Grafitet në folklor: = Graffiti in folklore
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | Albanian |
| Veröffentlicht: |
Prishtinë
Instituti Albanologjik
2019
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract Literaturverzeichnis |
| Beschreibung: | 167 Seiten 20 cm |
| ISBN: | 9789951240727 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804180688683925504 |
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| adam_text | PËRMBAJTJA Falënderime...........................................................................9 HYRJE...........................................................................................u KREU I 1. NGA FOLKLORI DERI ТЕК GRAFITÉT....................... 15 1.1. Ç’është folklori?...............................................................15 1.2. Çfarë e karakterizon folklorin?...................................... 21 1.3. Folklori і shkruar apo і shtypur..................................... 24 1.4. Folklori urban................................................................. 28 1.5. Grafitét si një forme e shprehjes së folklorit................ 35 1.6. Artet popullore, artet e popullarizuara dhe artet e bukura...........................................................41 KREU II II. GRAFITI: DEFINÍCIÓNK ORIGJINA, STILI, MESAZHI...................................................................... 45 2. x. Ç’është grafiti dhe cila është historia e tij?..............45 2.2. Llojet dhe stilet e grafiteve............................................ 55 2.3. Teksti i grafitit si mesazh komunikimi........................ 65
Ylberza HAULI 8 KREU III III. GRAFITÉT NË BOTEN SHQIPTARE......................... 73 3.1. Arti і rrugës ně Kosově dhe në Shqipëri....................... 76 3.2. Semiotika e grafiteve në Kosově.................................. 94 3.2.1. Grafite politike dhe per politikanët............................94 3.2.2. Grafite feministe.........................................................103 3.2.3. Grafite me dimensione kulturore dhe urbane........106 3.2.4. Grafite reaguese nga jeta e përditshme................... 109 3.2.5. Grafite të komumtetit LGBT......................................n8 3.2.6. Grafite të reklamave...................................................120 3.3. Semiotika e grafiteve në Shqipëri................................ 121 3.3.1. Grafitét - proverba me dimension filozofik dhe të jetës së përditshme..........................................121 3.3.2. Grafite me tematike deklarimin e dashurisë........... 125 3.3.3. Grafite reaguese për problemet sociale dhe politike..................................................................128 3.3.4. Grafite të komunitetit LGBT..................................... 132 3.3.5. Grafitét me dimension bashkimin kombëtar..........133 3.3.6. Grafitét e të rinjve me dimension kulturor e urban....................................................................... 134
GRAFITÉT NË FOLKLOR_________________________________ 9 3.3.7 Grafite erotike.........................................................138 3.3.8. Grafite që shprehin sarkazem dhe cinizem........... 139 3.3.9. Grafite të reklamave...............................................140 KREU IV INTERNETI DHE NDIKIMII TIJ NË PËRHAPJEN E GRAFITEVE...................................................................... 141 PËRFUNDIM.......................................................................149 SUMMARY............................................................................155 LITERATURA E SHFRYTËZUAR DHE E KONSULTUAR...................................................... 159
GRAFFITI IN FOLKLORE Summary Folklore is continually created and as such follows our lives in continuity, from the past to the present. Being a ref lection of the spirit world of humans, folklore is where people are, at work, in the village, street, city, and in the internet. Since folklore includes a range of expressions of the culture and tradition of folklòric groups, it is manifested in different forms of communication, not just oral, but also through writing. The well-known scholar Aland Dundės has come to the conclusion that only oral transmission is not enough to distinguish folklore from non-folklore. There are a number of traditional forms that have always circulated in written or printed forms. These include autographs in books, chain letters, inscriptions on the stone, graffiti, and sung or printed ballads. Over the last decades, people have begun to systematically investigate the location and content of graffiti. Mainly this concerns the study of two types of inscriptions street graffiti and graffiti found on the walls of public bath rooms - called latrinalia. Digital technology has further ex panded the field, opening up an additional space for cultural expression. From their humorous, wise, implausible, vulgar, po tentially hostile, intolerant ideas and alternative ideas, graffiti
