The firebird and the fox: Russian culture under Tsars and Bolsheviks
"Showcasing the genius of Russian literature, art, music, and dance over a century of turmoil, within the dynamic cultural ecosystem that shaped it, The Firebird and the Fox explores the shared traditions, mutual influences and enduring themes that recur in these art forms. The book uses two em...
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| Sprache: | English |
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Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
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2019
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| Online-Zugang: | Inhaltsverzeichnis Register // Gemischte Register |
| Zusammenfassung: | "Showcasing the genius of Russian literature, art, music, and dance over a century of turmoil, within the dynamic cultural ecosystem that shaped it, The Firebird and the Fox explores the shared traditions, mutual influences and enduring themes that recur in these art forms. The book uses two emblematic characters from Russian culture -- the firebird, symbol of the transcendent power of art in defiance of circumstance and the efforts of censors to contain creativity; and the fox, usually female and representing wit, cleverness and the agency of artists and everyone who triumphs over adversity -- to explore how Russian cultural life changed between 1850 and 1950. Jeffrey Brooks reveals how high culture drew on folk and popular genres, then in turn influenced an expanding commercial culture. Richly illustrated, The Firebird and the Fox assuredly and imaginatively navigates the complex terrain of this eventful century"-- |
| Beschreibung: | xvii, 330 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen |
| ISBN: | 9781108484466 9781108735872 1108735878 |
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| 245 | 1 | 0 | |a The firebird and the fox |b Russian culture under Tsars and Bolsheviks |c Jeffrey Brooks, Johns Hopkins University |
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| 505 | 8 | |a Introduction: An age of genius -- Freedom and the fool -- Desire and rebellion -- Artists and subjects -- Anton Chekhov in his time -- The writer as civic actor -- After realism : art and authority -- The performing arts : Diaghilev's Ballets Russes -- Celebrity, humor, and the avant-garde -- A new normal -- Irony and power -- An era of the fox -- Goodness endures | |
| 520 | 3 | |a "Showcasing the genius of Russian literature, art, music, and dance over a century of turmoil, within the dynamic cultural ecosystem that shaped it, The Firebird and the Fox explores the shared traditions, mutual influences and enduring themes that recur in these art forms. The book uses two emblematic characters from Russian culture -- the firebird, symbol of the transcendent power of art in defiance of circumstance and the efforts of censors to contain creativity; and the fox, usually female and representing wit, cleverness and the agency of artists and everyone who triumphs over adversity -- to explore how Russian cultural life changed between 1850 and 1950. Jeffrey Brooks reveals how high culture drew on folk and popular genres, then in turn influenced an expanding commercial culture. Richly illustrated, The Firebird and the Fox assuredly and imaginatively navigates the complex terrain of this eventful century"-- | |
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Datensatz im Suchindex
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| adam_text | Contents List of Color Plates List of Figures Acknowledgments Introduction: An Age of Genius Parti Emancipation of the Arts (1850-1889) Introduction to Part I 1 Freedom and the Fool page ix xi xiv 1 13 13 19 2 Desire and Rebellion 38 3 Artists and Subjects 50 4 Anton Chekhov in His Time 66 5 The Writer as Civic Actor 80 Part II Politics and the Arts (1890-1916) 93 Introduction to Part II 93 6 After Realism: Art and Authority 101 7 The Performing Arts: Diaghilev’s Ballets Russes 125 8 147 Celebrity, Humor, and the Avant-Garde Part III The Bolshevik Revolution and the Arts (1917-1950) Introduction to Part III 167 167 9 A New Normal 177 10 Irony and Power 203 11 An Era of the Fox 230 vii
viii Contents 12 Goodness Endures 249 Epilogue 263 Notes Index The plate section can be found between pp 174 and 175. 267 320
