Landscapes between then and now: recent histories in Southern African photography, performance and video art
"In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London, UK ; New York, NY
Bloomsbury Visual Arts
2020
|
| Schriftenreihe: | Photography, place, environment
|
| Schlagworte: | |
| Online-Zugang: | rezensiert in: sehepunkte 22 (2022), Nr. 9 |
| Zusammenfassung: | "In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape. Landscapes Between Then and Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest"-- |
| Beschreibung: | 2001 |
| Beschreibung: | xxi, 258 Seiten Illustrationen, 1 Karte 24 cm |
| ISBN: | 9781350024007 1350024007 |
Internformat
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV046262702 | ||
| 003 | DE-604 | ||
| 005 | 20200217 | ||
| 007 | t | ||
| 008 | 191120s2020 a||| b||| 00||| eng d | ||
| 020 | |a 9781350024007 |9 978-1-3500-2400-7 | ||
| 020 | |a 1350024007 |9 1350024007 | ||
| 035 | |a (OCoLC)1140140997 | ||
| 035 | |a (DE-599)BVBBV046262702 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-703 |a DE-91 |a DE-19 | ||
| 084 | |a AP 99077 |0 (DE-625)8250:737 |2 rvk | ||
| 084 | |a KUN 415f |2 stub | ||
| 100 | 1 | |a Brandt, Nicola |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Landscapes between then and now |b recent histories in Southern African photography, performance and video art |c Nicola Brandt |
| 264 | 1 | |a London, UK ; New York, NY |b Bloomsbury Visual Arts |c 2020 | |
| 300 | |a xxi, 258 Seiten |b Illustrationen, 1 Karte |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Photography, place, environment | |
| 500 | |a 2001 | ||
| 505 | 8 | |a Introduction -- Beyond Bearing Witness -- Santu Mofokeng's Appropriated Landscapes -- Picturing Stillness, Aura and Ambivalence -- Namibia's War of Independence: Power, Knowledge and Amnesia -- Memorial Landscapes: Between Documentary Realism and the Imaginary -- Histories and Landscapes Embodied -- Imagined Geographies and Critical Practices of Self | |
| 520 | 3 | |a "In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape. Landscapes Between Then and Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest"-- | |
| 600 | 1 | 7 | |a Mofokeng, Santu |d 1956-2020 |0 (DE-588)11928765X |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Südafrika |0 (DE-588)4078012-0 |2 gnd |9 rswk-swf | |
| 653 | 1 | |a Mofokeng, Santu / 1956- / Criticism and interpretation | |
| 653 | 0 | |a Photography / Political aspects / Africa, Southern | |
| 653 | 0 | |a Documentary photography / Africa, Southern | |
| 653 | 0 | |a Landscape photography / Africa, Southern | |
| 653 | 0 | |a Video art / Political aspects / Africa, Southern | |
| 689 | 0 | 0 | |a Südafrika |0 (DE-588)4078012-0 |D g |
| 689 | 0 | 1 | |a Fotografie |0 (DE-588)4045895-7 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Mofokeng, Santu |d 1956-2020 |0 (DE-588)11928765X |D p |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-3500-2402-1 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-3500-2401-4 |
| 856 | 4 | 2 | |u http://www.sehepunkte.de/2022/09/34289.html |y rezensiert in: sehepunkte 22 (2022), Nr. 9 |3 Rezension |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031640678 | ||
Datensatz im Suchindex
| _version_ | 1804180699159199744 |
|---|---|
| any_adam_object | |
| author | Brandt, Nicola |
| author_facet | Brandt, Nicola |
| author_role | aut |
| author_sort | Brandt, Nicola |
| author_variant | n b nb |
| building | Verbundindex |
| bvnumber | BV046262702 |
| classification_rvk | AP 99077 |
| classification_tum | KUN 415f |
| contents | Introduction -- Beyond Bearing Witness -- Santu Mofokeng's Appropriated Landscapes -- Picturing Stillness, Aura and Ambivalence -- Namibia's War of Independence: Power, Knowledge and Amnesia -- Memorial Landscapes: Between Documentary Realism and the Imaginary -- Histories and Landscapes Embodied -- Imagined Geographies and Critical Practices of Self |
| ctrlnum | (OCoLC)1140140997 (DE-599)BVBBV046262702 |
| discipline | Allgemeines Kunst |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03929nam a22005298c 4500</leader><controlfield tag="001">BV046262702</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200217 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">191120s2020 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350024007</subfield><subfield code="9">978-1-3500-2400-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1350024007</subfield><subfield code="9">1350024007</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1140140997</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046262702</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-91</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 99077</subfield><subfield code="0">(DE-625)8250:737</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KUN 415f</subfield><subfield code="2">stub</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brandt, Nicola</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Landscapes between then and now</subfield><subfield code="b">recent histories in Southern African photography, performance and video art</subfield><subfield code="c">Nicola Brandt</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London, UK ; New York, NY</subfield><subfield code="b">Bloomsbury Visual Arts</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxi, 258 Seiten</subfield><subfield code="b">Illustrationen, 1 Karte</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Photography, place, environment</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">2001</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction -- Beyond Bearing Witness -- Santu Mofokeng's Appropriated Landscapes -- Picturing Stillness, Aura and Ambivalence -- Namibia's War of Independence: Power, Knowledge and Amnesia -- Memorial Landscapes: Between Documentary Realism and the Imaginary -- Histories and Landscapes