Rubens, Rembrandt, and drawing in the Golden Age:
An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century. With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago, IL
The Art Institute of Chicago
[2019]
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Zusammenfassung: | An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century. With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist's mind. Exhibition: The Art Institute of Chicago, USA (28.09.2019-05.01.2020) |
| Beschreibung: | Aus dem Impressum: "'Rubens, Rembrandt, and drawing in the Golden Age' was published in conjunction with an exhibition of the same title organized and presented at the Art Institute of Chicago, September 28, 2019, to January 5, 2020." |
| Beschreibung: | 354 Seiten 27 cm |
| ISBN: | 9780300247077 |
Internformat
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| 505 | 8 | |a Foreword / James Rondeau -- Acknowledgments -- Note to the reader -- Glossary -- From experiment to spectacle -- Under the master's watchful eye -- The imperative of Italy -- The live model -- From the imagination -- In service of her sister arts -- The independent landscape -- The afterlife of drawings -- Catalogue of drawings / compiled by Laurel Garber, Meg Hausberg, Victoria Sancho Lobis, and Emily Vokt Ziemba -- Paper in the Netherlands / Antoinette Owen -- Watermarks / Antoinette Owen -- Works cited -- Index | |
| 520 | 3 | |a An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century. With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist's mind. Exhibition: The Art Institute of Chicago, USA (28.09.2019-05.01.2020) | |
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Datensatz im Suchindex
| _version_ | 1804180682456432640 |
|---|---|
| any_adam_object | |
| author2 | Lobis, Victoria Sancho 1976- |
| author2_role | edt |
| author2_variant | v s l vs vsl |
| author_GND | (DE-588)1049863593 (DE-588)1201005019 (DE-588)1201005655 (DE-588)1201006597 |
| author_facet | Lobis, Victoria Sancho 1976- |
| building | Verbundindex |
| bvnumber | BV046253714 |
| classification_rvk | LO 34750 |
| contents | Foreword / James Rondeau -- Acknowledgments -- Note to the reader -- Glossary -- From experiment to spectacle -- Under the master's watchful eye -- The imperative of Italy -- The live model -- From the imagination -- In service of her sister arts -- The independent landscape -- The afterlife of drawings -- Catalogue of drawings / compiled by Laurel Garber, Meg Hausberg, Victoria Sancho Lobis, and Emily Vokt Ziemba -- Paper in the Netherlands / Antoinette Owen -- Watermarks / Antoinette Owen -- Works cited -- Index |
| ctrlnum | (OCoLC)1128205577 (DE-599)BVBBV046253714 |
| discipline | Kunstgeschichte |
| edition | First edition |
| era | Geschichte 1600-1700 gnd |
| era_facet | Geschichte 1600-1700 |
| format | Book |
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| id | DE-604.BV046253714 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:39:38Z |
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| isbn | 9780300247077 |
| language | English |
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| physical | 354 Seiten 27 cm |
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| spelling | Rubens, Rembrandt, and drawing in the Golden Age Victoria Sancho Lobis ; with an essay by Antoinette Owen and contributions by Francesca Casadio and Emily Vokt Ziemba First edition Chicago, IL The Art Institute of Chicago [2019] New Haven ; London Yale University Press © 2019 354 Seiten 27 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Aus dem Impressum: "'Rubens, Rembrandt, and drawing in the Golden Age' was published in conjunction with an exhibition of the same title organized and presented at the Art Institute of Chicago, September 28, 2019, to January 5, 2020." Foreword / James Rondeau -- Acknowledgments -- Note to the reader -- Glossary -- From experiment to spectacle -- Under the master's watchful eye -- The imperative of Italy -- The live model -- From the imagination -- In service of her sister arts -- The independent landscape -- The afterlife of drawings -- Catalogue of drawings / compiled by Laurel Garber, Meg Hausberg, Victoria Sancho Lobis, and Emily Vokt Ziemba -- Paper in the Netherlands / Antoinette Owen -- Watermarks / Antoinette Owen -- Works cited -- Index An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century. With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist's mind. Exhibition: The Art Institute of Chicago, USA (28.09.2019-05.01.2020) Geschichte 1600-1700 gnd rswk-swf Zeichnung (DE-588)4127900-1 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf Drawing, Dutch / 17th century / Exhibitions Drawing, Flemish / 17th century / Exhibitions Rubens, Peter Paul / 1577-1640 / Exhibitions Rembrandt Harmenszoon van Rijn / 1606-1669 / Exhibitions Rembrandt Harmenszoon van Rijn / 1606-1669 / Expositions Rubens, Peter Paul / 1577-1640 / Expositions Dessin néerlandais / 17e siècle / Expositions Dessin flamand / 17e siècle / Expositions Rembrandt Harmenszoon van Rijn / 1606-1669 Rubens, Peter Paul / 1577-1640 Drawing, Dutch Drawing, Flemish 1600-1699 Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog Art Institute of Chicago 28.09.2019-05.01.2020 Chicago, Ill. gnd-content (DE-588)4145395-5 Bildband gnd-content Niederlande (DE-588)4042203-3 g Zeichnung (DE-588)4127900-1 s Geschichte 1600-1700 z DE-604 Lobis, Victoria Sancho 1976- (DE-588)1049863593 edt Owen, Antoinette (DE-588)1201005019 wat Casadio, Francesca (DE-588)1201005655 wat Ziemba, Emily Vokt (DE-588)1201006597 wat Art Institute of Chicago (DE-588)1004734-7 his |
| spellingShingle | Rubens, Rembrandt, and drawing in the Golden Age Foreword / James Rondeau -- Acknowledgments -- Note to the reader -- Glossary -- From experiment to spectacle -- Under the master's watchful eye -- The imperative of Italy -- The live model -- From the imagination -- In service of her sister arts -- The independent landscape -- The afterlife of drawings -- Catalogue of drawings / compiled by Laurel Garber, Meg Hausberg, Victoria Sancho Lobis, and Emily Vokt Ziemba -- Paper in the Netherlands / Antoinette Owen -- Watermarks / Antoinette Owen -- Works cited -- Index Zeichnung (DE-588)4127900-1 gnd |
| subject_GND | (DE-588)4127900-1 (DE-588)4042203-3 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Rubens, Rembrandt, and drawing in the Golden Age |
| title_auth | Rubens, Rembrandt, and drawing in the Golden Age |
| title_exact_search | Rubens, Rembrandt, and drawing in the Golden Age |
| title_full | Rubens, Rembrandt, and drawing in the Golden Age Victoria Sancho Lobis ; with an essay by Antoinette Owen and contributions by Francesca Casadio and Emily Vokt Ziemba |
| title_fullStr | Rubens, Rembrandt, and drawing in the Golden Age Victoria Sancho Lobis ; with an essay by Antoinette Owen and contributions by Francesca Casadio and Emily Vokt Ziemba |
| title_full_unstemmed | Rubens, Rembrandt, and drawing in the Golden Age Victoria Sancho Lobis ; with an essay by Antoinette Owen and contributions by Francesca Casadio and Emily Vokt Ziemba |
| title_short | Rubens, Rembrandt, and drawing in the Golden Age |
| title_sort | rubens rembrandt and drawing in the golden age |
| topic | Zeichnung (DE-588)4127900-1 gnd |
| topic_facet | Zeichnung Niederlande Ausstellungskatalog Art Institute of Chicago 28.09.2019-05.01.2020 Chicago, Ill. Bildband |
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