Passage through Hell: Modernist Descents, Medieval Underworlds
Taking the culturally resonant motif of the descent to the underworld as his guiding thread, David L. Pike traces the interplay between myth and history in medieval and modernist literature. Passage through Hell suggests new approaches to the practice of comparative literature, and a possible escape...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Taking the culturally resonant motif of the descent to the underworld as his guiding thread, David L. Pike traces the interplay between myth and history in medieval and modernist literature. Passage through Hell suggests new approaches to the practice of comparative literature, and a possible escape from the current morass of competing critical schools and ideologies.Pike's readings of Louis Ferdinand Céline and Walter Benjamin reveal the tensions at work in the modern appropriation of structures derived from ancient and medieval descents. His book shows how these structures were redefined in modernism and persist in contemporary critical practice. In order to recover the historical corpus of modernism, he asserts, it is necessary to acknowledge the attraction that medieval forms and motifs held for modernist literature and theory. By pairing the writings of the postwar German dramatist and novelist Peter Weiss with Dante's Commedia, and Christine de Pizan with Virginia Woolf, Pike argues for a new level of complexity in the relation between medieval and modern poetics.Pike's supple and persuasive reading of the Commedia resituates that text within the contradictions of medieval tradition. He contends that the Dantean allegory of conversion, altered to suit the exigencies of modernism, maintains its hold over current literature and theory. The postwar writers Pike treats-Weiss, Seamus Heaney, and Derek Walcott-exemplify alternate strategies for negotiating the legacy of modernism. The passage through hell emerges as a way of disentangling images of the past from their interpretation in the present |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019) |
| Beschreibung: | 1 online resource (320 pages) |
| ISBN: | 9781501729478 |
| DOI: | 10.7591/9781501729478 |
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| 520 | |a Taking the culturally resonant motif of the descent to the underworld as his guiding thread, David L. Pike traces the interplay between myth and history in medieval and modernist literature. Passage through Hell suggests new approaches to the practice of comparative literature, and a possible escape from the current morass of competing critical schools and ideologies.Pike's readings of Louis Ferdinand Céline and Walter Benjamin reveal the tensions at work in the modern appropriation of structures derived from ancient and medieval descents. His book shows how these structures were redefined in modernism and persist in contemporary critical practice. In order to recover the historical corpus of modernism, he asserts, it is necessary to acknowledge the attraction that medieval forms and motifs held for modernist literature and theory. By pairing the writings of the postwar German dramatist and novelist Peter Weiss with Dante's Commedia, and Christine de Pizan with Virginia Woolf, Pike argues for a new level of complexity in the relation between medieval and modern poetics.Pike's supple and persuasive reading of the Commedia resituates that text within the contradictions of medieval tradition. He contends that the Dantean allegory of conversion, altered to suit the exigencies of modernism, maintains its hold over current literature and theory. The postwar writers Pike treats-Weiss, Seamus Heaney, and Derek Walcott-exemplify alternate strategies for negotiating the legacy of modernism. The passage through hell emerges as a way of disentangling images of the past from their interpretation in the present | ||
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| spelling | Pike, David L. aut Passage through Hell Modernist Descents, Medieval Underworlds David L. Pike Ithaca, NY Cornell University Press [2018] © 1997 1 online resource (320 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019) Taking the culturally resonant motif of the descent to the underworld as his guiding thread, David L. Pike traces the interplay between myth and history in medieval and modernist literature. Passage through Hell suggests new approaches to the practice of comparative literature, and a possible escape from the current morass of competing critical schools and ideologies.Pike's readings of Louis Ferdinand Céline and Walter Benjamin reveal the tensions at work in the modern appropriation of structures derived from ancient and medieval descents. His book shows how these structures were redefined in modernism and persist in contemporary critical practice. In order to recover the historical corpus of modernism, he asserts, it is necessary to acknowledge the attraction that medieval forms and motifs held for modernist literature and theory. By pairing the writings of the postwar German dramatist and novelist Peter Weiss with Dante's Commedia, and Christine de Pizan with Virginia Woolf, Pike argues for a new level of complexity in the relation between medieval and modern poetics.Pike's supple and persuasive reading of the Commedia resituates that text within the contradictions of medieval tradition. He contends that the Dantean allegory of conversion, altered to suit the exigencies of modernism, maintains its hold over current literature and theory. The postwar writers Pike treats-Weiss, Seamus Heaney, and Derek Walcott-exemplify alternate strategies for negotiating the legacy of modernism. The passage through hell emerges as a way of disentangling images of the past from their interpretation in the present In English Geschichte 1500-1990 gnd rswk-swf Medieval & Renaissance Studies LITERARY CRITICISM / Modern / 20th Century bisacsh Civilization, Medieval, in literature Hell in literature Literature History and criticism Modernism (Literature) Literatur (DE-588)4035964-5 gnd rswk-swf Höllenfahrt Motiv (DE-588)4160377-1 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Höllenfahrt Motiv (DE-588)4160377-1 s Literatur (DE-588)4035964-5 s Geschichte 1500-1990 z 2\p DE-604 https://doi.org/10.7591/9781501729478 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Pike, David L. Passage through Hell Modernist Descents, Medieval Underworlds Medieval & Renaissance Studies LITERARY CRITICISM / Modern / 20th Century bisacsh Civilization, Medieval, in literature Hell in literature Literature History and criticism Modernism (Literature) Literatur (DE-588)4035964-5 gnd Höllenfahrt Motiv (DE-588)4160377-1 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4160377-1 (DE-588)4113937-9 |
| title | Passage through Hell Modernist Descents, Medieval Underworlds |
| title_auth | Passage through Hell Modernist Descents, Medieval Underworlds |
| title_exact_search | Passage through Hell Modernist Descents, Medieval Underworlds |
| title_full | Passage through Hell Modernist Descents, Medieval Underworlds David L. Pike |
| title_fullStr | Passage through Hell Modernist Descents, Medieval Underworlds David L. Pike |
| title_full_unstemmed | Passage through Hell Modernist Descents, Medieval Underworlds David L. Pike |
| title_short | Passage through Hell |
| title_sort | passage through hell modernist descents medieval underworlds |
| title_sub | Modernist Descents, Medieval Underworlds |
| topic | Medieval & Renaissance Studies LITERARY CRITICISM / Modern / 20th Century bisacsh Civilization, Medieval, in literature Hell in literature Literature History and criticism Modernism (Literature) Literatur (DE-588)4035964-5 gnd Höllenfahrt Motiv (DE-588)4160377-1 gnd |
| topic_facet | Medieval & Renaissance Studies LITERARY CRITICISM / Modern / 20th Century Civilization, Medieval, in literature Hell in literature Literature History and criticism Modernism (Literature) Literatur Höllenfahrt Motiv Hochschulschrift |
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