The Oxford handbook of sound and imagination, Volume 2:
Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding...
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| Weitere Verfasser: | , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
2019
|
| Schriftenreihe: | Oxford handbooks online
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-Y3 DE-Y2 DE-739 Volltext |
| Zusammenfassung: | Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games |
| Beschreibung: | Includes bibliographical references and index Empirical Musical Imagery Beyond the 'Mind's Ear' - Freya Bailes -- - Musical Shape Cognition - Rolf Inge God y -- - Imaginative Listening to Music - Theodore Gracyk -- - Musical Analysis and Data Compression - David Meredith -- - A Different Way of Imagining Sound: Probing the Inner Auditory Worlds of Some Children on the Autism Spectrum - Adam Ockelford -- - Sound as Environmental Presence: Towards an Aesthetics of Sonic Atmospheres - Ulrik Schmidt -- - On the Other Side of Time: Afrofuturism and the Sounds of the Future - Erik Steinskog -- - Sound and Emotion - Erkin Asutay, Daniel V astfj all -- - Augmented Unreality: Synesthetic Artworks and Audio-Visual Hallucinations  - Jonathan Weinel -- - Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation - Anne Danielsen -- - Creating a Brand Image through Music: Understanding the Psychological Mechanisms Behind Audio Branding - Hauke Egermann -- - Multi-Modal Imagery in the Receptive Music Therapy Model Guided Imagery and Music (GIM) - Lars Ole Bonde -- - Playing the Inner Ear: Performing the Imagination - Simon Emmerson -- - The Aesthetics of Improvisation - Andy Hamilton -- - ". . . they call us by our name . . .": Technology, Memory, and Metempsychosis - Bennett Hogg -- - Imagining the Seamless Cyborg: Computer System Sounds as Embodying Technologies - Dani el Ploeger -- - Musical Notation as the Externalization of Imagined, Complex Sound - Henrik Sinding-Larsen -- - Sonic Materialism: Hearing the Arche-Sonic - Salom e Voegelin -- - Anticipated Sonic Actions and Sounds in Performance - Clemens Wōllner -- - Voluntary Auditory Imagery and Music Pedagogy - Andrea A. Halpern, Katie Overy -- - Music and Emergence - John M. Carvalho -- - A Hopeful Tone: A Waltonian Reconstruction of Bloch's Musical Aesthetics - Bryan J. Parkhurst -- - Consumer Sound - S ren Bech, Jon Francombe -- - Posthumanist Voices in Literature and Opera - Jason R. D'Aoust -- - Systemic Abstractions: The Imaginary Regime - Martin Knakkergaard -- - Improvisation: An Ideal Display of Imagination in Embodied Imagination - Justin Christensen -- - Affordances in Real, Virtual, and Imaginary Musical Performance - Marc Duby -- - Music in Detention and Interrogation: The Musical Ecology of Fear - W. Luke Windsor -- - Bioacoustics: Imaging and Imagining the Animal World - Mickey Vallee -- - From Rays to Ra: Music, Physics, and the Mind - Janna K. Saslaw, James P. Walsh -- - Motor Imagery in Perception and Performance of Sound and Music - Jan Schacher -- - Introduction - Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard |
| Beschreibung: | 1 Online-Ressource (664 Seiten) |
| ISBN: | 9780190460266 |
| DOI: | 10.1093/oxfordhb/9780190460242.001.0001 |
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| 500 | |a - Multi-Modal Imagery in the Receptive Music Therapy Model Guided Imagery and Music (GIM) - Lars Ole Bonde -- - Playing the Inner Ear: Performing the Imagination - Simon Emmerson -- - The Aesthetics of Improvisation - Andy Hamilton -- - ". . . they call us by our name . . .": Technology, Memory, and Metempsychosis - Bennett Hogg -- - Imagining the Seamless Cyborg: Computer System Sounds as Embodying Technologies - Dani el Ploeger -- - Musical Notation as the Externalization of Imagined, Complex Sound - Henrik Sinding-Larsen -- - Sonic Materialism: Hearing the Arche-Sonic - Salom e Voegelin -- - Anticipated Sonic Actions and Sounds in Performance - Clemens Wōllner -- - Voluntary Auditory Imagery and Music Pedagogy - Andrea A. Halpern, Katie Overy -- - Music and Emergence - John M. Carvalho -- - A Hopeful Tone: A Waltonian Reconstruction of Bloch's Musical Aesthetics - Bryan J. Parkhurst -- - Consumer Sound - S ren Bech, Jon Francombe -- | ||
| 500 | |a - Posthumanist Voices in Literature and Opera - Jason R. D'Aoust -- - Systemic Abstractions: The Imaginary Regime - Martin Knakkergaard -- - Improvisation: An Ideal Display of Imagination in Embodied Imagination - Justin Christensen -- - Affordances in Real, Virtual, and Imaginary Musical Performance - Marc Duby -- - Music in Detention and Interrogation: The Musical Ecology of Fear - W. Luke Windsor -- - Bioacoustics: Imaging and Imagining the Animal World - Mickey Vallee -- - From Rays to Ra: Music, Physics, and the Mind - Janna K. Saslaw, James P. Walsh -- - Motor Imagery in Perception and Performance of Sound and Music - Jan Schacher -- - Introduction - Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard | ||
| 520 | |a Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games | ||
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| 700 | 1 | |a Walther-Hansen, Mads |d ca. 20./21. Jh. |0 (DE-588)1079424741 |4 edt | |
| 700 | 1 | |a Knakkergaard, Martin |d 1955- |0 (DE-588)1187353957 |4 edt | |
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Datensatz im Suchindex
