Handbook of materials for wind musical instruments:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Springer
[2019]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxi, 819 Seiten Illustrationen, Diagramme |
| ISBN: | 9783030191740 9783030191771 |
Internformat
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| 245 | 1 | 0 | |a Handbook of materials for wind musical instruments |c Voichita Bucur |
| 264 | 1 | |a Cham, Switzerland |b Springer |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a xxi, 819 Seiten |b Illustrationen, Diagramme | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
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| 650 | 4 | |a Acoustics | |
| 650 | 4 | |a Ceramics, Glass, Composites, Natural Materials | |
| 650 | 4 | |a Manufacturing, Machines, Tools, Processes | |
| 650 | 4 | |a Wood Science & Technology | |
| 650 | 4 | |a Music | |
| 650 | 4 | |a Cultural Heritage | |
| 650 | 4 | |a Acoustics | |
| 650 | 4 | |a Manufactures | |
| 650 | 4 | |a Wood | |
| 650 | 4 | |a Music | |
| 650 | 4 | |a Cultural heritage | |
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Datensatz im Suchindex
| _version_ | 1804180668390834176 |
|---|---|
| adam_text | Contents 1 Introduction................................................................................................ References..................................................................................................... 1 6 2 Organologie Description of Wind Instruments................................... 2.1 Introduction....................................................................................... 2.1.1 Systems of Musical Instruments Classification.............. 2.1.2 Classification of Wind Instruments from an Acoustical Standpoint........................................ 2.2 Structural Elements and Historical Development of Lip Driven Brass Instruments.............................................................................. 2.2.1 The Trombone.................................................................... 2.2.2 The Trumpet....................................................................... 2.2.3 The Horn.............................................................................. 2.2.4 Wagner Tuba....................................................................... 2.2.5 The Tuba.............................................................................. 2.3 Structural Elements of Reed Driven Instruments.......................... 2.3.1 The Clarinet......................................................................... 2.3.2 The Saxophone.................................................................. 2.3.3 The Oboe........................................................................... 2.3.4 The
Bassoon....................................................................... 2.4 Structural Elements of Air Jet Driven Instruments..................... 2.4.1 The Recorder....................................................................... 2.4.2 The Flute............................................................................. 2.4.3 The Pipe Organ.................................................................. 2.5 About the Protection of Innovation with Wind Musical Instruments and Organs.................................................................... 2.5.1 Background......................................................................... 2.5.2 Patents for Wind Instruments Manufacturing Between 1617 and 1852.................................................................... 2.5.3 The European Patent Convention................................... 7 7 7 9 13 13 16 19 26 31 33 34 42 46 49 56 56 58 66 108 108 108 112 xi
xii Contents 2.5.4 Patents for Musical Instruments in USA....................... 2.5.5 Patents for Musical Instruments in Japan....................... 2.6 Summary............................................................................................. Appendix 1.................................................................................................... Appendix 2.................................................................................................... References...................................................................................................... Part I 3 4 114 114 114 117 117 118 Description of Materials for Wind Instruments Wood Species for Reed-Driven Instruments—Clarinet, Oboe, Bassoon and for Baroque Flute.................................................. 3.1 Introduction........................................................................................ 3.2 Traditional Wood Species for Baroque Flute and for Clarinet, Oboe and Bassoon............................................................................ 3.3 Physical, Mechanical and Acoustical Properties of Traditional Wood Species ................................................................................... 3.4 Porosity of Wood Species................................................................ 3.5 Surface Roughness Characterisation of Wood Species................. 3.6 Effect of Surface Finishing Quality on Acoustical Characteristics of Instruments......................................................... 3.7 Substitutive Species for Clarinet, Oboe,