156 Ylberza HALILI as part of folklore and urban communication are symbols of a subculture. We consider the sub-cultural dimension of gra ffiti to be particularly important, given that the main aim of these urban messages is to influence different social groups, possibly bringing about certain changes in the field of culture. For example, this process is visible in motto, messa ges, slogans and graffiti written during political ralhes in Kosova. All of these writings are short sentences or phrases, but differ from what they express. Graffiti as written, anonymous, short, and often tradi tional comments, placed on public wafts and other flat sur faces, have long communicated with the public. Graffiti is also considered as art of tagging . Tagging is a part of not only hip-hop culture but also of urban culture, as well as represents the perspective of a person or per spective of young people, which older generations have been afraid to say it. Graffiti is written by anonymous writers, mostly in urban areas and with a short and meaningful ex pression. Since graffiti is an accurate indicator of the social attitudes of a community or group, they can be classified as folklore. But what are the reasons? Different scholars highlight the elements that form fol klore, and they are: folk-group, tradition, variations, the mea ning of a folkloric unit, folklore broadcast, and anonymity. While the elements that link graffiti to folklore are: graffiti is a kind of popular speech in writing form, because of its poetic and narrative characteristics. Regardless of the classification
as a genre, graffiti is undoubtedly traditional, with an origin that goes deep in history. Another element is the anonymity of those who write grafitti, which puts graffiti in the folklore competences. Graffiti is associated with particular folk groups, ranging from frequent participants of
GRAFITÉT NE FOLKLOR 157 university buildings to deviant social groups, such as gangs of different ethnic groups. Graffiti is a good example of folklore because it is usually anonymous and explicative of the opinion of an individual or a group of persons. The affinity of folklore and of graffiti artists today also stand in the act of performing of graffiti. They are also considered as folk art, because they differ from fine art because the folk artists do not have formal training in art school, but they learn and practice their skills within their folk group, as is the case with graffiti groups. To prove the relevance of graffiti with folklore, some scholars have collected phrases from the walls in general to reveal the spread of folk humor, and folk speech in the form of traditional words and word games. Graffiti is a product of people and part of the collective memory, so these works should be treated in the framework of folklore. Graffiti in the Albanian world represents its history and tradition of development, transformation, and typical communication practices between social groups or residents of that city. The graffiti situation in Kosova and Albania is such that political graffiti prevails, but there are also those of the reaction type, with urban, cultural and social dimensions. Although by some people it is seen as art, and by some as vandalism, graffiti is a kind of written folk speech expre ssed by anonymous people. They usually have daily content, political affairs and social issues. Graffiti is a very important form of popular communication that though often
being illegal, continues to flourish in different parts of the world, including also Kosova and Albania.
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160 Ylberza HALILI Brunvand, Jan Harold 1996. American Folklore (New York: Garland) Brunvand, Jan Harold. 2012. Encyclopedia of Urban Le gends (Santa Barbara, California: ABC-CLIO) D’Angelo, Frank J. Sacred Cows Make Great Hamburgers: the Rhetoric of Graffiti”, College Composition and Commu nication, 25, 2:173-180. Dundes, Alan Carl Pagter. 1992. Work Hard and You Shall be Rewarded (Detroit: Wayne State University Press) Dundės, Alan, “Folkloristics in the Twenty-First Century” në Grand Theory in Folkloristics, nga Lee Haring (red.) (Bloomington and Indianapolis: Indiana University Press, 2016), fq. 3-38. Dundės, Alan. 1965. The Study of Folklore (Englewood Cliffs, N.J.: Prentice-Hall) Dundės, Alan. 1980. Interpreting Folklore (Bloomington: Indiana University Press) Dundės, Alan. 1992. Folklore Matters (Tennesee: Univer sity of Tennessee Press) Dushi, Arbnora. 2009. Homo Narrans-Rrëfimi personal gojor (Prishtinë: Instituti Albanologjik) Dushi, Arbnora. 2011. Folklori përtej kufiįve (Prishtinë: In stituti Albanologjik) Dushi, Arbnora. 2015. Folklori ndërmjet mbijetesës dhe transformimit, Albanologji, 5/II/2014: 7-21. Dushi, Arbnora. 2016. Kënga e Halit Gashit: Performansat paralele të interpretimit në zhanrin e muzikes popullore dhe popullarizuese, Gjurmime Albanologjike, seria folklor dhe etnologji, 46: 58-71.
