemann.14 3 Substitution of the Theme: Good or Bad?. 20 Part II: On the Reconstruction: General structure 4 Original Edition—An Enigmatic Artefact. 28 5 The Musical Offering Studies Develop, Interpretations are Divided.43 6 Elements of the Edition, their Function and Location. 50 Part III: Canons and the Fuga canonica 7 The Bifolio with Canons as a Cover. 62 8 The Sixes in J.S. Bach’s Music and their Organizational
Principles.68 9 Separately Located Canons.76 10 Thematic Canons in the Musical Offering. 91 11 Quaerendo invenietis—an Enigmatic Inscription to the Enigmatic Canon a 2. 101
VI Table of Contents Part IV: Contrapuntal and Thematic Duality as a Formative Principle in the Musical Offering 12 Canons, Sonata sopr ’il Soggetto Reale, the Entire Cycle. 110 Part V: Recapitulation: Back to the General Reconstruction 13 What was Bach’s Idea of the Entire Collection?.118 14 Who Prepared the Engraving Copy for the Bifolio D?.128 Part VI: Leipzig and Potsdam: Styles, Expectations, Metaphors 15 The Musical Offering as a Metaphoric Reflection of the Potsdam Improvisation.136 16 The Thema Regium.141 17 New Style. 154 18 Hidden Inscriptions.164 Part VII: Ricercar 19 Ricercar as a Genre Definition.174 20 Ricercar as Acrostic, its Translation and Interpretation. 186 Part VIII: Art as Life—Life as Art: On Interpretation 21 Music for Performance or for Contemplation?.192 22 The Musical Offering as a Baroque-era Work of Art. 195 23 Super Task. 202
Conclusion.208 Bibliography. 212 Index.219 |
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illustrated | Illustrated |
indexdate | 2025-01-10T17:11:38Z |
institution | BVB |
isbn | 9781527537064 |
language | English |
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spelling | Milka, Anatolij Pavlovič 1939- Verfasser (DE-588)124431186 aut Rethinking J.S. Bach's Musical offering by Anatoly Milka ; translated from Russian by Marina Ritzarev Newcastle upon Tyne, UK Cambridge Scholars Publishing 2019 xvi, 222 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier 'J.S. Bach's Musical Offering' is a broadly known and extensively studied collection of musical pieces, written in 1747 shortly after his visit to the Potsdam court of Frederick the Great. The composition, however, survived in separated sheets of different formats, and finding the logic of its organization into a cycle became a great challenge for scholars of the following centuries. Based on ground-breaking findings by Christoph Wolff, who revealed the main principles of the Musical Offering's structure, as well as those promulgated by Hans Theodor David, and more recently by G. Butler, W. Wiemer, R. Tatlow, and many other scholars, this book develops and revises their ideas, arriving at a unique conception of the possible original structure of the 'Musical Offering' Bach, Johann Sebastian 1685-1750 Musikalisches Opfer (DE-588)300010036 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Bach, Johann Sebastian / 1685-1750 / Chorales Chorales (Bach, Johann Sebastian) Bach, Johann Sebastian 1685-1750 Musikalisches Opfer (DE-588)300010036 u Musikalische Analyse (DE-588)4040814-0 s DE-604 Ritzarev, Marina 1946- (DE-588)132765071 trl Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031695630&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Milka, Anatolij Pavlovič 1939- Rethinking J.S. Bach's Musical offering Bach, Johann Sebastian 1685-1750 Musikalisches Opfer (DE-588)300010036 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
subject_GND | (DE-588)300010036 (DE-588)4040814-0 |
title | Rethinking J.S. Bach's Musical offering |
title_auth | Rethinking J.S. Bach's Musical offering |
title_exact_search | Rethinking J.S. Bach's Musical offering |
title_full | Rethinking J.S. Bach's Musical offering by Anatoly Milka ; translated from Russian by Marina Ritzarev |
title_fullStr | Rethinking J.S. Bach's Musical offering by Anatoly Milka ; translated from Russian by Marina Ritzarev |
title_full_unstemmed | Rethinking J.S. Bach's Musical offering by Anatoly Milka ; translated from Russian by Marina Ritzarev |
title_short | Rethinking J.S. Bach's Musical offering |
title_sort | rethinking j s bach s musical offering |
topic | Bach, Johann Sebastian 1685-1750 Musikalisches Opfer (DE-588)300010036 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
topic_facet | Bach, Johann Sebastian 1685-1750 Musikalisches Opfer Musikalische Analyse |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031695630&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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