Bassoon......................... 3.7.1 Substitutive Hardwood Species from Alaska Forests ................................................................................ 3.7.2 Substitutive Hardwood Speciesfrom Australia................ 3.8 Summary............................................................................................ Appendix 1................................................................................................... Appendix 2................................................................................................... Appendix 3................................................................................................... References..................................................................................................... Physical, Mechanical and Acoustical Properties of Cane for Reeds ..................................................................................................... 4.1 Introduction........................................................................................ 4.2 Modes of Vibration of Reeds......................................................... 4.2.1 Vibration of a Single Reed for Clarinet.......................... 4.2.2 Vibration of a Single Reed for Saxophone..................... 4.2.3 Vibration of Double Reeds................................................ 4.3 Shrinkage and Swelling of Cane.................................................... 4.3.1 Shrinkage and Swelling of Reeds.................................... 4.3.2 Shrinkage and Swelling of Cane Specimens................... 4.3.3
Fungi as Factors Affecting the Physical Properties of Arundo Donax................................................................ 127 127 131 135 141 143 146 150 151 153 158 161 163 164 164 167 167 175 176 179 181 184 185 187 190
Contents 4.4 About the Density of Cane.............................................................. 4.4.1 General Aspects.................................................................. 4.4.2 A Simple Laboratory Method for Density Measurement....................................................................... 4.4.3 About the Variability of Density...................................... 4.4.4 Structural Modification of Cane Microscopic Tissue Under Mechanical Stresses............................................... 4.5 About the Hardness of Cane...................................................... 4.6 Mechanical and Acoustical Properties of Cane............................ 4.6.1 Methodology for Measurements of Viscoelastic Parameters of Cane........................................................... 4.6.2 Mechanical Parameters Deduced from Data by Finite Element Analysis................................................................ 4.6.3 Effectof Relative Humidity and Extractives.................... 4.6.4 About the Stability of Mechanical Properties of Cane................................................................................ 4.7 Mosso Bamboo a Substitute of Cane for Saxophone Reeds.... 4.8 Common Reed (Phragmites Australis Cav.) for Japanese Flageolet, the Hichiriki.................................................................... 4.9 About the Ageing of Reeds.............................................................. 4.9.1 Effects of Repeated Wet-Dry and Dry-Wet Cycles on Specimens ....................................................................
4.9.2 Effect of Dynamic Loading............................................... 4.9.3 Effect of Reed Making on the Sound of Instruments.................................................................... 4.10 Anatomical Structure of Cane and Musical Quality of Reeds.. . 4.10.1 Cane or Giant Reed (Arundo donax) and Common Reed (Phragmites australis)............................................. 4.10.2 Mosso Bamboo (Phyllostachys pitbencens)................... 4.11 Statistical Models for the Selection of Cane for Good Quality Reeds..................................................................................... 4.11.1 Correlations Among the Quality of Reeds and the Descriptors of Musical Sounds.......................... 4.11.2 Multiple Regression Analysis.......................................... 4.11.3 Principal Component Analysis........................................ 4.12 New Materials for Reeds.................................................................. 4.13 Cane with Improved Durability and Water Resistance................ 4.14 New Materials, Having Natural Cane Similar Anisotropic Parameters......................................................................................... 4.15 Summary............................................................................................ Appendix....................................................................................................... References..................................................................................................... xiii 193 193 199 200 205 208 211 212 216 218 221 223 226 228
229 231 242 243 243 246 246 247 248 248 254 255 256 258 259 261
