Women and embodied mythmaking in Irish theatre:
The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings new perspectives to women's mythmaking...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2019
|
| Schlagworte: | |
| Zusammenfassung: | The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings new perspectives to women's mythmaking across the twentieth and twenty-first centuries. The performances considered include the tableaux vivants performed by the Inghinidhe na hÉireann (Daughters of Ireland), plays written by Alice Milligan, Maud Gonne, Lady Augusta Gregory, Eva Gore-Booth, Mary Devenport O'Neill, Mary Elizabeth Burke-Kennedy, Paula Meehan, Edna O'Brien and Marina Carr, as well as plays translated, adapted and performed by Olwen Fouéré. The theatrical work discussed resists the occlusion of women's cultural engagement that results from confinement to idealised myths of femininity. This is realised through embodied mythmaking: a process which exposes how bodies bear the consequences of these myths, while refusing to accept the female body as passive bearer of inscription through the assertion of a creative female corporeality. |
| Beschreibung: | x, 257 Seiten |
| ISBN: | 9781108485333 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046278402 | ||
| 003 | DE-604 | ||
| 005 | 20221107 | ||
| 007 | t | ||
| 008 | 191129s2019 |||| 00||| eng d | ||
| 020 | |a 9781108485333 |c hbk. |9 978-1-108-48533-3 | ||
| 035 | |a (OCoLC)1153976126 | ||
| 035 | |a (DE-599)BVBBV046278402 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 |a DE-12 | ||
| 082 | 0 | |a 822/.909928709415 | |
| 100 | 1 | |a Hill, Shonagh |d 1977- |e Verfasser |0 (DE-588)1196656584 |4 aut | |
| 245 | 1 | 0 | |a Women and embodied mythmaking in Irish theatre |c Shonagh Hill (University College Dublin) |
| 264 | 1 | |a Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore |b Cambridge University Press |c 2019 | |
| 300 | |a x, 257 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Introduction: a creative female corporeality -- Revolutionary bodies: mythmaking and Irish feminisms -- Unhomely bodies: transforming space -- Process and resistance: metamorphic 'bodies that matter' -- Staging female death: sacrificial and dying bodies -- Haunted bodies and violent pasts -- Olwen Fouere's corpus: the performer's body and her body of work | |
| 520 | 3 | |a The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings new perspectives to women's mythmaking across the twentieth and twenty-first centuries. The performances considered include the tableaux vivants performed by the Inghinidhe na hÉireann (Daughters of Ireland), plays written by Alice Milligan, Maud Gonne, Lady Augusta Gregory, Eva Gore-Booth, Mary Devenport O'Neill, Mary Elizabeth Burke-Kennedy, Paula Meehan, Edna O'Brien and Marina Carr, as well as plays translated, adapted and performed by Olwen Fouéré. The theatrical work discussed resists the occlusion of women's cultural engagement that results from confinement to idealised myths of femininity. This is realised through embodied mythmaking: a process which exposes how bodies bear the consequences of these myths, while refusing to accept the female body as passive bearer of inscription through the assertion of a creative female corporeality. | |
| 650 | 4 | |a English drama / Irish authors / History and criticism | |
| 650 | 4 | |a English drama / Women authors / History and criticism | |
| 650 | 4 | |a Women in the theater / Ireland / History / 20th century | |
| 650 | 4 | |a Theater / Political aspects / Ireland / History / 20th century | |
| 650 | 4 | |a Feminism and theater / Ireland / History / 20th century | |
| 650 | 4 | |a Women in literature | |
| 650 | 4 | |a Myth in literature | |
| 650 | 4 | |a Human body in literature | |
| 650 | 0 | 7 | |a Schriftstellerin |0 (DE-588)4053311-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Drama |0 (DE-588)4012899-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Feminismus |0 (DE-588)4222126-2 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Irland |0 (DE-588)4027667-3 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Irland |0 (DE-588)4027667-3 |D g |
| 689 | 0 | 1 | |a Drama |0 (DE-588)4012899-4 |D s |
| 689 | 0 | 2 | |a Schriftstellerin |0 (DE-588)4053311-6 |D s |
| 689 | 0 | 3 | |a Feminismus |0 (DE-588)4222126-2 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-108-75632-7 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031656072 | ||
Datensatz im Suchindex
| _version_ | 1804180726881452032 |
|---|---|
| any_adam_object | |
| author | Hill, Shonagh 1977- |
| author_GND | (DE-588)1196656584 |
| author_facet | Hill, Shonagh 1977- |
| author_role | aut |
| author_sort | Hill, Shonagh 1977- |
| author_variant | s h sh |