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| author2 | Grimshaw-Aagaard, Mark 1963- Walther-Hansen, Mads ca. 20./21. Jh Knakkergaard, Martin 1955- |
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| building | Verbundindex |
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| dewey-full | 781.11 |
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| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.11 |
| dewey-search | 781.11 |
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| discipline | Musikwissenschaft |
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| id | DE-604.BV046273806 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-21T13:01:13Z |
| institution | BVB |
| isbn | 9780190460266 |
| language | English |
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| series2 | Oxford handbooks online |
| spelling | The Oxford handbook of sound and imagination, Volume 2 edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard Sound and imagination New York Oxford University Press 2019 1 Online-Ressource (664 Seiten) txt rdacontent c rdamedia cr rdacarrier Oxford handbooks online Includes bibliographical references and index Empirical Musical Imagery Beyond the 'Mind's Ear' - Freya Bailes -- - Musical Shape Cognition - Rolf Inge God y -- - Imaginative Listening to Music - Theodore Gracyk -- - Musical Analysis and Data Compression - David Meredith -- - A Different Way of Imagining Sound: Probing the Inner Auditory Worlds of Some Children on the Autism Spectrum - Adam Ockelford -- - Sound as Environmental Presence: Towards an Aesthetics of Sonic Atmospheres - Ulrik Schmidt -- - On the Other Side of Time: Afrofuturism and the Sounds of the Future - Erik Steinskog -- - Sound and Emotion - Erkin Asutay, Daniel V astfj all -- - Augmented Unreality: Synesthetic Artworks and Audio-Visual Hallucinations  - Jonathan Weinel -- - Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation - Anne Danielsen -- - Creating a Brand Image through Music: Understanding the Psychological Mechanisms Behind Audio Branding - Hauke Egermann -- - Multi-Modal Imagery in the Receptive Music Therapy Model Guided Imagery and Music (GIM) - Lars Ole Bonde -- - Playing the Inner Ear: Performing the Imagination - Simon Emmerson -- - The Aesthetics of Improvisation - Andy Hamilton -- - ". . . they call us by our name . . .": Technology, Memory, and Metempsychosis - Bennett Hogg -- - Imagining the Seamless Cyborg: Computer System Sounds as Embodying Technologies - Dani el Ploeger -- - Musical Notation as the Externalization of Imagined, Complex Sound - Henrik Sinding-Larsen -- - Sonic Materialism: Hearing the Arche-Sonic - Salom e Voegelin -- - Anticipated Sonic Actions and Sounds in Performance - Clemens Wōllner -- - Voluntary Auditory Imagery and Music Pedagogy - Andrea A. Halpern, Katie Overy -- - Music and Emergence - John M. Carvalho -- - A Hopeful Tone: A Waltonian Reconstruction of Bloch's Musical Aesthetics - Bryan J. Parkhurst -- - Consumer Sound - S ren Bech, Jon Francombe -- - Posthumanist Voices in Literature and Opera - Jason R. D'Aoust -- - Systemic Abstractions: The Imaginary Regime - Martin Knakkergaard -- - Improvisation: An Ideal Display of Imagination in Embodied Imagination - Justin Christensen -- - Affordances in Real, Virtual, and Imaginary Musical Performance - Marc Duby -- - Music in Detention and Interrogation: The Musical Ecology of Fear - W. Luke Windsor -- - Bioacoustics: Imaging and Imagining the Animal World - Mickey Vallee -- - From Rays to Ra: Music, Physics, and the Mind - Janna K. Saslaw, James P. Walsh -- - Motor Imagery in Perception and Performance of Sound and Music - Jan Schacher -- - Introduction - Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games Music / Psychological aspects Sound / Psychological aspects Imagination Grimshaw-Aagaard, Mark 1963- (DE-588)1049180488 edt Walther-Hansen, Mads ca. 20./21. Jh. (DE-588)1079424741 edt Knakkergaard, Martin 1955- (DE-588)1187353957 edt Erscheint auch als Druck-Ausgabe 978-0-19-046024-2 https://doi.org/10.1093/oxfordhb/9780190460242.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Oxford handbook of sound and imagination, Volume 2 Music / Psychological aspects Sound / Psychological aspects Imagination |
| title | The Oxford handbook of sound and imagination, Volume 2 |
| title_alt | Sound and imagination |
| title_auth | The Oxford handbook of sound and imagination, Volume 2 |
| title_exact_search | The Oxford handbook of sound and imagination, Volume 2 |
| title_full | The Oxford handbook of sound and imagination, Volume 2 edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard |
| title_fullStr | The Oxford handbook of sound and imagination, Volume 2 edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard |
| title_full_unstemmed | The Oxford handbook of sound and imagination, Volume 2 edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard |
| title_short | The Oxford handbook of sound and imagination, Volume 2 |
| title_sort | the oxford handbook of sound and imagination volume 2 |
| topic | Music / Psychological aspects Sound / Psychological aspects Imagination |
| topic_facet | Music / Psychological aspects Sound / Psychological aspects Imagination |
| url | https://doi.org/10.1093/oxfordhb/9780190460242.001.0001 |
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