Contents XIV 5 Metallic Materials for Lip Driven and Air Jet Driven Instruments................................................................................................... 5.1 Introduction....................................................................................... 5.2 The Brass............................................................................................ 5.2.1 The Alloy........................................................................... 5.2.2 Authenticity of Early Brass and Alloy Provenance .... 5.3 Brass as a Raw Material forWindMusical Instruments.............. 5.3.1 Brass Technology for Wind Instruments in Saxony . . . 5.3.2 Brass Technology in England Between 1651-1867 . . . 5.4 Chemical Compositionof PeriodBrass Instruments.................... 5.4.1 Chemical Composition of Trombones Made in Nuremberg During the Sixteenth Century................ 5.4.2 Chemical Composition of Brass Wind Instruments Made in England Between 1550-1992 .......................... 5.5 About the Finishing of Lip Driven Instruments............................ 5.6 Nickel Silver, Silver and Other Precious Metals for Flute......... 5.7 Alloys for Organ Pipes.................................................................... 5.8 Summary............................................................................................ References..................................................................................................... 267 267 267 269 271 272 272 274 275 276 278 279 282 282 284 285 6 Fibrous Auxiliary Materials—Felt, Cork,
Paperboard..................... 6.1 Introduction....................................................................................... 6.2 The Felt.............................................................................................. 6.2.1 Felt Structure...................................................................... 6.2.2 Physical and Mechanical Properties of Felt................... 6.2.3 Acoustical Properties of Felt............................................ 6.3 The Cork........................................................................................... 6.3.1 Cork Structure.................................................................... 6.3.2 Physical and Mechanical Propertiesof Cork.................. 6.4 The Cardboard.................................................................................. 6.4.1 Cardboard Structure.......................................................... 6.4.2 Physical and Mechanical Propertiesof Cardboard .... 6.5 Summary........................................................................................... References..................................................................................................... 287 287 289 290 291 293 295 299 299 303 303 303 308 309 7 Organic Auxiliary Materials—Leather and Parchment................... 7.1 Introduction....................................................................................... 7.2 Leather for Wind Instruments........................................................ 7.3 Leather for Pipe
Organs.................................................................. 7.4 Parchment, Vellum and Goldbeater’s Skin or Skin Fish............ 7.4.1 Parchment and Vellum...................................................... 7.4.2 Parchment Manufacturing................................................. 7.4.3 Goldbeater’s Skin or Skin Fish........................................ 7.5 Application of FT—Raman Spectroscopy to the Characterization of Parchment and Vellum................................... 311 311 312 319 321 321 323 326 328
Contents XV 7.6 Morphology of Historical Parchment with SEM Imaging......... 7.7 Summary............................................................................................ References..................................................................................................... Part II 329 332 333 Basic Acoustics of Wind Instruments 8 Resonant Air Column in Wind Instruments........................................ 8.1 Introduction....................................................................................... 8.1.1 Mechanical Reed Instruments.......................................... 8.1.2 Lip Valve Instruments...................................................... 8.1.3 Air Jet Instruments............................................................. 8.2 Fundamentals of the Mechanism of Air Excitationin Tubes . . . 8.3 Modelling Wind Instruments........................................................... 8.4 Impedance Spectrum......................................................................... 8.5 Bore Geometry.................................................................................. 8.6 Tone Holes ....................................................................................... 8.7 Mouthpiece of Wind Instruments.................................................... 8.8 Mute................................................................................................... 8.9 Summary............................................................................................