GRAFITÉT NË FOLKLOR 161 Eco, Umberto. 1996. Struktura e papranishme kerkimi semi otik dhe metoda strukturah (Pejë: Dukagjini) Evans, Timothy, H., Patricia A. Kessler. 1987. Wyoming Folk Arts Handbook, A Handbook for Community Research and Programming (Cheyenne: Wyoning State Museum) Ferrell, Jeff. 1996. Crimes of Style, Urban Graffiti and the Politics of Criminality (Boston: Northeastern University Press) Green, Thomas A. (red.). 1997. FOLKLORE An Encyclope dia of Beleifs, Customs, Tales, Music and Art (Santa Bar bara, California: ABC-CLIO) Ibrahimi, Mustafa. 2018. Grafite shumëgjuhësore dhe krea tive (Shkup: Interlingua) Jones, Will Ellsworth. 2012. Banksy The Man behind the Wall (London, England: Aurum Press) Kadriu, Lumnije. 2009. Glokalizimi: Përceptime etnokulturore (Prishtinë: Instituti Albanologjik - Prishtinë) Kadriu, Lumnije. 2009. Mbi kulturwn e popullarizuar, globalizimin dhe glokalizimin përmes pop-muzikws dhe videoklipeve, Gjurmime Albanologjike Folklor dhe etnologji 38/ 2008 :255-268. Keegan, Peter. 2014. Graffiti in Antiquity (London and New York: Routledge) Koiva, Mare. (red.). 2009. Media Folklore, Contemporary Folklore IV (Tartu: Publication of the Folk Belief Depart ment of the Estonian Literary Museum, ELM Scholarly Press) Koven, Mikei J. 2008. Film, Folklore, and Urban Legends (Landham, Maryland; Toronto; Plymouth, UK: The Scare crow Press, Inc.)
162 Ylberza HALILI Macdonald, Nancy. 2002. The Graffiti Subculture, Youth Masculinity and Identity in London and New York (Ham pshire: Paigrave Macmillan) Manco, Tristan. 2006. Stencil Graffiti (USA: Thames Hudson) McCormick, Charlie T and Kim Kennedy White, (red.). 2011. Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music, and Art (Botimi і dytë, Veil. 1), (Santa Barbara, California: ABC-CLIO) Murtezani, Izaim. Folklori dhe interneti: Drejt paradig mave të reja eksploruese, Albanologji, 5/II /2014:31-41. Musa, Leontina Gega. 2015. Format e reja të komunikimit të folklorit. Albanologji, 5/II /2014: 43-48. Ong, Walter. J. John Hartley.2013. Orality and literacy: The Technologizing of the Word (London: Routledge, Tay lor Francis Group) Pavlov, Russell W. 2005. Transcultural Graffiti Diasporic Writing and the Teaching of Literacy Studies (AmsterdamNew York: Rodopi) Peden, Alexander J. 2001. The Graffiti of Pharaonic Egypt (Leiden; Boston; Köln: Brill) Reisner, Robert G. 1971. Graffiti. Two Thousand Years of Wall Writing, (Washington: Cowels Book Company. Inc.) Rrahmani, Kujtim. 2015. Folklori ndërmjet mbijetesës dhe transformimit, Albanologji, 5/II/2014: 67-77. Salihu, Astrit. 2005. Postmoderna e interpretuar për shqiptarët (Prishtinë: Edicioni MM) Sims, Martha C. Martine Stephens. 2005^.Living Folklore /Logan, Utah: Utah State University Press)