Index abstraction, 156, 182 Acmeism, 149, 153, 190 Aesop, 5, 172, 204 Afanas’ev, Aleksandr N. (folklorist), 5, 20, 24, 29-30, 45, 230, 234, 242, 250 Afanas’ev, Aleksei Fedorovich, 28-29, 131, 135, 251-252, 265 agency of former serfs, 7 of peasants, 13 of people of common origins, 2-6, 16-17 as represented in the lubok, 59-63 of women, 44-46, 144-146 Aikhenval’d, Iurii, 120 Akhmatova, Anna, 1, 10, 153-154, 168, 175, 178, 241 Aksakov, Sergei, 25, 54 AlarmClock (Budil’nik), 62-64, 148-159,214 Alexander II, Tsar, 2, 13-15, 41, 81, 252 Alexander III, Tsar, 16, 52, 57, 96, 106 Altman, Natan, 184, 186 Andreev, Leonid, 101, 153 Annenkov, Iurii, 186, 188, 219, 225 anniversary of the Revolution, celebration of, 184-186 anti-Semitism, 137, 142, 152, 210 Russian Word and, 122 Apollinaire, Guillaume, 157 Apollo, 164 Arrotas (Strely), 117 Artists’ Union of the USSR, 169 Asafiev, Boris, 234 audiences for children’s literature, 10, 171, 205, 210, 224, 246 debates about, 80-81 evolution of, 90-92, 147-154 for high culture, 8, 17, 93, 125, 191 interaction among, xiv, 3, 10, 28, 51, 93, 156-157, 193, 206 for intermediate culture, 9, 85, 88, 111, 160, 192 320 for popular culture, 8, 21, 46, 62, 153, 194 autocracy, 2, 14, 17, 51, 56-59, 99-100, 106-109, 263 Diaghilev and, 105-106, 125-129 political debates about alter 1905, 119-124 avant-garde, 5, 8, 79, 96, 99, 136, 141, 180 Bolsheviks and, 170-187, 235 celebrity culture, 147-152 Chukovsky, Komei, and, 210 exhibitions, 155 traditions of rebellion and, 151 unconventional dress and, 159 use of humor, 9, 100, 147 violence in the imagery of, 187,
206 Averchenko, Arkadii, 115, 160 Babel, Isaac, 168, 207, 228 “Death of Dolgushov, The,” 196 “My First Goose,” 195 Odessa Stories, 196 Red Cavalry, 195 use of the skaz, 195 Bakhtin, Mikhail, 22, 35, 115, 181 Bakst, Leon, 106, 129 attack of Benois on, 142 ballerino, 144 ballet Dance Symphony, 235 Firebird (1822), 24, 28 Limpid Stream, 228 Link Humpbacked Horse, The, 28 Magnificence of the Universe, The, 235 Pavilion ďArmide, Le, 129 Red Whirlwind, The, 235 Renard, Le, 6 Romeo and Juliet, 256 Ballets Russes Firebird, 130-135 Petrushka, 135-137 Rite of Spring, The, 100, 125, 138-146 Balmont, Konstantin, 103
Index bandit as rebel in song and popular fiction, 40-41 Bandit Churkin, 68-72, 214 Bardett, Rosamund, 36, 76 Bast Shoe (Lapot’), 216 Bayonet (Shtyk), 116 Bedny, Demyan, 201-202 Beilis, Mendel, 99 Belinsky, Vissarion, 53 Bern, Elizabeth, 4, 132 Benois, Alexandre, 129-130, 135-145, 151, 155, 216 attack on Bakst, 142-143 Berdyaev, Nikolai, 120 Berlin, Isaiah, 3, 231, 241 Bilibin, Ivan, 4, 25, 113, 118, 133-134, 231-232, 249 Binns, John, 59 Bitner, V. V., 154, 160 Blakesley, Rosalind, 53, 105 Blok, Alexander, 123 Chukovsky, Komei, and, 210 on late imperial commercial culture, 148 Petrograd House of Art and, 188 Bloody Sunday, 97, 106, 151 Blue Magazine (Sinii zhumal), 148-161, 206 Bojanowska, Edyta, 82 Bolshoi Theater, 199 Booth, Wayne, 203 boundaries of self and society children’s literature and, 174 debates on culmral inclusion and, 17 as meta-theme, 7, 264 satire and, 109 Bowlt, John, 105, 139-141, 157 Br’er Rabbit, 5 Briusov, Valery, 103, 111, 120 Brooks, Peter, 62-63 Budyonny, Semyon Mikhailovich attack on Isaac Babel, 195-196 Bugbear (Zhupel), 118 Bukharin, Nikolai, 168, 218, 240 Bulgakov, Mikhail, 23, 172 Days of the Turbins, The, 199 Fatal Eggs, The, 199 Heart of a Dog, 199 Master and Margarita, The, 200-201 on Soviet pseudoscience, 199, 207 Theatrical Novel, 199, 222 White Guard, 199 Bulgakov, Sergei, 122 Bulgakowa, Oksana, 193 Bunin, Ivan, 48, 101 Burke, Peter, 21 Burliuk, David, 149-160 321 cabinet card, 161-162 Campbell, Peter, 158 Caricature Sheet of the Newspaper of Newspapers, The (Karikatumyi listok gazety gazet), ПО carnival, 136 avant-garde and, 155, 181 of
early modem Russia, 22-23, 36, 115 Soviet celebrations and, 187 Carter, Nick detective fiction, 154 celebrity culture, 8, 99, 115, 127, 139, 147-165 avant-garde and, 147-148, 154 Chaliapin and, 162 Chekhov and, 152 censorship Glavlit, 189 Soviet, 168-170, 174, 183, 206, 223 tsarist, 15, 26, 36, 46^47, 86, 90, 95, 99, 119 Chagall, Marc Commissar of the Arts in Vitebsk, 181-182 designs for Firebird, 145 Petrushka of Dead Souls, 137 Vitebsk People’s Art School, 182-183 Chaliapin, Feodor as Boris Godunov, 127-128 Blue Magazine and, 153 celebrity culture, 153, 162 in demonic roles, 115 Chandler, Robert, 160, 256-257 Chapayev, Vasily, 247 Cheka, 186, 218 Chekhonte, Antosha pseudonym Anton Chekhov, 73 Chekhov, Anton on art and beauty, 77-79 “Black Monk, The,” 112 “Captain’s Uniform, The,” 78 Drama on the Hunt, 73 “Duel, The,” 77 famine relief and, 81 Fatherless, 75 the Gothic and, 112 “Gusev,” 109 “Happiness,” 77 humor in, 68, 152 inclusiveness as a value, 81-82 influence of serialization on, 72 interaction with popular literature, 67-70 “Joy,” 152 “Lady with a Little Dog,” 71, 77 Motley Stories, 73
322 Index Chekhov, Anton (cont.) national identity in land and people, 90, 92 “Nerves,” 71 On the Big Road, 75, 77 Platonov, 75 reading public, 66-67 Realism and, 67 Sakhalin, 82-85 Seagull, The, 78 “Sleepy,” 71 Steppe, The, 76, 82 “Swedish Matchstick, The,” 72 “Thieves,” 75-76, 101 Tolstoy, Leo, and, 89, 91 traditional bandit tales, interest in, 77, 79 “Van’ka,” 71, 89 Chemyavskiy, Georgiy, 188, 190 Chemyshevsky, Nikolai, 53 Chertkov, V. G., 89 children, works for, 170-172, 225 animated films, 227, 240, 245 Chukovsky, Komei, 209-211 irony in, 208, 216-219, 224 multi-aged audiences for, 205, 213 sentient animals in, 172-174 children’s literature, See children, works for Chuckler (Smekhach), 216 Chukovsky, Komei, 10, 77-123, 159-189 avant-garde and, 210 Barmaiéi, 219-220 Crocodile, 209-216 Dr. Aibolit, 257 Fir Tree: A Little