Making Asian American Film and Video: History, Institutions, Movements
The words "Asian American film" might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS (Public Broadcasting Service). In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2015]
|
| Schriftenreihe: | Asian American Studies Today
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-859 DE-860 DE-739 DE-473 DE-1043 DE-858 Volltext |
| Zusammenfassung: | The words "Asian American film" might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS (Public Broadcasting Service). In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada demonstrates that although this stereotype is not entirely unfounded, a remarkably diverse range of Asian American filmmaking has emerged. Yet Okada also reveals how the legacy of institutional funding and the "PBS style" unites these filmmakers, whether they are working within that system or setting themselves in opposition to its conventions. Making Asian American Film and Video explores how the genre has served as a flashpoint for debates about what constitutes Asian American identity. Tracing a history of how Asian American film was initially conceived as a form of public-interest media, part of a broader effort to give voice to underrepresented American minorities, Okada shows why this seemingly well-intentioned project inspired deeply ambivalent responses. In addition, she considers a number of Asian American filmmakers who have opted out of producing state-funded films, from Wayne Wang to Gregg Araki to Justin Lin. Okada gives us a unique behind-the-scenes look at the various institutions that have bankrolled and distributed Asian American films, revealing the dynamic interplay between commercial and state-run media. More than just a history of Asian Americans in film, Making Asian American Film and Video is an insightful meditation on both the achievements and the limitations of institutionalized multiculturalism |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019) |
| Beschreibung: | 1 online resource 12 photographs |
| ISBN: | 9780813565033 |
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| 520 | |a The words "Asian American film" might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS (Public Broadcasting Service). In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada demonstrates that although this stereotype is not entirely unfounded, a remarkably diverse range of Asian American filmmaking has emerged. Yet Okada also reveals how the legacy of institutional funding and the "PBS style" unites these filmmakers, whether they are working within that system or setting themselves in opposition to its conventions. Making Asian American Film and Video explores how the genre has served as a flashpoint for debates about what constitutes Asian American identity. Tracing a history of how Asian American film was initially conceived as a form of public-interest media, part of a broader effort to give voice to underrepresented American minorities, Okada shows why this seemingly well-intentioned project inspired deeply ambivalent responses. In addition, she considers a number of Asian American filmmakers who have opted out of producing state-funded films, from Wayne Wang to Gregg Araki to Justin Lin. Okada gives us a unique behind-the-scenes look at the various institutions that have bankrolled and distributed Asian American films, revealing the dynamic interplay between commercial and state-run media. More than just a history of Asian Americans in film, Making Asian American Film and Video is an insightful meditation on both the achievements and the limitations of institutionalized multiculturalism | ||
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| author | Okada, Jun |
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| spelling | Okada, Jun Verfasser aut Making Asian American Film and Video History, Institutions, Movements Jun Okada New Brunswick, NJ Rutgers University Press [2015] © 2015 1 online resource 12 photographs txt rdacontent c rdamedia cr rdacarrier Asian American Studies Today Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019) The words "Asian American film" might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS (Public Broadcasting Service). In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada demonstrates that although this stereotype is not entirely unfounded, a remarkably diverse range of Asian American filmmaking has emerged. Yet Okada also reveals how the legacy of institutional funding and the "PBS style" unites these filmmakers, whether they are working within that system or setting themselves in opposition to its conventions. Making Asian American Film and Video explores how the genre has served as a flashpoint for debates about what constitutes Asian American identity. Tracing a history of how Asian American film was initially conceived as a form of public-interest media, part of a broader effort to give voice to underrepresented American minorities, Okada shows why this seemingly well-intentioned project inspired deeply ambivalent responses. In addition, she considers a number of Asian American filmmakers who have opted out of producing state-funded films, from Wayne Wang to Gregg Araki to Justin Lin. Okada gives us a unique behind-the-scenes look at the various institutions that have bankrolled and distributed Asian American films, revealing the dynamic interplay between commercial and state-run media. More than just a history of Asian Americans in film, Making Asian American Film and Video is an insightful meditation on both the achievements and the limitations of institutionalized multiculturalism In English Geschichte gnd rswk-swf SOCIAL SCIENCE / General bisacsh Asian Americans in motion pictures Asian Americans in the motion picture industry Asiaten (DE-588)4198081-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Asiaten (DE-588)4198081-5 s Film (DE-588)4017102-4 s Geschichte z 1\p DE-604 https://www.degruyter.com/isbn/9780813565033 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Okada, Jun Making Asian American Film and Video History, Institutions, Movements SOCIAL SCIENCE / General bisacsh Asian Americans in motion pictures Asian Americans in the motion picture industry Asiaten (DE-588)4198081-5 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4198081-5 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | Making Asian American Film and Video History, Institutions, Movements |
| title_auth | Making Asian American Film and Video History, Institutions, Movements |
| title_exact_search | Making Asian American Film and Video History, Institutions, Movements |
| title_full | Making Asian American Film and Video History, Institutions, Movements Jun Okada |
| title_fullStr | Making Asian American Film and Video History, Institutions, Movements Jun Okada |
| title_full_unstemmed | Making Asian American Film and Video History, Institutions, Movements Jun Okada |
| title_short | Making Asian American Film and Video |
| title_sort | making asian american film and video history institutions movements |
| title_sub | History, Institutions, Movements |
| topic | SOCIAL SCIENCE / General bisacsh Asian Americans in motion pictures Asian Americans in the motion picture industry Asiaten (DE-588)4198081-5 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | SOCIAL SCIENCE / General Asian Americans in motion pictures Asian Americans in the motion picture industry Asiaten Film USA |
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