Egypt and the Augustan cultural revolution: an interpretative archaeological overview
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Leuven ; Paris ; Bristol, CT
Peeters
2019
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| Schriftenreihe: | Babesch. Supplement
38 (2019) |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Rezension Rezension |
| Beschreibung: | 183 Seiten Illustrationen, Pläne |
| ISBN: | 9789042940574 |
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SEHEPUNKTE 21 (2021), NR. 1
M.E.J.J. VAN AERDE: EGYPT AND THE AUGUSTAN CULTURAL REVOLUTION
RESPONDING TO MANY YEARS OF SCHOLARSHIP ON EGYPTIAN MATERIAL IN ROMAN
ITALY, M.E.J.J. VAN AERDE'S BOOK
CHALLENGES SEVERAL ESTABLISHED ASSUMPTIONS AND SUGGESTS A NEW WAY
FORWARD. VAN AERDE ARGUES THAT
EGYPTIAN IMAGERY WAS BOTH MORE FLEXIBLE AND MORE INTEGRALLY INCORPORATED
INTO ROMAN ART OF THE AUGUSTAN
PERIOD THAN HAS BEEN RECOGNIZED SO FAR. THIS WAS NO MARGINAL PHENOMENON,
SHE CLAIMS, NOR AN "EXOTIC"
INTERLOPER, BUT A CENTRAL ELEMENT OF AUGUSTAN CULTURE. AND LIKE OTHER
ELEMENTS OF AUGUSTAN CULTURE,
EGYPTIAN IMAGERY WAS FUNDAMENTALLY POLYSEMOUS. EGYPTIAN MATERIAL IN
ROMAN ITALY DID NOT REFER TO ONE
MONOLITHIC CONCEPT, VAN AERDE EMPHASIZES, BUT TO A VARIETY OF
CONTEXT-DEPENDENT ONES. THIS VERY
FLEXIBILITY, LONG RECOGNIZED AS A HALLMARK OF AUGUSTAN CULTURE [1],
APPLIES JUST AS MUCH TO THE EGYPTIAN AS
THE NON-EGYPTIAN MATERIAL IN AUGUSTAN ROME. IN ADDITION TO THIS NUANCED
ARGUMENTATION, THE BOOK IS USEFUL
AS AN OVERVIEW OF EGYPTIAN MONUMENTS IN THE CITY OF ROME UNDER AUGUSTUS,
OTHERWISE LACKING IN THE
SCHOLARSHIP. ESPECIALLY USEFUL IN THIS RESPECT IS ITS INCLUSION OF
SEVERAL OBSCURE OR EVEN UNPUBLISHED OBJECTS
(FRESCO AND GLASS FRAGMENTS).
THE STUDY BEGINS WITH TWO SHORT CHAPTERS INTRODUCING THE PREVIOUS
SCHOLARSHIP (1-10) AND THE PRESENT WORK'S
THEORETICAL BASIS (11-26) BEFORE TRANSISTING TO THE CORE OF THE WORK, A
SERIES OF CASE STUDIES (27-166). A
SHORT CONCLUSION (167-173) AND APPENDIX OF AUGUSTAN CHRONOLOGY (174-175)
FOLLOW. THE CORE SECTION
EXAMINES EGYPTIAN MATERIAL IN AUGUSTAN ROME GROUPED INTO FOUR
CATEGORIES: TWO AUGUSTAN BUILDINGS ON THE
PALATINE; AUGUSTAN COINS AND MONUMENTS ELSEWHERE IN THE CITY; THREE
BUILDINGS BELONGING TO THE AUGUSTAN
ELITE; AND A SELECTION OF PRECIOUS ITEMS INCLUDING CAMEO GLASS, TWO
