The science of storytelling:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Abrams Press
2020
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 291 Seiten |
| ISBN: | 9781419743030 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804180689697898496 |
|---|---|
| adam_text | CONTENTS INTRODUCTION 1 CHAPTER ONE: CREATING A WORLD l.o Where does a story begin? 11 гл Moments of change·, thecontrol-seeking brain n 1.2 Curiosity 17 1.3 The model-making brain; how we read; grammar; 20 filmic word order; simplicity; active versus passive language; specific detail; show-not-tell 1.4 World-making in fantasy and science fiction 1.5 The domesticated brain; theory of mind in 31 33 animism and religion; how theory-of-mind mistakes create drama 1.6 Salience; creating tension with detail 1.7 Neural models; poetry; metaphor 39 41 1.8 Cause and effect; literary versus mass-market 48 storytelling 1.9 Change is not enough 56
CHAPTER TWO: THE FLAWED SELF 2.0 The flawed self; the theory of control 61 2.1 Personality and plot 68 2.2 Personality and setting 2.3 Personality and point of view 2.4 Culture and character; Western versus 72 76 78 Eastern story 2.5 Anatomy of a flawed self; the ignition point 84 2.6 Fictional memories; moral delusions; antagonists and moral idealism; antagonists and toxic self-esteem; the hero-maker narrative 2.7 David and Goliath 2.8 How flawed characters create meaning 92 98 100 CHAPTER THREE: THE DRAMATIC QUESTION 3.0 Confabulation and the deluded character; the dramatic question 107 3.1 Multiple selves; the three-dimensional character 3.2 The two levels of story; how subconscious character struggle creates plot 3.3 Modernist stories 3.4 Wanting and needing 3.5 Dialogue 114 119 128 131 132 3.6 The roots of the dramatic question; social 136 emotions; heroes and villains; moral outrage 3.7 Status play 3.8 King Lear, humiliation ^ ,,Q
3·9 Stories as tribal propaganda 3.10 Antiheroes; empathy 163 3.11 Origin damage 169 15Յ CHAPTER FOUR: PLOTS, ENDINGS AND MEANING 4.0 Goal directedness; constriction and release; 183 video games; personal projects; eudaemonia 4.1 The story event; the standard five-act plot; 19° plot as recipe versus plot as symphony of change 4.2 The final battle 4.3 Endings; control; the God moment 4.4 Story as a simulacrum of consciousness; 201 2°6 transportation 4.5 The power of story 2°8 4.6 The value of story 4-7 The lesson of story 4-8 The consolation of story 211 212 212 APPENDIX: THE SACRED FLAW APPROACH 215 A NOTE ON THE TEXT ACKNOWLEDGMENTS N OTES AND SOURCES 257 259 261 INDEX 284
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| indexdate | 2024-07-10T08:39:45Z |
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| isbn | 9781419743030 |
| language | English |
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| physical | 291 Seiten |
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