Zarina Bhimji - lead white:
In 'Lead White' Zarina Bhimji explores the history of Zanzibar. Her expert curatorial eye has scoured national archives and found documents bearing witness to the country's past and by extension its present. Filtered through Bhimji's artistic vision, these documents become a poet...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London
HENI
[2018]
|
| Schlagworte: | |
| Zusammenfassung: | In 'Lead White' Zarina Bhimji explores the history of Zanzibar. Her expert curatorial eye has scoured national archives and found documents bearing witness to the country's past and by extension its present. Filtered through Bhimji's artistic vision, these documents become a poetic exploration of numerous topics including national health, education and contemporary Africa. The documents collected by Bhimji come from a wide variety of places. There are legal and constitutional documents, but also photographs and personal effects. A particular point of interest in Lead White is paper and how texture and light function as an echo of the themes investigated here. This substantial monograph marks a departure of sorts for Bhimji. In this work she incorporates to her new mediums of digital photography and the traditional craft of embroidery. This interplay, in Gallagher's words, forms a 'tension between present and past, and enhances the relationship between the specific and the universal.' The genesis of Lead White stretches back to when Bhimji first visited the Zanzibar National Archive in 1998. She has searched through land records, maps and correspondence from the Berlin Conference of 1884-5, which started the European colonial 'scramble for Africa'. Her camera focuses on the minute details of first-hand records - a stamp, a home address, a signature - and blows them up to an epic scale, revealing shadows, the ambiguities and the delicacy of otherwise institutional objects. Bhimji says her work is about beauty and issues that are personal and universal. She likens her process to a forensic investigator, looking at records of treaties signed and territories mapped, searching for evidence of what crimes could have been carried out.--Tate website |
| Beschreibung: | Impressum: Published on the occasion of Tate Britain's 'Spotlight' display of Zarina Bhimji's 'Lead White', 19 November 2018-2 June 2019 |
| Beschreibung: | 191 Seiten Karten, Faksimiles 24 cm |
| ISBN: | 9781912122189 1912122189 |
Internformat
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| 500 | |a Impressum: Published on the occasion of Tate Britain's 'Spotlight' display of Zarina Bhimji's 'Lead White', 19 November 2018-2 June 2019 | ||
| 520 | 3 | |a In 'Lead White' Zarina Bhimji explores the history of Zanzibar. Her expert curatorial eye has scoured national archives and found documents bearing witness to the country's past and by extension its present. Filtered through Bhimji's artistic vision, these documents become a poetic exploration of numerous topics including national health, education and contemporary Africa. The documents collected by Bhimji come from a wide variety of places. There are legal and constitutional documents, but also photographs and personal effects. A particular point of interest in Lead White is paper and how texture and light function as an echo of the themes investigated here. This substantial monograph marks a departure of sorts for Bhimji. In this work she incorporates to her new mediums of digital photography and the traditional craft of embroidery. This interplay, in Gallagher's words, forms a 'tension between present and past, and enhances the relationship between the specific and the universal.' | |
| 520 | 3 | |a The genesis of Lead White stretches back to when Bhimji first visited the Zanzibar National Archive in 1998. She has searched through land records, maps and correspondence from the Berlin Conference of 1884-5, which started the European colonial 'scramble for Africa'. Her camera focuses on the minute details of first-hand records - a stamp, a home address, a signature - and blows them up to an epic scale, revealing shadows, the ambiguities and the delicacy of otherwise institutional objects. Bhimji says her work is about beauty and issues that are personal and universal. She likens her process to a forensic investigator, looking at records of treaties signed and territories mapped, searching for evidence of what crimes could have been carried out.--Tate website | |