Book for Small Children, 216 Gorky, Maxim, and, 187 “Kingdom of Dogs,” 257 Monster Cockroach, The, 217—218 Muddle, 238 on Chekhov, 77-78, 85 Petrograd House of Arts, 187-188 satirical magazines of 1905-1907 and, 109, 172 “Vanya and the Crocodile,” 210 Civil War, 167, 181, 189, 199, 204, 211, 240, 247 Cocteau, Jean, 139 collectivization, 3, 167, 180, 190, 194, 249 compassion for victims of, 258 Fourteen Little Red Huts and, 198 Commissariat of Enlightenment, 178-184 Constitutional Democratic Party, 97, 119 Constructivism, 180-181, 263 Contemporary, The (Sovremennik), 25, 45 Cossacks, 169 association with rebellion and banditry, 39, 42, 76 Babel attached to unit of, 195-196 songs about, 60 Crocodile {Krokodil), the magazine, 216 Crocodile (the story). See
children, works for, Chukovsky, Komei Cubism, 179 Dal’, Vladimir, 204 Dan’ko, Elena Karabaş Vanquished, 245 Daniel, Yuri, 29 Decadence, 93, 105, 139 Decadents, 78, 103-109, 112, 210 Decembrist Revolt, 14—15, 128, 184 Department of Fine Arts (IZO), 181-183 Diaghilev, Sergei Ballets Russes and, 125-146 exhibition at Grand Palais, Paris, 126 exhibition of portraits organized by, 105-107 tsar’s patronage of, 105 World of Art, 105, 113 Didelot, Charles-Louis, 24 Dobroliubov, Nikolai, 53 Dobuzhinsky, Mstislav, 10, 118, 182, 186, 219-220, 224, 246 Dostoevsky, Fyodor Brothers Karamazov, The, 34, 42, 48, 70 Crime and Punishment, 35, 42, 47-48, 250 “Crocodile,” 212, 214 Diary of a Writer, 40, 250 Idiot, The, 34 kindness and cruelty in, 47, 53, 250 life of, 19, 43, 174 Notes from the House of the Dead, 43, 47—i8, 88 Orthodoxy and Holy Fools in, 9, 33-34 Realism and, 34-35, 67 rebellious freedom in, 42-43, 47 secular canonization of, 17 serialization and, 47, 70 Double-Headed Axe {Sekira), 117 Dragonfly {Strekoza), 72 Dralyuk, Boris, 192, 261 Duncan, Isadora, 129 ecosystem, cultural, 1, 9, 51, 54, 66, 264 education and schools, 15, 17, 39, 45, 63, 85, 89, 94-95, 178, 183, 204 Ehrenburg, Ilya, 175
Index Eisenstein, Sergey, 191, 193-194 Battleship Potemkin, The, 193 October, 194 Strike, The, 193 El Lissitzky, Lazar, 180, 182 Emancipation Great Reforms and, 13-17 impact on markets for cultural goods, 147-148, 264 relaxation of cultural constraints and, 17, 38, 65, 95 Wanderers and, 53, 67 Emerson, Caryl, 128 Emmons, Terence, 41 Engel, Barbara, 141 Engelstein, Laura, 141 Ermak Timofeevich, 39-40, 42 Ershov, Petr Pavlovich, 4, 26 Alexander Pushkin, and, 26 life of, 26 Little Ivan the Fool, use of, 26 popularity of The Little Humpbacked Horse, 28 Soviet versions of The Little Humpbacked Horse, 251-254 tsarist era variants and illustrations of The Little Humpbacked Horse, 28-29, 130 fable as carrier of veiled meaning, 204, 226, 249 fox in, 230-231 Krylov, Ivan, 172 Tolstoy, Leo, 172 famine in Ukraine and Platonov’s portrayal of, 198 NEP as response to, 168 of 1891-1892, 81, 96 under War Communism, 177, 182 Far East Russian expansion, 96, 107, 109 February Revolution, 177, 210 Fedotov, George P. kenotocism, 31 Field (Niva), 62-64, 100, 149 children’s supplement publishes Chukovsky’s Crocodile, 209-210 circulation and content, 63-64, 85 illustrations in, 83, 86, 148 Tolstoy’s Resurrection serialized in, 85-87 firebird ballet 1822, 24 Ballets Russes and, 130-135 Chagall, Marc, and, 145 323 Chekhov’s, The Seagull, 78 Goncharov, Ivan, on, 30 fool and, 4-5 freedom and, 6 in folklore, 4, 25 Kandinsky and, 133 Little Humpbacked Horse, The, in, 4, 26-28 lubok prints and, 24 Petrov-Vodkin and, 185 Polenova, Elena, illustration of, 134 First All-Union Congress of Soviet Writers, 169,
223 first Five-Year Plan, 180, 190, 207, 209, 236 Fitzpatrick, Sheila, 184 Flathman, Richard, 44 Florenskii, P. A., 59 Fokine, Mikhail, 129-143, 155 folktale children’s literature and, 215, 242 collection of A. N. Afanas’ev, 24 fool in, 19, 21, 29 fox in, 230-231 Gorky on, 185 oral traditions and, 25 Platonov, Andrei, 197, 256 Pushkin Ruslan and Liudmila, 135 Tolstoy, Alexei, and, 242 Tolstoy, Leo, and, 37 Soldier and the Tsar in the Forest, The, 20 Tsarevich Ivan, the Firebird, and the Grey Wolf, 4 Fool, Holy, 4-37, 110 in Dostoevsky, 34-35 Mikola the Fool, 32 Nikolka in Boris Godunov, 33 Orthodox tradition in, 31-33 Petrova, Kseniia, 32 Shostakovich as, 229 Sinyavsky, Andrei, on, 29 Fool, secular, 4r-37 bauble of, 135 freedom and, 23, 33 Gorky’s story of Ivan the Fool, 216 Ivan the Fool, 19 Legend of How a Soldier Saved Peter the Great from Death, The, 20—22 in Life and Fate, 265 Little Humpbacked Horse, The, in, 26-29 Ostap Bender as, 248 opposed to clever fox, 6 Sinyavsky, Andrei, on, 29 in Soviet literature, 265