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166 Ylberza HALILI the_modern_Greek_urban_landscape [shikuar së ftindi шё 29.01.20x8] Jūratė Radavičiūte, Linguistic Landscape ofTblisv.A Case Study of Graffiti, Respectas Philogicus, 32 (37) (2017), 80-90 http://www.ceeol.com/search / article-detail?id=6oo923 [shikuar së fimdi më 29.01.2018] Khadija von Zinnenburg Carroll, Fight the Dragon Long, the Dragon You Become: Performing Viewers in the Graffiti Monument ,Laboratorium. Журнал социальных исследований,2(2013),ıo-i27 https://www.ceeol.com/search /article-detail?id=25300 [shikuar së fimdi më 29. 01.2018] Manuel Breva Claramente, José Ignacio G. Alonso, “Categories, Morphological Features, and Slang in the Graffiti of a United States Western University”, Revista AH cantina de Estudios Ingleses, 6 (1993), i9֊3i https:// rua. ua.es/dspace/bitstream/ıoo45/6ı67/ı/RAEI_o6_02.pdf [shikuar së fimdi më 29.01.2018] Marek Krawiec, English Words Adopted and Used by Polish Graffiti Writers. A Review o f Socio-Linguistic Aspee ts, Acta Neophilologica, IX (2007), 53֊63 https:// www. ceeol.com/search/article-detail?id=497203 [shikuar së fim di më 29.01.2018] Maureen Daly Goggin, Knitting Social Identity: Yarn Gra fitti in Transnational Craftivist Protest, HyperCultara 2 (շօւՅ),ւ-ւ8 հէէթտ://www.ceeol.com/search/article-detail ?i d+5868oi [shikuar së fimdi më 29.01.2018] Michał Bieżyński, Graffiti and street art. Incorporation of urban space as an attempt to establish artistic freedom, Art Inquiry, и (2009), 28i-297 https://www. ceeol.com/search/ article-detail?id=i24679 [shikuar së fimdi më 29.01.2018] Myrto Tsilimpounidi, “If These
Walls Could Talk”: Street Art and Urban Belonging in the Athens of Crisis, Labora-
GRAFITÉT NË FOLKLOR 167 tórium. Журнал социальных исследований, շ (2015), ւ835 https://www.ceeol.com/search/article-detail?id=46ç)05 9 [shikuar së fundi më 29.01.2018] Paweł Madejski, Latin in the Contemporary Polish “Street Epigraphy”, Scripta Classica, 11 (2oi4),9֊22 https://www. ceeol.com/search/article-detaił?id=32242 [shikuar së fundi më 29.01.2018] Saday Chandra Das, “Relevance of Graffiti Art as an Art Form in Indian Context”, http://shodhganga. inflibnet . ac.in/handle/io6o3/97079 [shikuar së fundi më 29.01.2018] Sandra Žuvela, Graffiti: A form of international commu nication, https://scindeks-clanci.ceon.rs/data/pdf/1452-74 05/20i2/i452֊7405i223023Z.pdf , [shikuar së fimdi më 29. 01.2018] Terrance L. Stocker, Linda W. Dutcher, Stephen Mr. Hargrove, Edwin A. Cook, “Social Analysis of Graffiti”, Journal ofAmerican Folklore, 85, 338 (1972), 356-366 https: //student.cc.uoc.gr/uploadFiles/i8i-%CE%Ao% CE%9F%CE%9A%CE%9A35o/social%2oanalysis%20of%20 graffiti.pdf [shikuar së fimdi më 29.01.2018] What Is Folklore? -American Folklore Society. (2018). Afsnet.org. E qasshme në: http://www.afsnet.org /?page= what is folklore [shikuar së hindi më: 29.03. 2019] William L. Benzon, “Reading Latour: Assemblingthe Soci ety of Graffiti”, në Academia, https://www. academia.edu /97o9527/Reading_Latour_Assemblíng_the_Society_of_Gr affiti [shikuar së hindi më 29.01.2018] Xhulia Karavella, Trendi і grafiteve tashmë prezent edhe në Shiqpëri, http://shqiptarja.com/lajm/trendi-i-grafitevetashm-euml-br-prezent-edhe-n-euml-shqip-eumlri?r=app [shikuar së fundi më: 29.01.2018] Beyetische
StaatsbibüothÉ München (:
|
| any_adam_object | 1 |
| author | Halili, Ylberza ca. 20./21. Jh |
| author_GND | (DE-588)1199893803 |
| author_facet | Halili, Ylberza ca. 20./21. Jh |
| author_role | aut |
| author_sort | Halili, Ylberza ca. 20./21. Jh |
| author_variant | y h yh |
| building | Verbundindex |