Appendix....................................................................................................... References..................................................................................................... 9 Effect of Wall Material on Vibration Modes of Wind Instruments................................................................................................... 9.1 Introduction....................................................................................... 9.2 Description of Acoustical Characteristics of Wind Instruments with Impedance Curves.................................................................... 9.3 Physical Factors Affecting Wall Vibration of Wind Instruments ....................................................................................... 9.3.1 Wall Vibration Modelling................................................. 9.3.2 Effect of Wall Thickness of a Tube................................. 9.3.3 Effect of Transverse Sectionof the Tube......................... 9.3.4 Effect of Coupling Between Musical Instrument Structure and Internal Air................................................. 9.3.5 Effect of Coupling Between the Musical Instrument Structure and External Air............................................... 9.4 Effects of the Nature of Wall Materials of Wind Musical Instruments ....................................................................................... 9.4.1 Material’s Effect on the Vibration of a Cylindrical Tube.................................................................................... 9.4.2
Materials Effect on the Vibration of a Post Horn......... 9.4.3 Materials Effect on the Vibration of a Trombone and a Trumpet.................................................................... 337 337 338 339 339 339 342 343 347 349 350 354 355 356 357 359 359 362 364 365 370 371 371 373 376 376 377 383
Contents XVI 9.4.4 9.4.5 Material Effect on the Vibration of a Flute................... Materials Effects on the Vibration of the Wall of Organ Pipes......................................................................... 9.5 Effects Induced by Pipe’s Wall Surface Quality.......................... 9.5.1 Effect of Wall Roughness.................................................. 9.5.2 Effect of Surface Coating.................................................. 9.5.3 Effect of Thermal Losses.................................................. 9.6 Effect of Thermal Treatment on the Properties of Metallic Materials............................................................................................ 9.7 The Brassiness of Lip Driven Wind Instruments and Corresponding Instruments’ Quality ..................................... 9.8 Summary............................................................................................ References..................................................................................................... 392 401 407 407 409 409 410 413 418 420 10 Effects of Bore Shape and Tone Holes................................................. 425 10.1 Introduction....................................................................................... 425 10.2 Bore Shape and Tone Holes in Woodwind Instruments.............. 431 10.3 Acoustical Loses in Bores............................................................... 433 10.4 About the Tone Holes and the Crack of the Corpus and Other Defects
.............................................................................................. 435 10.5 Tone Holes and the Sound Field................................................... 436 10.6 Summary............................................................................................ 439 References..................................................................................................... 440 11 Methods for Measuring the Acoustic Propertiesof Wind Instruments.................................................................................................. 11.1 Introduction...................................................................................... 11.2 Direct Impedance Measurement Techniques................................ 11.2.1 Volume Velocity Measurement....................................... 11.2.2 Pressure Measurement with Microphones..................... 11.3 Impedance Sensors........................................................................... 11.4 Stimulus Signals for Impedance Measurements............................ 11.5 About the Intensimetric Analysis of Signals................................. 11.6 About Air Leaks in Wind Instruments.......................................... 11.7 Nondestructive Optical Techniques for Detection of Vibrations of Wind Instruments......................................................................... 11.7.1 Laser Doppler Vibrometry............................................... 11.7.2 Holographic and Speckle Interferometry........................ 11.8
Summary............................................................................................ References..................................................................................................... 443 443 447 447 449 454 456 457 458 461 461 464 468 469
Contents Part Ш xvii Manufacturing of Wind Instruments 12 Manufacturing of Metallic Tubes for Wind Musical Instruments................................................................................................... 12.1 Introduction....................................................................................... 12.2 Brass as an Alloy.............................................................................. 12.3 Constructive Particularities of Lip Driven BrassInstruments . . . 12.4 Manufacturing of a Trumpet........................................................... 12.4.1 Manufacturing of Structural Elements of a Trumpet. . . 12.4.2 About the Consistency of Trumpet Manufacturing .... 12.5 Manufacturing of Metallic Tubes for Air-Jet Driven Instruments ....................................................................................... 12.5.1 Alloys for Metallic Tubes of Organs.............................. 12.5.2 Effects of Composition, Mechanical Treatment and Casting Techniques on Mechanical Parameters of Alloys............................................................................. 12.5.3 About the Metallic Sheets for Organ Pipes................... 12.5.4 Construction of a Labial Metallic Organ Pipe.............. 12.5.5 Construction of a Lingual Metallic Pipe........................ 12.5.6 About the Mechanical Properties of the Tongue of a Lingual Pipe................................................................ 12.5.7 Comparison of Pipes Made by Different Manufacturers.................................................................... 12.6