GEMS, AND A GOLD RING. WHILE SOME OF
THESE MONUMENTS AND OBJECTS COME AS NO SURPRISE IN A STUDY OF THIS TOPIC
- SUCH AS THE HOUSE OF AUGUSTUS OR
THE PYRAMID OF CAIUS CESTIUS - OTHERS ARE A LESS COMMON ADDITION, SUCH
AS THE ARA PACIS, FORUM OF AUGUSTUS,
AND CAMEO GLASS. THIS SELECTION, AS INDEED VAN AERDE'S PROJECT AS A
WHOLE, CAN BE SEEN IN LINE WITH THE
RECENT MOVEMENT TO TAKE A MORE HOLISTIC VIEW OF EGYPTIAN MATERIAL WITHIN
THE CANON OF ROMAN ART, RATHER
THAN ARTIFICIALLY ISOLATING THE EGYPTIAN ELEMENTS. [
2]
CHAPTER 1 LAYS OUT BOTH THE HISTORY OF WORK ON THIS TOPIC AND THE THESES
NOTED ABOVE. ONE ASPECT OF THE
THESIS INTRODUCED HERE DESERVES PARTICULAR ATTENTION. VAN AERDE NOTES
THAT THE USE OF EGYPTIAN IMAGERY IN
AUGUSTAN ROME BEGAN AS A VISUAL TOOL OF THE PRINCEPS, SUBSEQUENTLY
DEVELOPED INTO A "LANGUAGE OF LUXURY"
FOR THE ELITE, AND THEN BROADENED IN POPULARITY AMONG ALL SOCIAL STRATA
(4). THIS MECHANISM IS, VAN AERDE
ARGUES, EXACTLY PARALLEL TO THE CULTURAL "REVOLUTION" OCCURRING AT THE
END OF THE REPUBLIC AND THE EARLY
AUGUSTAN PERIOD: THE ELITE CLASSES WERE UNDERGOING CHANGES, EXPANDING IN
CERTAIN WAYS - IN SHORT, BECOMING
COSMOPOLITAN, AS SEEN TOO IN THE VISUAL CULTURE DRAWING ON GREEK AS WELL
AS EGYPTIAN TRADITIONS (5-6). THIS
AT FIRST ALARMINGLY TOP-DOWN THEORY DERIVES FROM VAN AERDE'S OBSERVATION
THAT THE CONTEXTS AND OBJECT
GENRES OF EGYPTIAN IMAGERY IN AUGUSTAN ROME SHIFT OVER TIME, SUGGESTING
THAT THE PATRONS CHANGE OVER TIME
TOO - FROM THE PRINCEPS TO THE INNER CIRCLE AND FINALLY TO THE REST OF
THE POPULOUS (8). WHILE I AGREE THAT THIS
TREND GENERALLY OBTAINS, I BELIEVE IT WAS PRIMARILY MOTIVATED NOT BY
"PROPAGANDA" OR DISPLAYS OF ALLEGIANCE
AS ARGUED BY VAN AERDE, BUT RATHER BY A PASSION FOR THIS NEW ARTISTIC
MATERIAL INTRODUCED BY THE PRINCEPS
AFTER HIS CONQUEST. [3]
CHAPTER 2 SITUATES THE METHODOLOGY OF THE WORK IN TERMS OF FIVE HIGHLY
INFLUENTIAL METHODOLOGIES IN THE
FIELD OF ROMAN ART: KOPIENKRITIK, TONIO HOELSCHER'S SEMANTICS OF IMAGES,
ENTANGLEMENT, OBJECTS-IN-MOTION
THEORY, AND CULTURAL BIOGRAPHY. VAN AERDE'S OVERVIEW AND CRITIQUE OF ALL
OF THESE IS SKILLED, BUT TO MY MIND
DOES NOT SHED MUCH LIGHT ON THE PROJECT AT HAND. PERHAPS IT REFLECTS THE
ORIGIN OF THE BOOK AS A DISSERTATION,
IN WHICH SITUATING THE WORK METHODOLOGICALLY WAS CENTRAL.
