Role-playing in Shakespeare:
The idea that the world is a theatre in which each individual human being plays out the part assigned to him by God, who is both the playwright and the producer of the drama of life, was one of the great commonplaces of the Renaissance and one to which Shakespeare alluded frequently. Shakespeare...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Toronto
University of Toronto Press
[2019]
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| Schriftenreihe: | Heritage
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| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
| Zusammenfassung: | The idea that the world is a theatre in which each individual human being plays out the part assigned to him by God, who is both the playwright and the producer of the drama of life, was one of the great commonplaces of the Renaissance and one to which Shakespeare alluded frequently. Shakespeare's plays, however, transformed this familiar notion from a cliché to a fertile source of invention. In the past two decades, and especially since the publication of Anne Righter's Shakespeare and the Idea of the Play in 1962, the idea has received considerable critical attention. This new work supplements and extends recent studies by examining in detail the function of the histrionic metaphors, both verbal and other, in Shakespeare's plays. In Role-playing in Shakespeare, Professor Van Laan argues that the theatrical allusions, disguises, impersonations, and conscious or unconscious self-misrepresentations which abound in these plays exemplify a basic concern with role-playing that substantially affects characterization, action, structure, and theme. Surveying the evidence contained in the plays themselves, he defines the term 'role' and proceeds to explore some important general aspects of the topic, including the conception of identity implicit in Shakespearian characterization, the relation of role-playing into dramatic structure, and the recurring theme of the discrepancy between the actor and his part. He then describes the patterns that the role-playing materials assume in the various dramatic genres, comedy, history, and tragedy. The final chapter is a study of one of the primary sources of action in Shakespeare, the internal dramatist. The wide scope of this enquiry, taking in all of Shakespeare's plays, and the thoroughness with which Van Laan has pursued his argument provide a coherent and illuminating perspective on two of the most intriguing qualities of Shakespeare's work as a whole: the sense of continuity and the sense of an underlying unity within such great variety |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019) |
| Beschreibung: | 1 online resource (280 pages) |
| ISBN: | 9781487575069 |
| DOI: | 10.3138/9781487575069 |
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| 520 | |a In Role-playing in Shakespeare, Professor Van Laan argues that the theatrical allusions, disguises, impersonations, and conscious or unconscious self-misrepresentations which abound in these plays exemplify a basic concern with role-playing that substantially affects characterization, action, structure, and theme. Surveying the evidence contained in the plays themselves, he defines the term 'role' and proceeds to explore some important general aspects of the topic, including the conception of identity implicit in Shakespearian characterization, the relation of role-playing into dramatic structure, and the recurring theme of the discrepancy between the actor and his part. He then describes the patterns that the role-playing materials assume in the various dramatic genres, comedy, history, and tragedy. The final chapter is a study of one of the primary sources of action in Shakespeare, the internal dramatist. | ||
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| discipline | Anglistik / Amerikanistik |
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| spelling | Van Laan, Thomas F. aut Role-playing in Shakespeare Thomas F. Van Laan Toronto University of Toronto Press [2019] © 1978 1 online resource (280 pages) txt rdacontent c rdamedia cr rdacarrier Heritage Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019) The idea that the world is a theatre in which each individual human being plays out the part assigned to him by God, who is both the playwright and the producer of the drama of life, was one of the great commonplaces of the Renaissance and one to which Shakespeare alluded frequently. Shakespeare's plays, however, transformed this familiar notion from a cliché to a fertile source of invention. In the past two decades, and especially since the publication of Anne Righter's Shakespeare and the Idea of the Play in 1962, the idea has received considerable critical attention. This new work supplements and extends recent studies by examining in detail the function of the histrionic metaphors, both verbal and other, in Shakespeare's plays. In Role-playing in Shakespeare, Professor Van Laan argues that the theatrical allusions, disguises, impersonations, and conscious or unconscious self-misrepresentations which abound in these plays exemplify a basic concern with role-playing that substantially affects characterization, action, structure, and theme. Surveying the evidence contained in the plays themselves, he defines the term 'role' and proceeds to explore some important general aspects of the topic, including the conception of identity implicit in Shakespearian characterization, the relation of role-playing into dramatic structure, and the recurring theme of the discrepancy between the actor and his part. He then describes the patterns that the role-playing materials assume in the various dramatic genres, comedy, history, and tragedy. The final chapter is a study of one of the primary sources of action in Shakespeare, the internal dramatist. The wide scope of this enquiry, taking in all of Shakespeare's plays, and the thoroughness with which Van Laan has pursued his argument provide a coherent and illuminating perspective on two of the most intriguing qualities of Shakespeare's work as a whole: the sense of continuity and the sense of an underlying unity within such great variety In English Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf LITERARY CRITICISM / Shakespeare bisacsh Role playing in literature Welttheater (DE-588)4189613-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Rollenspiel (DE-588)4050453-0 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Rollenspiel (DE-588)4050453-0 s 1\p DE-604 Welttheater (DE-588)4189613-0 s 2\p DE-604 https://doi.org/10.3138/9781487575069 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Van Laan, Thomas F. Role-playing in Shakespeare Shakespeare, William 1564-1616 (DE-588)118613723 gnd LITERARY CRITICISM / Shakespeare bisacsh Role playing in literature Welttheater (DE-588)4189613-0 gnd Drama (DE-588)4012899-4 gnd Rollenspiel (DE-588)4050453-0 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4189613-0 (DE-588)4012899-4 (DE-588)4050453-0 |
| title | Role-playing in Shakespeare |
| title_auth | Role-playing in Shakespeare |
| title_exact_search | Role-playing in Shakespeare |
| title_full | Role-playing in Shakespeare Thomas F. Van Laan |
| title_fullStr | Role-playing in Shakespeare Thomas F. Van Laan |
| title_full_unstemmed | Role-playing in Shakespeare Thomas F. Van Laan |
| title_short | Role-playing in Shakespeare |
| title_sort | role playing in shakespeare |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd LITERARY CRITICISM / Shakespeare bisacsh Role playing in literature Welttheater (DE-588)4189613-0 gnd Drama (DE-588)4012899-4 gnd Rollenspiel (DE-588)4050453-0 gnd |
| topic_facet | Shakespeare, William 1564-1616 LITERARY CRITICISM / Shakespeare Role playing in literature Welttheater Drama Rollenspiel |
| url | https://doi.org/10.3138/9781487575069 |
| work_keys_str_mv | AT vanlaanthomasf roleplayinginshakespeare |