Self-quotation in Schubert: "Ave Maria," the Second Piano Trio, and other works
Enthusiasts and experts have long relished Schubert's quotations of his own music. This study centers on a previously unidentified pairing: "Ave Maria," one of his most beloved songs, and the Piano Trio no. 2, a masterpiece that holds a unique position in his career. Messing's Se...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester
University of Rochester Press
2020
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| Schriftenreihe: | Eastman studies in music
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Enthusiasts and experts have long relished Schubert's quotations of his own music. This study centers on a previously unidentified pairing: "Ave Maria," one of his most beloved songs, and the Piano Trio no. 2, a masterpiece that holds a unique position in his career. Messing's Self-Quotation in Schubert interrogates the concept of self-quotation from the standpoints of terminology and authorial intent, and it demonstrates, for the first time, how Schubert's practice of self-quotation relates to prevailing practices in the late eighteenth and early nineteenth centuries. Messing goes on to analyze in detail the musical relationships between the two works and to investigate the circumstances that led Schubert to compose each of them. "Ave Maria" is one of the few Schubert songs for which we have documentation of some early private performances, and the trio stood at the heart of Schubert's only public concert devoted to his works. Messing establishes that Schubert sought to convey an associative meaning with this self-quotation, trusting in his contemporaries' familiarity with the original melody and with Walter Scott's poem, a text that carried profound resonances in Catholic Vienna. Scrutinizing this evidence yields the symbolic purpose behind Schubert's allusion to "Ave Maria" in the piano trio: honoring the recently deceased Beethoven and validating Schubert as his legatee |
| Beschreibung: | xiv, 319 Seiten Notenbeispiele |
| ISBN: | 9781580469654 |
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| 505 | 8 | |a Commencements and contexts -- On the reception of Schubert's self-quotations -- Two scores and Their musical relationships -- Parents and children : On the background to "Ave Maria" -- From "Ave Maria" to Trio -- "Dedicated to nobody, save those who find pleasure in it" -- Contexts and conclusions | |
| 520 | 3 | |a Enthusiasts and experts have long relished Schubert's quotations of his own music. This study centers on a previously unidentified pairing: "Ave Maria," one of his most beloved songs, and the Piano Trio no. 2, a masterpiece that holds a unique position in his career. Messing's Self-Quotation in Schubert interrogates the concept of self-quotation from the standpoints of terminology and authorial intent, and it demonstrates, for the first time, how Schubert's practice of self-quotation relates to prevailing practices in the late eighteenth and early nineteenth centuries. Messing goes on to analyze in detail the musical relationships between the two works and to investigate the circumstances that led Schubert to compose each of them. "Ave Maria" is one of the few Schubert songs for which we have documentation of some early private performances, and the trio stood at the heart of Schubert's only public concert devoted to his works. Messing establishes that Schubert sought to convey an associative meaning with this self-quotation, trusting in his contemporaries' familiarity with the original melody and with Walter Scott's poem, a text that carried profound resonances in Catholic Vienna. Scrutinizing this evidence yields the symbolic purpose behind Schubert's allusion to "Ave Maria" in the piano trio: honoring the recently deceased Beethoven and validating Schubert as his legatee | |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations ix Acknowledgments xi List of Abbreviations xiii Introduction 1 1 Commencements and Contexts 9 2 On the Reception of Schubert’s Self-Quotations 36 3 Two Scores and Their Musical Relationships 53 4 Parents and Children: On the Background to “Ave Maria” 71 5 From “Ave Maria” to Trio 98 6 “Dedicated to Nobody, Save Those Who Find Pleasure in It” 130 7 Contexts and Conclusions 150 Notes 175 Selected Bibliography 267 Index 303
|
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| author | Messing, Scott 1953- |
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| contents | Commencements and contexts -- On the reception of Schubert's self-quotations -- Two scores and Their musical relationships -- Parents and children : On the background to "Ave Maria" -- From "Ave Maria" to Trio -- "Dedicated to nobody, save those who find pleasure in it" -- Contexts and conclusions |
| ctrlnum | (OCoLC)1193295667 (DE-599)BVBBV046314710 |
| discipline | Musikwissenschaft |
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| id | DE-604.BV046314710 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:41:24Z |
| institution | BVB |
| isbn | 9781580469654 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031691797 |
| oclc_num | 1193295667 |
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| physical | xiv, 319 Seiten Notenbeispiele |