| building | Verbundindex |
| bvnumber | BV046278402 |
| contents | Introduction: a creative female corporeality -- Revolutionary bodies: mythmaking and Irish feminisms -- Unhomely bodies: transforming space -- Process and resistance: metamorphic 'bodies that matter' -- Staging female death: sacrificial and dying bodies -- Haunted bodies and violent pasts -- Olwen Fouere's corpus: the performer's body and her body of work |
| ctrlnum | (OCoLC)1153976126 (DE-599)BVBBV046278402 |
| dewey-full | 822/.909928709415 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.909928709415 |
| dewey-search | 822/.909928709415 |
| dewey-sort | 3822 12909928709415 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03374nam a2200505 c 4500</leader><controlfield tag="001">BV046278402</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221107 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">191129s2019 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108485333</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-1-108-48533-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1153976126</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046278402</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">822/.909928709415</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hill, Shonagh</subfield><subfield code="d">1977-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1196656584</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Women and embodied mythmaking in Irish theatre</subfield><subfield code="c">Shonagh Hill (University College Dublin)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 257 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction: a creative female corporeality -- Revolutionary bodies: mythmaking and Irish feminisms -- Unhomely bodies: transforming space -- Process and resistance: metamorphic 'bodies that matter' -- Staging female death: sacrificial and dying bodies -- Haunted bodies and violent pasts -- Olwen Fouere's corpus: the performer's body and her body of work</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings new perspectives to women's mythmaking across the twentieth and twenty-first centuries. The performances considered include the tableaux vivants performed by the Inghinidhe na hÉireann (Daughters of Ireland), plays written by Alice Milligan, Maud Gonne, Lady Augusta Gregory, Eva Gore-Booth, Mary Devenport O'Neill, Mary Elizabeth Burke-Kennedy, Paula Meehan, Edna O'Brien and Marina Carr, as well as plays translated, adapted and performed by Olwen Fouéré. The theatrical work discussed resists the occlusion of women's cultural engagement that results from confinement to idealised myths of femininity. This is realised through embodied mythmaking: a process which exposes how bodies bear the consequences of these myths, while refusing to accept the female body as passive bearer of inscription through the assertion of a creative female corporeality.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English drama / Irish authors / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English drama / Women authors / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women in the theater / Ireland / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater / Political aspects / Ireland / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Feminism and theater / Ireland / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Myth in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Human body in literature</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schriftstellerin</subfield><subfield code="0">(DE-588)4053311-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Feminismus</subfield><subfield code="0">(DE-588)4222126-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Irland</subfield><subfield code="0">(DE-588)4027667-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Irland</subfield><subfield code="0">(DE-588)4027667-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Schriftstellerin</subfield><subfield code="0">(DE-588)4053311-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Feminismus</subfield><subfield code="0">(DE-588)4222126-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-108-75632-7</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031656072</subfield></datafield></record></collection> |
| geographic | Irland (DE-588)4027667-3 gnd |
| geographic_facet | Irland |
| id | DE-604.BV046278402 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:40:21Z |
| institution | BVB |
| isbn | 9781108485333 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031656072 |
| oclc_num | 1153976126 |
| open_access_boolean | |
| owner | DE-11 DE-12 |
| owner_facet | DE-11 DE-12 |