324 Index Fool, secular (cont.) in War and Peace, 35-36 in work of Anton Chekhov, 77 fox, 240 ballet Le Renard by Stravinsky, 231-235 gender roles, 5, 45, 230 in children’s literature, 6, 235-240, 242, 246, 260 in fables, 172 in folklore, 5, 230 opposite to the naive Fool, 6 Ostap Bender as, 248 Sinyavsky, Andrei, on, 231, 248 freedom and order as meta-theme, 6, 264 bandit tales and, 39-41, 47 Bulgakov and, 200-201 Chekhov on, 66-70, 79 Fools and rebellious heroes in, 17 Soviet children’s literature and, 171, 208-229 treatment by Tolstoy and Dostoevsky of, 19, 33-37, 41-43 Futurism, 100, 179, 224 Garafola, Lynn, 127, 129, 135, 138 Ge, Nikolai, 52, 56, 208 gender Anna Karenina, 45 Renard, Le, 230—235 Rite of Spring, 141—145 roles and relations, 45-46 Gippius, Zinaida, 79, 103, 111, 241 Godless, The (Bezbozhnik), 216 Gogol, Nikolai, 9, 38, 42 Evenings on a Farm Near Dikanka, 3 Petrushka in Dead Souls, 137, 145 Golovin, Aleksandr, 115, 130, 143, 162 Goncharov, Ivan, 4, 30, 55 Goncharova, Natalia, 99, 126, 141, 149-152, 157-158, 160-161, 164 Blue Magazine and, 149, 152 Gorky, Maxim, 153, 185 Bolsheviks and, 100, 187-189, 241 bom Alexei Peshkov, 101 Chekhov and, 101 eccentric dress, 159 Fir Tree, A Litde Book for Small Children, 216 neo-Realism and, 93, 101 New Life, 186 Peshkova, E. P., 240 Petrograd House of Arts, 218, 246 “Song of the Stormy Petrel,” 115 support for intelligentsia, 186 Untimely Thoughts, 187 Gorsky, Alexander, 131, 161 Gothic Chaliapin in demonic roles, 115 Chekhov parody of, 67 influence of European Pre-Raphaelites, 104 as rebellion against established
values, 101 Satirical magazines of 1905-1907 and, 110-112 Vrubel’s Demon and, 113-115 GPU, 189 Great Break, 167, 169, 194, 222, 236 Great Purge Trials, 174, 223, 240, 255-256, 258 Great Reforms, 13, 15-16, 19, 50-51 Great Terror, 167, 170, 174 Grossman, Vasily, 175, 265-266 Groys, Boris, 179 Gumilyov, Nikolay, 149, 153, 189-190 Hedgehog, The, 257 Hellish Post (Adskaia pochta), 118 Hemingway, Ernest, 170 hereditary estates (sosloviia), 14-17, 52, 94 Herzen, Alexander, 55 Hickey, Martha Weitzel, 188 Hippo (Begemot), 216 Hughes, Langston, 170 Huizinga, Johan, 4 Hunt, Priscilla, 33 Iazykov, Nikolai Mikhailovich, 24 icon Black Square and, 157 face-to-face visual language of, 59 lives of Holy Fools in, 32 lubok and conventions of, 16, 58-60, 93, 152 training of painters, 51 Ilf, Ilya, 207, 214 Golden Calf, The, 247 Twelve Chairs, The, 247 Imperial Mariinsky Theatre, 116, 131 intelligentsia, 7, 160 Alexei Tolstoy and Soviet, 243 definition of, 38, 54 early Bolshevik suspicion of, 190, 196 early Soviet poverty of, 186 from the people, 94, 112 obligations of, 7, 121-122 Wanderers and, 55 irony, 172, 208 definition of, 203-204
Index in children’s literature, 208, 216, 246 in early Soviet works, 204-208 reading for multiple meanings, 204, 206 Isdebsky-Pritchard, Aline, 114 Iurodivyi, 19, 229 Ivan the Terrible, 3, 32, 39-40, 162 Ivanov, Sergey A., 32 Ivin, I. S. See Kassirov, Ivan Jackson, David, 55 Jester (Shut), 28-29, 131, 135, 145, 251-252 Johnson, Steven, 147 Journal de St.-Pétersbourg, 137 journal, prerevolutionary thick Russian Thought, 82, 120 Scales, 111 The Contemporary, 25, 45 Kadet Party, 97-98, 121-123 Kaganovich, Lazar, 198, 199 Kandinsky, Wassily, 133, 147, 157, 178, 183 Kassirov, Ivan, 25 Katkov, Mikhail, 47 Kelly, Catriona, 136, 144, 175, 255 Kelly, Thomas Forrest, 138 Kennan, George, 90-91 Kennedy, Janet, 105 kenoticism, 31, 40 Kharms, Daniil, 10, 225 First, Second, 262 kindness to animals and humanistic values, 260-262 the terrorist group of Marshak and, 225 Khlebnikov, Velimir, 149-155, 161 Game in Hell, 149 Kirov, Sergei, 170, 221, 228, 258 Kiselev Reforms, 13 Kobets, Svitlana, 33 Kokorev, V. A., 52 Kolesnikova, L. E., 159 Konchalovskii, Petr Petrovich, 157 Korolenko, Vladimir, 73, 91 Koselleck, Reinhart, 117 Koshchei the Deathless, 25, 130-136 Kramskoy, Ivan, 52, 55-57, 89 Kruchenykh, Aleksei, 149-161 Krupskaya, Nadezhda, 178, 216, 222, 249 Krylov, Ivan A., 5-6, 172, 204, 226 Krylov, Ivan Zakharovich, 20-23 Krylov, Porfiry, 240 Kuleshov effect, the, 193-194 325 Kuleshov, Lev, 193 Kuprin, Aleksandr, 67, 101, 154 Lambroza, Shlomo, 99 Lancéray, Evgenii, 107, 118, 136 Landmarks (Vekhi), 122, 250 landscape, 17 in art of the Wanderers, 53-57, 67 Chekhov’s development of, 81
Tolstoy’s (Leo) development of, 87 Turgenev’s development of, 3 Larionov, Mikhail, 99, 126, 148, 151-155, 157, 161, 235 Blue Magazine and, 149 Lebedev, Vladimir, 10, 173, 206, 216, 225-227 Legend ofHow a Soldier Saved Peter the Great from Death, The, 19—21, 58 Leikin, N. A., 68-73 Lenin, Vladimir, 112, 168, 173, 178, 183, 185, 189, 185, 189 and Gorky, Maxim, 186-188 Lermontov, Mikhail, 2-3, 23, 38, 231 “Demon, The,” 79, 112, 115, 136 Liberation, 119 Likhachev, D. S., 22, 32 literacy. See also education and schooling impact on the reading public, 49-50, 94-95 Soviet, 204 Literary Critic, 199 Little Bee, The (Pchełka), 69 Little Flame (Ogonek), 148, 179, 251 Little Humpbacked Horse, The (ballet), 26 Little Humpbacked Horse or the Tsar Maiden, The, original staging, 28 restaged 1866, 131 restaged 1901, 131 revived 1895, 131, 161 Little Humpbacked Horse, The, 26-29 See also Ershov, Ballets Russes, Stravinsky, Diaghilev, Fokine Afanas’ev, A. F., illustrator, 29, 252 Glebova, T. N., illustrator, 254 Rosenfel’d, N., illustrator, 254 Samokish-Sudkovskaia, E. P., illustrator, 29 Vasnetsov, Iu., illustrator, 253 Zhukovsky, R. K. illustrator, 28 Lodder, Christina, 155, 179-180 London, Jack, 67, 170 Lotman, Yuri, 23