Manufacturing of Metallic Tubes for Flutes................................. 12.6.1 Alloys for Flutes............................................................... 12.6.2 Manufacturing of Metallic Tubesfor Flutes.................... 12.7 Summary............................................................................................ References..................................................................................................... 13 475 475 476 479 482 482 485 488 490 496 499 500 507 515 517 519 520 522 522 523 Manufacturing of Tubes and Pipes in Wood .................................. 527 13.1 Introduction....................................................................................... 527 13.2 Manufacturing of Tubes for Reed Woodwind Instruments......... 527 13.2.1 Technological Aspects of Tube Manufacturing.............. 527 13.2.2 About the Consistency of Reed Woodwind Instruments Manufacturing............................................... 528 13.3 Manufacturing of Pipes in Wood for Organs.............................. 532 13.3.1 About the Oldest Historical Organ with Pipes Made in Wood Exclusively........................................................ 534 13.3.2 Stops Made in Wood for the Modem Pipe Organs.... 536 13.3.3 Structural Aspects of Pipe Made in Wood..................... 540 13.3.4 Constructive Particularities of Pipes Made in Wood . . . 540 13.3.5 Manufacturing Process of Wood Organ Pipes............... 547
xviii Contents 13.3.6 Tunning Appliancesfor Stops Made in Wood............... 13.3.7 Mitring of Long Wood Pipes.......................................... 13.4 Summary............................................................................................ References..................................................................................................... 552 553 556 558 14 Manufacturing of the Reeds for Reed Driven Instruments.............. 14.1 Introduction....................................................................................... 14.2 Technological Aspects of Reed Manufacturing............................ 14.2.1 Hand Reed Making........................................................... 14.2.2 Modem Technology for Reed Making............................ 14.3 Synthetic Materials for Reeds........................................................ 14.4 Summary............................................................................................ Appendix: List of Patents for Reeds........................................................ References..................................................................................................... 559 559 561 562 568 572 573 574 576 15 Manufacturing and Functions of Pads and Keys for Woodwind Instruments................................................................................................... 15.1 Introduction....................................................................................... 15.2 Function and Structure of Pads for Woodwind Instruments .... 15.3 Padding of Woodwind
Instruments............................................ 15.4 Biological Attack on Pads of Wind Instruments.......................... 15.5 Keys Function............................................................... ................. 15.6 Summary............................................................................................ References..................................................................................................... 579 579 580 581 585 587 592 592 16 Digital Fabrication of Some Wind Instruments................................... 593 16.1 Introduction...................................................................................... 593 16.2 Operational Mode and Parameterized Digital Model.................. 595 16.3 Digital Fabrication of a Saxophone Mouthpiece and of a Saxophone Alto ............................................................... 602 16.4 Digital Fabrication of a Flute.......................................................... 606 16.5 Digital Fabrication of a Trumpet................................................... 607 16.6 About the Advantages and Limitations of Digital Technologies for Wind Instruments...................................................................... 610 16.7 Summary............................................................................................ 611 References..................................................................................................... 612 Part IV 17 About the Durability and Degradation of Materials Procedures Used for Cleaning Metallic Wind
Instruments.............. 17.1 The Background................................................................................ 17.2 Mechanical Cleaning of Instruments............................................. 17.3 Chemical Cleaning of Instruments................................................. 617 617 619 619
