Staging Reform, Reforming the Stage: Protestantism and Popular Theater in Early Modern England
Huston Diehl sees Elizabethan and Jacobean drama as both a product of the Protestant Reformation-a reformed drama-and a producer of Protestant habits of thought-a reforming drama. According to Diehl, the popular London theater, which flourished in the years after Elizabeth reestablished Protestantis...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Ithaca, NY
Cornell University Press
[2019]
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| Online-Zugang: | DE-1046 DE-859 DE-860 DE-739 DE-473 DE-1043 DE-858 Volltext |
| Zusammenfassung: | Huston Diehl sees Elizabethan and Jacobean drama as both a product of the Protestant Reformation-a reformed drama-and a producer of Protestant habits of thought-a reforming drama. According to Diehl, the popular London theater, which flourished in the years after Elizabeth reestablished Protestantism in England, rehearsed the religious crises that disrupted, divided, energized, and in many respects revolutionized English society. Drawing on the insights of symbolic anthropologists, Diehl explores the relationship between the suppression of late medieval religious cultures, with their rituals, symbols, plays, processions, and devotional practices, and the emergence of a popular theater under the Protestant monarchs Elizabeth and James. Questioning long-held assumptions that the reformed religion was inherently antitheatrical, she shows how the reformers invented new forms of theater, even as they condemned a Roman Catholic theatricality they associated with magic, sensuality, and duplicity. Using as her central texts the tragedies of Thomas Kyd, Christopher Marlowe, William Shakespeare, Thomas Middleton, and John Webster, Diehl maintains that plays of the period reflexively explore their own power to dazzle, seduce, and deceive. Employing a reformed rhetoric that is both powerful and profoundly disturbing, they disrupt their own stunning spectacles. Out of this creative tension between theatricality and antitheatricality emerges a distinctly Protestant aesthetic |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019) |
| Beschreibung: | 1 online resource (256 pages) 16 halftones |
| ISBN: | 9781501734083 |
| DOI: | 10.7591/9781501734083 |
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| spelling | Diehl, Huston aut Staging Reform, Reforming the Stage Protestantism and Popular Theater in Early Modern England Huston Diehl Ithaca, NY Cornell University Press [2019] © 1997 1 online resource (256 pages) 16 halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019) Huston Diehl sees Elizabethan and Jacobean drama as both a product of the Protestant Reformation-a reformed drama-and a producer of Protestant habits of thought-a reforming drama. According to Diehl, the popular London theater, which flourished in the years after Elizabeth reestablished Protestantism in England, rehearsed the religious crises that disrupted, divided, energized, and in many respects revolutionized English society. Drawing on the insights of symbolic anthropologists, Diehl explores the relationship between the suppression of late medieval religious cultures, with their rituals, symbols, plays, processions, and devotional practices, and the emergence of a popular theater under the Protestant monarchs Elizabeth and James. Questioning long-held assumptions that the reformed religion was inherently antitheatrical, she shows how the reformers invented new forms of theater, even as they condemned a Roman Catholic theatricality they associated with magic, sensuality, and duplicity. Using as her central texts the tragedies of Thomas Kyd, Christopher Marlowe, William Shakespeare, Thomas Middleton, and John Webster, Diehl maintains that plays of the period reflexively explore their own power to dazzle, seduce, and deceive. Employing a reformed rhetoric that is both powerful and profoundly disturbing, they disrupt their own stunning spectacles. Out of this creative tension between theatricality and antitheatricality emerges a distinctly Protestant aesthetic In English Medieval & Renaissance Studies Performing Arts & Drama DRAMA / Medieval bisacsh Emblem (DE-588)4014553-0 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf 1\p (DE-588)4188171-0 Verzeichnis gnd-content England (DE-588)4014770-8 g Emblem (DE-588)4014553-0 s 2\p DE-604 https://doi.org/10.7591/9781501734083 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Diehl, Huston Staging Reform, Reforming the Stage Protestantism and Popular Theater in Early Modern England Medieval & Renaissance Studies Performing Arts & Drama DRAMA / Medieval bisacsh Emblem (DE-588)4014553-0 gnd |
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| title | Staging Reform, Reforming the Stage Protestantism and Popular Theater in Early Modern England |
| title_auth | Staging Reform, Reforming the Stage Protestantism and Popular Theater in Early Modern England |
| title_exact_search | Staging Reform, Reforming the Stage Protestantism and Popular Theater in Early Modern England |
| title_full | Staging Reform, Reforming the Stage Protestantism and Popular Theater in Early Modern England Huston Diehl |
| title_fullStr | Staging Reform, Reforming the Stage Protestantism and Popular Theater in Early Modern England Huston Diehl |
| title_full_unstemmed | Staging Reform, Reforming the Stage Protestantism and Popular Theater in Early Modern England Huston Diehl |
| title_short | Staging Reform, Reforming the Stage |
| title_sort | staging reform reforming the stage protestantism and popular theater in early modern england |
| title_sub | Protestantism and Popular Theater in Early Modern England |
| topic | Medieval & Renaissance Studies Performing Arts & Drama DRAMA / Medieval bisacsh Emblem (DE-588)4014553-0 gnd |
| topic_facet | Medieval & Renaissance Studies Performing Arts & Drama DRAMA / Medieval Emblem England Verzeichnis |
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