CHAPTER 3, THE HEART OF THE BOOK, ARGUES FOR THE INTEGRATION AND
FLEXIBILITY OF EGYPTIAN IMAGERY IN ROME VIA
A SERIES OF CASE STUDIES. FIRST WE TURN TO THE PALATINE, WHERE THE UPPER
CUBICULUM FRESCOES IN THE HOUSE OF
AUGUSTUS SET THE TONE. VAN AERDE ARGUES THAT THE "HIGHLY STYLIZED"
EGYPTIAN MOTIFS HERE ARE NOT MEANT TO
BROADCAST AN EGYPTIAN MESSAGE, BUT POINT TO THE ROMAN USE OF HELLENISTIC
DECORATIVE MOTIFS, INCLUDING
THOSE FROM HELLENISTIC ALEXANDRIA (35, 44-45). HERE VAN AERDE MAKES AN
IMPORTANT POINT, SINCE EGYPTIAN
IMAGERY IN HELLENISTIC ART HAS NOT YET BEEN SUFFICIENTLY RECOGNIZED TO
HAVE INSPIRED ROMAN ART WITH EGYPTIAN
MOTIFS. AT THE SAME TIME, THE ARGUMENT HERE IS NOT SUPPORTED BY SPECIFIC
EXAMPLES OR PICTURES OF
HELLENISTIC COMPARANDA, AND I AM UNSURE WHAT THE TERM "URAEUS MOTIF"
REFERS TO IN EITHER THE FRESCOES
OR
THE HELLENISTIC CORPUS (35; ALSO 116). LATER TOO, I COULD NOT FIND THE
LOTUS AND "URAEUS PITCHER" BORDERS
AMONG WHAT I RECOGNIZED TO BE EGG AND DART AND BEAD AND REEL BORDERS
FROM THE FORUM OF AUGUSTUS.
NONETHELESS, VAN AERDE SUCCEEDS IN THROWING INTO QUESTION THE SIMPLISTIC
INTERPRETATION OF EGYPTIAN IMAGERY
AS A REFERENCE TO OCTAVIAN'S CONQUEST, INSTEAD ENCOURAGING US TO THINK
ABOUT ARTISTIC AND CULTURAL CATALYSTS.
THE FLEXIBILITY AND PERVASIVENESS OF EGYPTIAN IMAGERY ON THE PALATINE IS
ALSO SEEN IN THE BLACK MARBLE
DANAIDS AND MYSTERIOUS ASWAN GRANITE BLOCKS. INCLUDING THESE MONUMENTS
REPRESENTS AN UNUSUAL AND
LAUDABLE DECISION TO SHOW THE BREADTH OF EGYPTIAN IMAGERY IN ROME.
MEANWHILE, THE ARA PACIS AND
ARCHITECTURAL DECORATION IN THE FORUM OF AUGUSTUS SERVE TO SHOW THAT
EGYPTIAN MOTIFS COULD BE SO INTEGRALLY
INCORPORATED INTO ROMAN MONUMENTS THAT THEY WERE NEARLY INVISIBLE TO
VIEWERS. HERE THE EGYPTIAN MOTIFS,
VAN AERDE POSITS, REFER NOT TO EGYPT OR THE CONQUEST, BUT TO AUGUSTUS
HIMSELF, OR TO ROME (103). WHILE THE
IDEA IS INTRIGUING, I DO NOT SEE THAT IT IS BACKED
UP BY THE ANALYSIS PRESENTED. INDEED, SEPARATING OUT THE
MOTIFS' INTENDED REFERENTS WOULD SEEM NOT ONLY DIFFICULT BUT EVEN
CONTRARY TO THE ARGUMENT ABOUT FLEXIBLE
MEANING-MAKING.
