The Oxford handbook of sound and imagination, Volume 1:
Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding...
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| Weitere Verfasser: | , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
2019
|
| Schriftenreihe: | Oxford handbooks online
|
| Schlagworte: | |
| Online-Zugang: | BSB01 KUBA1 KUBA4 Volltext |
| Zusammenfassung: | Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games |
| Beschreibung: | Includes bibliographical references and index Imagining Sound as the Absolute: The Case of Sarangadeva - Saam Trivedi -- - Shifting Metaphors in the Conceptualization of Musical Knowledge and Learning - Petter Dyndahl -- - Fantasy Control: Implications for Distributed Imagination and Affect Attunement in Music and Sound - Ulrik Volgsten -- - Musical Preferences and the Imagined Self - Alexandra Lamont -- - Burmese Spirit Worship: Music as a Medium for the Transformation of Self - Judith Becker -- - Opera and the South African Political - Christopher Ballantine -- - Noise and Tranquillity at Stonehenge: The Political Acoustics of Cultural Heritage - Odd Are Berkaak -- - The Sonic Abject: Sound and Violence in the Legal Imagination - Veit Erlmann -- - Building Worlds Together with Sound and Music: Imagination as an Active Engagement Between Ourselves - Kai Tuuri, Henna-Riikka Peltola -- - Sonic Branding: From Brand Image to Brand Imagination - Clara Gustafsson -- - Radio Imaginaries: Music, Space, and Broadcasting in the 1950s - Morten Michelsen -- - The Sensation of Sound and Imagination in a Historical Perspective - Sven Hroar Klempe -- - Audio Inside the Mind: The Poetics of Sound - Se an Street -- - The Acoustic Imaginations of East Asia - Kerim Yasar -- - Imagining Sonic Stories - Vincent Meelberg -- - Sound Quality, Language, and Cognitive Metaphors - Mads Walther-Hansen -- - Speech, Sound, Technology - Johannes Mulder, Theo van Leeuwen -- - Divergent Images of Early Sound Experience during Infancy and Early Childhood - Michael Forrester -- - The Aural Dimension in Comic Art - Marco Pellitteri -- - Sound, Museums, and the Modulation of the Imagination - William Whittington -- - Cinema as Social Knowledge: The Case of the Beatles in the Studio - Fran cois Ribac -- - Concerning the Iconic Signification of Music in Cinema - Michael Chanan -- - Imagining the Sounds Themselves - Malcolm Riddoch -- - Embodied Listening: A Moving Dimension of Imagination - Martine Huvenne -- - The Listener's Choice: The Sounds of Music, Meanings, and Measurements - Ola Stockfelt -- - Imagining Acoustic Spaces through Listening and Acoustic Ecology - Barry Truax -- - Presence, Environment, and Sound and the Role of Imagination - Mark Grimshaw-Aagaard -- - Music Places: Imaginative Transports of Listening - Judy I. Lochhead -- - Beacons of Sound - Martin Knakkergaard -- - Cross-modal correspondences and the analysis of contemporary music: An exploratory investigation - Zohar Eitan, Hila Tamir-Ostrover -- - Auditory Mirrors: About the Politics of Hearing - Sabine Sanio -- - What We Hear is Where We Are - Linda-Ruth Salter -- - Bridging the Other-Real: Video Game Sound and the Imagination - Tom A. Garner -- - Auditory Imagination: A Phenomenological Perspective - Daniel A. Schmicking -- - Introduction - Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard -- - The Necessity of Vagueness and Ambiguity to the Imagining of Sound - Mark Grimshaw-Aagaard -- - Listening and/as Imagination - Marcel Cobussen -- - Imagination, Multimodality, and Sound - Joaquim Braga -- - Some Anticipatory, Kinesthetic, and Dynamic Aspects of Auditory Imagery - Timothy L. Hubbard -- - Into the Sounds of War: Imagination, Media, and Experience - Michael Bull |
| Beschreibung: | 1 Online-Ressource (808 Seiten) |
| ISBN: | 9780190460198 |
| DOI: | 10.1093/oxfordhb/9780190460167.001.0001 |
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| 500 | |a - Radio Imaginaries: Music, Space, and Broadcasting in the 1950s - Morten Michelsen -- - The Sensation of Sound and Imagination in a Historical Perspective - Sven Hroar Klempe -- - Audio Inside the Mind: The Poetics of Sound - Se an Street -- - The Acoustic Imaginations of East Asia - Kerim Yasar -- - Imagining Sonic Stories - Vincent Meelberg -- - Sound Quality, Language, and Cognitive Metaphors - Mads Walther-Hansen -- - Speech, Sound, Technology - Johannes Mulder, Theo van Leeuwen -- - Divergent Images of Early Sound Experience during Infancy and Early Childhood - Michael Forrester -- - The Aural Dimension in Comic Art - Marco Pellitteri -- - Sound, Museums, and the Modulation of the Imagination - William Whittington -- - Cinema as Social Knowledge: The Case of the Beatles in the Studio - Fran cois Ribac -- - Concerning the Iconic Signification of Music in Cinema - Michael Chanan -- - Imagining the Sounds Themselves - Malcolm Riddoch -- | ||