| 600 | 1 | 7 | |a Bhimji, Zarina |d 1963- |0 (DE-588)124100112 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Bhimji, Zarina / 1963- | |
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| 653 | 6 | |a History | |
| 653 | 6 | |a Pictorial works | |
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| 700 | 1 | |a Jayawardane, Neelika |d ca. 20./21.Jh. |0 (DE-588)1136600760 |4 wst | |
| 710 | 2 | |a Tate Britain |0 (DE-588)10012396-X |4 isb |4 orm | |
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Datensatz im Suchindex
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| format | Book |
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| illustrated | Not Illustrated |
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| isbn | 9781912122189 1912122189 |
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| spelling | Bhimji, Zarina 1963- (DE-588)124100112 art wst Zarina Bhimji - lead white TATE ; texts: Zarina Bhimji, Ann Gallagher, M. Neelika Jayawardane Lead white London HENI [2018] 191 Seiten Karten, Faksimiles 24 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Impressum: Published on the occasion of Tate Britain's 'Spotlight' display of Zarina Bhimji's 'Lead White', 19 November 2018-2 June 2019 In 'Lead White' Zarina Bhimji explores the history of Zanzibar. Her expert curatorial eye has scoured national archives and found documents bearing witness to the country's past and by extension its present. Filtered through Bhimji's artistic vision, these documents become a poetic exploration of numerous topics including national health, education and contemporary Africa. The documents collected by Bhimji come from a wide variety of places. There are legal and constitutional documents, but also photographs and personal effects. A particular point of interest in Lead White is paper and how texture and light function as an echo of the themes investigated here. This substantial monograph marks a departure of sorts for Bhimji. In this work she incorporates to her new mediums of digital photography and the traditional craft of embroidery. This interplay, in Gallagher's words, forms a 'tension between present and past, and enhances the relationship between the specific and the universal.' The genesis of Lead White stretches back to when Bhimji first visited the Zanzibar National Archive in 1998. She has searched through land records, maps and correspondence from the Berlin Conference of 1884-5, which started the European colonial 'scramble for Africa'. Her camera focuses on the minute details of first-hand records - a stamp, a home address, a signature - and blows them up to an epic scale, revealing shadows, the ambiguities and the delicacy of otherwise institutional objects. Bhimji says her work is about beauty and issues that are personal and universal. She likens her process to a forensic investigator, looking at records of treaties signed and territories mapped, searching for evidence of what crimes could have been carried out.--Tate website Bhimji, Zarina 1963- (DE-588)124100112 gnd rswk-swf Bhimji, Zarina / 1963- Photography, Artistic Zanzibar / History / Pictorial works Zanzibar / History / Sources / Pictorial works Tanzania / Zanzibar History Pictorial works (DE-588)4135467-9 Ausstellungskatalog Tate Britain 19.11.2018-02.06.2019 London gnd-content (DE-588)4145395-5 Bildband gnd-content Bhimji, Zarina 1963- (DE-588)124100112 p DE-604 Gallagher, Ann ca. 20. Jh. (DE-588)140894837 wst Jayawardane, Neelika ca. 20./21.Jh. (DE-588)1136600760 wst Tate Britain (DE-588)10012396-X isb orm |
| spellingShingle | Zarina Bhimji - lead white Bhimji, Zarina 1963- (DE-588)124100112 gnd |
| subject_GND | (DE-588)124100112 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Zarina Bhimji - lead white |
| title_alt | Lead white |
| title_auth | Zarina Bhimji - lead white |
| title_exact_search | Zarina Bhimji - lead white |
| title_full | Zarina Bhimji - lead white TATE ; texts: Zarina Bhimji, Ann Gallagher, M. Neelika Jayawardane |
| title_fullStr | Zarina Bhimji - lead white TATE ; texts: Zarina Bhimji, Ann Gallagher, M. Neelika Jayawardane |
| title_full_unstemmed | Zarina Bhimji - lead white TATE ; texts: Zarina Bhimji, Ann Gallagher, M. Neelika Jayawardane |
| title_short | Zarina Bhimji - lead white |
| title_sort | zarina bhimji lead white |
| topic | Bhimji, Zarina 1963- (DE-588)124100112 gnd |
| topic_facet | Bhimji, Zarina 1963- Ausstellungskatalog Tate Britain 19.11.2018-02.06.2019 London Bildband |
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