326 Index lubok, 50, 57, 95, 132, 157, 164, 178-179, 184, 193, 234-235 changing values of society reflected in, 59-61 conventions of the icon and, 58-59 influence on early Soviet visual art, 186,205 influence on the avant-garde, 149-152, 157, 179 Kassirov, Ivan, 25 literature of the, 29, 44, 73 representation of peasants in, 61-62 traditional popular print, 13, 58 Lunacharsky, Anatoly, 173, 178, 183-191 Bedny, Demyan and, 202 Commissariat of Enlightenment and, 183 Commission for the Protection of Art Objects and, 187 Gorky, Maxim, and, 187 Macaulay, Alastair, 129 Main Administration for Literary and Publishing Affairs (Glavlit), 189 Malevich, Kazimir, 10, 147, 155, 157, 168, 171, 179-180 Black Square, 155 Game in Hell, 150, 151 Modem Lubok, The, 179 Victory over the Sun, 156 Vitebsk People’s Art School, 181-183 Mallarmé, Stéphane, 157 Maily, Lynn, 183 Mamontov, Sawa, 104^105,113,128, 134,145 Mandelstam, Osip, 153, 178, 218, 228, 242 “For Cassandra,” 178 “Mountaineer” (“Gorets”), 218 threat by Alexei Tolstoy against, 242 “Tristia,” 178 Marshak, Samuil, 137, 224-229, 246 Ice-Cream, 225 Post Office, 227 Story about a Silly Little Mouse, 226 Story of an Unknown Hero, 225 Mashkov, Iľia Ivanovich, 157 Matiushin, Mikhail, 179 May Day, celebrations of, 181-186 Mayakovsky, Vladimir, 100, 153-156, 191, 205, 224-225 Bedbug, 191 dress of, 158-160 and lubok, 179 Tale of Fat Petya and Skinny Sima, The, 224, 225 Merezhkovsky, Dmitry, 62, 101-105, 111-121, 250 Meyerhold, Vsevolod, 191, 193, 228 Mikhalkov, Sergei, 221-222, 238, 246 Miliukov, P. N., 119-123 Mill, John Stuart, 44^48
Modernism, 93, 99, 102, 110 Monet, Claude, 156 Montjoief, 143—144 Moor, Dmitry, 163, 206 Moscow Imperial Bolshoi Theater, 131 Motherland {Rodina), 62 Mukhina, Vera, 184 Murray, Natalia, 186 Mussorgsky, Modest, 33, 55-56, 127-128, 145 national identity, 1, 44-55 humor magazines and, 115-118 icon and, 59, 105 illustrated magazines and, 63-64 lubok and, 204 Wanderers and, 16, 52-54 Nekrasov, N. A., 41, 55, 106 Neoprimitivism, 151 neo-Realism, 93, 99 New Economic Policy, 167-169, 189, 218, 225, 252 New Life, 186 Lenin’s opposition to, 187-188 New Satyricon {Novyi Satirikon), 160 Nicholas I, Tsar, 2, 13-14, 26, 226 Nicholas II, Tsar, 56-57, 93-99, 104-108, 111, 118, 160 Nietzsche, Friedrich, 103, 111-114 Nijinska, Bronislava, 235 Nijinsky, Vaslav, 138-139, 144 NKVD, 196, 241 nomenklatura, 190, 199, 241 as public for the arts, 191 Northern Herald, 103 OBERIU, 223 October Manifesto, 97-98, 107 Octobrists, 97 Oddball {Chudák), 216 Oddballs {Chudaki), 224 Olsufeva, A., 171 opera Boris Godunov, 33,127-128,134, 145,162 Demon, The, 115, 163 Koshchei the Deathless, 135 Lady Macbeth of the Mtsensk District, The, 228 Prince Igor, 129, 140 Ruslan and Liudmila, 3,135 Victory over the Sun, 150, 156 Orthodox Church, 17, 19, 31-32, 95, 164
Index Orwin, Donna Tussing, 46 Ostap Bender, 207, 214, 247-248 Panchenko, A. M., 32 Panfilov, A. Iu., 173 Pasternak, Boris, 1, 5, 153, 168, 222 Pasternak, Leonid, 86, 162 Pastukhov, N. I., 68-75, 214 patriarchy, 39, 45, 65, 95, 142 Peredvizhnik։. See Wanderers, the Perov, Vasily, 52, 55 Arrival of the Rural Police Inspector՝, The, 52 Last Journey, 52 Pugachev Judges, 41 Village Religious Procession at Easter, The, 52 Tsarevich Ivan Riding the Grey Wolf, 133 Peter I, Tsar Diaghilev’s portrait exhibit of 1905, 106 Legend of How a Soldier Saved Peter the Great from Death, 20-22 Peter I Interrogating Tsarevich Alexei Petrovich in Peterhof, 208 portrayal in lubok, 58 satire in The Whistle 1906, 107 table of ranks, 51 Vasily Surikov, 90 Petrograd House of Arts, 188, 218 Petrov, Evgeny, 10, 207 Golden Calf, The, 247 Twelve Chairs, The, 247 Petrov-Vodkin, Kuzma, 185, 236 Petrushka ballet, 125, 135-137, 140, 143-145 in Dead Souls, 137 Nijinsky in costume as, 139 puppet, 137 puppet theater, 136 Pevear, Richard, 262 photograph cabinet cards, 161 culture of celebrity and, 153 new technology of, 95-100 news, 107 Rodchenko, Alexander, 170 postcards, 148 Picasso, Pablo, 180, 234 Pinkerton, Nat detective fiction, 154, 178 Platonov, Andrei, 10, 168, 256 Chevengur, 198 folktales, 197 Foundation Pit, The, 198 Fourteen Little Red Huts, 198 327 Happy Moscow, 198 “Immortality,” 198 “Locks of Epifan, The,” 197 Magic Ring, The, 256 Platt, Kevin M., 241 play and jest as cultural medium, 4, 67, 100, 147-148 link to humor, 6, 9, 22, 35, 73, 147, 173 pogroms, 98-99, 152, 195 Polenova, Elena, 104,
134—135 Political Department ofthe Army (PUR), 178 Popova, Lidiia V., 10, 171 Popova, Liubov, 141 popular press, 1, 148 postcard, 1, 100, 106-107, 134, 148, 161-163, 179 poster, 1, 141, 163, 168, 173, 178-180, 182-187, 194, 205-206, 225-226 pretender, 23, 33, 127—128 professionalization of the arts, 16-17, 33, 50 Wanderers and, 55-57 Prokofiev, Sergei, 1, 178, 231, 254-256 Peter and the Wolf, 254 Proletarian Writers Association, 191 Proletkult, 183, 185, 193 Pugachev uprising, 33 Pugachev, Emelian, 39, 41 Pugni, Cesare, 28, 131 Pullman, Philip, 171-172 Pushkin, Alexander, 2, 26, 33, 38, 42, 85, 112, 128, 135, 145, 174, 179, 228, 253 Captain’s Daughter, The, 33 Pyman, Avril, 104 Quenot, Michel, 59 Radiov, Nikolai, 207-208, 223, 236, 246-247, 260 Rainbow (publisher), 171, 218, 224, 235 Rasputin, Grigory, 98, 111, 160 Razin, Stepan (Sten’ka), 39, 74, 185 reading public, 25, 32, 49, 73, 112, 189, 204 Ready, Oliver, 5 Realism, 35, 62, 67, 75, 93, 101-104, 129, 146 rebellion, 39-41 avant-garde and artistic, 151 Bandit Churkin and, 68 demon as emblem of artistic, 115 forest as redoubt of, 134 in Dostoevsky and Tolstoy, 42-43 in Seagull, The, 78 Satirical journals and use of the demonic, 110
