Mediatization in popular music recorded artifacts: performance on record and on screen
In Performance and Technological Mediation in Popular Music, the relationship between performance, technological mediation, and the sense of live presence is investigated through a series of case studies related to popular music products. Alessandro Bratus explores technological mediation as a proce...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Lanham ; Boulder ; New York ; London
Lexington Books
[2019]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | In Performance and Technological Mediation in Popular Music, the relationship between performance, technological mediation, and the sense of live presence is investigated through a series of case studies related to popular music products. Alessandro Bratus explores technological mediation as a process of authentication that involves a chain of interconnected instances that have their roots in the cultural context in which the media products are designed to be marketed, and that also shape its recording technique and post-production. The book analyzes posthumous records, a peculiar case of the organization of recorded tracks made in absentia of their original performers that puts forward the possibility of an "otherworldly" collaboration between the living and the dead. Bratus also argues that the crucial significance of live performance for the construction of a personal, intimate relationship between performers and audiences reverberates in the audiovisual construction of the filmed concert, in which the spectator is put in the position of a witness rather than an active participant |
Beschreibung: | xiii, 265 Seiten Illustrationen |
ISBN: | 9781498556323 |
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Datensatz im Suchindex
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adam_text | Contents List of Illustrations vii List of Tables ix Acknowledgments xi Introduction: Theoretically Live: Performance and Mediation between Experience, Intermediality, and Authenticity 1 2 3 4 1 Live Once, and Witness Forever: The Analytical Framework 31 The Many Lives of Jimi: Recordings and Utopian Spaces in Hendrix’s Posthumous Albums 63 So Empty Without Me? Heritage, Realness, and Memory in Tupac Shakur’s Posthumous Records 93 Identity as Timbre: Johnny Cash’s Expansive Identity in the American Recordings and Beyond 123 5 A Conversation with No Speakers: Live Without Audience 155 6 Live EDM: Audiovisual Performativity for Bodies and Machines 189 Coda (Living?) In the Material World: The In-Betweenness of Michael Jackson ’s This Is It 221 References 241 Index 257 About the Author 265 v
|
any_adam_object | 1 |
author | Bratus, Alessandro |
author_GND | (DE-588)1032912138 |
author_facet | Bratus, Alessandro |
author_role | aut |
author_sort | Bratus, Alessandro |
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building | Verbundindex |
bvnumber | BV046290967 |
ctrlnum | (OCoLC)1137844625 (DE-599)BVBBV046290967 |
format | Book |
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isbn | 9781498556323 |
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spelling | Bratus, Alessandro Verfasser (DE-588)1032912138 aut Mediatization in popular music recorded artifacts performance on record and on screen Alessandro Bratus Lanham ; Boulder ; New York ; London Lexington Books [2019] © 2019 xiii, 265 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier In Performance and Technological Mediation in Popular Music, the relationship between performance, technological mediation, and the sense of live presence is investigated through a series of case studies related to popular music products. Alessandro Bratus explores technological mediation as a process of authentication that involves a chain of interconnected instances that have their roots in the cultural context in which the media products are designed to be marketed, and that also shape its recording technique and post-production. The book analyzes posthumous records, a peculiar case of the organization of recorded tracks made in absentia of their original performers that puts forward the possibility of an "otherworldly" collaboration between the living and the dead. Bratus also argues that the crucial significance of live performance for the construction of a personal, intimate relationship between performers and audiences reverberates in the audiovisual construction of the filmed concert, in which the spectator is put in the position of a witness rather than an active participant Popmusik (DE-588)4046781-8 gnd rswk-swf Postumes Werk (DE-588)4506931-1 gnd rswk-swf Live-Auftritt (DE-588)4570116-7 gnd rswk-swf Authentizität (DE-588)4193985-2 gnd rswk-swf Musikfilm (DE-588)4170822-2 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Popular music / Performances Popular music / Production and direction Sound recordings / Social aspects USA (DE-588)4078704-7 g Popmusik (DE-588)4046781-8 s Rockmusik (DE-588)4115774-6 s Live-Auftritt (DE-588)4570116-7 s Schallaufzeichnung (DE-588)4052020-1 s Musikfilm (DE-588)4170822-2 s Postumes Werk (DE-588)4506931-1 s Authentizität (DE-588)4193985-2 s DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-1-4985-5635-4 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031668446&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Bratus, Alessandro Mediatization in popular music recorded artifacts performance on record and on screen Popmusik (DE-588)4046781-8 gnd Postumes Werk (DE-588)4506931-1 gnd Live-Auftritt (DE-588)4570116-7 gnd Authentizität (DE-588)4193985-2 gnd Musikfilm (DE-588)4170822-2 gnd Rockmusik (DE-588)4115774-6 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
subject_GND | (DE-588)4046781-8 (DE-588)4506931-1 (DE-588)4570116-7 (DE-588)4193985-2 (DE-588)4170822-2 (DE-588)4115774-6 (DE-588)4052020-1 (DE-588)4078704-7 |
title | Mediatization in popular music recorded artifacts performance on record and on screen |
title_auth | Mediatization in popular music recorded artifacts performance on record and on screen |
title_exact_search | Mediatization in popular music recorded artifacts performance on record and on screen |
title_full | Mediatization in popular music recorded artifacts performance on record and on screen Alessandro Bratus |
title_fullStr | Mediatization in popular music recorded artifacts performance on record and on screen Alessandro Bratus |
title_full_unstemmed | Mediatization in popular music recorded artifacts performance on record and on screen Alessandro Bratus |
title_short | Mediatization in popular music recorded artifacts |
title_sort | mediatization in popular music recorded artifacts performance on record and on screen |
title_sub | performance on record and on screen |
topic | Popmusik (DE-588)4046781-8 gnd Postumes Werk (DE-588)4506931-1 gnd Live-Auftritt (DE-588)4570116-7 gnd Authentizität (DE-588)4193985-2 gnd Musikfilm (DE-588)4170822-2 gnd Rockmusik (DE-588)4115774-6 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
topic_facet | Popmusik Postumes Werk Live-Auftritt Authentizität Musikfilm Rockmusik Schallaufzeichnung USA |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031668446&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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