| 500 | |a - Embodied Listening: A Moving Dimension of Imagination - Martine Huvenne -- - The Listener's Choice: The Sounds of Music, Meanings, and Measurements - Ola Stockfelt -- - Imagining Acoustic Spaces through Listening and Acoustic Ecology - Barry Truax -- - Presence, Environment, and Sound and the Role of Imagination - Mark Grimshaw-Aagaard -- - Music Places: Imaginative Transports of Listening - Judy I. Lochhead -- - Beacons of Sound - Martin Knakkergaard -- - Cross-modal correspondences and the analysis of contemporary music: An exploratory investigation - Zohar Eitan, Hila Tamir-Ostrover -- - Auditory Mirrors: About the Politics of Hearing - Sabine Sanio -- - What We Hear is Where We Are - Linda-Ruth Salter -- - Bridging the Other-Real: Video Game Sound and the Imagination - Tom A. Garner -- - Auditory Imagination: A Phenomenological Perspective - Daniel A. Schmicking -- - Introduction - Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard -- | ||
| 500 | |a - The Necessity of Vagueness and Ambiguity to the Imagining of Sound - Mark Grimshaw-Aagaard -- - Listening and/as Imagination - Marcel Cobussen -- - Imagination, Multimodality, and Sound - Joaquim Braga -- - Some Anticipatory, Kinesthetic, and Dynamic Aspects of Auditory Imagery - Timothy L. Hubbard -- - Into the Sounds of War: Imagination, Media, and Experience - Michael Bull | ||
| 520 | |a Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games | ||
| 650 | 4 | |a Music / Psychological aspects | |
| 650 | 4 | |a Sound / Psychological aspects | |
| 650 | 4 | |a Imagination | |
| 700 | 1 | |a Grimshaw-Aagaard, Mark |d 1963- |0 (DE-588)1049180488 |4 edt | |
| 700 | 1 | |a Walther-Hansen, Mads |d ca. 20./21. Jh. |0 (DE-588)1079424741 |4 edt | |
| 700 | 1 | |a Knakkergaard, Martin |d 1955- |0 (DE-588)1187353957 |4 edt | |
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Datensatz im Suchindex
| _version_ | 1804180719195389952 |
|---|---|
| any_adam_object | |
| author2 | Grimshaw-Aagaard, Mark 1963- Walther-Hansen, Mads ca. 20./21. Jh Knakkergaard, Martin 1955- |
| author2_role | edt edt edt |
| author2_variant | m g a mga m w h mwh m k mk |
| author_GND | (DE-588)1049180488 (DE-588)1079424741 (DE-588)1187353957 |
| author_facet | Grimshaw-Aagaard, Mark 1963- Walther-Hansen, Mads ca. 20./21. Jh Knakkergaard, Martin 1955- |
| building | Verbundindex |
| bvnumber | BV046273785 |
| classification_rvk | LR 56660 |
| collection | ZDB-28-OMU |
| ctrlnum | (ZDB-28-OMU)EDZ0002089814 (OCoLC)1129405273 (DE-599)BVBBV046273785 |
| dewey-full | 781.11 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.11 |
| dewey-search | 781.11 |
| dewey-sort | 3781.11 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1093/oxfordhb/9780190460167.001.0001 |
| format | Electronic eBook |
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| id | DE-604.BV046273785 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:40:14Z |
| institution | BVB |
| isbn | 9780190460198 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031651548 |
| oclc_num | 1129405273 |
| open_access_boolean | |
| owner | DE-12 DE-Y3 DE-Y2 |
| owner_facet | DE-12 DE-Y3 DE-Y2 |
| physical | 1 Online-Ressource (808 Seiten) |
| psigel | ZDB-28-OMU ZDB-28-OMU19 ZDB-28-OMU ZDB-28-OMU19 ZDB-28-OMU KHI ZDB-28-OMU BHR |
| publishDate | 2019 |
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| publisher | Oxford University Press |
| record_format | marc |
| series2 | Oxford handbooks online |
| spelling | The Oxford handbook of sound and imagination, Volume 1 edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard Sound and imagination New York Oxford University Press 2019 1 Online-Ressource (808 Seiten) txt rdacontent c rdamedia cr rdacarrier Oxford handbooks online Includes bibliographical references and index Imagining Sound as the Absolute: The Case of Sarangadeva - Saam Trivedi -- - Shifting Metaphors in the Conceptualization of Musical Knowledge and Learning - Petter Dyndahl -- - Fantasy Control: Implications for Distributed Imagination and Affect Attunement in Music and Sound - Ulrik Volgsten -- - Musical Preferences and the Imagined Self - Alexandra Lamont -- - Burmese Spirit Worship: Music as a Medium for the Transformation of Self - Judith Becker -- - Opera and the South African Political - Christopher Ballantine -- - Noise and Tranquillity at Stonehenge: The Political Acoustics of Cultural Heritage - Odd Are Berkaak -- - The Sonic Abject: Sound and Violence in the Legal Imagination - Veit Erlmann -- - Building Worlds Together with Sound and Music: Imagination as an Active Engagement Between Ourselves - Kai Tuuri, Henna-Riikka Peltola -- - Sonic Branding: From Brand Image to Brand Imagination - Clara Gustafsson -- - Radio Imaginaries: Music, Space, and Broadcasting in the 1950s - Morten Michelsen -- - The Sensation of Sound and Imagination in a Historical Perspective - Sven Hroar Klempe -- - Audio Inside the Mind: The Poetics of Sound - Se an Street -- - The Acoustic Imaginations of East Asia - Kerim Yasar -- - Imagining Sonic Stories - Vincent Meelberg -- - Sound Quality, Language, and Cognitive Metaphors - Mads Walther-Hansen -- - Speech, Sound, Technology - Johannes Mulder, Theo van Leeuwen -- - Divergent Images of Early Sound Experience during Infancy and Early Childhood - Michael Forrester -- - The Aural Dimension in Comic Art - Marco Pellitteri -- - Sound, Museums, and the Modulation of the Imagination - William Whittington -- - Cinema as Social Knowledge: The Case of the Beatles in the Studio - Fran cois Ribac -- - Concerning the Iconic Signification of Music in Cinema - Michael Chanan -- - Imagining the Sounds Themselves - Malcolm Riddoch -- - Embodied Listening: A Moving Dimension of Imagination - Martine Huvenne -- - The Listener's Choice: The Sounds of Music, Meanings, and Measurements - Ola Stockfelt -- - Imagining Acoustic Spaces through Listening and Acoustic Ecology - Barry Truax -- - Presence, Environment, and Sound and the Role of Imagination - Mark Grimshaw-Aagaard -- - Music Places: Imaginative Transports of Listening - Judy I. Lochhead -- - Beacons of Sound - Martin Knakkergaard -- - Cross-modal correspondences and the analysis of contemporary music: An exploratory investigation - Zohar Eitan, Hila Tamir-Ostrover -- - Auditory Mirrors: About the Politics of Hearing - Sabine Sanio -- - What We Hear is Where We Are - Linda-Ruth Salter -- - Bridging the Other-Real: Video Game Sound and the Imagination - Tom A. Garner -- - Auditory Imagination: A Phenomenological Perspective - Daniel A. Schmicking -- - Introduction - Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard -- - The Necessity of Vagueness and Ambiguity to the Imagining of Sound - Mark Grimshaw-Aagaard -- - Listening and/as Imagination - Marcel Cobussen -- - Imagination, Multimodality, and Sound - Joaquim Braga -- - Some Anticipatory, Kinesthetic, and Dynamic Aspects of Auditory Imagery - Timothy L. Hubbard -- - Into the Sounds of War: Imagination, Media, and Experience - Michael Bull Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games Music / Psychological aspects Sound / Psychological aspects Imagination Grimshaw-Aagaard, Mark 1963- (DE-588)1049180488 edt Walther-Hansen, Mads ca. 20./21. Jh. (DE-588)1079424741 edt Knakkergaard, Martin 1955- (DE-588)1187353957 edt Erscheint auch als Druck-Ausgabe 978-0-19-046016-7 https://doi.org/10.1093/oxfordhb/9780190460167.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Oxford handbook of sound and imagination, Volume 1 Music / Psychological aspects Sound / Psychological aspects Imagination |
| title | The Oxford handbook of sound and imagination, Volume 1 |
| title_alt | Sound and imagination |
| title_auth | The Oxford handbook of sound and imagination, Volume 1 |
| title_exact_search | The Oxford handbook of sound and imagination, Volume 1 |
| title_full | The Oxford handbook of sound and imagination, Volume 1 edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard |
| title_fullStr | The Oxford handbook of sound and imagination, Volume 1 edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard |
| title_full_unstemmed | The Oxford handbook of sound and imagination, Volume 1 edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard |
| title_short | The Oxford handbook of sound and imagination, Volume 1 |
| title_sort | the oxford handbook of sound and imagination volume 1 |
| topic | Music / Psychological aspects Sound / Psychological aspects Imagination |
| topic_facet | Music / Psychological aspects Sound / Psychological aspects Imagination |
| url | https://doi.org/10.1093/oxfordhb/9780190460167.001.0001 |
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