Staging Beckett in Great Britain:
Beckett's relationship with British theatre is complex and underexplored, yet his impact has been immense. Uniquely placing performance history at the centre of its analysis, this volume examines Samuel Beckett's drama as it has been staged in Great Britain, bringing to light a wide range...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Methuen Drama
2016
|
| Schriftenreihe: | Bloomsbury Methuen drama
|
| Schlagworte: | |
| Zusammenfassung: | Beckett's relationship with British theatre is complex and underexplored, yet his impact has been immense. Uniquely placing performance history at the centre of its analysis, this volume examines Samuel Beckett's drama as it has been staged in Great Britain, bringing to light a wide range of untold histories and in turn illuminating six decades of drama in Britain. Ranging from studies of the first English tour of Waiting for Godot in 1955 to Talawa's 2012 all-black co-production of the same play, Staging Samuel Beckett in Great Britain excavates a host of archival resources in order to historicize how Beckett's drama has interacted with specific theatres, directors and theatre cultures in the UK. It traces production histories of plays such as Krapp's Last Tape; presents Beckett's working relationships with the Royal Court, Riverside and West Yorkshire Playhouse, as well as with directors such as Peter Hall; looks at the history of Beckett's drama in Scotland and how the plays have been staged in London's West End. Production analyses are mapped onto political, economic and cultural contexts of Great Britain so that Beckett's drama resonates in new ways, through theatre practice, against the complex contexts of Great Britain's regions. With contributions from experts in the fields of both Beckett studies and UK drama, including S.E. Gontarski, David Pattie, Mark Taylor-Batty and Sos Eltis, the volume offers an exceptional and unique understanding of Beckett's reception on the UK stage and the impact of his drama within UK theatre practices. Together with its sister volume, Staging Samuel Beckett in Ireland and Northern Ireland it will prove a terrific resource for students, scholars and theatre practitioners."--Publisher's website |
| Beschreibung: | XXVII, 258 Seiten 23 cm |
| ISBN: | 9781474240161 147424016X 9781474240178 1474240178 |
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| 520 | 3 | |a Beckett's relationship with British theatre is complex and underexplored, yet his impact has been immense. Uniquely placing performance history at the centre of its analysis, this volume examines Samuel Beckett's drama as it has been staged in Great Britain, bringing to light a wide range of untold histories and in turn illuminating six decades of drama in Britain. Ranging from studies of the first English tour of Waiting for Godot in 1955 to Talawa's 2012 all-black co-production of the same play, Staging Samuel Beckett in Great Britain excavates a host of archival resources in order to historicize how Beckett's drama has interacted with specific theatres, directors and theatre cultures in the UK. It traces production histories of plays such as Krapp's Last Tape; presents Beckett's working relationships with the Royal Court, Riverside and West Yorkshire Playhouse, as well as with directors such as Peter Hall; looks at the history of Beckett's drama in Scotland and how the plays have been staged in London's West End. Production analyses are mapped onto political, economic and cultural contexts of Great Britain so that Beckett's drama resonates in new ways, through theatre practice, against the complex contexts of Great Britain's regions. With contributions from experts in the fields of both Beckett studies and UK drama, including S.E. Gontarski, David Pattie, Mark Taylor-Batty and Sos Eltis, the volume offers an exceptional and unique understanding of Beckett's reception on the UK stage and the impact of his drama within UK theatre practices. Together with its sister volume, Staging Samuel Beckett in Ireland and Northern Ireland it will prove a terrific resource for students, scholars and theatre practitioners."--Publisher's website | |
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| id | DE-604.BV046276629 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:40:18Z |
| institution | BVB |
| isbn | 9781474240161 147424016X 9781474240178 1474240178 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031654330 |
| oclc_num | 1015602932 |
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| owner_facet | DE-19 DE-BY-UBM |
| physical | XXVII, 258 Seiten 23 cm |
| publishDate | 2016 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Bloomsbury Methuen Drama |
| record_format | marc |
| series2 | Bloomsbury Methuen drama |
| spelling | Staging Beckett in Great Britain edited by David Tucker and Trish McTighe London Bloomsbury Methuen Drama 2016 XXVII, 258 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier Bloomsbury Methuen drama Beckett's relationship with British theatre is complex and underexplored, yet his impact has been immense. Uniquely placing performance history at the centre of its analysis, this volume examines Samuel Beckett's drama as it has been staged in Great Britain, bringing to light a wide range of untold histories and in turn illuminating six decades of drama in Britain. Ranging from studies of the first English tour of Waiting for Godot in 1955 to Talawa's 2012 all-black co-production of the same play, Staging Samuel Beckett in Great Britain excavates a host of archival resources in order to historicize how Beckett's drama has interacted with specific theatres, directors and theatre cultures in the UK. It traces production histories of plays such as Krapp's Last Tape; presents Beckett's working relationships with the Royal Court, Riverside and West Yorkshire Playhouse, as well as with directors such as Peter Hall; looks at the history of Beckett's drama in Scotland and how the plays have been staged in London's West End. Production analyses are mapped onto political, economic and cultural contexts of Great Britain so that Beckett's drama resonates in new ways, through theatre practice, against the complex contexts of Great Britain's regions. With contributions from experts in the fields of both Beckett studies and UK drama, including S.E. Gontarski, David Pattie, Mark Taylor-Batty and Sos Eltis, the volume offers an exceptional and unique understanding of Beckett's reception on the UK stage and the impact of his drama within UK theatre practices. Together with its sister volume, Staging Samuel Beckett in Ireland and Northern Ireland it will prove a terrific resource for students, scholars and theatre practitioners."--Publisher's website Beckett, Samuel / 1906-1989 / Stage history / Great Britain Tucker, David 1978- (DE-588)1033801283 edt McTighe, Trish edt |
| spellingShingle | Staging Beckett in Great Britain |
| title | Staging Beckett in Great Britain |
| title_auth | Staging Beckett in Great Britain |
| title_exact_search | Staging Beckett in Great Britain |
| title_full | Staging Beckett in Great Britain edited by David Tucker and Trish McTighe |
| title_fullStr | Staging Beckett in Great Britain edited by David Tucker and Trish McTighe |
| title_full_unstemmed | Staging Beckett in Great Britain edited by David Tucker and Trish McTighe |
| title_short | Staging Beckett in Great Britain |
| title_sort | staging beckett in great britain |
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