328 Index Red Cross Society of the Saint Eugenia, 106-115, 142, 151 Red Pepper (Krasny։ perets), 173, 216 RE-MI (N. Remizov), 210-211, 213-216 Remizov, Alexey, 141 Repin, Ilya, 52, 55, 113, 148, 216 Alexander III Receives Peasant Elders in the Courtyard of the Petrovskiі Palace in Moscow, 90 Barge Haulers on the Volga, 52-53, 77 Calvary, 56 Christ, 56 Formal Session of the State Council, 106 Gogol Burning the Manuscript of the Second Part of Dead Souls, 113 Job and His Friends, 56 Mephistopheles, 113 Religious Procession in Kursk Province, 52 Reply of the Zaporozhian Cossacks, 52 Speech, 123 Cry of the Prophet Jeremiah on the Ruins of Jerusalem, The, 56 Revolution of 1905, 9, 79, 101, 136, 189 Rimsky-Korsakov, Nikolay, 128-129, 145 Boris Godunov, 128 Koshchei the Deathless, 135 Legend of the Invisible City of Kitezh, The, 141 Maiden of Pskov, The, 140 Polovtsian Dances, 135 Scheherazade, 130 Rishar, 29 Rivière, Jacques, 143 Rodchenko, Alexander, 10, 168, 170, 180 Roerich, Nicholas, 138-146, 155 Rosenthal, Bernice Glatzer, 103, 111 ROSTA Windows, 205, 226 Rovinskii, D. A., 24 Rozanov, V. V., 23, 107, 177, 186, 201 Rozanova, Olga, 141, 150 Rubinstein, Anton, 115, 163 Russian Art Nouveau, 104 Russian Herald, The (Russkii vestnik), 46-47 Russian Museum, 57 Russian Riches, 119 Russian Word, 121 Russo-Japanese War, 96, 102, 105, 107, 119, 148 Saint-Léon, Arthur, 28, 131 Saison Russe, 129 Saltykov-Shchedrin, Mikhail, 55 Satyricon (Satirikon), 116, 160, 210, 226 Scheijen, Sjeng, 126 Scythe (Kosa), 118 Seifnd, Thomas, 197 Senelick, Laurence, 78 serialization, 46-47, 70-72, 87, 209
Serov, Valentin A., 97, 106, 113, 143, 162 1905, After the Pacification, 118 Severianin, Igor, 155 Shaginian, Marietta, 194 Sharp, Jane, 161 Shattuck, Roger, 157 Sheinberg, Esti, 203-204, 229 Shishkin, Ivan, 52, 55 Morning in a Pine Forest, 54 Shklovsky, Viktor, 45, 178 Shmitanovskii, V. Ia., 40 Shostakovich, Dmitri, 5, 203, 235, 255 Story about a Silly Little Mouse, A, 227-229 Signal (Signal), 109, 172 Signaե (Signály), 109 Sinclair, Upton, 170 Sinyavsky, Andrei, 29, 231, 248 Slavophile, 24, 57, 100, 120 Slezkine, Yuri, 190, 199 Socialist Realism, 10, 29, 112, 167-169, 175-176, 191, 249, 256 Socialist Revolutionary Party, 97 societal obligations of art and artists civic engagement, 80-82, 99 as meta-theme, 7 under Socialist Realism, 169, 176 as viewed by Ballets Russes, 146 as viewed by Chekhov, 103 as viewed by Modernists, 100, 102-104, 136 as viewed by the Wanderers, 53 Sologub, Fyodor, 79, 103 Petty Demon, The, 104 Spark, The (Iskra), 36, 57 Sparks (Iskry), 156-159 Splinters (Oskolki), 68-72 St. Petersburg Academy of Arts, 51, 105, 139, 185, 236, 251 Stalin, Joseph Bulgakov and, 199 Eisenstein and, 194 Grossman and, 266 Mandelstam and, 218 Marshak and, 225 Meyerhold and, 191 Monster Cockroach, The, and, 218 Platonov and, 197 Tolstoy, Alexei, and, 241 Stasov, Vladimir, 52-53, 55
Index Steinberg, Mark, 98 Steiner, Evgeny, 171 Stepanova, Varvara, 141, 180 Stolypin, P. A., 98-99, 121 Storm (Buria), 118 Stravinsky, Igor, 1, 6, 125-146, 151, 230-231 Ballets Russes, 125-146 Renard, Le, 231-235 Stray Dog Cabaret, 154, 160 Strugatsky, Arkady, 204 Strugatsky, Boris, 204 Struve, P. B., 119-122 success stories, 44, 164 superfluous men, 44 Suprematism, 179-182, 206, 263 Surikov, V. I., 90 Boiarynia Morozova, 90 Morning of the Execution of the Streltsy, The, 90 Suvorov Crossing the Alps in September 1799, 86 Suvorin, Aleksei, 55, 75, 81-82, 91, 104 Symbolism, 93, 102, 111, 149, 153 Sytin, I. D., 58, 89, 94, 252-253 Taruskin, Richard, 127, 130, 143-144, 234 Tätiin, Vladimir, 10, 147, 149, 152, 168, 173, 179-181, 183-184, 225, 262 children’s literature, 10 First, Second, 262 Fishmonger, 152 inspiration for Constructivism, 180 Sailor, 149 support for revolution on aesthetic grounds, 179 Tower (Monument to the Third International), 173, 184 work for Lunacharsky, 183 Taylor, Charles, 111 Teffi (Nadezhda Aleksandrovna Lokhvitskaia), 160-161, 178 Tenisheva, Princess Maria, 105, 113,139, 145 Timens, M., 236 Todd, William Mills, 70 Tolstoy, Alexei, 6, 10, 208, 231, 240-246 Aelita, 240 Bread, 241 “Count Cagliostro,” 240 Little Golden Key or the Adventures of Buratino, The, 243 Nikita’s Childhood, 240 Peter the First, 240 Stalin’s favorite, 240 threat against Mandelstam, 242 329 Tolstoy, Leo Anna Karenina, 33, 40-48 Confession, A, 89 Fairytale of Ivan the Fool, The, 36 Hadji Murat, 88 lasnaia Poliana, 89 Intermediary, The (publishing house), 36, 88-90 Master and Man, 89
