The Transatlantic Zombie: Slavery, Rebellion, and Living Death
Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to t...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2015]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie’s cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-diasporic culture’s preservation through a strategy of mythic combat |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019) |
| Beschreibung: | 1 online resource 12 photographs |
| ISBN: | 9780813568850 |
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| 520 | |a Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie’s cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-diasporic culture’s preservation through a strategy of mythic combat | ||
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| spelling | Lauro, Sarah J. Verfasser aut The Transatlantic Zombie Slavery, Rebellion, and Living Death Sarah J. Lauro New Brunswick, NJ Rutgers University Press [2015] © 2015 1 online resource 12 photographs txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019) Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie’s cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-diasporic culture’s preservation through a strategy of mythic combat In English Geschichte gnd rswk-swf PERFORMING ARTS / General bisacsh Folklore Haiti African influences Zombies in art Zombies in literature History and criticism Zombies in motion pictures Zombies in popular culture United States Zombies History Social aspects Zombies United States History Zombie (DE-588)4407180-2 gnd rswk-swf Zombie (DE-588)4407180-2 s Geschichte z 1\p DE-604 https://www.degruyter.com/isbn/9780813568850 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Lauro, Sarah J. The Transatlantic Zombie Slavery, Rebellion, and Living Death PERFORMING ARTS / General bisacsh Folklore Haiti African influences Zombies in art Zombies in literature History and criticism Zombies in motion pictures Zombies in popular culture United States Zombies History Social aspects Zombies United States History Zombie (DE-588)4407180-2 gnd |
| subject_GND | (DE-588)4407180-2 |
| title | The Transatlantic Zombie Slavery, Rebellion, and Living Death |
| title_auth | The Transatlantic Zombie Slavery, Rebellion, and Living Death |
| title_exact_search | The Transatlantic Zombie Slavery, Rebellion, and Living Death |
| title_full | The Transatlantic Zombie Slavery, Rebellion, and Living Death Sarah J. Lauro |
| title_fullStr | The Transatlantic Zombie Slavery, Rebellion, and Living Death Sarah J. Lauro |
| title_full_unstemmed | The Transatlantic Zombie Slavery, Rebellion, and Living Death Sarah J. Lauro |
| title_short | The Transatlantic Zombie |
| title_sort | the transatlantic zombie slavery rebellion and living death |
| title_sub | Slavery, Rebellion, and Living Death |
| topic | PERFORMING ARTS / General bisacsh Folklore Haiti African influences Zombies in art Zombies in literature History and criticism Zombies in motion pictures Zombies in popular culture United States Zombies History Social aspects Zombies United States History Zombie (DE-588)4407180-2 gnd |
| topic_facet | PERFORMING ARTS / General Folklore Haiti African influences Zombies in art Zombies in literature History and criticism Zombies in motion pictures Zombies in popular culture United States Zombies History Social aspects Zombies United States History Zombie |
| url | https://www.degruyter.com/isbn/9780813568850 |
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