Contents 17.4 Ultrasonic Cleaning of Metallic Wind Musical Instruments .... 17.4.1 About Ultrasonic Cleaning............................................... 17.4.2 Principle of Ultrasonic Method for Cleaning................. 17.4.3 Ultrasonic Equipment......................................................... 17.4.4 Practical Aspects of Ultrasonic Cleaning........................ 17.4.5 Microbial Contamination.................................................. 17.4.6 Presence of Pathogenic Bacteria...................................... 17.4.7 Methods of Sterilization of Wind Musical Instruments......................................................................... 17.5 Summary............................................................................................ References..................................................................................................... 18 19 Degradation of OrganPipes and of Brass Instruments..................... 18.1 Introduction....................................................................................... 18.2 About the Tin Pest........................................................................... 18.3 Tin Pest Failure and Degradation of Resonators.......................... 18.4 Degradation of the Reeds................................................................ 18.4.1 Chemical Composition...................................................... 18.4.2 About the Mechanical Properties of Reeds and Their Degradation...................................................... 18.4.3 Vibration Modes of the Reeds
........................................ 18.4.4 The Residual Stress in Tongues...................................... 18.5 Atmospheric Corrosion and Ageing of Historical Organ Pipes....................................................................................... 18.6 Damages by Biological Agents of Metallic Pipes and of Pipes Made of Wood.................................................................................. 18.7 About the Protection of Pipe Organ Against Fire........................ 18.8 Degradation of Tubes of Brass Instruments................................. 18.9 Summary............................................................................................ References..................................................................................................... Restorationand Conservation of Metallic WindMusical Instruments................................................................................................... 19.1 Introduction....................................................................................... 19.2 Conservation of Acoustical Specifications of a Wind Musical Instrument......................................................................................... 19.3 Restoration of a Historical Trombone............................................ 19.4 Corrosion Inside Historical Brass Wind Instruments................... 19.4.1 Chemical Composition of Alloys for Homs................... 19.4.2 Imaging of Corroded Zones of Homs’ Slides................. 19.4.3 Electrochemical Techniques for Corrosion
Detection............................................................................. 19.5 Corrosion of Metallic Structural Elements Containing Silver . . . 19.6 About Ethics in the Conservation and Restoration of Metallic Wind Instruments............................................................................. xix 621 621 623 626 628 631 631 632 634 635 637 637 637 647 649 651 654 654 655 659 668 669 671 675 676 679 679 682 682 685 687 688 689 692 694
XX Contents 19.7 New Approach in Conservation of Brass Wind Instruments . . . 697 19.8 Summary............................................................................................ 703 References..................................................................................................... 704 20 Restoration of Pipe Organs....................................................................... 20.1 Introduction....................................................................................... 20.2 About the Polemic: To Play or to Preserve Period Pipe Organs....................................................................................... 20.3 Early Music Revival Movement................................................... 20.4 Organ Revival or Organ Reform Movement................................. 20.4.1 Orgelbewegung in Germany and Other German Speaking Countries ........................................................... 20.4.2 Cecilian Movement in Italy ............................................ 20.4.3 Organ Reform in England................................................. 20.4.4 Organ Revival in US........................................................ 20.4.5 Organ Building Development After the Second World War......................................................................... 20.5 Technological Advances and Organ Building in the 20th and 21st Centuries........................................................................... 20.6 About Restoration, Conservation and Preservation of Historical
Organs......................................................................... 20.6.1 Restoration of Historical Organs..................................... 20.6.2 Types of Actions for Restoration, Conservation and Preservation of Historical Organs............................ 20.7 Summary........................................................................................... Appendix 1: Evolution of the Organ and Registration in France from 17th to 20th Century (Data from Guilhemjoan 1998).................. Appendix 2: Structural Components of a Modem Organ Made in 2008 by the Holtkamp Organ Company—Cleveland for the Cathedral of St Louis in New Orleans—Opus 2093. (http://www. holtkamporgan.com/Controls/ImageViewer/ImageViewer.aspx)............ Appendix 3: Saint Sulpice Church in Paris and the Organ Rebuilt in 1862 by Cavaillé-Coll. Roth and Dud Attenti (2014) Explained in Detail the Historical and Structural Aspects of the Organ Built by Aristide Cavaillé-Coll.................................................................. Appendix 4: Reconstruction of the Organ of St Eustachę Church in Paris.......................................................................................................... Appendix 5: Technical Specification of the New Organ Built by van Den Heuvel in Paris, for St EustachęChurch............................ Appendix 6: Stop List for the Organ in St Eustachę Church in Paris—8000 Pipes ..................................................................................