New ABC and Russian Books for Reading, 172, 226 Resurrection, 62, 80-92 Sevastopol Tales, 109 War and Peace, 19, 33-36, 251 What I Believe, 89 What Is Art, 88 Tolstoy, Vladimir, 185 Tretyakov Gallery, 52, 208 Tretyakov, Pavel Mikhailovich, 52, 55-56, 252 Trotsky, Leon, 168, 186, 190, 194-195, 201, 218-219 Tsarevich Ivan, the Firebird, and the Grey Wolf, 25, 130, 133-134, 249 Tsekhanovskii, M. M., 227-229 Tsvetaeva, Marina, 10, 153, 168, 178, 243-244 Turgenev, Ivan, 17, 33, 42, 44, 55, 73, 103, 175 Fathers and Children, 57 influence on the Wanderers, 54 “Khor’ and Kalinich,” 53-54 “Mumu,” 250 Sketches from a Hunter’s Album, 3, 53 Turks, 40, 47 Udaltsova, Nadezhda, 141, 184 Universal Illustration ( Vsemimaia illiustratsiia), 63-64, 90 urbanization, 16, 19, 65, 93, 264 Uspensky, B. A., 23 Uspensky, E. N., 216 Valéry, Paul, 102 Valkenier, Elizabeth, 54 Vasnetsov, Iurii, 223, 236, 238, 253 Vasnetsov, Viktor, 25-27, 133-134, 252 Velikanova, Olga, 169, 175 Verbitskaia, Anastasiia, 96-100, 160, 178 Voinovich, Vladimir, 265 Volkov, A. M., 246-247
330 Index Volkov, Solomon, 190 Voronsky, Aleksandr, 196 Vrubel, Mikhail, 113-116, 126, 145 Fallen Demon, The, 113-114 Seated Demon, 79 Wanderers, the, 16, 25, 28, 51-52, 90, 105, 131, 133, 139, 149, 158, 208, 251-252 acceptance of, 52, 57 Chekhov and, 66 origin of, 51-52 portraits by, 55-56 portrayal of common people, 52-54, 62,64 portrayal of nature, 54 Tolstoy, Leo, and, 88 Turgenev and, 53 Wandering Minstrel (Skomorokh՛), 111 War Communism, 167, 177, 189 Wells, H. G„ 170 Whistle, The (Gudok), 107-117 White Sea-Baltic Canal, The, 170, 241 Wolfe, Bertram, 188 World ofAn, 105-118, 134, 139, 145, 182, 217, 224 World War II, 167, 175, 221, 241, 260, 265-266 Wortman, Richard, 23, 90 Yakunchikova, Maria V., 104 Yakushkin, P. I., 32 Zamiatin, Yevgeny, 10, 23, 168 Zhukovsky, R. K., 28 Zhukovsky, V. A., 25, 135 Zinoviev, Grigory, 189-190 Zoshchenko, Mikhail, 168, 191-195, 207-209 Before Sunrise, 195 “Devil,” 191 Meny Projects, 207 Michel Siniagin, 195 Sentimental Tales, 192 skaz, use of, 193 “What the Nightingale Sang,” 192 Bayerische Staatsbibliothek München
|
| any_adam_object | 1 |
| author | Brooks, Jeffrey 1942- |
| author_GND | (DE-588)1089850174 |
| author_facet | Brooks, Jeffrey 1942- |
| author_role | aut |
| author_sort | Brooks, Jeffrey 1942- |
| author_variant | j b jb |
| building | Verbundindex |
| bvnumber | BV046289779 |
| classification_rvk | KI 1020 KK 1020 |
| contents | Introduction: An age of genius -- Freedom and the fool -- Desire and rebellion -- Artists and subjects -- Anton Chekhov in his time -- The writer as civic actor -- After realism : art and authority -- The performing arts : Diaghilev's Ballets Russes -- Celebrity, humor, and the avant-garde -- A new normal -- Irony and power -- An era of the fox -- Goodness endures |
| ctrlnum | (OCoLC)1135393627 (DE-599)BVBBV046289779 |
| discipline | Slavistik |
| era | Geschichte 1850-1950 gnd |
| era_facet | Geschichte 1850-1950 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04346nam a22007098c 4500</leader><controlfield tag="001">BV046289779</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221216 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">191205s2019 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108484466</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-108-48446-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108735872</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-108-73587-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1108735878</subfield><subfield code="9">1108735878</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1135393627</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046289779</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-521</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KI 1020</subfield><subfield code="0">(DE-625)76762:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KK 1020</subfield><subfield code="0">(DE-625)77240:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brooks, Jeffrey</subfield><subfield code="d">1942-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1089850174</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The firebird and the fox</subfield><subfield code="b">Russian culture under Tsars and Bolsheviks</subfield><subfield code="c">Jeffrey Brooks, Johns Hopkins University</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvii, 330 Seiten, 16 ungezählte Seiten Bildtafeln</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction: An age of genius -- Freedom and the fool -- Desire and rebellion -- Artists and subjects -- Anton Chekhov in his time -- The writer as civic actor -- After realism : art and authority -- The performing arts : Diaghilev's Ballets Russes -- Celebrity, humor, and the avant-garde -- A new normal -- Irony and power -- An era of the fox -- Goodness endures</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Showcasing the genius of Russian literature, art, music, and dance over a century of turmoil, within the dynamic cultural ecosystem that shaped it, The Firebird and the Fox explores the shared traditions, mutual influences and enduring themes that recur in these art forms. 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| geographic | Russland (DE-588)4076899-5 gnd Sowjetunion (DE-588)4077548-3 gnd |
