Russian opera and the symbolist movement:
"Acclaimed for treading new ground in operatic studies of the period, Simon Morrison's influential and now-classic text explores music and the occult during the Russian Symbolist movement. Including previously unavailable archival materials about Prokofiev and Tchaikovsky, this wholly revi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2019]
|
| Ausgabe: | Second edition |
| Schlagworte: | |
| Zusammenfassung: | "Acclaimed for treading new ground in operatic studies of the period, Simon Morrison's influential and now-classic text explores music and the occult during the Russian Symbolist movement. Including previously unavailable archival materials about Prokofiev and Tchaikovsky, this wholly revised edition is both up to date and revelatory. Topics range from decadence to pantheism, musical devilry to narcotic-infused evocations of heaven, the influence of Wagner, and the significance of contemporaneous Russian literature. Symbolism tested boundaries and reached for extremes so as to imagine art uniting people, facilitating communion with nature, and ultimately transcending reality. Within this framework, Morrison examines four lesser-known works by canonical composers--Pyotr Tchaikovsky, Nikolay Rimsky-Korsakov, Alexander Scriabin, and Sergey Prokofiev--and in this new edition also considers Alexandre Gretchaninoff's Sister Beatrice and Alexander Kastalsky's Klara Milich, while also making the case for reviving Vladimir Rebikov's The Christmas Tree"--Provided by publisher |
| Beschreibung: | "Roth Family Foundation music in America imprint." "The first edition of this book appeared as volume 2 in the series California Studies in 20th-Century Music." |
| Beschreibung: | xi, 312 Seiten Notenbeispiele 24 cm |
| ISBN: | 9780520305465 0520305469 |
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| 505 | 8 | |a Introduction -- Decadence : Tchaikovsky at the edge -- Interlude : Symbolism's Nutcracker -- Syncretism : Rimsky-Korsakov and Belsky -- Interlude : Klara Milich -- Theurgy : Scriabin and the impossible -- Interlude : another church musician writes an opera -- Mimesis : Prokofiev's demons -- Conclusion | |
| 520 | 3 | |a "Acclaimed for treading new ground in operatic studies of the period, Simon Morrison's influential and now-classic text explores music and the occult during the Russian Symbolist movement. Including previously unavailable archival materials about Prokofiev and Tchaikovsky, this wholly revised edition is both up to date and revelatory. Topics range from decadence to pantheism, musical devilry to narcotic-infused evocations of heaven, the influence of Wagner, and the significance of contemporaneous Russian literature. Symbolism tested boundaries and reached for extremes so as to imagine art uniting people, facilitating communion with nature, and ultimately transcending reality. Within this framework, Morrison examines four lesser-known works by canonical composers--Pyotr Tchaikovsky, Nikolay Rimsky-Korsakov, Alexander Scriabin, and Sergey Prokofiev--and in this new edition also considers Alexandre Gretchaninoff's Sister Beatrice and Alexander Kastalsky's Klara Milich, while also making the case for reviving Vladimir Rebikov's The Christmas Tree"--Provided by publisher | |
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Datensatz im Suchindex
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| author | Morrison, Simon Alexander 1964- |
| author_GND | (DE-588)129362182 |
| author_facet | Morrison, Simon Alexander 1964- |
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| author_sort | Morrison, Simon Alexander 1964- |
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| building | Verbundindex |
| bvnumber | BV046253555 |
| classification_rvk | LQ 86007 LR 54171 |
| contents | Introduction -- Decadence : Tchaikovsky at the edge -- Interlude : Symbolism's Nutcracker -- Syncretism : Rimsky-Korsakov and Belsky -- Interlude : Klara Milich -- Theurgy : Scriabin and the impossible -- Interlude : another church musician writes an opera -- Mimesis : Prokofiev's demons -- Conclusion |
| ctrlnum | (OCoLC)1129400646 (DE-599)BVBBV046253555 |
| discipline | Musikwissenschaft |
| edition | Second edition |
| era | Geschichte 1900-1945 gnd |
| era_facet | Geschichte 1900-1945 |
| format | Book |
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| language | English |
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| spelling | Morrison, Simon Alexander 1964- Verfasser (DE-588)129362182 aut Russian opera and the symbolist movement Simon Morrison Second edition Oakland, California University of California Press [2019] xi, 312 Seiten Notenbeispiele 24 cm txt rdacontent n rdamedia nc rdacarrier "Roth Family Foundation music in America imprint." "The first edition of this book appeared as volume 2 in the series California Studies in 20th-Century Music." Introduction -- Decadence : Tchaikovsky at the edge -- Interlude : Symbolism's Nutcracker -- Syncretism : Rimsky-Korsakov and Belsky -- Interlude : Klara Milich -- Theurgy : Scriabin and the impossible -- Interlude : another church musician writes an opera -- Mimesis : Prokofiev's demons -- Conclusion "Acclaimed for treading new ground in operatic studies of the period, Simon Morrison's influential and now-classic text explores music and the occult during the Russian Symbolist movement. Including previously unavailable archival materials about Prokofiev and Tchaikovsky, this wholly revised edition is both up to date and revelatory. Topics range from decadence to pantheism, musical devilry to narcotic-infused evocations of heaven, the influence of Wagner, and the significance of contemporaneous Russian literature. Symbolism tested boundaries and reached for extremes so as to imagine art uniting people, facilitating communion with nature, and ultimately transcending reality. Within this framework, Morrison examines four lesser-known works by canonical composers--Pyotr Tchaikovsky, Nikolay Rimsky-Korsakov, Alexander Scriabin, and Sergey Prokofiev--and in this new edition also considers Alexandre Gretchaninoff's Sister Beatrice and Alexander Kastalsky's Klara Milich, while also making the case for reviving Vladimir Rebikov's The Christmas Tree"--Provided by publisher Geschichte 1900-1945 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Symbolismus (DE-588)4184198-0 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Opera / Russia (Federation) / 20th century Symbolism (Literary movement) / Russia (Federation) / History / 20th century Opera Symbolism (Literary movement) Russia (Federation) 1900-1999 History Russland (DE-588)4076899-5 g Oper (DE-588)4043582-9 s Symbolismus (DE-588)4184198-0 s Geschichte 1900-1945 z DE-604 Erscheint auch als Online-Ausgabe 978-0-520-97355-8 |
| spellingShingle | Morrison, Simon Alexander 1964- Russian opera and the symbolist movement Introduction -- Decadence : Tchaikovsky at the edge -- Interlude : Symbolism's Nutcracker -- Syncretism : Rimsky-Korsakov and Belsky -- Interlude : Klara Milich -- Theurgy : Scriabin and the impossible -- Interlude : another church musician writes an opera -- Mimesis : Prokofiev's demons -- Conclusion Oper (DE-588)4043582-9 gnd Symbolismus (DE-588)4184198-0 gnd |
| subject_GND | (DE-588)4043582-9 (DE-588)4184198-0 (DE-588)4076899-5 |
| title | Russian opera and the symbolist movement |
| title_auth | Russian opera and the symbolist movement |
| title_exact_search | Russian opera and the symbolist movement |
| title_full | Russian opera and the symbolist movement Simon Morrison |
| title_fullStr | Russian opera and the symbolist movement Simon Morrison |
| title_full_unstemmed | Russian opera and the symbolist movement Simon Morrison |
| title_short | Russian opera and the symbolist movement |
| title_sort | russian opera and the symbolist movement |
| topic | Oper (DE-588)4043582-9 gnd Symbolismus (DE-588)4184198-0 gnd |
| topic_facet | Oper Symbolismus Russland |
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