| bvnumber | BV046257094 |
| ctrlnum | (OCoLC)1128846111 (DE-599)BVBBV046257094 |
| format | Book |
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| geographic | Kosovo (DE-588)4032571-4 gnd |
| geographic_facet | Kosovo |
| id | DE-604.BV046257094 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:39:44Z |
| institution | BVB |
| isbn | 9789951240727 |
| language | Albanian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031635195 |
| oclc_num | 1128846111 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 167 Seiten 20 cm |
| psigel | BSB_NED_20191118 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Instituti Albanologjik |
| record_format | marc |
| spelling | Halili, Ylberza ca. 20./21. Jh. Verfasser (DE-588)1199893803 aut Grafitet në folklor = Graffiti in folklore Ylberza Halili Graffiti in folklore Prishtinë Instituti Albanologjik 2019 167 Seiten 20 cm txt rdacontent n rdamedia nc rdacarrier Zusammenfassung in englischer Sprache Graffiti (DE-588)10280152-6 gnd rswk-swf Volksliteratur (DE-588)4135284-1 gnd rswk-swf Volkskultur (DE-588)4063849-2 gnd rswk-swf Albaner (DE-588)4068517-2 gnd rswk-swf Albanisch (DE-588)4112482-0 gnd rswk-swf Kosovo (DE-588)4032571-4 gnd rswk-swf Kosovo (DE-588)4032571-4 g Albaner (DE-588)4068517-2 s Graffiti (DE-588)10280152-6 b Volkskultur (DE-588)4063849-2 s Albanisch (DE-588)4112482-0 s Volksliteratur (DE-588)4135284-1 s DE-604 Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031635195&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031635195&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031635195&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis |
| spellingShingle | Halili, Ylberza ca. 20./21. Jh Grafitet në folklor = Graffiti in folklore Graffiti (DE-588)10280152-6 gnd Volksliteratur (DE-588)4135284-1 gnd Volkskultur (DE-588)4063849-2 gnd Albaner (DE-588)4068517-2 gnd Albanisch (DE-588)4112482-0 gnd |
| subject_GND | (DE-588)10280152-6 (DE-588)4135284-1 (DE-588)4063849-2 (DE-588)4068517-2 (DE-588)4112482-0 (DE-588)4032571-4 |
| title | Grafitet në folklor = Graffiti in folklore |
| title_alt | Graffiti in folklore |
| title_auth | Grafitet në folklor = Graffiti in folklore |
| title_exact_search | Grafitet në folklor = Graffiti in folklore |
| title_full | Grafitet në folklor = Graffiti in folklore Ylberza Halili |
| title_fullStr | Grafitet në folklor = Graffiti in folklore Ylberza Halili |
| title_full_unstemmed | Grafitet në folklor = Graffiti in folklore Ylberza Halili |
| title_short | Grafitet në folklor |
| title_sort | grafitet ne folklor graffiti in folklore |
| title_sub | = Graffiti in folklore |
| topic | Graffiti (DE-588)10280152-6 gnd Volksliteratur (DE-588)4135284-1 gnd Volkskultur (DE-588)4063849-2 gnd Albaner (DE-588)4068517-2 gnd Albanisch (DE-588)4112482-0 gnd |
| topic_facet | Graffiti Volksliteratur Volkskultur Albaner Albanisch Kosovo |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031635195&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031635195&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031635195&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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