| geographic_facet | Russland Sowjetunion |
| id | DE-604.BV046289779 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:40:42Z |
| institution | BVB |
| isbn | 9781108484466 9781108735872 1108735878 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031667271 |
| oclc_num | 1135393627 |
| open_access_boolean | |
| owner | DE-12 DE-355 DE-BY-UBR DE-29 DE-11 DE-521 |
| owner_facet | DE-12 DE-355 DE-BY-UBR DE-29 DE-11 DE-521 |
| physical | xvii, 330 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen |
| psigel | BSB_NED_20200113 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Brooks, Jeffrey 1942- Verfasser (DE-588)1089850174 aut The firebird and the fox Russian culture under Tsars and Bolsheviks Jeffrey Brooks, Johns Hopkins University Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2019 xvii, 330 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen txt rdacontent n rdamedia nc rdacarrier Introduction: An age of genius -- Freedom and the fool -- Desire and rebellion -- Artists and subjects -- Anton Chekhov in his time -- The writer as civic actor -- After realism : art and authority -- The performing arts : Diaghilev's Ballets Russes -- Celebrity, humor, and the avant-garde -- A new normal -- Irony and power -- An era of the fox -- Goodness endures "Showcasing the genius of Russian literature, art, music, and dance over a century of turmoil, within the dynamic cultural ecosystem that shaped it, The Firebird and the Fox explores the shared traditions, mutual influences and enduring themes that recur in these art forms. The book uses two emblematic characters from Russian culture -- the firebird, symbol of the transcendent power of art in defiance of circumstance and the efforts of censors to contain creativity; and the fox, usually female and representing wit, cleverness and the agency of artists and everyone who triumphs over adversity -- to explore how Russian cultural life changed between 1850 and 1950. Jeffrey Brooks reveals how high culture drew on folk and popular genres, then in turn influenced an expanding commercial culture. Richly illustrated, The Firebird and the Fox assuredly and imaginatively navigates the complex terrain of this eventful century"-- Geschichte 1850-1950 gnd rswk-swf Kulturleben (DE-588)4126540-3 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Arts / Russia Arts / Soviet Union Russia / Intellectual life / 1801-1917 Soviet Union / Intellectual life / 1917-1970 Arts Intellectual life Russia (Federation) Soviet Union 1801-1970 Russland (DE-588)4076899-5 g Sowjetunion (DE-588)4077548-3 g Kultur (DE-588)4125698-0 s Kulturleben (DE-588)4126540-3 s Geschichte 1850-1950 z DE-604 Erscheint auch als Online-Ausgabe 978-1-108-69589-3 (DE-604)BV046262656 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031667271&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031667271&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Brooks, Jeffrey 1942- The firebird and the fox Russian culture under Tsars and Bolsheviks Introduction: An age of genius -- Freedom and the fool -- Desire and rebellion -- Artists and subjects -- Anton Chekhov in his time -- The writer as civic actor -- After realism : art and authority -- The performing arts : Diaghilev's Ballets Russes -- Celebrity, humor, and the avant-garde -- A new normal -- Irony and power -- An era of the fox -- Goodness endures Kulturleben (DE-588)4126540-3 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4126540-3 (DE-588)4125698-0 (DE-588)4076899-5 (DE-588)4077548-3 |
| title | The firebird and the fox Russian culture under Tsars and Bolsheviks |
| title_auth | The firebird and the fox Russian culture under Tsars and Bolsheviks |
| title_exact_search | The firebird and the fox Russian culture under Tsars and Bolsheviks |
| title_full | The firebird and the fox Russian culture under Tsars and Bolsheviks Jeffrey Brooks, Johns Hopkins University |
| title_fullStr | The firebird and the fox Russian culture under Tsars and Bolsheviks Jeffrey Brooks, Johns Hopkins University |
| title_full_unstemmed | The firebird and the fox Russian culture under Tsars and Bolsheviks Jeffrey Brooks, Johns Hopkins University |
| title_short | The firebird and the fox |
| title_sort | the firebird and the fox russian culture under tsars and bolsheviks |
| title_sub | Russian culture under Tsars and Bolsheviks |
| topic | Kulturleben (DE-588)4126540-3 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Kulturleben Kultur Russland Sowjetunion |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031667271&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031667271&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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