Perspectives on German popular music:
In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popu...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2018
|
| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Ashgate popular and folk music series
|
| Schlagworte: | |
| Zusammenfassung: | In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study. Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies. |
| Beschreibung: | xvii, 320 Seiten Illustrationen |
| ISBN: | 9781138363069 9781472479624 |
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| 520 | |a In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study. | ||
| 520 | |a Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies. | ||
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Datensatz im Suchindex
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| author2 | Ahlers, Michael 1973- Jacke, Christoph 1968- |
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| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.640943 |
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| discipline | Musikwissenschaft |
| edition | First issued in paperback |
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| indexdate | 2024-07-10T08:39:49Z |
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| isbn | 9781138363069 9781472479624 |
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| spelling | Perspectives on German popular music edited by Michael Ahlers and Christoph Jacke First issued in paperback London ; New York Routledge, Taylor & Francis Group 2018 xvii, 320 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Ashgate popular and folk music series In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study. Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies. Popular music Germany History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Musiksoziologie (DE-588)4040869-3 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Deutschland (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutsch (DE-588)4113292-0 s Unterhaltungsmusik (DE-588)4061916-3 s Musiksoziologie (DE-588)4040869-3 s b DE-604 Ahlers, Michael 1973- (DE-588)131926071 edt Jacke, Christoph 1968- (DE-588)132242869 edt Erscheint auch als Online-Ausgabe 978-1-315-60020-8 |
| spellingShingle | Perspectives on German popular music Popular music Germany History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd Musiksoziologie (DE-588)4040869-3 gnd Deutsch (DE-588)4113292-0 gnd |
| subject_GND | (DE-588)4061916-3 (DE-588)4040869-3 (DE-588)4113292-0 (DE-588)4143413-4 |
| title | Perspectives on German popular music |
| title_auth | Perspectives on German popular music |
| title_exact_search | Perspectives on German popular music |
| title_full | Perspectives on German popular music edited by Michael Ahlers and Christoph Jacke |
| title_fullStr | Perspectives on German popular music edited by Michael Ahlers and Christoph Jacke |
| title_full_unstemmed | Perspectives on German popular music edited by Michael Ahlers and Christoph Jacke |
| title_short | Perspectives on German popular music |
| title_sort | perspectives on german popular music |
| topic | Popular music Germany History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd Musiksoziologie (DE-588)4040869-3 gnd Deutsch (DE-588)4113292-0 gnd |
| topic_facet | Popular music Germany History and criticism Unterhaltungsmusik Musiksoziologie Deutsch Deutschland Aufsatzsammlung |
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