UNMISTAKABLY EGYPTIAN ARE OF COURSE THE OBELISKS IN ROME, WHICH VAN
AERDE EMPHATICALLY SITUATES WITHIN
THE CITYSCAPE: THEY ARE NOT SIMPLY FOREIGN OR "EXILED" OBJECTS, AS THEY
HAVE OFTEN BEEN TREATED, BUT OBJECTS
WHOSE SIGNIFICANCE EVOLVED AS THEY WERE RECONTEXTUALIZED. SHE IS QUITE
RIGHT TO STRESS THIS POINT, EVEN IF
OTHER STUDIES OF OBELISKS SEEM TO ME TO COVER SIMILAR GROUND. [
4] IN ANY CASE, INCLUDING THEM HERE IS
NECESSARY FOR A HOLISTIC OVERVIEW OF EGYPTIAN MONUMENTS IN AUGUSTAN
ROME.
MOVING TO RESIDENTIAL CONTEXTS, VAN AERDE PROPOSES THAT THE FRESCOES IN
THE VILLA FARNESINA AND THE
SCULPTURE IN THE GARDENS OF MAECENAS REFLECT HOW ELITE ROMANS "EXPRESSED
THEIR ALLEGIANCE TO AUGUSTUS'
RULE" BY ADOPTING HIS IMAGERY (108). THIS SEEMS INCONSISTENT WITH THE
GREATER ARGUMENT STRESSING FLEXIBILITY
IN MEANING-MAKING, WHICH SHOULD ALLOW FOR THE NOTION OF PATRONS
DISPLAYING EGYPTIAN OBJECTS WITHOUT
INTENDING TO EXPRESS ALLEGIANCE. INDEED, VAN AERDE
CONSIDERS THE APIS BULL STATUE PERHAPS FROM THE GARDENS
OF MAECENAS TO BE FLEXIBLE IN ITS POTENTIALLY RELIGIOUS OR DECORATIVE
SIGNIFICANCE (126). ONE VALUABLE
ALTHOUGH TANGENTIAL POINT THAT PIQUED MY INTEREST CONCERNS THE BLUE
PANEL ADORNED WITH A WHITE FIGURE IN
THE FARNESINA FRESCOES, WHICH VAN AERDE SUGGESTS MAY IMITATE CAMEO GLASS
TECHNIQUE (112, 138). IF SO, IT IS
NOT ONLY ANOTHER TESTAMENT TO THE CROSS-POLLINATION AMONG MEDIA IN ELITE
ROMAN ART COLLECTIONS AT THE TIME,
BUT MAY ALSO REQUIRE REDATING THE PAINTINGS TO WITHIN THE WINDOW
PROPOSED FOR CAMEO GLASS (15 BC-AD 25) -
AT LEAST TEN YEARS LATER THAN THE CURRENTLY GENERALLY ACCEPTED DATE.
A SECTION ON CAMEO GLASS, GEMS, AND JEWELRY CONCLUDES THE CHAPTER. THE
CAMEO STUDY DRAWS ON VAN AERDE'S
WORK WITH SEVERAL BRITISH MUSEUM PIECES, ITSELF A VERY THOROUGH AND
NECESSARY STUDY ON AN UNDERVALUED
GENRE. [5] THE BOOK CONTEXTUALIZES THESE CAMEO FRAGMENTS BEARING
EGYPTIAN MOTIFS, NOTING THAT THE
EGYPTIAN IMAGERY IS MIXED WITH HELLENISTIC IMAGERY AND EXECUTED IN A
QUINTESSENTIALLY AUGUSTAN ARTISTIC
TECHNIQUE. THIS MELANGE IS NOT ONLY TYPICAL OF AUGUSTAN CULTURE, VAN
AERDE WRITES, BUT ASKS TO BE VALUED AS
AN INTEGRAL WHOLE RATHER THAN FOR JUST ONE OF ITS CHARACTERISTICS. AS
THE LEITMOTIF OF THE BOOK, THIS PROPOSAL
IS PERHAPS THE MOST CONVINCING PART OF VAN AERDE'S PROJECT. IF AT TIMES
REDUNDANT OR UNCLEAR, THE BOOK MORE
THAN COMPENSATES WITH ITS VERY MODERN AND WORTHWHILE EXPOSE OF THE
POLYSEMY OF EGYPTIAN IMAGERY IN
AUGUSTAN ROME.