Embodied -- Imagined Geographies and Critical Practices of Self</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape. Landscapes Between Then and Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest"--</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mofokeng, Santu</subfield><subfield code="d">1956-2020</subfield><subfield code="0">(DE-588)11928765X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Südafrika</subfield><subfield code="0">(DE-588)4078012-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Mofokeng, Santu / 1956- / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photography / Political aspects / Africa, Southern</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Documentary photography / Africa, Southern</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Landscape photography / Africa, Southern</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Video art / Political aspects / Africa, Southern</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Südafrika</subfield><subfield code="0">(DE-588)4078012-0</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Mofokeng, Santu</subfield><subfield code="d">1956-2020</subfield><subfield code="0">(DE-588)11928765X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-3500-2402-1</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-1-3500-2401-4</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">http://www.sehepunkte.de/2022/09/34289.html</subfield><subfield code="y">rezensiert in: sehepunkte 22 (2022), Nr. 9</subfield><subfield code="3">Rezension</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031640678</subfield></datafield></record></collection> |
| geographic | Südafrika (DE-588)4078012-0 gnd |
| geographic_facet | Südafrika |
| id | DE-604.BV046262702 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:39:54Z |
| institution | BVB |
| isbn | 9781350024007 1350024007 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031640678 |
| oclc_num | 1140140997 |
| open_access_boolean | |
| owner | DE-703 DE-91 DE-BY-TUM DE-19 DE-BY-UBM |
| owner_facet | DE-703 DE-91 DE-BY-TUM DE-19 DE-BY-UBM |
| physical | xxi, 258 Seiten Illustrationen, 1 Karte 24 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Bloomsbury Visual Arts |
| record_format | marc |
| series2 | Photography, place, environment |
| spelling | Brandt, Nicola Verfasser aut Landscapes between then and now recent histories in Southern African photography, performance and video art Nicola Brandt London, UK ; New York, NY Bloomsbury Visual Arts 2020 xxi, 258 Seiten Illustrationen, 1 Karte 24 cm txt rdacontent n rdamedia nc rdacarrier Photography, place, environment 2001 Introduction -- Beyond Bearing Witness -- Santu Mofokeng's Appropriated Landscapes -- Picturing Stillness, Aura and Ambivalence -- Namibia's War of Independence: Power, Knowledge and Amnesia -- Memorial Landscapes: Between Documentary Realism and the Imaginary -- Histories and Landscapes Embodied -- Imagined Geographies and Critical Practices of Self "In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape. Landscapes Between Then and Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest"-- Mofokeng, Santu 1956-2020 (DE-588)11928765X gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Südafrika (DE-588)4078012-0 gnd rswk-swf Mofokeng, Santu / 1956- / Criticism and interpretation Photography / Political aspects / Africa, Southern Documentary photography / Africa, Southern Landscape photography / Africa, Southern Video art / Political aspects / Africa, Southern Südafrika (DE-588)4078012-0 g Fotografie (DE-588)4045895-7 s DE-604 Mofokeng, Santu 1956-2020 (DE-588)11928765X p Erscheint auch als Online-Ausgabe 978-1-3500-2402-1 Erscheint auch als Online-Ausgabe, PDF 978-1-3500-2401-4 http://www.sehepunkte.de/2022/09/34289.html rezensiert in: sehepunkte 22 (2022), Nr. 9 Rezension |
| spellingShingle | Brandt, Nicola Landscapes between then and now recent histories in Southern African photography, performance and video art Introduction -- Beyond Bearing Witness -- Santu Mofokeng's Appropriated Landscapes -- Picturing Stillness, Aura and Ambivalence -- Namibia's War of Independence: Power, Knowledge and Amnesia -- Memorial Landscapes: Between Documentary Realism and the Imaginary -- Histories and Landscapes Embodied -- Imagined Geographies and Critical Practices of Self Mofokeng, Santu 1956-2020 (DE-588)11928765X gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)11928765X (DE-588)4045895-7 (DE-588)4078012-0 |
| title | Landscapes between then and now recent histories in Southern African photography, performance and video art |
| title_auth | Landscapes between then and now recent histories in Southern African photography, performance and video art |
| title_exact_search | Landscapes between then and now recent histories in Southern African photography, performance and video art |
| title_full | Landscapes between then and now recent histories in Southern African photography, performance and video art Nicola Brandt |
| title_fullStr | Landscapes between then and now recent histories in Southern African photography, performance and video art Nicola Brandt |
| title_full_unstemmed | Landscapes between then and now recent histories in Southern African photography, performance and video art Nicola Brandt |
| title_short | Landscapes between then and now |
| title_sort | landscapes between then and now recent histories in southern african photography performance and video art |
| title_sub | recent histories in Southern African photography, performance and video art |
| topic | Mofokeng, Santu 1956-2020 (DE-588)11928765X gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Mofokeng, Santu 1956-2020 Fotografie Südafrika |
| url | http://www.sehepunkte.de/2022/09/34289.html |
| work_keys_str_mv | AT brandtnicola landscapesbetweenthenandnowrecenthistoriesinsouthernafricanphotographyperformanceandvideoart |