| psigel | BSB_NED_20200817 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of Rochester Press |
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| series2 | Eastman studies in music |
| spelling | Messing, Scott 1953- Verfasser (DE-588)1055810188 aut Self-quotation in Schubert "Ave Maria," the Second Piano Trio, and other works Scott Messing Rochester University of Rochester Press 2020 xiv, 319 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Eastman studies in music Commencements and contexts -- On the reception of Schubert's self-quotations -- Two scores and Their musical relationships -- Parents and children : On the background to "Ave Maria" -- From "Ave Maria" to Trio -- "Dedicated to nobody, save those who find pleasure in it" -- Contexts and conclusions Enthusiasts and experts have long relished Schubert's quotations of his own music. This study centers on a previously unidentified pairing: "Ave Maria," one of his most beloved songs, and the Piano Trio no. 2, a masterpiece that holds a unique position in his career. Messing's Self-Quotation in Schubert interrogates the concept of self-quotation from the standpoints of terminology and authorial intent, and it demonstrates, for the first time, how Schubert's practice of self-quotation relates to prevailing practices in the late eighteenth and early nineteenth centuries. Messing goes on to analyze in detail the musical relationships between the two works and to investigate the circumstances that led Schubert to compose each of them. "Ave Maria" is one of the few Schubert songs for which we have documentation of some early private performances, and the trio stood at the heart of Schubert's only public concert devoted to his works. Messing establishes that Schubert sought to convey an associative meaning with this self-quotation, trusting in his contemporaries' familiarity with the original melody and with Walter Scott's poem, a text that carried profound resonances in Catholic Vienna. Scrutinizing this evidence yields the symbolic purpose behind Schubert's allusion to "Ave Maria" in the piano trio: honoring the recently deceased Beethoven and validating Schubert as his legatee Schubert, Franz 1797-1828 Ellens Gesang D 839 (DE-588)300140290 gnd rswk-swf Schubert, Franz 1797-1828 (DE-588)118610961 gnd rswk-swf Schubert, Franz 1797-1828 Trios D 929 (DE-588)300142250 gnd rswk-swf Selbstzitat (DE-588)4472614-4 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Schubert, Franz / 1797-1828 / Criticism and interpretation Schubert, Franz / 1797-1828 / Ellens Gesang / D. 839 Schubert, Franz / 1797-1828 / Trios / piano, violin, cello / D. 929 / E♭ major Quotation in music Schubert, Franz / 1797-1828 Ellens Gesang (Schubert, Franz) Trios (Schubert, Franz) Criticism, interpretation, etc Schubert, Franz 1797-1828 (DE-588)118610961 p Schubert, Franz 1797-1828 Ellens Gesang D 839 (DE-588)300140290 u Schubert, Franz 1797-1828 Trios D 929 (DE-588)300142250 u Komposition Musik (DE-588)4133320-2 s Selbstzitat (DE-588)4472614-4 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-78744-884-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031691797&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Messing, Scott 1953- Self-quotation in Schubert "Ave Maria," the Second Piano Trio, and other works Commencements and contexts -- On the reception of Schubert's self-quotations -- Two scores and Their musical relationships -- Parents and children : On the background to "Ave Maria" -- From "Ave Maria" to Trio -- "Dedicated to nobody, save those who find pleasure in it" -- Contexts and conclusions Schubert, Franz 1797-1828 Ellens Gesang D 839 (DE-588)300140290 gnd Schubert, Franz 1797-1828 (DE-588)118610961 gnd Schubert, Franz 1797-1828 Trios D 929 (DE-588)300142250 gnd Selbstzitat (DE-588)4472614-4 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)300140290 (DE-588)118610961 (DE-588)300142250 (DE-588)4472614-4 (DE-588)4133320-2 |
| title | Self-quotation in Schubert "Ave Maria," the Second Piano Trio, and other works |
| title_auth | Self-quotation in Schubert "Ave Maria," the Second Piano Trio, and other works |
| title_exact_search | Self-quotation in Schubert "Ave Maria," the Second Piano Trio, and other works |
| title_full | Self-quotation in Schubert "Ave Maria," the Second Piano Trio, and other works Scott Messing |
| title_fullStr | Self-quotation in Schubert "Ave Maria," the Second Piano Trio, and other works Scott Messing |
| title_full_unstemmed | Self-quotation in Schubert "Ave Maria," the Second Piano Trio, and other works Scott Messing |
| title_short | Self-quotation in Schubert |
| title_sort | self quotation in schubert ave maria the second piano trio and other works |
| title_sub | "Ave Maria," the Second Piano Trio, and other works |
| topic | Schubert, Franz 1797-1828 Ellens Gesang D 839 (DE-588)300140290 gnd Schubert, Franz 1797-1828 (DE-588)118610961 gnd Schubert, Franz 1797-1828 Trios D 929 (DE-588)300142250 gnd Selbstzitat (DE-588)4472614-4 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Schubert, Franz 1797-1828 Ellens Gesang D 839 Schubert, Franz 1797-1828 Schubert, Franz 1797-1828 Trios D 929 Selbstzitat Komposition Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031691797&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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