NOTES:
[
1] E.G., K. GALINSKY: AUGUSTAN CULTURE, PRINCETON 1996.
[2] STRONGLY ARGUED FOR THE BENEVENTUM SANCTUARY BY K. BUELOW CLAUSEN:
DOMITIAN BETWEEN ISIS AND MINERVA:
THE DIALOGUE BETWEEN THE "EGYPTIAN" AND "GRAECO-ROMAN" ASPECTS OF THE
SANCTUARY OF ISIS AT BENEVENTUM,
IN: EGYPTIAN GODS IN THE HELLENISTIC AND ROMAN MEDITERRANEAN. IMAGE AND
REALITY BETWEEN LOCAL AND
GLOBAL, ED. BY M. J. VERSLUYS / L. BRICAULT, CALTANISSETTA 2012, 93-122.
[3] S. PEARSON: THE TRIUMPH AND TRADE OF EGYPTIAN OBJECTS IN ROME.
COLLECTING ART IN THE ANCIENT
MEDITERRANEAN, BERLIN 2021.
[
4] PARTICULARLY R. M. SCHNEIDER: NICHT MEHR AEGYPTEN, SONDERN ROM. DER
NEUE LEBENSRAUM DER OBELISKEN,
IN: FREMDHEIT - EIGENHEIT. AEGYPTEN, GRIECHENLAND UND ROM. AUSTAUSCH UND
VERSTAENDNIS, ED. BY P. C. BOL, G.
KAMINSKI / C. MADERNA, MUNICH 2004, 155-179.
[
5] M. E. J. J. VAN AERDE: CONCEPTS OF EGYPT IN AUGUSTAN ROME: TWO CASE
STUDIES OF CAMEO GLASS FROM THE
BRITISH MUSEUM, IN: BRITISH MUSEUM STUDIES IN ANCIENT EGYPT AND SUDAN 20
(2013), 1-23.
REZENSION UEBER:
M.E.J.J. VAN AERDE: EGYPT AND THE AUGUSTAN CULTURAL REVOLUTION. AN
INTERPRETATIVE ARCHAEOLOGICAL OVERVIEW (= BABESCH SUPPLEMENT;
38), LEUVEN: PEETERS 2019, X + 183 S., 108 FARBABB., ISBN
978-90-429-4057-4, EUR 64,00
REZENSION VON:
STEPHANIE PEARSON
HUMBOLDT-UNIVERSITAET ZU BERLIN
EMPFOHLENE ZITIERWEISE:
STEPHANIE PEARSON: REZENSION VON: M.E.J.J. VAN AERDE: EGYPT AND THE
AUGUSTAN CULTURAL REVOLUTION. AN INTERPRETATIVE ARCHAEOLOGICAL
OVERVIEW, LEUVEN: PEETERS 2019, IN: SEHEPUNKTE 21 (2021), NR. 1
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BITTE GEBEN SIE BEIM ZITIEREN DIESER REZENSION DIE
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| era | Geschichte 27 v. Chr.-14 gnd |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Rom (DE-588)4050471-2 gnd Ägypten Altertum (DE-588)4068430-1 gnd |
| geographic_facet | Rom Ägypten Altertum |
| id | DE-604.BV046305777 |
| illustrated | Illustrated |
| indexdate | 2024-11-14T11:05:08Z |
| institution | BVB |
| isbn | 9789042940574 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031682996 |
| oclc_num | 1139742713 |
| open_access_boolean | |
| owner | DE-29 DE-20 DE-12 DE-188 DE-19 DE-BY-UBM DE-384 DE-824 DE-11 DE-739 |
| owner_facet | DE-29 DE-20 DE-12 DE-188 DE-19 DE-BY-UBM DE-384 DE-824 DE-11 DE-739 |
| physical | 183 Seiten Illustrationen, Pläne |
| psigel | gbd_4_2001 BSB_NED_20200218 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Peeters |
| record_format | marc |
| series | Babesch. Supplement |
| series2 | Babesch. Supplement |