References..................................................................................................... 707 707 721 722 724 726 730 732 732 734 737 744 749 760 764 768 770 773 776 778 780 782
Contents 21 XXI Marble, The Nondegradable Material for Pipe Organ..................... 21.1 Introduction....................................................................................... 21.2 Marble for Pipes Organs.................................................................. 21.3 Marble Organs................................................................................... 21.4 Physical and Mechanical Parameters of Marble.......................... 21.5 Summary............................................................................................ References..................................................................................................... 787 787 788 790 791 799 799 Index...................................................................................................................... 801 Index of Names of Wind Instruments Makers, Composers and of Organ Builders and Places Where the Organs Were Built................. 817
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| author | Bucur, Voichita 1940- |
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| author_sort | Bucur, Voichita 1940- |
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| dewey-hundreds | 500 - Natural sciences and mathematics |
| dewey-ones | 534 - Sound and related vibrations |
| dewey-raw | 534 |
| dewey-search | 534 |
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| dewey-tens | 530 - Physics |
| discipline | Physik Handwerk und Gewerbe / Verschiedene Technologien Kunst |
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| id | DE-604.BV046246010 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:39:25Z |
| institution | BVB |
| isbn | 9783030191740 9783030191771 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031624328 |
| oclc_num | 1127954234 |
| open_access_boolean | |
| owner | DE-11 DE-12 DE-91G DE-BY-TUM |
| owner_facet | DE-11 DE-12 DE-91G DE-BY-TUM |
| physical | xxi, 819 Seiten Illustrationen, Diagramme |
| psigel | BSB_NED_20210422 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Springer |
| record_format | marc |
| spelling | Bucur, Voichita 1940- Verfasser (DE-588)1224928318 aut Handbook of materials for wind musical instruments Voichita Bucur Cham, Switzerland Springer [2019] © 2019 xxi, 819 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Acoustics Ceramics, Glass, Composites, Natural Materials Manufacturing, Machines, Tools, Processes Wood Science & Technology Music Cultural Heritage Manufactures Wood Cultural heritage Blasinstrument (DE-588)4130897-9 gnd rswk-swf Material (DE-588)4169078-3 gnd rswk-swf Musikalische Akustik (DE-588)4123807-2 gnd rswk-swf Blasinstrument (DE-588)4130897-9 s Material (DE-588)4169078-3 s Musikalische Akustik (DE-588)4123807-2 s DE-604 Erscheint auch als Online-Ausgabe 978-3-030-19175-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031624328&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bucur, Voichita 1940- Handbook of materials for wind musical instruments Acoustics Ceramics, Glass, Composites, Natural Materials Manufacturing, Machines, Tools, Processes Wood Science & Technology Music Cultural Heritage Manufactures Wood Cultural heritage Blasinstrument (DE-588)4130897-9 gnd Material (DE-588)4169078-3 gnd Musikalische Akustik (DE-588)4123807-2 gnd |
| subject_GND | (DE-588)4130897-9 (DE-588)4169078-3 (DE-588)4123807-2 |
| title | Handbook of materials for wind musical instruments |
| title_auth | Handbook of materials for wind musical instruments |
| title_exact_search | Handbook of materials for wind musical instruments |
| title_full | Handbook of materials for wind musical instruments Voichita Bucur |
| title_fullStr | Handbook of materials for wind musical instruments Voichita Bucur |
| title_full_unstemmed | Handbook of materials for wind musical instruments Voichita Bucur |
| title_short | Handbook of materials for wind musical instruments |
| title_sort | handbook of materials for wind musical instruments |
| topic | Acoustics Ceramics, Glass, Composites, Natural Materials Manufacturing, Machines, Tools, Processes Wood Science & Technology Music Cultural Heritage Manufactures Wood Cultural heritage Blasinstrument (DE-588)4130897-9 gnd Material (DE-588)4169078-3 gnd Musikalische Akustik (DE-588)4123807-2 gnd |
| topic_facet | Acoustics Ceramics, Glass, Composites, Natural Materials Manufacturing, Machines, Tools, Processes Wood Science & Technology Music Cultural Heritage Manufactures Wood Cultural heritage Blasinstrument Material Musikalische Akustik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031624328&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bucurvoichita handbookofmaterialsforwindmusicalinstruments |