British radio drama, 1945-63:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford
Bloomsbury Academic
2019
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | ix, 185 Seiten 24 cm |
| ISBN: | 9781501329692 |
Internformat
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Datensatz im Suchindex
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| adam_text | CONTENTS Acknowledgements A note on terminology INTRODUCTION viii x 1 Chapter 1 POST-WAR BRITAIN 11 Chapter 2 THE POST-WAR BBC RADIO DRAMA DEPARTMENT 23 Chapter 3 RADIO DRAMA, 1945-53 37 Chapter 4 TECHNOLOGIES OF PRODUCTION AND CONSUMPTION 57 Chapter 5 RADIO DRAMA AND THE ABSURD 65 Chapter 6 GILES COOPER 87 Chapter 7 FEATURES DEPARTMENT DRAMATISTS 109 Chapter 8 REALIST RADIO DRAMA 127 Chapter 9 THE 1960s 149 CONCLUSION 159 List of programmes Bibliography Index 167 174 179
A compelling account of the evolution of British radio drama and its key creative figures, during its most formative years. Essential reading for anyone interested in the highly productive relationship between theatre, literature, poetry, dramatic innovation and the art of radio. Michele Hilmes, Professor Emerita, University of Wisconsin-Madison, USA Grounded in a thorough familiarity with the texts and sounds of historical radio, and guided by the understanding that the reputedly conservative mid-century BBC was in fact a crucible of artistic experimentation, Hugh Chignell s elegantly written, meticulously detailed, wide-ranging study sets a new standard for the study of British radio drama during its Golden Age. Chigneii is fascinated by how radio drama at this time reveals how post-war and cold war Britain was experienced. Drama, Chigneii shows, got it. From the theatre of the mind to the theatre of the absurd, and from Samuel Beckett to John Osborne, Harold Pinter, J. B. Priestley, Giles Cooper and a slew of long-forgotten other artists in sound, Chigneii brings a nuanced attunement to the social, political, institutional, technological and literary contexts within which radio drama flourished, achieving artistic successes that represent canonical moments not only in its own medium, but also in twentieth-century British cultural life. Todd Avery, Professor of English, University of Massachusetts Lowell, USA British Radio Drama, 1945-1963 reveals the quality and range of the avant-garde radio broadcasts from the golden age of British radio drama. Turning away
from the cautious and conservative programming that emerged in the UK immediately after the Second World War, young generations of radio producers looked to French theatre, introducing writers such as Samuel Beckett and Eugene Ionesco to British radio audiences. This theatre of the absurd triggered a renaissance of writing and production featuring the work of Giles Cooper, Rhys Adrian and Harold Pinter, as well as the launch of the BBC Radiophonie Workshop. Based on primary archival research and interviews with former BBC staff, Hugh Chigneii places this high point in the BBC s history in the broader context of British post-war culture, as norms of morality and behaviour were re-negotiated in the shadow of the Cold War, while at once establishing the internationalism of post-war radio and theatre. Hugh Chigneii is Professor of Media History and Director of the Centre for Media History at Bournemouth University, UK. He is the author of Key Concepts in Radio Studies (20091 and Public Issue Radio: Talks, News and Current Affairs in the Twentieth Century (2011 ) and co-editor of Regional Aesthetics: Mapping UK Media Cultures (2015, with leuan Franklin and Kristin Skoog).
|
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| contents | Post war Britain -- Post war BBC radio drama department -- Radio drama, 1945-1953 -- Technologies of production and consumption -- Radio drama and the absurd -- Giles Cooper -- Features department dramatists -- Realist radio drama -- The 1960s -- Conclusion |
| ctrlnum | (OCoLC)1137836137 (DE-599)BVBBV046293658 |
| discipline | Allgemeines |
| era | Geschichte 1945-1963 gnd |
| era_facet | Geschichte 1945-1963 |
| format | Book |
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