Balzac's Recurring Characters:
There has never been an accurate, comprehensive account of the origin, development, and significance of Balzac's use of recurring characters in the many volumes of the Comedie humaine, although the device is well recognized and such a study has long been deemed essential by Balzac scholars. One...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Toronto
University of Toronto Press
[2019]
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| Schriftenreihe: | Heritage
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| Online-Zugang: | DE-1046 DE-859 DE-860 DE-739 DE-473 DE-1043 DE-858 URL des Erstveröffentlichers |
| Zusammenfassung: | There has never been an accurate, comprehensive account of the origin, development, and significance of Balzac's use of recurring characters in the many volumes of the Comedie humaine, although the device is well recognized and such a study has long been deemed essential by Balzac scholars. One cannot read far in the Comedie without encountering characters whom one has met in other novels. Balzac did not introduce recurring characters until after he had written thirty of forty stories, but he kept revising his work from one printing or edition to the next so that earlier stories have as many of the recurring characters as the later ones. Professor Pugh traces the use of the device and unravels its complexities over the whole of Balzac's career by providing a year-by-year account of the author's struggles between 1829 and 1847 to unify his fictional world of some 3,000 characters. This study illuminates the genesis of several novels and sheds totally new light on the validity of the device, by enabling us for the first time to distinguish between examples which belong to the original creative urge, and those introduced during later revisions. The book takes into account the most recent studies of individual Balzac novels, and is unique in the range and thoroughness of its investigation. All serious students of Balzac will need to consult this reference work |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019) |
| Beschreibung: | 1 online resource (544 pages) |
| ISBN: | 9781487579661 |
| DOI: | 10.3138/9781487579661 |
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| 520 | |a There has never been an accurate, comprehensive account of the origin, development, and significance of Balzac's use of recurring characters in the many volumes of the Comedie humaine, although the device is well recognized and such a study has long been deemed essential by Balzac scholars. One cannot read far in the Comedie without encountering characters whom one has met in other novels. Balzac did not introduce recurring characters until after he had written thirty of forty stories, but he kept revising his work from one printing or edition to the next so that earlier stories have as many of the recurring characters as the later ones. Professor Pugh traces the use of the device and unravels its complexities over the whole of Balzac's career by providing a year-by-year account of the author's struggles between 1829 and 1847 to unify his fictional world of some 3,000 characters. This study illuminates the genesis of several novels and sheds totally new light on the validity of the device, by enabling us for the first time to distinguish between examples which belong to the original creative urge, and those introduced during later revisions. The book takes into account the most recent studies of individual Balzac novels, and is unique in the range and thoroughness of its investigation. All serious students of Balzac will need to consult this reference work | ||
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| spelling | Pugh, Anthony R. aut Balzac's Recurring Characters Anthony R. Pugh Toronto University of Toronto Press [2019] © 1974 1 online resource (544 pages) txt rdacontent c rdamedia cr rdacarrier Heritage Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019) There has never been an accurate, comprehensive account of the origin, development, and significance of Balzac's use of recurring characters in the many volumes of the Comedie humaine, although the device is well recognized and such a study has long been deemed essential by Balzac scholars. One cannot read far in the Comedie without encountering characters whom one has met in other novels. Balzac did not introduce recurring characters until after he had written thirty of forty stories, but he kept revising his work from one printing or edition to the next so that earlier stories have as many of the recurring characters as the later ones. Professor Pugh traces the use of the device and unravels its complexities over the whole of Balzac's career by providing a year-by-year account of the author's struggles between 1829 and 1847 to unify his fictional world of some 3,000 characters. This study illuminates the genesis of several novels and sheds totally new light on the validity of the device, by enabling us for the first time to distinguish between examples which belong to the original creative urge, and those introduced during later revisions. The book takes into account the most recent studies of individual Balzac novels, and is unique in the range and thoroughness of its investigation. All serious students of Balzac will need to consult this reference work In English Balzac, Honoré de 1799-1850 La comédie humaine (DE-588)4201231-4 gnd rswk-swf Balzac, Honoré de 1799-1850 (DE-588)118506358 gnd rswk-swf LITERARY CRITICISM / European / French bisacsh Characters and characteristics in literature Literarische Gestalt (DE-588)4140220-0 gnd rswk-swf Umgestaltung (DE-588)4452586-2 gnd rswk-swf Person (DE-588)4134819-9 gnd rswk-swf Balzac, Honoré de 1799-1850 La comédie humaine (DE-588)4201231-4 u Person (DE-588)4134819-9 s Umgestaltung (DE-588)4452586-2 s 1\p DE-604 Balzac, Honoré de 1799-1850 (DE-588)118506358 p Literarische Gestalt (DE-588)4140220-0 s 2\p DE-604 https://doi.org/10.3138/9781487579661 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Pugh, Anthony R. Balzac's Recurring Characters Balzac, Honoré de 1799-1850 La comédie humaine (DE-588)4201231-4 gnd Balzac, Honoré de 1799-1850 (DE-588)118506358 gnd LITERARY CRITICISM / European / French bisacsh Characters and characteristics in literature Literarische Gestalt (DE-588)4140220-0 gnd Umgestaltung (DE-588)4452586-2 gnd Person (DE-588)4134819-9 gnd |
| subject_GND | (DE-588)4201231-4 (DE-588)118506358 (DE-588)4140220-0 (DE-588)4452586-2 (DE-588)4134819-9 |
| title | Balzac's Recurring Characters |
| title_auth | Balzac's Recurring Characters |
| title_exact_search | Balzac's Recurring Characters |
| title_full | Balzac's Recurring Characters Anthony R. Pugh |
| title_fullStr | Balzac's Recurring Characters Anthony R. Pugh |
| title_full_unstemmed | Balzac's Recurring Characters Anthony R. Pugh |
| title_short | Balzac's Recurring Characters |
| title_sort | balzac s recurring characters |
| topic | Balzac, Honoré de 1799-1850 La comédie humaine (DE-588)4201231-4 gnd Balzac, Honoré de 1799-1850 (DE-588)118506358 gnd LITERARY CRITICISM / European / French bisacsh Characters and characteristics in literature Literarische Gestalt (DE-588)4140220-0 gnd Umgestaltung (DE-588)4452586-2 gnd Person (DE-588)4134819-9 gnd |
| topic_facet | Balzac, Honoré de 1799-1850 La comédie humaine Balzac, Honoré de 1799-1850 LITERARY CRITICISM / European / French Characters and characteristics in literature Literarische Gestalt Umgestaltung Person |
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