Classical Polyphony:

The name of P. Samuel Rubio is known to students of Renaissance polyphony for his scholarly articles in learned periodicals, his editorship of different collections of sacred polyphony, and through his edition of the motets of Victory -- Tomás Luis de Victoria, Motetes, Vols. 1-4 (union Musical Espa...

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Bibliographic Details
Main Author: Rubio, P. Samuel (Author)
Format: Electronic eBook
Language:English
Published: Toronto University of Toronto Press [2019]
Series:Heritage
Subjects:
Online Access:DE-1046
DE-859
DE-860
DE-739
DE-473
DE-1043
DE-858
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Summary:The name of P. Samuel Rubio is known to students of Renaissance polyphony for his scholarly articles in learned periodicals, his editorship of different collections of sacred polyphony, and through his edition of the motets of Victory -- Tomás Luis de Victoria, Motetes, Vols. 1-4 (union Musical Española, Madrid -- 1964). Text books -- in English -- on the subject of sixteenth-century counterpoint are numerous and excellent; but none discusses the classical polyphonic style with quite the understanding affection that Father Rubio brings to this task. His treatment of notation, time-signatures, the modes, chromatic alteration, is supported by opposite "ation from sixteenth-century authorities and his discussion of form and texture are based on a knowledge derived from wide experience in performance as well as close analytical study
Item Description:Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
Physical Description:1 online resource (212 pages)
ISBN:9781487579395
DOI:10.3138/9781487579395

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