Classical Polyphony:
The name of P. Samuel Rubio is known to students of Renaissance polyphony for his scholarly articles in learned periodicals, his editorship of different collections of sacred polyphony, and through his edition of the motets of Victory -- Tomás Luis de Victoria, Motetes, Vols. 1-4 (union Musical Espa...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2019]
|
| Schriftenreihe: | Heritage
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-859 DE-860 DE-739 DE-473 DE-1043 DE-858 Volltext |
| Zusammenfassung: | The name of P. Samuel Rubio is known to students of Renaissance polyphony for his scholarly articles in learned periodicals, his editorship of different collections of sacred polyphony, and through his edition of the motets of Victory -- Tomás Luis de Victoria, Motetes, Vols. 1-4 (union Musical Española, Madrid -- 1964). Text books -- in English -- on the subject of sixteenth-century counterpoint are numerous and excellent; but none discusses the classical polyphonic style with quite the understanding affection that Father Rubio brings to this task. His treatment of notation, time-signatures, the modes, chromatic alteration, is supported by opposite "ation from sixteenth-century authorities and his discussion of form and texture are based on a knowledge derived from wide experience in performance as well as close analytical study |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019) |
| Beschreibung: | 1 online resource (212 pages) |
| ISBN: | 9781487579395 |
| DOI: | 10.3138/9781487579395 |
Internformat
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| 520 | |a The name of P. Samuel Rubio is known to students of Renaissance polyphony for his scholarly articles in learned periodicals, his editorship of different collections of sacred polyphony, and through his edition of the motets of Victory -- Tomás Luis de Victoria, Motetes, Vols. 1-4 (union Musical Española, Madrid -- 1964). Text books -- in English -- on the subject of sixteenth-century counterpoint are numerous and excellent; but none discusses the classical polyphonic style with quite the understanding affection that Father Rubio brings to this task. His treatment of notation, time-signatures, the modes, chromatic alteration, is supported by opposite "ation from sixteenth-century authorities and his discussion of form and texture are based on a knowledge derived from wide experience in performance as well as close analytical study | ||
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Datensatz im Suchindex
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| author | Rubio, P. Samuel |
| author_facet | Rubio, P. Samuel |
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| dewey-full | 781.42 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.42 |
| dewey-search | 781.42 |
| dewey-sort | 3781.42 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.3138/9781487579395 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2025-02-19T17:27:25Z |
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| isbn | 9781487579395 |
| language | English |
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| spelling | Rubio, P. Samuel aut Classical Polyphony P. Samuel Rubio Toronto University of Toronto Press [2019] © 1972 1 online resource (212 pages) txt rdacontent c rdamedia cr rdacarrier Heritage Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019) The name of P. Samuel Rubio is known to students of Renaissance polyphony for his scholarly articles in learned periodicals, his editorship of different collections of sacred polyphony, and through his edition of the motets of Victory -- Tomás Luis de Victoria, Motetes, Vols. 1-4 (union Musical Española, Madrid -- 1964). Text books -- in English -- on the subject of sixteenth-century counterpoint are numerous and excellent; but none discusses the classical polyphonic style with quite the understanding affection that Father Rubio brings to this task. His treatment of notation, time-signatures, the modes, chromatic alteration, is supported by opposite "ation from sixteenth-century authorities and his discussion of form and texture are based on a knowledge derived from wide experience in performance as well as close analytical study In English MUSIC / Instruction & Study / Theory bisacsh Mensural notation Music theory History 500-1400 Rive, Thomas Sonstige oth https://doi.org/10.3138/9781487579395 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rubio, P. Samuel Classical Polyphony MUSIC / Instruction & Study / Theory bisacsh Mensural notation Music theory History 500-1400 |
| title | Classical Polyphony |
| title_auth | Classical Polyphony |
| title_exact_search | Classical Polyphony |
| title_full | Classical Polyphony P. Samuel Rubio |
| title_fullStr | Classical Polyphony P. Samuel Rubio |
| title_full_unstemmed | Classical Polyphony P. Samuel Rubio |
| title_short | Classical Polyphony |
| title_sort | classical polyphony |
| topic | MUSIC / Instruction & Study / Theory bisacsh Mensural notation Music theory History 500-1400 |
| topic_facet | MUSIC / Instruction & Study / Theory Mensural notation Music theory History 500-1400 |
| url | https://doi.org/10.3138/9781487579395 |
| work_keys_str_mv | AT rubiopsamuel classicalpolyphony AT rivethomas classicalpolyphony |