| spelling | Aerde, M. E. J. J. van 1983- Verfasser (DE-588)1201610486 aut Egypt and the Augustan cultural revolution an interpretative archaeological overview M.E.J.J. van Aerde Leuven ; Paris ; Bristol, CT Peeters 2019 183 Seiten Illustrationen, Pläne txt rdacontent n rdamedia nc rdacarrier Babesch. Supplement 38 (2019) Dissertation Universiteit Leiden 2015 Geschichte 27 v. Chr.-14 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Sachkultur (DE-588)4051157-1 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Rom (DE-588)4050471-2 gnd rswk-swf Ägypten Altertum (DE-588)4068430-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Kulturgeschichte der Antike (DE-2581)TH000005829 gbd Ägypten als Provinz (DE-2581)TH000004464 gbd Früher Prinzipat (DE-2581)TH000003847 gbd Augustus (27 v. Chr. - 14 n. Chr.) (DE-2581)TH000003848 gbd Rom (DE-588)4050471-2 g Ägypten Altertum (DE-588)4068430-1 g Kultur (DE-588)4125698-0 s Rezeption (DE-588)4049716-1 s Sachkultur (DE-588)4051157-1 s Geschichte 27 v. Chr.-14 z DE-604 Erscheint auch als Online-Ausgabe 978-90-429-4058-1 Babesch. Supplement 38 (2019) (DE-604)BV006665586 38 V:DE-605;X:Imageware application/pdf http://digitale-objekte.hbz-nrw.de/storage2/2020/02/08/file_11/8818488.pdf Inhaltsverzeichnis http://www.sehepunkte.de/2021/01/34220.html rezensiert in: sehepunkte 21 (2021), Nr. 1 Rezension SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031682996&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Rezension |
| spellingShingle | Aerde, M. E. J. J. van 1983- Egypt and the Augustan cultural revolution an interpretative archaeological overview Babesch. Supplement Rezeption (DE-588)4049716-1 gnd Sachkultur (DE-588)4051157-1 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4049716-1 (DE-588)4051157-1 (DE-588)4125698-0 (DE-588)4050471-2 (DE-588)4068430-1 (DE-588)4113937-9 |
| title | Egypt and the Augustan cultural revolution an interpretative archaeological overview |
| title_auth | Egypt and the Augustan cultural revolution an interpretative archaeological overview |
| title_exact_search | Egypt and the Augustan cultural revolution an interpretative archaeological overview |
| title_full | Egypt and the Augustan cultural revolution an interpretative archaeological overview M.E.J.J. van Aerde |
| title_fullStr | Egypt and the Augustan cultural revolution an interpretative archaeological overview M.E.J.J. van Aerde |
| title_full_unstemmed | Egypt and the Augustan cultural revolution an interpretative archaeological overview M.E.J.J. van Aerde |
| title_short | Egypt and the Augustan cultural revolution |
| title_sort | egypt and the augustan cultural revolution an interpretative archaeological overview |
| title_sub | an interpretative archaeological overview |
| topic | Rezeption (DE-588)4049716-1 gnd Sachkultur (DE-588)4051157-1 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Rezeption Sachkultur Kultur Rom Ägypten Altertum Hochschulschrift |
| url | http://digitale-objekte.hbz-nrw.de/storage2/2020/02/08/file_11/8818488.pdf http://www.sehepunkte.de/2021/01/34220.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031682996&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV006665586 |
| work_keys_str_mv | AT aerdemejjvan egyptandtheaugustanculturalrevolutionaninterpretativearchaeologicaloverview |