Protest!: a history of social and political protest graphics
Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic fo...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics. Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth's Gin Lane, Thomas Nast's political caricatures, French and British comics, postcards from the women's suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the "Silence=Death" emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong's Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes. From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women's March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change |
| Beschreibung: | 285 Seiten |
| ISBN: | 9780691198330 |
Internformat
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| 520 | 3 | |a Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics. Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth's Gin Lane, Thomas Nast's political caricatures, French and British comics, postcards from the women's suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the "Silence=Death" emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong's Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes. From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women's March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change | |
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Datensatz im Suchindex
| _version_ | 1804180695454580736 |
|---|---|
| adam_text | J Early Developments: The Reformation and Social Comment (1500-1900) 8 Constructing a New Society (1900-1930) 34 Fascism, The Cold War and The Bomb (1930-1960) 62 Martin Luther and the Reformation 14 Posada and Pre-revolutionary Mexico 40 Ben Shahn and Social Realism 68 Jacques Callot: ‘The Miseries of War’ 16 Votes for Women: The WS PU 42 The Spanish Civil War 74 Futurism Breaks with the Past 50 ‘Ban the Bomb’and CND 78 The French Revolution 18 Dadaism and its Graphics 52 The Golden Age of British Satire 20 Photomontage and Social Critique 54 The Dawn of Defiance: Civil Rights, Anti-Apartheid 84 Francisco Goya: ‘The Disasters of War’ 24 The Constructivist Style 56 French Satire and Comic Papers 26 Thomas Nast Targets ‘Boss’ Tweed 30 / DMImM I I լ шяФвп J suíÉttUM In the Shadow of Fascism 70
Zá Redirection and Change The AIDS Crisis and (1960-1980) 86 Other Global Tensions (1980-2000) 130 Cuban Revolutionary Poster Art 92 Counter-Cultures 94 Protests Against the Vietnam War 98 The Civil Rights Movement 104 Black Power and the Black Panthers 106 Revolutions and the Demand for Rights (2000-Present) 200 The International Peace Movement 138 2011-14: Years of Revolution 218 The War on Terror 208 Political Satire: A Rogues’ Gallery 144 Hong Kong’s Umbrella Revolution 228 Internal Struggles, Divided Countries 146 Russia: Pussy Riot, The Blue Noses 232 Women’s Liberation: The Second Wave 110 The Anti-Apartheid Movement 152 LGBT Issues 236 Feminism: The Third Wave 158 Black Lives Matter 240 Gay Liberation and Pride The AIDS Crisis 164 Women’s Rights 244 May ’68 Riots: Atelier Populaire 118 Lesbian and Gay Activism 168 Eco-Disasters, Eco-Crimes 250 1970s Youth Rebellion: Punk 120 Pro-Democracy Movements 172 Political Satire: In Your Face 254 The Environmental Movement 124 Anti-War Protests 176 Human Rights, Social Struggles 262 International Solidarity 128 International Solidarity: Global Struggles 182 116 Anti-Globalization 184 Anti-Corporate Campaigns 186 Animal Rights 188 Environmental Concerns 190 Human Rights, Anti-Racism 194 Introduction 6 Endnotes 272 Bibliography 274 Index 276 Picture credits 284 Acknowledgements 285
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| spelling | MacQuiston, Liz 1952- Verfasser (DE-588)1057387126 aut Protest! a history of social and political protest graphics Liz McQuiston Princeton ; Oxford Princeton University Press [2019] 285 Seiten txt rdacontent sti rdacontent n rdamedia nc rdacarrier Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics. Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth's Gin Lane, Thomas Nast's political caricatures, French and British comics, postcards from the women's suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the "Silence=Death" emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong's Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes. From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women's March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change Geschichte gnd rswk-swf Grafik (DE-588)4021845-4 gnd rswk-swf Politische Kunst (DE-588)4175029-9 gnd rswk-swf Politischer Protest (DE-588)4229763-1 gnd rswk-swf Protestbewegung (DE-588)4226404-2 gnd rswk-swf Political art Protest movements Political posters / History Political posters History (DE-588)4145395-5 Bildband gnd-content Politischer Protest (DE-588)4229763-1 s Protestbewegung (DE-588)4226404-2 s Politische Kunst (DE-588)4175029-9 s Grafik (DE-588)4021845-4 s Geschichte z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031638777&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | MacQuiston, Liz 1952- Protest! a history of social and political protest graphics Grafik (DE-588)4021845-4 gnd Politische Kunst (DE-588)4175029-9 gnd Politischer Protest (DE-588)4229763-1 gnd Protestbewegung (DE-588)4226404-2 gnd |
| subject_GND | (DE-588)4021845-4 (DE-588)4175029-9 (DE-588)4229763-1 (DE-588)4226404-2 (DE-588)4145395-5 |
| title | Protest! a history of social and political protest graphics |
| title_auth | Protest! a history of social and political protest graphics |
| title_exact_search | Protest! a history of social and political protest graphics |
| title_full | Protest! a history of social and political protest graphics Liz McQuiston |
| title_fullStr | Protest! a history of social and political protest graphics Liz McQuiston |
| title_full_unstemmed | Protest! a history of social and political protest graphics Liz McQuiston |
| title_short | Protest! |
| title_sort | protest a history of social and political protest graphics |
| title_sub | a history of social and political protest graphics |
| topic | Grafik (DE-588)4021845-4 gnd Politische Kunst (DE-588)4175029-9 gnd Politischer Protest (DE-588)4229763-1 gnd Protestbewegung (DE-588)4226404-2 gnd |
| topic_facet | Grafik Politische Kunst Politischer Protest Protestbewegung Bildband |
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