| physical | x, 257 Seiten |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Hill, Shonagh 1977- Verfasser (DE-588)1196656584 aut Women and embodied mythmaking in Irish theatre Shonagh Hill (University College Dublin) Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2019 x, 257 Seiten txt rdacontent n rdamedia nc rdacarrier Introduction: a creative female corporeality -- Revolutionary bodies: mythmaking and Irish feminisms -- Unhomely bodies: transforming space -- Process and resistance: metamorphic 'bodies that matter' -- Staging female death: sacrificial and dying bodies -- Haunted bodies and violent pasts -- Olwen Fouere's corpus: the performer's body and her body of work The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings new perspectives to women's mythmaking across the twentieth and twenty-first centuries. The performances considered include the tableaux vivants performed by the Inghinidhe na hÉireann (Daughters of Ireland), plays written by Alice Milligan, Maud Gonne, Lady Augusta Gregory, Eva Gore-Booth, Mary Devenport O'Neill, Mary Elizabeth Burke-Kennedy, Paula Meehan, Edna O'Brien and Marina Carr, as well as plays translated, adapted and performed by Olwen Fouéré. The theatrical work discussed resists the occlusion of women's cultural engagement that results from confinement to idealised myths of femininity. This is realised through embodied mythmaking: a process which exposes how bodies bear the consequences of these myths, while refusing to accept the female body as passive bearer of inscription through the assertion of a creative female corporeality. English drama / Irish authors / History and criticism English drama / Women authors / History and criticism Women in the theater / Ireland / History / 20th century Theater / Political aspects / Ireland / History / 20th century Feminism and theater / Ireland / History / 20th century Women in literature Myth in literature Human body in literature Schriftstellerin (DE-588)4053311-6 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Irland (DE-588)4027667-3 gnd rswk-swf Irland (DE-588)4027667-3 g Drama (DE-588)4012899-4 s Schriftstellerin (DE-588)4053311-6 s Feminismus (DE-588)4222126-2 s DE-604 Erscheint auch als Online-Ausgabe 978-1-108-75632-7 |
| spellingShingle | Hill, Shonagh 1977- Women and embodied mythmaking in Irish theatre Introduction: a creative female corporeality -- Revolutionary bodies: mythmaking and Irish feminisms -- Unhomely bodies: transforming space -- Process and resistance: metamorphic 'bodies that matter' -- Staging female death: sacrificial and dying bodies -- Haunted bodies and violent pasts -- Olwen Fouere's corpus: the performer's body and her body of work English drama / Irish authors / History and criticism English drama / Women authors / History and criticism Women in the theater / Ireland / History / 20th century Theater / Political aspects / Ireland / History / 20th century Feminism and theater / Ireland / History / 20th century Women in literature Myth in literature Human body in literature Schriftstellerin (DE-588)4053311-6 gnd Drama (DE-588)4012899-4 gnd Feminismus (DE-588)4222126-2 gnd |
| subject_GND | (DE-588)4053311-6 (DE-588)4012899-4 (DE-588)4222126-2 (DE-588)4027667-3 |
| title | Women and embodied mythmaking in Irish theatre |
| title_auth | Women and embodied mythmaking in Irish theatre |
| title_exact_search | Women and embodied mythmaking in Irish theatre |
| title_full | Women and embodied mythmaking in Irish theatre Shonagh Hill (University College Dublin) |
| title_fullStr | Women and embodied mythmaking in Irish theatre Shonagh Hill (University College Dublin) |
| title_full_unstemmed | Women and embodied mythmaking in Irish theatre Shonagh Hill (University College Dublin) |
| title_short | Women and embodied mythmaking in Irish theatre |
| title_sort | women and embodied mythmaking in irish theatre |
| topic | English drama / Irish authors / History and criticism English drama / Women authors / History and criticism Women in the theater / Ireland / History / 20th century Theater / Political aspects / Ireland / History / 20th century Feminism and theater / Ireland / History / 20th century Women in literature Myth in literature Human body in literature Schriftstellerin (DE-588)4053311-6 gnd Drama (DE-588)4012899-4 gnd Feminismus (DE-588)4222126-2 gnd |
| topic_facet | English drama / Irish authors / History and criticism English drama / Women authors / History and criticism Women in the theater / Ireland / History / 20th century Theater / Political aspects / Ireland / History / 20th century Feminism and theater / Ireland / History / 20th century Women in literature Myth in literature Human body in literature Schriftstellerin Drama Feminismus Irland |
| work_keys_str_mv | AT hillshonagh womenandembodiedmythmakinginirishtheatre |